Installation Guide

DLM-1 Series Installation Guide V1.0
8
Conguration
The mic and line inputs on the module will be available to the network once the DLM-1 has been routed to a Dante receiver
using Dante Controller or equivalent software. If AES67 interoperability mode is enabled and set up for the DLM-1 (through
Dante Controller Device Options), then it may alternatively be connected to an AES67-compliant receiver (note that
additional conguration procedures may be required).
The relative volume of the mic and line sources will be determined by the module’s level controls.
The Dante Controller screengrab below shows a single DLM-1 (the transmitter) and a Cloud CDI-CA4 Dante input card (the
receiver). In a real-world Dante network, there will be many more transmitters and receivers. Note that any Dante-compliant
device (amplier, mixer, etc.) may act as the receiver.
In this example, Channel 1 of the DLM-1 is routed to Input 1 of the CDI-CA4 card. On the DLM-1, Channel 1 is idented in the
software as 01 Mix Mono / Mix L / Line Mono. The DLM-1’s Channel 1 output is a mono mix of all the module’s
inputs: use only Channel 1 for routing.
Connecting multiple DLM-1s
Two or more DLM-1s may be installed in the same audio system Zone. This enables microphones and music sources to be
connected at different locations within a single Zone (typically one of large area or complex layout).
The “interconnection” of multiple DLM-1s is achieved using Dante Controller. The DLM-1 is a Dante receiver as well as a
transmitter, and the output of one DLM-1 may be routed to the input of another. The receiving DLM-1 will mix the mono audio
from the rst module with its own inputs, and make a composite mix of all audio sources available to the network.
Each DLM-1 should be connected independently to the network switch serving the area (using a PoE injector for each if
necessary).