PHOTO - VIDEO - PRO AUDIO Section12 STUDIO EQUIPMENT The SourceBook ProfessionalVideo Allen Avionics....................................900-901 Analog Way .......................................902-908 Barco...........................................................909 CSI ........................................................910-913 Comprehensive .................................914-919 Ensemble Designs ............................920-929 Gefen ..................................................
900 STUDIO EQUIPMENT A L L E N AVI O N IC S HUM ELIMINATORS RF transmission in cables is routinely plagued by 50Hz or 60Hz hum or other interference. When a cable is used for video signals, small electrical currents caused by differences in ground potential (ground loops) or induced common-mode noise, can result in considerable hum interference. Cameras, video recorders, monitors and video effects generators... even switchers and computers downstream... are affected.
STUDIO EQUIPMENT 901 A L L E N A V IO N ICS Video Noise Eliminators Video Isolation Transformers (VIT) Video noise eliminators are effective for video signals up to 30MHz— encompassing HDTV frequencies with little distortion. For signals below 20MHz they are totally “transparent”. Since hum reduction, using video noise eliminators, is not as great as with HECs, their use is recommended only where higher frequencies are involved.
STUDIO EQUIPMENT 902 A NAL O G W A Y SCAN CONVERTERS Scan 1600 Easy to use, the Scan1600 converts PC, Mac or workstation graphic images up to1600 x1200 at 60Hz into video. Ready for the new generation of computer graphic cards, it also offers a DVI-D input for digital signals. It is totally Auto-Scan and converts in real time, full screen image, with overscan / underscan and freeze frame functions. Ideal for display network, business presentation, video conferencing, video recording, video projection.
STUDIO EQUIPMENT 903 A N A L O G W AY SCAN CONVERTERS Broad Scan Broad Scan converts workstation, PC or Mac graphic images up to 1600 x 1200 @60Hz (1920x1200 RB) into NTSC or PAL video. Equipped with Digital DVI and analog RGB input, each computer input has its own monitor loop through output for the connection of a control display. It also features a powerful broadcast genlock through an NTSC/PAL black burst signal.
904 STUDIO EQUIPMENT A NAL O G W A Y VIDEO SCALERS V-Scale • V-Scale C V-Scale and V-Scale C are half19” rack compact video scalers offering multiple output resolutions up to1600 x1200. They significantly improve the quality of any video signal, providing enhanced brightness and sharpness. They allow NTSC, PAL or SECAM sources to be displayed on high resolution LCD, plasma or video projectors with a computer input.
STUDIO EQUIPMENT 905 A N A L O G W AY VIDEO SCALERS V-SCALE V-SCALE C V-SCALE PLUS 2 1 4 Number of Computer Inputs 1 1 1 Composite (Auto - PAL - NTSC - SECAM) 2* 1 2 S.
06 STUDIO EQUIPMENT A NAL O G W A Y MULTI-FORMAT CONVERTERS Optimizer HD Optimizer HD is a state-of-the-art universal up/down scaler, scan converter and standards converter with TBC functions in one box that converts standard defintion images into cinema-like or wide sceen displays. Its high flexibility combined with its processing quality makes it essential in professional broadcast, digital cinema and high end pro A/V environments.
STUDIO EQUIPMENT 907 A N A L O G W AY MULTI-FORMAT CONVERTERS VIO 1600 • VIO 1600-D1 • Ultra-VIO Features ◆ They generate various output formats including: composite (NTSC/PAL) S-Video, YUV, HD-YUV or computer: analog RGB or digital DVI. The Ultra-VIO also outputs SD/HD-SDI. ◆ Unbalanced stereo audio is passed with each universal input. ◆ They offer conversion of any of the inputs to any of the outputs including conversion of the television standard and bidirectional analog to digital conversion.
908 STUDIO EQUIPMENT A NAL O G W A Y MULTI-FORMAT CONVERTERS VIO 1600 ULTRA VIO TETRA VIO OPTIMIZER HD Inputs Number Of Inputs 3 3 4 4 Loopthrough for each input ✓ ✓ ✓ – Composite ✓ ✓ ✓ ✓ S. Video ✓ ✓ ✓ ✓ YUV ✓ ✓ ✓ ✓ RGB Video ✓ ✓ ✓ ✓ HD-YUV ✓ ✓ ✓ ✓ RGB Computer ✓ ✓ ✓ ✓ DVI Computer ✓ ✓ ✓ ✓ HD/SD-SDI – ✓ ✓ ✓ NTSC/PAL/SECAM ✓ ✓ ✓ ✓ 15 kHz up to 130 kHz (UXGA) ✓ ✓ ✓ ✓ Composite ✓ ✓ ✓ – S.
STUDIO EQUIPMENT 909 BARCO FOLSOM IMAGE PRO The Folsom ImagePRO is a powerful all-in-one signal processor that accepts a wide range of video input signals and process them into a number of different signal formats to meet the video requirements of virtually any application. Incorporating Folsom’s Athena proprietary high performance image processing technology, the ImagePRO is available in three versions—ImagePRO, ImagePRO-SDI and the fully-loaded ImagePRO-HD.
910 STUDIO EQUIPMENT CS I COMMUNICATIONS SPECIALTIES, INC. SCAN DO SELECT Affordable XGA Scan Converter The Scan Do Select offers the lowest cost/highest quality video in its price class. It accepts input from computers with resolution as high as1280 x 1024 @ 60 Hz and converts it to high resolution composite and S-Video in both NTSC and PAL formats. Scan Do Select features image zoom, while shrink and positioning controls allow for proper sizing and viewing of the image.
STUDIO EQUIPMENT CS I 911 COMMUNICATIONS SPECIALTIES, INC. SCAN DO PRO II/D XGA Scan Converter with Component & SDI Output The Scan Do Pro II/D incorporates all the features of the Scan Do Pro II, except this SDI equipped model converts high-resolution graphics to NTSC and PAL video in serial digital component as well as composite, Y/C, YUV and RGB formats. of their respective counterparts, plus both include an RS-232 port for remote operation of all scan converter functions.
912 STUDIO EQUIPMENT CS I COMMUNICATIONS SPECIALTIES, INC. DEUCE SDQ Scaler, Line Doubler and Line Quadrupler A video scaling solution for the price-conscious, the Deuce SDQ is a versatile scaler, line doubler and line quadrupler that offers state-of-the-art signal processing technology— but with a no-frills design and at an extremely affordable price. Deuce SDQ offers the most sophisticated level of “intelligent” motion compensation processing available.
STUDIO EQUIPMENT CS I 913 COMMUNICATIONS SPECIALTIES, INC. DEUCE HD High Definition Scaler The Deuce HD is designed for applications that use projectors and other display equipment featuring HD output resolutions. Deuce HD enables HDTV-quality images from any standard NTSC or PAL source material. It meets a wide range of HDTV and DTV standard with five scaled outputs, including 480p, 720p,1080p,1280 x1024 and1366 x 768.
