OWNER’S MANUAL
Table of Contents Introduction............................................................. 3 iTunes® & iPad® Requirements............................ 5 Mac® Requirements............................................... 5 Windows® Requirements.................................... 5 Firmware Version................................................... 16 Tuner Reference..................................................... 16 Record Out Level ................................................. 16 XLR Mix..........
Introduction The iPB-10 Programmable Pedalboard sets a new standard for guitar signal processing. By harnessing the power of the iPad®, it combines the simplicity of a pedalboard with the flexibility of a multi-effects system. The iPB-10 unleashes the ability to create and control guitar effects like never before. Pedalboard Simplicity The iPB-10 allows you to create your ultimate pedalboard, all on your iPad.
Features/Included Items Features • Intuitive iPB-Nexus User Interface for iPad (iPad sold separately) Included Items Before you get started, please make sure that these items are in the box: • Up to 10 Pedals per Pedalboard Setup • iPB-10 Footswitch Pedalboard • Internal Storage for up to 100 User Pedalboard Setups • Power Supply (additional setups can be stored in the iPB-Nexus library) • Includes 87 Stompbox Pedals, 54 Amplifiers, and 26 Cabinets • Dual 7-Segment Display (for easy visibility of b
Hardware/Software Requirements iTunes® & iPad® Requirements • iTunes 10.2 or later recommended (free download from www.itunes.com/download) • iTunes Store account • 200MB of available disk space • 512MB of RAM Mac® Requirements • Mac computer with an Intel, PowerPC G5 or G4 processor • Mac OS X v10.5.8 or later • QuickTime 7.6 or later • Safari 4.0.3 or later • USB 2.
Disable iPad® Notifications & Alerts Ensure notifications and alerts from other applications do not disrupt your playing by disabling them in your iPad General Settings. To disable system alerts on your iPad: 1. Go to Settings. 2. Go to General >> Sounds. 3. Slide the volume level to the lowest setting. 4. Set all switches to “OFF”. To disable application notifications on your iPad: 1. Go to Settings. 2. Go to Notifications. 3. Set Notifications to “OFF”. 4.
Disable Auto-Brightness It may be desirable to disable the iPad’s Auto-Brightness feature for use with the iPB-Nexus application. To disable Auto-Brightness on your iPad: 1. Go to Settings. 2. Go to Brightness & Wallpaper. 3. Set the Auto-Brightness switch to “OFF”. 4. Return to the iPB-Nexus application. 1. 3. 2. 4.
Help Icon Opens the help file within the iPB-Nexus app. My Tones Icon Opens the My Tones library, where all factory and user tones reside. Pedalboard Icon This is the home screen, where most programming and operation is performed. iPB-Nexus Icons Tuner Icon Tune your guitar here. Volume Icon Use this to set the volume for each tone independently. Settings Icon Set all of the iPB’s global parameters here.
Quick Save Button Touching this button saves the currently loaded tone. Use this option for quickly overwriting a tone after making edits. Save New Button Touching this button allows you to save a new user tone or make a copy of an existing tone. Use this option when you don’t want to overwrite the currently loaded tone. Edit Button Touching this button toggles between Edit mode and Performance mode. In Edit mode, the entire pedalboard chain can be viewed.
Loaded Tone This display shows the currently loaded tone along with the bank and footswitch it is assigned to. Banks Use this slider to select one of the 20 banks, each containing 5 custom tones, providing 100 tones in all. Tone Buttons These buttons display the tones in each bank. If the tone is active, the red LED will be lit.
Amplifier This section displays the currently selected amplifier and allows you to edit the amp’s controls. Tap once on either the amp or cabinet image to select from over 50 amps and cabinets to create your own custom sound! Cabinet This section displays the currently selected cabinet.
Assigned Footswitches This section displays the pedals which are currently assigned to the A-E footswitches. Expansion Bar Touching this bar expands the view, displaying all effect pedals in the signal chain. Double tapping on a pedal will zoom in on the controls to make editing quick and easy. Tap the footswitch to turn the pedal on and off. A single tap on the pedal will open My Gear allowing you to swap out the pedal for another.
