LIAISON ® The Audio Neural Network
SAFETY REVIEW ! The Exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying this product Certain precautions should be taken when using electrical products. Please observe the safety hints by reading the manual and obtaining qualified help if necessary to adhere to the precautions. ! 1. Always use a properly grounded power supply cord with this product.
| II Thank you for choosing products from the exciting and innovative line of Dangerous Music recording equipment. Many years of reliable service can be expected from our gear. This is made possible through careful design, construction, and component choices by recording industry veterans. The Dangerous Music Liaison is designed to increase productivity and improve the creative process by unleashing the potential of your outboard gear arsenal.
iii | Overview 1 Liaison Rear Panel Features & Benefits 1 Liaison Front Panel Features, Benefits & Connection 2 Liaison Application Notes 10 Specifications 13 Warranty 14
| 1 To survive in this modern day audio jungle, the contemporary studio must be flexible and agile; a facility that can adapt to any workflow, effortlessly. Tracking, mixing and mastering services oftentimes must be performed under one roof, utilizing every piece of outboard gear available. The Dangerous Liaison realizes this dream by providing unprecedented access to your outboard equipment.
2 | 1. INPUTS & OUTPUTS Feature: Premium grade XLR Connectors. Benefit: More surface area for happy electrons to migrate through and no off shore, cheap look alike connectors that “almost” fit. Note: All connections wired pin 2 hot as per AES standards. Feature: DB25 Connector. Benefit: Screws in and locks, plus we ran out of room on the rear of the unit for 4 more stereo outputs! Tip: Cables DO make a difference. Ask for Mogami 2534 interconnects. 2.
| 3 3. INSERTS: INPUTS & OUTPUTS [REAR PANEL INSERT SECTION PICTURED ABOVE] Feature: Connect outboard equipment here (i.e. compressor, limiter, eq, reverb...) Benefit: Individually selectable via the front panel of the unit (more to follow on this). Feature: Separate send and return cables, each on XLR. Benefit: Standard issue, readily available cables.! Tip: The ability to loop multiple pieces of gear on a single insert if desired (i.e. comp and limiter back to back). 4.
4 | Limiter is in INSERT 5. Selecting BUSS A’S INSERT 5 and BUSS B’S INSERT 1, the Variable Mu™ will now receive audio before the BAX EQ. Operation: Press insert button 5 on BUSS A and insert button 1 on BUSS B. Tip: There is an additional insert, INSERT 6, located on the front panel. 5. MONITOR OUTPUTS [REAR PANEL MONITOR OUTPUT SECTION PICTURED ABOVE] Feature: 4 stereo outputs that provide input and output monitoring of each Buss.
| 5 /LDLVRQ )URQW 3DQHO )HDWXUHV %HQHÀWV 1. ADDITIONAL INSERT 6 [ADDITIONAL INSERT SIX PICTURED ABOVE] Feature: Connect additional outboard equipment here (i.e. client’s favorite, rented, begged, borrowed or...) Benefit: Individually selectable via the front panel of the unit (more to follow on this). Feature: Separate send and return cables, each on XLR. Benefit: Standard issue, readily available cables.! Tip: The ability to loop multiple pieces of gear on a single insert if desired (i.e.
6 | Feature: Instantly and silently switch between outboard processors. Benefit: The human ear has a remarkably fleeting memory. Echoic memory studies have resulted in up to 4 seconds of retention. Unfortunately these are based on vocal cues (random word sequences) vs. audio auditions. The latter have resulted in only up to 1000 milliseconds. That means no time for a patchbay or clumsy manual jack swaps.
| 7 Feature: For both BUSS A and BUSS B, the FLIP BUTTONS reverse the position of the inserts in pairs. Benefit: For example, to answer the age old mastering question of “what should come first, my equalizer or limiter?” let’s say the Variable Mu™ limiter is in INSERT 1 and the BAX EQ is in INSERT 2. To audition them in reverse order, simply hit the FLIP 1-2 switch. Now you are monitoring the BAX EQ into the Variable Mu™ limiter.
8 | FLIP 1-2 switch. Now the INSERT 1 BUTTON will blink slowly, indicating it’s activation in the PARALLEL PROCESSING LOOP. 6. PARALLEL PROCESSING LOOP BLEND CONTROL [PARALLEL PROCESSING LOOP BLEND CONTROL PICTURED ABOVE] Feature: PARALLEL PROCESSING amount controlled by a CONTINUOUSLY VARIABLE POTENTIOMETER. Benefit: Dictates the amount of direct (non-effected) or processed (effected) signal that is sent to the end of BUSS B. See examples in item 4 above for application suggestions.
| 9 Benefit: Something out of phase? Fix it. Need to dial something OUT of the mix? Add it here 180º out of phase and select the amount. Tip: As an effect: compress the mix and flip it out of phase to hear it pump in time with the track. 8. PRESET, CLEAR & STORE BUTTONS [PRESET, CLEAR AND STORE BUTTONS PICTURED ABOVE] Feature: STORE or CLEAR up to four patches.
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| 1 11 1 MONITOR OUT OF LIAISON INTO MONITOR ST INPUT 1 PRE BUSS A DANGEROUS MUSIC MONITOR ST & REMOTE MONITOR OUT OF LIAISON INTO MONITOR ST INPUT 2 POST BUSS B AUDIO INTERFACE OUT D - A CONVERTER INTO BUSS A OF LIAISON OUT BUSS B OF LIAISON INTO A - D CONVERTER BUSS A OUTPUT CHAINED TO BUSS B INPUT OUTBOARD GEAR INSERT 1 OUTBOARD GEAR INSERT 2 OUTBOARD GEAR INSERT 3 OUTBOARD GEAR INSERT 4 OUTBOARD GEAR INSERT 5 OUTBOARD GEAR INSERT 6
METERING 2 TRACK PLAYBACK DEVICE 2 TRACK DIGITAL EDITOR DIGITAL TO ANALOG CONVERTER DANGEROUS MUSIC MONITOR DANGEROUS MUSIC MASTER ANALOG TO DIGITAL CONVERTER DANGEROUS MUSIC BAX EQ SONTEC DRC400 12 1 2 | SONTEC MES430B TOFT ATC2 SONTEC DRC202 MANLEY LABS VARIABLE MU GREAT RIVER Q2NV SONTEC M250EP LEXICON 960L
| 13 %' #%$!)%' $ & ' "" " *(( ( )!%$( Frequency Response (Passive Section) +0, -0.1dB from 10Hz to 100kHz Frequency Response (Active Section) +0, -0.1dB 10Hz-100kHz Maximum level > +28dBu Noise floor < -94.5dBu 22Hz-22kHz bandwidth THD+N < 0.002% IMD < 0.
14 | 1 year from date of purchase by the original owner, parts and labor, subject to factory inspection. Shipping damage, accidental damage, abusive operation or modifications/attempted repairs by unauthorized personnel will result in shop fees payable before return delivery. USA Dangerous Music Inc. 231 Stevens Road Edmeston, NY 13335 Phone: 607 965-8011 Fax: 607-965-8012 Email: info@dangerousmusic.
Dangerous Music Inc. 231 Stevens Road, Edmeston, NY 13335 Phone: 607 965-8011 Fax: 607-965-8012 info@dangerousmusic.com www.dangerousmusic.