914 STUDIO EQUIPMENT COM P RE HE N SIV E DISTRIBUTION AMPLIFIERS CDA-DVI30 1x3 DVI and Stereo Audio DA Splitter The CDA-DVI30 allows a single DVI source to be displayed on three monitors simultaneously as well as splitting the audio for each. Provides a fast, flexible solution for broadcasting video information to the public. Applications include Information broadcasting, video conferencing, TV classrooms, high quality multimedia presentations, and demos. Supports DVI-D Single Link video sources.
STUDIO EQUIPMENT 915 C O MP R E H E N SIV E DISTRIBUTION AMPLIFIERS CDA-CV20 CVG-3AVB 1x3 Audio and Video Distribution Amp 1x2 Component Video Ditribution Amplifier A high performance 1x3 DA for video (BNC) and stereo audio signals. It is typically used for composite video sources, but video bandwidth exceeding 430MHz allows it to be used for high-resolution data/ video signals, SDI video, and other specialized signals.
916 STUDIO EQUIPMENT COM P RE HE N SIV E DISTRIBUTION AMPLIFIERS CVG-50V 1x5 Composite Video Distribution Amp CVG-10ARII 1x10 Composite Video and Audio DA A 480 MHz bandwidth, high resolution 1x5 DA, the CVG-50V uses an external 12v DC power source, and therefore is suitable for field work as well. Dozens of copies of videotapes can be made at the same time using several CVG-50V units chained through the looping inputs. (Mfr # CVG-50V • B&H # COCVG50V) ..................................................
STUDIO EQUIPMENT 917 C O MP R E H E N SIV E SWITCHERS CSW-DVI310 CSW-VGA211 3x1 Single Link DVI Switcher 2x1 VGA/XGA & Stereo Audio Auto Switcher The CSW-DVI310 allows one of three DVI sources to be displayed on a single DVI monitor, providing a fast, flexible solution for broadcasting video from multiple computers to a single display. Applications include information broadcasting, video conferencing, TV classrooms, high quality multimedia presentations and demos.
918 STUDIO EQUIPMENT COM P RE HE N SIV E SWITCHERS CVG-21RCA CVG-81AV • CVG-81AS 2x1 High Resolution Audio/Video/Component Switcher 8x1 Composite & 8x1 S-Video Passive Switchers w/Audio A versatile 2x1 high resolution mechanical switcher that can be used for many types of signals.
STUDIO EQUIPMENT 919 C O MP R E H E N SIV E VIDEO SCALERS CVG-719XL 7-Input Presentation Switcher/Scaler with Audio With FTB Technology The CVG-719XL is a 7-input true multi-standard video to RGBHV Digital Scaler/Switcher with FTB (Fade-thru-Black) technology for smooth switching. It converts component, composite, S-Video, VGA-throughUXGA, and DVI signals to a range of user-selectable VESA pixel rates, as well as several special resolutions.
920 STUDIO EQUIPMENT EN S E M BL E D ESIG N S BRIGHTEYE Video, Audio and Optical Converters & Embedders The BrightEye line of compact video converters is a complete conversion solution. These self-contained converters interface to the full range of video formats: high defintion and standard definition SDI, analog component, analog composite, and S-Video. Analog audio and AES digital audio converters and embedders round out the BrightEye family.
STUDIO EQUIPMENT 921 E N SE MB L E D ESIG NS BRIGHTEYE BrightEye 1 Analog/SDI to SDI/Optical Converter with TBC & Frame Sync BrightEye 5 Analog Composite TBC and Frame Sync With component, composite and S-Video and SDI video inputs, the BrightEye 1 can take on any video source. Built-in TBC/ Frame Synchronizer provides a rock steady output - even with marginal inputs. The reference input is used to genlock the converter output to house reference such as color black.
922 STUDIO EQUIPMENT EN S E M BL E D ESIG N S BRIGHTEYE BrightEye 11-HD HD/SD SDI to Analog Converter BrightEye 11-D provides HD or SD digital to analog video conversion with the full range of analog output formats available for HD and SD. When an HD input is present HD RGB or YPrPb are output. When an SD input is present Beta, SMPTE, RGB or composite with simultaneous Y/C is output. 12-bit processing at 8x oversampling mean the best looking images possible.
STUDIO EQUIPMENT 923 E N SE MB L E D ESIG NS BRIGHTEYE BrightEye 23 Analog to SDI Embedder BrightEye 23 is an embedder, or multiplexer with one SDI input and a 4-channel analog audio input. The four analog audio channels are digitized and embedded into the 601 video stream. The output is a serial digital video stream that contains the original video plus the four analog audio channels.
924 STUDIO EQUIPMENT EN S E M BL E D ESIG N S BRIGHTEYE BrightEye 41 BrightEye 45 Video/AES/Tri-Level Sync Distribution Amplifier HD/SD/ASI Electrical to Optical Converter Accepts analog video, AES digital audio, or HD Tri-Level Sync signal. It provides unity gain fan out over a frequency range of DC to 10Mhz, and handles composite and component analog video, coaxial AES digital audio, or High Definition Tri-Level Sync signal.
STUDIO EQUIPMENT 925 E N SE MB L E D ESIG NS BRIGHTEYE BrightEye 70 HD/SD AES Embedder/Disembedder The BrightEye 70 is a dual rate 8-channel audio embedder or disembedder for 1.5Gb/s HD or for 270Mb/s SD video signals. Four AES ports automatically configure as inputs or outputs depending if the module is configured as mux or demux. When configured as a multiplexer, the BrightEye 70 has one SDI input and four AES audio inputs. These four AES streams are embedded into the video stream.
926 STUDIO EQUIPMENT EN S E M BL E D ESIG N S BRIGHTEYE BrightEye 75 HD/SD A/D Video Converter BrightEye 90 HD Up/Down Cross Converter and Analog Audio Embedder and ARC with AES Audio An analog video to digital converter and audio embedder. Standard definition component or composite, or high definition analog component video is accepted on the input BNCs. Two channels of analog audio are input on a plugable Phoenix connector. Perfect for use with HD cameras or other devices with analog I/O.
STUDIO EQUIPMENT 927 E N SE MB L E D ESIG NS BRIGHTEYE BrightEye 90-A HD Up/Down Cross Converter BrightEye 91 HD Upconverter with AES Audio and ARC with Analog Audio The BrightEye 91 is an upconverter with analog composite and standard definition SDI inputs. Feed the analog composite or SDI output of a camera to a BrightEye 91 and upconvert to HD. Then take the HD signal into a switcher or projection system.
928 STUDIO EQUIPMENT EN S E M BL E D ESIG N S BRIGHTEYE BrightEye 92-A BrightEye 93 HD Downconverter with Analog Audio HD Cross Converter BrightEye 92-A will downconvert any type of HD signal and output both a standard definition SDI and an analog composite signal suitable for broadcast or monitoring. The built-in Frame Synchronizer allows you to feed asynchronous signals to the BrightEye 92-A. An external reference input allows genlock to a house reference.