Name/Genre Buttons Assigned Tab Touching this tab displays all tones assigned to the iPB-10 Pedalboard. Touching these buttons sorts the tones by Name or by Genre. Factory Tones Tab Touching this tab displays all factory tones. My Library Tab Touching this tab displays all your custom user tones. Tone Info & Assignments This window displays each tone’s information such as tone name, where the tone is assigned, Genre, etc.. Tap in these fields to add or to change the tone information.
Tuner Tap the Tuner icon to enable the built-in tuner. Simply play a string and the note will be displayed. The LEDs will indicate whether or not the note is in tune, allowing you to make the proper adjustments. Accessing the Tuner from the iPB-10 Tuner Window To access the tuner from the iPB-10 footswitches, simply press and hold the currently active preset’s footswitch. The iPB-10 will enter Bypass mode briefly then enter the Tuner. To exit the Tuner, press any footswitch.
Tone Volume Tap the Volume icon and use the slider to increase or decrease the level for the current tone. Volume can be saved with each tone individually.
App Version This field displays the current installed version of the iPB-Nexus application. Firmware Version When connected to the iPB-10 Pedalboard, this field displays the current installed version of the iPB-10 firmware. Tuner Reference This option allows you to set the tuner’s reference point. Record Out Level When recording to the iPad or via USB to a computer DAW, this option changes the digital signal level sent from the iPB-10 up to the iPad or computer DAW (the range is -12 dB - +24 dB).
iPB-10 Top Panel LED Display Displays the currently selected bank in the iPB-10 Pedalboard (1-20). Bank UP/DOWN Footswitches Use these footswitches to select a tone bank. 1-5 Footswitches Once a bank is selected, use these footswitches to select one of 5 different tones within the selected bank. When the tone is active, it’s footswitch LED will light.
iPB-10 Top Panel Stomp Loop This footswitch enables and disables the mono stompbox effects loop. The LED lights when the stomp loop is enabled. Amp Loop This footswitch enables and disables the amp loop. The LED lights when the amp loop is enabled. Expression Pedal This pedal provides real-time control of Volume, Wah, or any other assigned effect parameter. Rock the pedal forward and press firmly to toggle between controlling the Wah and the other assigned parameter.
iPB-10 Rear Panel Power Input Connect the included power adapter here. Power Switch Used to turn the iPB-10 power on and off. Input This input is a high impedance 1/4” instrument input for connecting your guitar. Headphone Output Connect headphones here. This output is optimized for use with headphones having an impedance of 50 Ohms or greater.
iPB-10 Rear Panel Note: Status messages will be displayed if the AMP or STOMP footswitches are pressed and the Amp or Stomp Loop modules are not used in the current preset Tone (unavailable), or if nothing is connected to these jacks (not connected). Amp Loop These 1/4” send and return jacks allow you to connect an external preamp or amplifier and use the tone from these components instead of the internal amplifiers of the iPB-10.
iPB-10 Rear Panel 1/4” Line Outputs These 1/4” outputs can be plugged into a guitar amplifier or to the inputs of a mixer or recording device. Amp/Mixer Switch This switch optimizes the 1/4” line outputs for connecting to either a guitar amp or directly into the inputs of a mixer. Output Level This knob controls the output level of the 1/4” outputs. XLR Mixer Outputs XLR Ground Lift Switch This switch lifts pin 1 – of the XLR mixer outputs – from all ground references.
iPB-10 Rear Panel USB Port The USB port connects the iPB-10 to a computer for recording to your favorite DAW software. This port streams four channels of audio (2 up/2 back).
Connection Diagrams Connect your guitar to the iPB-10 Input. Connect the stompbox Output to the iPB-10 Stomp Loop Return. Amp with Stomp Loop Set the Amp/Mixer switch to ‘AMP’. Connect the iPB-10 Left (mono) Line Output to the amp Input. Connect the iPB-10 Stomp Loop Send to the stompbox Input.
Connection Diagrams Amp Loop & Stomp Loop Connect the stompbox Output to the iPB-10 Stomp Loop Return. Connect your guitar to the iPB-10 Input. Connect the iPB-10 Stomp Loop Send to the stompbox Input. Set the Amp/Mixer switch to ‘AMP’. Connect the iPB-10 Left (Mono) Line Out to the amp Loop Return. Connect the iPB-10 Amp Loop Send to the amp Input. Connect the amp Loop Send to the iPB-10 Amp Loop Return.
