Owner`s manual
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Ever since the “dawn of digital” audio
engineers the world over have had a mixed
relationship with digital consoles. Instead
of navigating a vast sea of knobs, buttons
and menus like most other live digital
mixers, the new BEHRINGER X32* digital
mixing console lets you focus on your event.
The X32 is intuitive and powerful with
40 processing channels and 25 mix buses,
all equipped with serious signal processing
(dynamics, EQ and inserts), which can be
con gured quickly to meet the demands of
virtually any gig, large or small.
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Use any combination of the local 32 console
mic inputs or the networked digital snake
inputs on stage—their audiophile quality
programmable preamps always ensure full
control, purity and impeccable dynamics.
The dedicated channel strip section puts
17 backlit buttons and 13 rotary controls
with LED-collars right at your ngertips
for nuanced adjustment of each channel’s
compressor, 4-band parametric EQ and
much more. Each input and output
channel strip features its own color backlit
128 x 64 graphic LCD, which provides vital
channel information at-a-glance.
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The onboard virtual FX Rack provides
access to eight true-stereo, multi-e ects
output and MIDI are also supported, as
well as ultra-low jitter, ultra-low latency
communication between the X32 and
digital snakes, remote stage boxes and
outboard recording devices. A convenient
top panel USB port is available for recording
an uncompressed two-channel “board mix”
straight to any standard USB thumb drive or
for playing background music.
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System expansion and connectivity
capabilities are provided via an integrated
card slot, which allows you to add up to
32 channels of digital audio I/O by way of
IEEE1394 FireWire, ADAT TOSLINK or USB.
It will even support standalone 16-channel
uncompressed multi-track recording to
an attached USB drive—without requiring
a computer!
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The BEHRINGER X32 digital mixing
console sets a new benchmark for live
sound mixing along with unprecedented
value. Never before has any manufacturer
o ered a full-featured digital mixing
console with such large input and output
channel count, comprehensive processing,
exible expansion options and an intuitive
user interface—all at a price point that has
the competition shaking in their boots!
processors (16 mono) including delay,
chorus, dynamics—and it can run 4 high-end
and true-stereo reverbs concurrently with
8 channels of 31-band graphic equalization,
all without the need for expensive, space-
consuming external hardware. I/O abounds
with 32 high-end programmable mic
preamps; 6 Aux Inputs on ¼" TRS;
16 balanced XLR Outs, plus balanced Control
Room outputs on both XLR and ¼" TRS
connectors. A single CAT5 cable from FOH
to the stage can receive up to 48 channels
of audio input—and deliver all bus outputs,
along with 16 individual monitor feeds
for BEHRINGER’s brand new P16 personal
monitoring system (see page 12 for details).
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Thanks to the netbook-resolution,
800 x 480 high-contrast color TFT display,
you are never more than one or two button
presses away from any of X32’s eight highly
intuitive control screens. Once you select
the desired function, dedicated rotary/
push encoders allow you to set parameters
and source I/O assignment, without the
need to “drill down” through multiple
layers of menus or page through a complex
owner’s manual.
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Signals can be assigned to eight DCA
groups (Digitally Controlled Ampli er),
which provides simultaneous group
level control via dedicated 100 mm
motorized faders. The audio engineer can
communicate with the talent by means of
the Talkback section’s onboard mic or an
external mic of their choosing. X32’s scene
management allows snapshots of high- level
production mixes to be captured and
recalled for future use (you can even
save them to a USB stick). X32 even has
a dedicated custom control section with
user- de nable knobs and buttons where
you can create your own set of controls,
making it easy to access frequently used
functions “on-the- y.”
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The X32 provides extensive output
connectivity including 16 balanced XLR
outputs, six balanced Line I/O on ¼" TRS
connectors; dual Phones outputs; Main
LCR (Left, Center, Right) buses; 16 mix
buses (also con gurable as subgroups)
with Inserts, 6-band parametric EQ and
dynamics processing; plus six independent
Matrix Mixes with Inserts, also with 6-band
parametric EQ and dynamics processing.
The rear panel also sports two AES50
ports, each with Klark Teknik’s rock-solid
SuperMAC 48-channel I/O networking
capability (for addressing a total of
96 inputs and outputs). Stereo digital
32-channel total recall t
digital mixer with fully
programmable high-end mic
preamps and 16 mix buses, con gurable
as subgroups
Main LCR and all 16 mix buses featuring t
inserts, 6-band parametric EQ’s and
dynamics processing
16 analog XLR outputs plus 6 additional t
line in/outputs, 2 phones connectors
and a talkback section with integrated or
external mic
48-channel digital snake ready** via t
AES50 ports featuring KLARK TEKNIK’s
SuperMAC networking capability for
ultra-low jitter and latency
Built-in expansion port for Firewire/t
USB/ADAT card** featuring standalone
16-channel recorder or other
networking interfaces
Virtual FX rack featuring 8 true-stereo FX t
slots for high-end simulations of famous
outboard gear such as KLARK TEKNIK
DN780, EMT250 etc. (included)
Ultra-high power 32-Bit oating-point t
DSP features “unlimited” dynamic range,
no internal overload and near-zero
latency between in and outputs
NEW! X32
Flagship 32-Channel Digital Mixing Console for Live FOH,
Monitor and Recording Applications
6 mute groups and 8 DCA groups on t
8 dedicated 100 mm motorized faders
Super-easy user interface and dedicated t
channel strip section with direct access
controls for intuitive work ow
High-resolution 7" color TFT with t
associated controls and individual RGB
backlit graphic LCD’s in every channel
25 motorized 100 mm faders, extensive t
channels strip plus dedicated user-
de nable control section
USB ash connector providing le t
storage for uncompressed recordings
plus show presets and system updates
Connectivity for BEHRINGER’s P-16 t
Personal Monitoring System**, AES/EBU
stereo digital output and MIDI
6 independent matrix mix buses t
featuring inserts, 6-band parametric EQ’s
and dynamics processing
Adjustable line delays available on all t
physical in and outputs
Networked remote control or show t
setups with remote editor software via
USB and Ethernet ports (included)
Powerful scene management for t
convenient handling of complex
productions
* This device has not been authorized by the rules of the Federal Communications Commission. This device is not, and may not be, o ered for sale or lease, or sold or leased in the 50 U.S. states, the District of Columbia and U.S. possessions, until authorization is obtained. ** Not included AES50 is a trademark of the Audio Engineering Society, NY
Game Changer
32-Channel, 16-Bus Total-Recall
Digital Mixing Console for Live and
Recording Applications
Available in Q3/Q4 2011