STUDIO EQUIPMENT 929 E N SE MB L E D ESIG NS SPECIFICATIONS ● BrightEye 3 ● BrightEye 5 ● ● ● ● ● BrightEye 11-HD ● ● BrightEye 15 ● ● BrightEye 16 ● SPG, TSG AES Out AES In Analog Out ● ● ● ● ● ● ● ● ● ● ● ● ● ● BrightEye 21 ● ● ● BrightEye 22 ● ● BrightEye 23 ● ● ● Analog In ● ● BrightEye 26 ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● BrightEye 30 ● ● ● ● ● ● BrightEye 30-D ● ● ● ● ● ● ● BrightEye 40 ●
930 STUDIO EQUIPMENT GEFE N DVI SWITCHERS EXT-DVI-241 EXT-DVI-422N 2x1 DVI Video + USB + Audio Switcher 2x2 DVI Video + USB + Audio Switcher A versatile switcher that allows you to switch between any combination of two DVI or USB equipped computers using just one display and USB keyboard and mouse. Save time, space, and resources.
STUDIO EQUIPMENT 931 G EF E N DVI & VGA SWITCHERS EXT-HDTV-441N 4x1 HDTV Switcher Offering superb flexibility in the setup of high-definition theater and electronics systems, this 4x1 HDTV switcher can connect 4 HDTV source devices, including satellite set-tops, DVD players, TiVo systems and even DVI-based computer systems, and link them to one high-definition screen. Simply select what source will be viewed on the screen using the switcher or its IR remote control.
932 STUDIO EQUIPMENT GEFE N HDMI SWITCHERS EXT-HDMI-241N EXT-HDMI-442 2x1 HDMI Switcher with Discrete IR Remote Control 4x2 HDMI HDTV Switcher with Digital Audio Switch between two HDMI sources using a single high-definition display. Can be controlled manually via intuitive frontpanel control or with supplied remote control. It is also fully HDCP compliant, meaning that the video signal is encoded to prevent it from being pirated.
STUDIO EQUIPMENT 933 G EF E N DISTRIBUTION AMPLIFIERS EXT-HDMI-142 1x2 HDMI Splitter Distribution hub that sends the same video output to two HD digital displays. Features 1 HDMI input and 2 HDMI outputs. Allows simultaneous display. Maintains high resolution video - beautiful, sharp HDTV resolutions up to 1080p, 2k, and computer resolutions up to 1920 x 1200 are easily achieved. (Mfr # EXT-HDMI-142 • B&H # GE1X2HHDA) ..............................................................259.
934 STUDIO EQUIPMENT GR AS S VAL L EY ADVC700 Broadcast-Quality Bi-Directional Analog/Digital Video Converter Engineered to meet the high standards of professional broadcast and post production environments, ADVC700 provides unmatched quality and reliability in bidirectional analog/DV conversion, supporting both Windows and Mac OS.
STUDIO EQUIPMENT 935 GR A SS V A L L EY ADVC3000 Broadcast-Quality A/D Converter The ADVC3000 is designed to meet the conversion requirements of broadcasters, cable operators, video professionals and post-production operations. Housed in a 2RU design, it combines and enhanced the features of the ADVC700 and ADVC1000 converters—and can convert between analog and DV, DV and SD-SDI and analog and SD-SDI.
936 STUDIO EQUIPMENT H OR I TA SMPTE TIME CODE EQUIPMENT For Desktop, Rack Mount or Field Use Horita offers a full line of SMPTE LTC and VlTC time code readers, generators, inserters and translators. The LTC line offers choice and flexibility, from the basic WG-50 Play Speed Reader/Inserter to the complete TRG-50 PC Generator/Search Speed Reader/Window Inserter with RS-232 interface and TC-TOOL KIT tape logging software.
STUDIO EQUIPMENT 937 H O R IT A VITC TIME CODE Horita’s VITC (Vertical Interval Time Code) products generate and read VITC, as well as interface into LTC systems. The VG-50 also includes the Time Code Analyzer display for showing the exact timing relationship between time code and video. VWG-50 VITC Reader/Window Dub Inserter Compatible with all VCR formats, the VWG-50 reads VITC time code from pause to 20x play speed, and makes burned-in VITC window dub copies.
938 STUDIO EQUIPMENT H OR I TA LTC TIME CODE Horita’s LTC (Longitudinal Time Code) products add functions and features with each step up of the line. Available in desktop or rackmount versions, they operate from +9v to +13.5v DC and include a 9v AC adapter. The desktop units are small, versatile and easy to use. Front panel toggle switches select function. Rear connectors are BNC for video and RCA for LTC.
STUDIO EQUIPMENT 939 H O R IT A LTC TIME CODE MWG-50 Multiple Window Generator An economical solution when you need to make up to four independent time code window burns from a single LTC input source. The MWG-50 reads time code at play speed and keys the resultant video display into four independent composite video signals. The MWG-50 displays time code or user-bits; displays drop-frame or nondrop-frame time-code.
940 STUDIO EQUIPMENT H OR I TA LTC TIME CODE TCI-50 VITC/LTC Reader/RS-422 Inserter The TCI-50 reads VITC or LTC time code, translates and inserts the time code numbers into an RS-422 data stream going back to an edit controller or PC. ◆ LTC input source can be from an audio channel or a time code address track. ◆ Reads VITC and LTC at various search/rewind speeds, depending on channel bandwidth and tape formats.
STUDIO EQUIPMENT 941 H O R IT A LED DISPLAY LTC & VITC READERS/GENERATORS TCD-100 VITC/LTC Reader/LED Display VLR-100 • VLR-100PC The TCD-100 is a combination high speed LTC and VITC time code reader with 0.8” high LED character display suitable for viewing across a room. Reads LTC from 1/30 to 100x play speed (forward/reverse), and VITC from pause to over 30x (depending on tape format).
942 STUDIO EQUIPMENT H OR I TA TIMERS • SAFE AREA & MATTE GENERATORS ETD-100 Elapsed Time Display SAG-50 Safe Area Generator The ETD-100 is a 0.8” H LED display timer that can be used to time various situations and events such as talent, speakers, presentations, experiments, etc. It can count up or down and outputs a “GPI” signal when the count reaches zero. The LED display has a brightness control and is large enough to be read across a room.
STUDIO EQUIPMENT 943 H O R IT A TITLERS RMT-50 Remote Message Titler SCT-50 Serial Control Titler The RMT-50 instantly overlays up to sixteen “canned” text messages onto a composite video signal in response to remote inputs on the rear of the unit. Each alpha-numeric message is displayed on a single line of text of up to twenty characters in length. An optional mode provides for eight messages consisting of two lines of twenty characters each.
944 STUDIO EQUIPMENT H OR I TA BLACKBURST & COLOR BAR GENERATORS BG-50 CSG-50 Multiple Output Black Generator Color Bar / Sync / Tone Generator The BG-50 provides multiple outputs of blackburst and composite sync for genlocking larger video systems. All outputs are derived from the composite video input which can be any source, including “Off Tape”. ◆ Two outputs can be configured as composite sync ◆ 6 BNC blackburst outputs. ◆ Black level can be set to 7.5 or 0 IRE.