Connection Diagrams Connect your guitar to the iPB-10 Input. Mixer Set the Amp/Mixer switch to ‘MIXER’. Connect either the iPB-10 Line Outputs or XLR Outputs to the inputs of the mixer. To retain the stereo image, make sure to pan the mixer channels accordingly.
Loading Tones Loading Tones from the iPB-Nexus App 1. If the Pedalboard window is not already active, select it by touching the Pedalboard icon. 2. Drag the Bank selector to the desired Bank (you may not need to perform this step if the desired bank has already been selected). 3. Tap on pads 1-5 to select the desired Tone. 1. 2. 3. Loading Tones from the iPB-10 1. 2.
Working With Pedals Changing Pedal Settings 1. If the Pedalboard window is not already active, select it by touching the Pedalboard icon. 2. Touch the Expansion bar to expand the view and show all pedals. 3. Place your finger on the knob you want to modify and drag it up to increase the value or down to decrease the value. A pop over display will appear providing instant feedback as the setting is changed. Once the desired value is reached, lift your finger from the window.
Working With Pedals Changing Pedals – Performance Mode 1. If the Pedalboard window is not already active, select it by touching the Pedalboard icon. 2. Touch the Expansion bar to show all pedals. 3. Touch the effect pedal you would like to swap out for another pedal. 4. A window will appear showing all available pedals for the selected effect type. Simply touch the effect pedal you would like to select and it will replace the old effect pedal. 5.
Working With Pedals Changing Pedals – Edit Mode 1. If the Pedalboard window is not already active, select it by touching the Pedalboard icon. 2. Touch the Edit button to display the Edit screen. 3. Touch the effect pedal you would like to swap out for another pedal. 4. A window will appear showing all available pedals for the selected effect type. Simply touch the effect pedal you would like to select and it will replace the old effect pedal. 5. 1. 2. 5. 4. 3.
Working With Pedals Adding Pedals 1. If the Pedalboard window is not already active, select it by touching the Pedalboard icon. 2. Touch the Edit button to display the Edit screen. 3. Touch the 4. A window will appear, displaying all available effect types (i.e. Delay, Mod, Chorus, etc.). Select the desired effect type then select the desired pedal from the list. 1. 2. icon in the empty pedal slot. 5. Once the desired selection has been made, touch the Done button. 6.
Working With Pedals Deleting Pedals 1. 1. If the Pedalboard window is not already active, select it by touching the Pedalboard icon. 2. If you would like to see the pedals in the order they are connected, touch the Edit button (optional). 3. Touch the effect pedal you would like to delete. 4. A window will appear. Simply touch the Delete button to delete the effect pedal from the signal effects chain. 5.
Working With Pedals Reordering Pedals 1. If the Pedalboard window is not already active, touch the Pedalboard icon. 2. Touch the Edit button to display the Edit screen. 3. Place your finger on the effect pedal you would like to move and drag it to the position in the signal chain you would like to move it to. 4. Repeat step 3 for any other pedals you would like to reorder. 5. Once complete, touch the Performance button to get back to Performance mode. 1. 2. 5. 3.
Working With Amps Adding an Amp to the iPB-10 Signal Path 1. If the Pedalboard window is not already active, select it by touching the Pedalboard icon. 2. Touch the Edit button to display the Edit screen. 3. Touch the icon located in the amp field. A window will appear displaying all the available internal amps. 4. Select the desired amplifier from the list. The matching cabinet will be loaded with the amp. 5. Touch the Done button. 6.
Working With Amps Changing the Amp 1. If the Pedalboard window is not already active, select it by touching the Pedalboard icon. 2. From either Performance mode or Edit mode, touch the amplifier. 3. A window will appear displaying all available internal amps. Select the desired amplifier from the list. The matching cabinet will be loaded with the amp. 4. Touch the Done button. 5.
