Specifications

Env Amount: -127…+127 – Sets the amount of filter envelope routed to the

cutoff frequency. This can be positive or negative, allowing inverted envelope

control of the filter.

Velocity: 0…127 – Amount of key velocity controlling the level of the filter

envelope.

Key Amount: 0…127 – Sets the amount of keyboard (MIDI note) to the filter

cutoff. A setting of 64 will step the filter one semitone for each note, 32 would

be half-semitones, and so on.

Audio Mod: 0...127 – Controls the amount of audio from Oscillator 1 used to

modulate the filter cutoff frequency. For filter-only audio, set O

SCILLATOR MIX

to 127, O

SCILLATOR 2 SHAPE to Off, and OSCILLATOR 1 SHAPE to the desired

waveshape. This is useful for bell-like FM sounds. A wide range of sounds can

also be made using A

UDIO MOD with the oscillators routed normally through the

filter.

Delay: 0...127 – Sets a delay between the time the filter envelope is triggered

and when the Attack portion actually begins.

Attack: 0…127 –

Sets the Attack time of the filter ADSR envelope generator.

Decay: 0…127 – Sets the Decay time.

Sustain: 0…127 – Sets the Sustain level.

Release: 0…127 – Sets the Release time.

Amplifier

VCA Level: 0…127 – Sets a base level for the VCA (Voltage Controlled

Amplifier). This allows the VCA to be essentially bypassed for programs that

drone.

Note: If VCA L

EVEL is on full, Envelope Amount has no effect. For

typical keyboard playing, VCA L

EVEL is set to zero.

Env Amount: 0…127 – Sets the amount of VCA envelope to the VCA level.

Velocity: 0…127 – Sets the amount of keyboard velocity controlling the level of

the VCA envelope.

Pan Spread: 0...127 – There is a pan circuit after the VCA that pans the audio

in the stereo field individually per voice. With a P

AN SPREAD of zero, all eight

voices are panned in the middle (monophonic). As you turn up P

AN SPREAD, the