STUDIO EQUIPMENT 945 H O R IT A TEST SIGNAL GENERATORS TSG-50 • TSG-50B NTSC Test Signal Generators The TSG-50 generates 12 video test signals suitable for setting up, aligning, and evaluating the performance of various video equipment found in a typical video editing system. These include video monitors, distribution amplifiers, VCRs, switchers, effects generators, TBCs, etc. In addition to the video signals, the TSG-50 also generates composite sync.
946 STUDIO EQUIPMENT H OR I TA MINIATURE PORTABLE TIME CODE EQUIPMENT PTG Mini Portable Time Code Generator with LCD PTR Mini Portable Time Code Reader with LCD Designed for use in the field (runs 24 hours on a single 9V battery), the palm-sized PTG features a large 2-line LCD readout for time code, user bits, and setup information. Easy to setup, it is ideal for use in multicamera shoots for games, concerts, weddings, etc.
STUDIO EQUIPMENT 947 H O R IT A AUDIO & GPS EQUIPMENT ADQ-50 Audio / Video Cue “Streamer” The ADQ-50 is a low cost, small, desktop sized unit that generates both video and audio cue prompts for use during ADR, Foley, or other post production audio tasks that require precise and repeatable timing or syncing of audio responses to specific video action. The ADQ-50 overlays a thin white vertical line which sweeps across the screen from left to right.
948 STUDIO EQUIPMENT H OR I TA GPS-BASED VIDEO & TIME CODE EQUIPMENT GPS-MTG GPS Based Master SMPTE Time Code Generator The GPS-MTG uses the accuracy of the atomic clocks in the Global Positioning System to generate SMPTE longitudinal time code matched to UTC, offset to local time or time and date, day-after-day, month-after-month, year-after-year, unattended, anywhere in the world.
STUDIO EQUIPMENT 949 H O R IT A GPS-BASED VIDEO & TIME CODE EQUIPMENT GPS-MSG MDD-100 Time Code GPS-Based Master Video Sync Generator Alphanumeric Date LED Display The GPS-MSG is a multiple output RS-170A "blackburst" and video sync signal generator that is genlocked to the atomic clocks in the Global Positioning System. The GPS-MSG quartz crystal master clock is continuously phase controlled to accurately track the time from the GPS satellites.
950 STUDIO EQUIPMENT H OT RO NI C S TIME BASE CORRECTORS ATS51 Series AR31 A full-featured TBC/ Frame Synchronizer with professional performance, the AR-31 is ideal for video duplication, editing and multimedia applications. It offers full bandwidth in both composite and S-Video. Adjustment controls are available on the optional remote.
STUDIO EQUIPMENT 951 H O T R O N ICS AT-61 SERIES 10-bit Video Frame Synchronizers The significant advantage of the AT61 series is its analog-to-digital transcode capability. 10-bit processing eliminates visual quantizing noise, and the matching audio delay can handle lip sync perfectly. The AT61 series more than meets the requirements of today’s digital world.
952 STUDIO EQUIPMENT H OT RO NI C S AX81 8x2 Synchronized Video Router The AX81 handles inputs from non-genlocked cameras, satellite feed and VCRs without a glitch in transition. It does not need external TBCs or Frame Sync. All proc amp controls are presettable and can be controlled via RS-232. Audio follower is equipped with XLR or RCA connectors. Ideal for use in the studio or in video teleconferencing applications.
STUDIO EQUIPMENT 953 H O T R O N ICS AU51 Broadcast Audio Delay A natural choice to any studio’s audio requirements, the AU51 is a 20-bit, broadcast quality stereo Audio Delay with an adjustable range of up to10.0 seconds. The delay can be adjusted in 0.01, 0.1, and1.0 second increments to accurately correct Lip Sync problems. It is very easy and simple to use. You just look at the video while listening to the audio and turn the delay adjust knobs until the video and audio are correctly in sync.
954 STUDIO EQUIPMENT KEY W E S T TE C H N O L O GY BVPIP2 Single-Channel Picture-in-Picture Inserter The BV (Big VooDoo) PIP2 is a high-quality, low cost, superior function picture-in-picture video inserter that offers the flexible program presets that A/V system integrators need to do the job right. The BVPIP2 has the features most applicable to today’s “pullback” applications. Put the background and foreground video in and set the size/position of the video insert, and you’re ready to go.
STUDIO EQUIPMENT K E Y W EST T EC H N O L O G Y 955 BVTBC10 Frame Synchronizer Offering CCIR 656 4:2:2 component digital video processing with10-bit accuracy at an 8-bit TBC price, the BVTBC10 has changed the price-performance equation for time base corrector/frame synchronizers.
956 STUDIO EQUIPMENT KNO X VI D E O RS SERIES 4x4/8x8/16x8/8x16 and 16x16 Audio/Video Matrix Routing Switchers The RS Series are high performance, 200 MHz highband (HB) routing switchers that are extremely versatile, easy to use and very affordable. Housed in an ultra-thin rackmount chassis, they accept and route virtually any video signal on the vertical interval, including off-the-air and non-time base corrected video. They also route balanced or unbalanced stereo audio.
STUDIO EQUIPMENT 957 KN O X V ID EO RS SERIES RS Series 8x8 RS Series 16x8 Vertical Interval Matrix Switchers Vertical Interval Matrix Switchers S-Video with unbalanced (RCA) stereo audio (Mfr # RS16X8HB Y/C • B&H # KNRS168YCU)........................2239.95 S-Video only (no audio) Composite video with unbalanced (RCA) stereo audio (Mfr # RS16X8HB • B&H # KNRS168CU) ............2609.95 (Mfr # RS8X8HB Y/CVO • B&H # KNRS88YC) ...........969.
958 STUDIO EQUIPMENT KNO X VI D E O RS II SERIES 16x16 Audio/Video Matrix Routing Switchers RS II Series switchers accept up to sixteen composite, S-Video, high definition analog component, or SDI video sources, sixteen balanced or unbalanced stereo audio sources, and connect any one of the input sources to one or more sixteen outputs with optional volume and tone control. Composite routers include a second BNC connector for looping through to another device, such as a preview monitor.
STUDIO EQUIPMENT 959 KN O X V ID EO RS II SERIES RSII VO (Mfr # RSIIVO • B&H # KNRS21616C) 16x16 composite video only ....................1974.95 RSII (Mfr # RSII • B&H # KNRS21616) 16x16 composite video with unbalanced stereo audio..........................................................CALL RSII BAL (Mfr # RSIIBAL • B&H # KNRS21616CB) 16x16 composite video with balanced stereo audio.................................................................2604.
960 STUDIO EQUIPMENT KNO X VI D E O MEDIAFLEX 8/16 SERIES MediaFlex Series presentation switchers accept up to 8 or 16 composite, Y/C, component or analog HDTV video sources, 8 or 16 balanced or unbalanced stereo audio sources, and connects any one of the input sources to one or more of the 8 or 16 outputs with volume and tone control.
STUDIO EQUIPMENT 961 KN O X V ID EO MEDIAFLEX 8/16 SERIES MediaFlex 16 Series MediaFlex 16VO (Mfr # MEDIAFLEX16VO • B&H # MediaFlex16B/AO-VGA MediaFlex16RGB/BAL KNMF16CVS) 16x16 composite video.........2769.95 (Mfr # MEDIAFLEX16B/AO-VGA • B&H # KNMF16CBAS) (Mfr # MF16RGBBAL • B&H # KNMF16RUS): 16x16 hi-def 16x16 balanced stereo audio only, volume and tone control, 8x8VGA..................................5169.95 component video with balanced stereo, volume and tone control .........................