Working With Amps Changing the Cabinet 1. If the Pedalboard window is not already active, select it by touching the Pedalboard icon. 2. From either Performance mode or Edit mode, touch the Cabinet. 3. A window will appear displaying all available cabinets. Select the desired cabinet from the list. 4. Touch the Done button. 1. 2. 3. 4.
Working With Amps Deleting an Amp from the Signal Path 1. If the Pedalboard window is not already active, select it by touching the Pedalboard icon. 2. Touch the amp. 3. A window will appear. Touch the Delete button to delete the amplifier. 1. 2. 3.
Assigning Footswitches Assigning Pedals to the A-E Footswitches 1. If the Pedalboard window is not already active, select it by touching the Pedalboard icon. 2. Touch the Edit button to display the Edit screen. 3. Touch the effect pedal you would like to assign to the footswitch and drag it into the desired footswitch slot. You will notice that the pedal is now visible in the assigned slot and an icon has appeared over the pedal indicating which footswitch the pedal is assigned to. 4.
Assigning Footswitches Note: If enabled, the Amp Loop connection remains active when a tone is bypassed. Configuring the Amp Loop 1. If the Pedalboard window is not already active, select it by touching the Pedalboard icon. 2. Touch the Edit button to display the Edit screen. 3. If there is no amplifier assigned, touch the icon located in the amp field. If there is already an amp assigned, jump to step 6. 4. Select an amplifier from the list. The matching cabinet will be loaded with the amp.
Assigning Footswitches Note: If enabled, the Stomp Loop connection remains active when a tone is bypassed. Configuring the Stomp Loop 1. If the Pedalboard window is not already active, select it by touching the Pedalboard icon. 2. Touch the Edit button to display the Edit screen. 3. Touch the 4. Select the OTHER category. 5. Select Stomp Loop. 6. Touch the Done button. 7.
Expression Pedal & LFOs Assigning the Expression Pedal 1. If the Pedalboard window is not already active, select it by touching the Pedalboard icon. 2. Touch the Edit button to display the Edit screen. 3. Touch the Expression Assignments icon. 4. In the Expression Assignments window, touch the Pedal button. 5. Touch the Assigned Parameter selection. 6. A window will appear displaying all controls available for assignment. Make your desired selection. 7.
Expression Pedal & LFOs Hint: Both LFO 1 and LFO 2 can be assigned and used at the same time. Assigning Parameters to an LFO 1. If the Pedalboard window is not already active, select it by touching the Pedalboard icon. 2. Touch the Edit button to display the Edit screen. 3. Touch the Expression Assignments icon. 4. In the Expression Assignments window, select either LFO 1 or LFO 2. 5. Touch the Assigned Parameter selection. 6.
Saving & Assigning Tones Saving Tones with the Quick Save Button At any time after a User tone has been edited, you can quickly save changes to memory by touching the Quick Save button. Quick Save is a fast method for storing your edits back to the My Tones library without prompting you to to edit the name, description, or selecting a new memory location. Quick Save is only available when editing User tones that are in the My Library tab of the My Tones screen.
Saving & Assigning Tones Saving Tones with the Save New Button If you have modified a tone and want to change the name, description, or the memory location where the tone resides, you can do so with the Save New button. 1. 1. 2. If the Pedalboard window is not already active, select it by touching the Pedalboard icon. 2. Touch the Save New button. 3. When prompted, enter the tone name and description (optional) then select desired tone location. 4.
Saving & Assigning Tones Assigning Tones to the iPB-10 Pedalboard 1. Select the My Tones icon. 2. Sort through the library using the Category buttons or by typing a keyword into the Search box. 3. Select the tone you would like to audition or assign. 4. Touch the 5. Select the bank that you would like to assign the tone to. 6. Select the footswitch that you would like to assign the tone to. 7.
Bypassing Tones How to Bypass Tones You can bypass a tone by simply stepping on the currently active tone’s footswitch. When bypass is enabled, the internal pedals and amp will be bypassed, leaving just your guitar’s clean tone. If you’re using the Amp Loop and/or Stomp Loop when you go into bypass, any devices connected to the Amp Loop and Stomp Loop are still active.