962 STUDIO EQUIPMENT KRAM E R VGA DISTRIBUTION AMPS (KRAMER TOOLS) VP-200N • VP-300N • VP-400N VP-200D 1:2 XGA Differential Amp/DA High Resolution XGA Distribution Amps A 1x2 differential distribution amplifier for computer graphics video signals with resolutions ranging from VGA through UXGA and higher. It includes differential amplifying circuitry to eliminate noise and hum often found in long cable runs.
STUDIO EQUIPMENT 963 KR A M E R COMPONENT DISTRIBUTION AMPS VM-2C 1:2 Component Video DA VP-123 • VP-123V 1:3 RGBHV Distribution Amps HDTV compatible with 500MHz high bandwidth, the VM-2C is a distribution amplifier for component video (RGB/YUV) signals. It takes one input, provides correct buffering and isolation and distributes the signal to two identical outputs.
964 STUDIO EQUIPMENT KRAM E R COMPOSITE & S-VIDEO DAs 103YC • 103YCB PT102S • PT102VN 1:3 S-Video Line Amplifiers 1:2 Composite and S-Video Distribution Amplifiers The 103YC and 103YCB are high performance (420MHz bandwidth) line amplifiers for S-Video signals. They are ideal for use in systems where the main display device is located a relatively long distance from the signal sources. The 103YC has three 4-pin outputs, the 103YCB has two 4-pin outputs and one 2-BNC output.
STUDIO EQUIPMENT 965 KR A M E R COMPOSITE & S-VIDEO DAs VM-50H 1:5 Headphone Distribution Amplifier The VM-50H is a distribution amplifier for headphone signals. It takes one stereo headphone input and distributes the signal to five identical stereo headphone outputs. Features mono/stereo input selection and Level (Gain) controls for each output. Compact, two units can be rack mounted side-by-side in a 1U rack space with the optional RK-50RN adapter. VM-50H (Mfr # VM-50H • B&H # COVM50H) ................
966 STUDIO EQUIPMENT KRAM E R COMPOSITE & S-VIDEO SWITCHERS VS-401XLM • VS-601XLM • VS-801XLM • VS-1001XLM • VS-1201XL 4x1, 6x1, 8x1, 10x1, and 12x1 Vertical Interval Video and Unabalanced Audio Switchers with RS-232 The VS-401XLM, VS-601XLM, VS-801XLM, VS-1001XLM, and VS-1201XL Vertical Interval Switchers provide truly effortless switching between four, six, eight, ten or twelve video and unbalanced audio inputs to one output (video and audio).
STUDIO EQUIPMENT 967 KR A M E R COMPOSITE & S-VIDEO SWITCHERS VS-33V 3x1 Vertical Interval Video Switcher The VS-33V is a high performance switcher for composite video (BNC) signals. Switching during the vertical interval ensures glitch-free switching with genlocked sources. Very compact, three units can be rack mounted side-by-side in a 2RU high rack space with the optional RK-SM adapter. VS-33V (Mfr # VS-33V • B&H # COVS33V) ..................................................................
968 STUDIO EQUIPMENT KRAM E R COMPOSITE & S-VIDEO SWITCHERS VS-5x5 VS-646 5x5 Composite Video/Audio Matrix Switcher 6x6 Composite Video/Balanced Audio Matrix Switcher The VS-5x5 is a high performance matrix switcher for composite video and unbalanced stereo audio signals. Switching during the vertical interval ensures glitch-free switching with genlocked sources. ◆ Bandwidth - 70MHz (- 3dB) fully loaded.
STUDIO EQUIPMENT 969 KR A M E R COMPOSITE & S-VIDEO SWITCHERS VS-101AV 10x1 Passive Audio/Video Switcher Operating as a passive unit with mechanical switches, the 1RU VS-101AV selects signals without the use of AC power. Ideal for location operations or situations where power regulation must be complied with. Switches any one of 10 composite video and unbalanced stereo audio signals to a single composite output. VS-101AV (Mfr # VS-101AV • B&H # COVS101AV).................................................
970 STUDIO EQUIPMENT KRAM E R VGA SWITCHERS VP-201XL VP-222 2x1 VGA/XGA Passive Switcher 2x1 VGA/XGA Switcher and 1x2 VGA/XGA DA High performance, high bandwidth (1300 MHz) passive switcher (no power required) for computer graphics video signals with resolutions ranging from VGA through UXGA and higher. It switches either of two signals to a single output. Measures just 4.7” wide and can be carried in a pocket. VP-201XL (Mfr # VP-201XL • B&H # COVP201XL) .................132.
STUDIO EQUIPMENT 971 KR A M E R VGA SWITCHERS VP-32XLN 3x1 VGA/XGA and Audio Switcher and 1x2 DA The VP-32XLN is a high performance switcher for computer graphics video signals with resolutions ranging from VGA through UXGA and higher, and balanced stereo audio (5 pin terminal block connectors). It switches any one of three inputs simultaneously to two identical outputs. Features front panel and contact closure control.
972 STUDIO EQUIPMENT KRAM E R SCAN CONVERTERS VP-701XL VGA/SVGA/XGA Scan Converter with IR Remote, Auto Size & Shift The VP-701XL is a real-time, computer-video scan converter designed to take the VGA (640 x 480), SVGA (800 x 600) and XGA (1024 x 768) resolution output of a computer and convert it to NTSC or PAL video.
STUDIO EQUIPMENT 973 KR A M E R SIGNAL GENERATORS 810 Color Bar/Audio Generator (Mfr # 810 • B&H # CO810) The 810 is a unique, high quality color bar/audio generator for testing and aligning video equipment, such as monitors, recorders, projectors etc. The 810 generates a color bar in composite and S-Video . It provides two composite outputs (BNCs) and one S-Video output. In addition, it provides a 1 kHz balanced audio output (that can also be used as unbalanced) for audio equipment alignment.
974 STUDIO EQUIPMENT LIN K E L E C TR O N IC S PORTABLE SERIES PCN-40 S-Video to Composite Converter PVA-50 1x4 Video Distribution Amplifier Small and lightweight (5 oz.) in a high-impact plastic case, the PCN-40 encodes an S-Video signal, and outputs two composite video signals via BNCs. The signal is fully buffered and capable of driving long cable runs. An onboard voltage regulator allows it to be powered from an external AC or DC supply.
STUDIO EQUIPMENT L IN K EL E C T R O N ICS 975 DIGITAL DISTRIBUTION AMPS LEI-515 LEI-540 SDI Presence Detector AES/EBU Digital Audio DA Designed to monitor two SDI signals and automatically switch to a backup digital source. In the event of a failure of the number one digital signal it will switch to an auxiliary signal. A captivescrew terminal sub-module is provided for “audio-follow video” capability or status mode.
976 STUDIO EQUIPMENT LIN K E L E C TR O N IC S 700 SERIES IEC-708 IEC-715 Video Presence Detector 8-Input Vertical Interval Video Switcher Designed to monitor its primary video input signal and automatically switch to an auxiliary video input with the loss of the primary video signal. A captive screw terminal sub-module is provided for “audio-follow-video capability for mono or stereo audio switching. A 3-terminal screw block provides dry contacts for normally open (N.O.) and normally closed (N.C.
STUDIO EQUIPMENT L IN K EL E C T R O N ICS 977 700 SERIES IEC-751 1x4 S-Video DA Two gain controls on the front panel adjust the video level to ±3dB for each the “Y” signal and the “C” signal. The IEC-751 Y/C Video DA has a video bandwidth of 20 MHz, making it a very useful device for any S-Video application. A fuse on the front panel provides easy replacement. Self-contained with an on board power supply, it draws only 4 watts. IEC-751 S-Video DA (Mfr # IEC751 • B&H # LIIEC751)..........................
978 STUDIO EQUIPMENT LIN K E L E C TR O N IC S 800 SERIES HDG-820 • HDG-821 IEC-835 Phaselcon Timing Instrument HD Test Signal Generators HDG-820 HDG-821 Housed in a 1RU high chassis, the HDG-820 and HDG-821 (with genlock) have two SDI/HD outputs and YUV/RGB analog outputs. The digital and analog outputs are simultaneous on the rear panel, and contain the same test pattern. A separate tri-level sync output is also provided (same data rate as the test pattern being generated).
STUDIO EQUIPMENT 979 L IN K EL E C T R O N ICS 800 SERIES PDV-844 IEEE1394 DV Converter PDR-870 Closed Caption Decoder The bi-directional PDV-844 converts component, composite and S-Video to IEEE1394 DV and vice versa (converts DV to component, composite and S-Video). Delivers perfect audio video synchronization without time delay or dropped frames. It also decodes composite or S-Video to component YUV, or component YUV to composite or S-Video along with its companion stereo audio signal.
980 STUDIO EQUIPMENT LIN K E L E C TR O N IC S 800 SERIES PFS-875 Genlock Frame Synchronizer PDR-885 CC Encoder/Decoder The PFS-875 features composite, component (YUV), S-Video and SDI inputs and outputs, making it the preferred choice among professional users. A front panel display allows convenient selection between multiple inputs, which may be connected simultaneously. The PFS-875 passes four channels of embedded stereo AES audio. AES delay adjustments will allow for matching output audio to video.
STUDIO EQUIPMENT 981 L IN K EL E C T R O N ICS 800 SERIES PDC-888 Closed Caption Decoder ENC-896 Portable CC Encoder/Decoder High performance closed caption decoder (NTSC or PAL with automatic detection), the PDC-888 can display captions for composite, component and S-Video. Supports nine standard data channels: Caption channels 1 through 4 (CC1- CC4), Text modes 1 through 4 (T1 through T4), and Extended Data Services (XDS). Operational modes are selectable from four front panel switches.
982 STUDIO EQUIPMENT LIN K E L E C TR O N IC S GENFLEX SYNC GENERATOR SYSTEM Link’s GenFlex system provides accurate analog and digital timing reference signals. Modular construction offers unmatched flexibility, and provides an easy way to upgrade from analog to digital. The system consists of a 1RU chassis and power supply with six slots to accommodate various modules. One module slot is dedicated as a dual analog/digital audio reference tone generator.
STUDIO EQUIPMENT 983 L IN K EL E C T R O N ICS GENFLEX SYNC GENERATOR SYSTEM 812-OP/F Digital (SDI) Test Signal Generator A digital test set module with 16 digital video test patterns selectable by a front panel switch or via the optional 812TRC remote control. The 812-OP/F can go in any slot except the digital/analog audio test set and power supply slot. When placed in the genlock slot #1, it becomes the master and all other modules slave to it.
984 STUDIO EQUIPMENT LIN K E L E C TR O N IC S GENFLEX SYNC GENERATOR SYSTEM PCO-818 Automatic Changeover Unit As your GenFlex system grows, the PCO-818 stands ready to grow with you. Engineered to provide complete sync system reliability in a compact, economical package, its advanced modular design provides flexibility never before available in an Automatic Changeover unit. Combined with the SPG-812, the PCO-818 offers the best performance and reliability available today.
STUDIO EQUIPMENT 985 L IN K EL E C T R O N ICS 818 SERIES MODULAR CARDS The cards are engineered to provide backup reliability in a compact, easy-to-use, and economical package. When inserted in the PCO- 818 frame, their advanced modular design provides a level of flexibility never before available in an Automatic Changeover unit. When combined with it’s sync generator companion (the SPG-812), the PCO-818 frame offers the best performance and reliability available today.
986 STUDIO EQUIPMENT LIN K E L E C TR O N IC S 800 SERIES DIGITAL or ANALOG A/V SWITCHER AVS-816 16x1 Modular Vertical Interval Video Switcher with Audio Follow The AVS-816 is a wideband video/audio vertical interval switcher designed for the video professional. It features compact modular design which allows it to handle video and audio in both the digital and analog domain. The unit has sixteen channels of video and stereo audio.
STUDIO EQUIPMENT 987 L IN K EL E C T R O N ICS 800 SERIES SWITCHERS 816-OP/C SDI Video Switch Matrix The AVS-816 has seven options to configure the unit to be Analog or Digital for Video and Audio. The video can be configured for SDI or Analog. The 816-OP/C is the SDI video plug-in board. The AVS-816 chassis and the 816-OP/C board make up an SDI video only switcher. You must select the video and audio matrix to make up the desired switcher format.
988 STUDIO EQUIPMENT LIN K E L E C TR O N IC S 800 SERIES Video Switchers, Audio Switchers, Audio Follow and Remote Controls The VSW models are wideband vertical interval switchers. High impedance looping inputs and dual outputs allow the user to efficiently and economically route video signals. The PAF series are the audio followers and the PSR series are the remote control. The ASW series are the audio only switchers for stand-alone or remote operation.
STUDIO EQUIPMENT 989 L IN K EL E C T R O N ICS ASW SERIES SWITCHERS PAF Series Audio Follow for the VSW Series Switchers The PAF Series are professional stereo audio follow switchers for the video companion. High impedance balanced input circuits reduce loading effects and noise on the incoming signals. The low output impedance of 66Ω provides a maximum level of +24dBu. The input and output connections are spring terminal blocks for reliable clamping action for secure and reliable operation.
990 STUDIO EQUIPMENT LIN K E L E C TR O N IC S MAJESTIC ROUTER 800 SERIES The 800 Series Routing Switchers are compact wide bandwidth vertical interval switchers designed for professional video production facilities. Packaged in a19” rack mountable chassis, the switchers are supplied with a single front-loaded power supply. An optional redundant power supply is available. High quality front panel push buttons are used for selection of inputs and outputs.
STUDIO EQUIPMENT 991 L IN K EL E C T R O N ICS MAJESTIC ROUTER 800 SERIES HD/SDI Audio/Video Routers 8 x 4 HD/SDI Video Only Router (Mfr # 862-XL804HD/1A • B&H # LI862XL804HD) ..............................................................................................................................................5142.95 8 x 4 HD/SDI with Stereo Audio Follow (Mfr # 862-XL804HD/3A • B&H # LI862XL804H3) .....................................................................................................
992 STUDIO EQUIPMENT LIN K E L E C TR O N IC S DIGIFLEX 1000 SERIES Terminal & Distribution System DigiFlex provides digital, analog, video, and audio modules for distribution in professional video systems. The model 1000 frame is the foundation of a complete family of digital and analog products. The 1000 Series is the “Professional's Choice” for long-term system requirements for distribution, timing, and processing needs.
STUDIO EQUIPMENT 993 L IN K EL E C T R O N ICS DIGIFLEX 1000 SERIES DigiFlex 1000: 2RU Frame with One Power Supply (Mfr #1000 • B&H # LI1000) .........................................................................................499.95 1175/1075: 1x8 SDI Reclocking Distribution Amplifier (Mfr #1175/1075 • B&H # LI11751075)..........................................................................359.
994 STUDIO EQUIPMENT MI RAND A PICOLINK SERIES Miniature Video, Audio and Fiber Interfaces Ideal for video and audio monitoring, Miranda’s picoLink series are the world’s smallest broadcast interfaces. Compact and light enough to carry in your pocket, they are very affordable, easy to install and offer excellent value and performance.
STUDIO EQUIPMENT 995 MIR A N D A PICOLINK VIDEO CONVERTERS ADC-191p 12-bit Component Analog to SDI Converter The ADC-191p is a miniature component analog video to SDI converter featuring high-quality 12-bit processing. It automatically detects 525-line and 625-line CAV signals, and provides an SDI output (SMPTE 259M-C). Both SMPTE and Betacam CAV sources are supported. Easy to install and operate, it is an ideal solution for monitoring applications.
6 STUDIO EQUIPMENT MI RAND A PICOLINK AUDIO CONVERTERS SDM-277p • SDM-277p/U SDI to Composite (NTSC/PAL) and Analog Audio Converters The SDM-277p is an SDI-to-composite (NTSC/PAL or PAL-M) and analog audio converter. It is ideal for standalone video monitoring and de-embedding applications of an SDI signal with embedded audio. It provides a re-clocked SDI output (loop), built-in color bars generator and automatic input format detection (525 or 625).
STUDIO EQUIPMENT 997 MIR A N D A PICOLINK ASPECT RATIO CONVERTER/DA ARC-371p Aspect Ratio Converter The ARC-371p is a miniature composite aspect ratio converter which automatically detects NTSC, PAL and SECAM standards and provides a composite output signal. Also offers 2-line luma and chroma filters with an adaptive luma comb filter for NTSC and a color bars generator.
998 STUDIO EQUIPMENT MI RAND A PICOLINK FIBER OPTIC CONVERTERS FEO-871p • FOE-871p HD/SD to Fiber Optic & Fiber Optic to HD/SD Converters Compact stand-alone solutions, the FEO-871p transmits and the FOE-871p receives SD (standard definition) digital video (SMPTE 259M SDI 270 Mbps) as well as HD (high definition) signals (SMPTE 292M up to 1.5 Gbps) through a fiber optic link.
STUDIO EQUIPMENT 999 MIR A N D A TEST PATTERN GENERATORS TPG-171p Test Pattern Generator Provides 10-bit resolution SDI output in 525-line or 625-line formats. An error detection (EDH) signal can be inserted in the ancillary data area and up to 32 test patterns can be generated. An audio tone can also be embedded in the serial digital output. The output can be genlocked to a composite analog reference or left free running. All of the principal controls are accessible on the top of the device.
1000 STUDIO EQUIPMENT MI RAND A HD-BRIDGE DEC+ HDV to HD/SD Interface with Genlock and ASI Inputs A high-quality HDV (MPEG2) decoder interface with multiple output formats for news gathering, recording, monitoring, and on-air playout. HD-Bridge Dec+ features 2 HDV IEEE1394 ports (iLink, Firewire), an ASI input, and a Genlock reference input. Dual digital video outputs provide either HD-SDI or SDI with embedded audio and time code.
STUDIO EQUIPMENT MIR A N D A 1001 ASI-BRIDGE CAM HDV to ASI Converter The ASI-Bridge CAM is a camera-mounted HDV to ASI converter, which offers direct transmission of HDV news footage, and more effective HDV recording to an MPEG-2 server. The ASI-Bridge CAM can also be combined with the HD-Bridge DEC+ to create a highly effective long range HDV newsgathering system. This overcomes the short range limits of Firewire cable, and allows more flexibility in the field.
1002 STUDIO EQUIPMENT MI RAND A ADC-800 CAM HDV Camera HD/SD A/D Converter The ADC-800 CAM is a compact, camera mounted interface which allows live HD digital monitoring and recording from an HDV camcorder. This is achieved by converting the EE uncompressed component analog output to HD-SDI, with left/right audio and time code embedded. This path overcomes the processing delay inherent with the MPEG2 Long GOP structure, which makes it inappropriate to use the HDV stream for live monitoring.
STUDIO EQUIPMENT MIR A N D A 1003 DVC-100 • DVC-120 Digital Video Serializer & DV Encoder for SD Cameras The award-winning DVC-100 and DVC-120 are SD to DV interfaces that offer easy upgrading of conventional, tape-based Sony and Panasonic cameras to drive-based cameras for faster conventional and on-location news production. The interfaces offer high quality SD to DV conversion.
STUDIO EQUIPMENT 1004 MI RAND A DVC-802 • DVC-822 Downconverter and DV Encoder Interfaces for HD Cameras The DVC-802 and DVC-822 HD offer significant improvements in HD electronic acquisition workflow, with more versatile monitoring and DV drive recording for fast review and rough-cut editing. The DVC-802 and DVC-822 operate with Sony and Panasonic HD cameras, and they can be used for wireless camera monitoring, monitoring over fiber, and remote monitoring from a ‘Video Village’.
STUDIO EQUIPMENT 1005 MIR A N D A DVC-100/120/802/822/902/922 COMPARISON CHART: HD AND SD ELECTRONIC ACQUISITION INTERFACES SD interfaces HD interfaces DVC-100 DVC-120 DVC-802 DVC-822 MDC-902 MDC-922 Sony SD Digital Camcorders SD Digital Cameras Sony HDCAM Panasonic Varicam, HD Digital Cameras Sony HDCAM Panasonic Varicam, HD Digital Cameras SD Serializer & DV Encoder DV Encoder HD Serializer, Downconverter, DV Encoder Downconverter, DV Encoder HD Serializer & Downconverter Downconvert
1006 STUDIO EQUIPMENT MI RAND A DVI-RAMP2 Graphic to HD/SD Video Interface The DVI-Ramp2 performs live extraction of computer graphics to generate HD/SD video for post-production, broadcast and digital cinema. It operates in four modes including scaled graphic to video output, pixel-to-pixel extraction, and HD/SD fill plus key output. The interface can accept Dual Head or Dual Link DVI, with up to 16-bit per component. It features graphic to video scaling with anti-flicker and detail enhancement.
STUDIO EQUIPMENT 1007 MIR A N D A DV-BRIDGE PRO Bi-Directional DV to Analog Converter The DV-Bridge Pro is a compact, bi-directional DV-analog video/audio (component/composite) converter with integral 4:3/16:9 aspect ratio conversion. The interface operates in three modes: analog to DV, DV to analog, and analog pass through. The DV-Bridge Pro provides easy audio level adjustment, as well as audio level metering with digital VU meters. It also integrates balanced and unbalanced audio inputs.
1008 STUDIO EQUIPMENT R EFL E C M E D IA CHROMATTE Studio Drapes and Custom Solutions Chromatte is a flexible chromakey solution that allows you to shoot and key almost anywhere. The results achieved on location are as good as those achieved in a dedicated studio environment. Chromatte is a fabric designed specifically for use as a background for chromakey production. Unlike conventional chromakey fabrics that are usually blue or green in color, in ambient light Chromatte is gray to the eye.
STUDIO EQUIPMENT 1009 R E F L EC M E D IA CHROMATTE LiteRing Adapters Chromatte Curtains Chromatte Curtains are available in three standard size. Ideal for use when filming in a dedicated production environment, they do not need to be fixed or flat but can be pulled back or in to place just like a conventional curtain. Chromatte Curtains are backed with black light-proof wool serge and hemmed with eyelets across the top for easy hanging from studio tracking or a curtain rail.
1010 STUDIO EQUIPMENT R EFL E C M E D IA CHROMAFLEX Portable Chromakey ChromaFlex is a portable chromakey background for use in video, television and film content creation. It provides all the benefits of Reflecmedia’s revolutionary Chromatte fabric in the most portable form, making it easier and more affordable than ever to take chromakey production out of the studio and into any controlled lighting environment.
STUDIO EQUIPMENT 1011 R E F L EC M E D IA ULTIMATTE DV Chromakeyer for Live Production Equipped with composite, S-Video and DV video signals for foreground, background and composited output, Ultimatte DV provides the solution for users searching for a cost-effective tool for live production. Logical and simple to operate, Ultimatte DV offers unrivalled control over the matte parameters. Users can quickly compare the input, the matte and the composite output via a single monitor connection.
1012 STUDIO EQUIPMENT R OSC O DIGICOMP Materials for Digital Compositing The DigiComp system of products allow seamless compositing for film and video use. The system of paint, fabric and tape is ideal for a wide variety of uses both in the studio and on location. The paints are carefully developed pigments in a flexible vinyl acrylic binder for adhesion to a wide variety of substrates. The DigiComp tapes are non-reflective gaffers tapes which will not leave a sticky residue when removed.
STUDIO EQUIPMENT 1013 T E R A N EX MINI “Real Time” Scaling, Noise Reduction and Format Conversion The Mini brings legendary Teranex image quality to the non-linear editing and production world. If you’re looking to save time and money in the end, the Mini is your best choice for real-time upscaling, noise reduction and frame rate conversion.
1014 STUDIO EQUIPMENT T V O NE FORMAT CONVERTERS (without scaling) Converting between various analog and digital formats when no scaling of the signal is requires can be accomplished by using a Format Converter. The output resolutions will be the same as the input. 1T-C2-511 1T-HDMI-DVI and 1T-DVI-HDMI SD/HD-SDI to DVI-I Converter HDMI to DVI and DVI to HDMI Format Converters The 1T-C2-511 transforms HD-SDI signals to DVI-I, both digital and analog.
STUDIO EQUIPMENT 1015 TV ONE FORMAT CONVERTERS (without scaling) 1T-AP-216 Audio Converter 1T-FC-524 • 1T-FC-425 The 1T-AP-216 changes analog stereo audio (R&L) to simultaneously available S/PDIF optical and coaxial digital audio. Sampling is at 48Khz and transmission up 16’ are possible using the optical output. Coaxial digital output transmission distance is limited by the quality of the cables and sensitivity of the receiving circuitry.
1016 STUDIO EQUIPMENT T V O NE VIDEO SCALERS 1T-C2-200 • 1T-C2-250 TV One’s video scalers are based on their exclusive CORIO2 technology and provide high quality up conversion from standard video formats to computer or HDTV signals in a compact package. Inputs can be composite or S-Video (NTSC or PAL). A computer bypass is also provided. Output is selectable as any computer resolution up to 2048 x 2048 at any vertical refresh rate and all HDTV resolutions up to1080p.
STUDIO EQUIPMENT 1017 TV ONE VIDEO SCALERS/SWITCHERS C2-1200 • C2-1250 Based on TV One’s exclusive CORIO2 technology, the C2-1200 and C2-1250 provide high quality up conversion from standard video formats (NTSC/PAL) to computer or HDTV signals. The output is selectable as any computer resolution up to 2048 x 2048 at any vertical refresh rate and all HDTV resolutions up to1080p. A wide variety of computer signal formats are available to support PC, Mac and workstation formats.
1018 STUDIO EQUIPMENT T V O NE VIDEO SCALER/SWITCHERS C2-2200 • C2-2205 • C2-2250 • C2-2255 The C2-2200 series focuses on ease of use while providing features common to more expensive devices. Automatic incoming resolution detection and support of multiple worldwide television standards are standard. They can handle maximum input PC resolution of 2048 x 2048 and all HDTV resolutions up to1080p.
STUDIO EQUIPMENT 1019 TV ONE VIDEO SCALER/SWITCHERS Video Conversion Direction VIDEO INPUTS C2-2350A C2-2355A Up Down Cross Up Down Cross C2-2250A C2-2255A Up Cross Up Cross 5 6 7 8 C2-2200A C2-2205A C2-1350 C2-1250 C2-1200 Up Cross Up Cross Up Down Cross Up Cross Up 7 8 4 6 6 Scalable Signal Types/Connector Analog RGB/YPbPr (HD15) 1 1 1 1 1 1 1 1 1 Analog RGB/YPbPr (5x BNC) — — — — — — — — — Analog RGB/YPbPr (DVI-I) — — — — — — — — — DVI-D RGB/YP
1020 STUDIO EQUIPMENT T V O NE PRESENTATION SWITCHERS C2-4100 The C2-4100 is a high performance RGB, PC-HDTV, HDTV-HDTV and PC-PC Scaler. Incorporating TV One’s exclusive CORIO2 technology conversion engine, it handles any resolution from 640 x 480 up to 2048 x 2048, even non-standard resolutions, plus all HDTV resolutions. It also offers seamless switching, a chroma and luma keyer, Picture-in-Picture, and RGB frame sync.
STUDIO EQUIPMENT TV ONE 1021 PRESENTATION SWITCHERS C2-7100 • C2-7200 Beyond its versatile capabilities in converting between analog and HD-SDI, the C2-7200 has the power of many other components ranging from a high-def video scaler and multi-format seamless switcher to a twin-window picture-in-a-picture device, chroma/luma keyer, aspect ratio converter, logo inserter, and much more.