Amps & Pedals About Amps & Pedals The iPB-10 offers a dream collection of vintage and modern pedals, amplifiers, and cabinets – all in a single, programmable, portable package. With pedals, the order in which they are connected affects the overall sound. The iPB-Nexus app allows you to quickly reorder the pedals, so you have complete control over shaping your sound. Each amp and pedal within the iPB10 can be programmed to suit your personal taste and application.
Amps/Preamps Amps/Preamps The amplifies in the iPB-10 are an assortment of popular vintage and modern amp tones. The amplifiers also include two acoustic guitar simulators. The available amps and preamps are: • 45 JTM • Bass Man (Modeled after ‘65 Marshall JTM-45) ® Perhaps the turning point for blues and rock and roll, this amp set the course for the future of Marshall® amps.
Amps/Preamps • Champion • DigiTech Brown (Modeled after ‘57 Fender Tweed Champ ) ® The Tweed Champ is a straight ahead, growly amp which is best suited for blues and garage music. The tone is nasely, distorts easy due to the low wattage, but cuts through! • Chief (Modeled after ’95 Matchless TM Chieftain) A beautifully full amp tone with plenty of character. The Chief is a really great amp to use for putting a slightly different color in your musical palette.
Amps/Preamps • DigiTech GSP2101 Saturated The sound of the GSP2101 preamp provides a mild to over the top gain without getting a muddy sound. A perfect tone setting for all types of music. • DigiTech High Gain For the rock or hard rock player who requires a lot of distortion as a starting point, this effect provides a very punchy tone for both rhythm and lead work reminiscent of a well polished production album.
Amps/Preamps • Heritage • Lux Verb (Modeled after ‘99 Carvin Legacy VL-100) ® Steve Vai’s signature amp that he has been using since 1999. Custom tweaked tone to Steve’s specifications featuring an EL-34 tube output stage. Very smooth for soloing. • Hi Wattage (Modeled after ‘65 Fender Blackface Deluxe Reverb®) The single speaker version of its bigger brother, this amp is equally at home for blues, country and rock players.
Amps/Preamps • RG 100 (Modeled after ’88 Randall® RG-100) A vintage solid state amp that ushered in a new metal generation. This was the amp Dimebag used in the earlier Pantera days. • Solar 100 (Modeled after ’67 Sunn® 100S) Used by Pete Townshend in the late ‘60s US tour, these amps offered tons of headroom which certainly delivered the SPLs The Who loved. • Solo 100 (Modeled after ‘88 Soldano® SLO-100) Considered one of the first “boutique” amp companies, the SLO 100 is a pure gain head’s dream.
Cabinets Cabinets The cabinets in the iPB-10 are an assortment of popular vintage and modern cabinet tones. Note that when you select an amp, the default cabinet is automatically loaded. You can, however, change the cabinet after selecting an amp to achieve different tones. The available cabinets are: • American 1x12 • DigiTech 2101 Speaker Filter (Modeled after 1x12 ‘59 Gibson GA-40) Similar to the Deluxe cabs with emphasized top end for more bite.
Cabinets • DigiTech Spank 4x12 Need a jangley, funk high end? The Spank is perfect for funk. • DigiTech Vintage 4x12 A vintage speaker cabinet with that “broken in” warm tone. • D-Luxe 1x12 (Modeled after 1x12 ‘65 Fender Blackface Deluxe Reverb ) ® Provides solid tone which can be combined with any amp for a great rhythm tone. • Fane 4x12 (Modeled after 4x12 Hiwatt Custom w/Fane Speakers) Unique warm tone was the perfect balance for the head it is originally paired with.
Pedals – Compressors Compressors A compressor is used to increase sustain, tighten up guitars, and prevent the signal from clipping the input of other effects. It sets a maximum boundary for the strength of a signal. The available compressor pedals are: • Blue Compressor (Modeled after Boss® CS-2 Compressor/Sustainer) The CS-2 compresses high-input signals while boosting low-input signals, giving you smooth and long sustain without degrading the quality of the original sound.
Pedals – Chorus Chorus Chorus adds a short delay to your signal. The delayed signal is modulated in and out of tune and then mixed back with the original signal to create a thicker sound. The available chorus pedals are: • Clone Chorus (Modeled after Electro Harmonix® Small Clone) A very lush, watery chorus which can be heard on hits by bands including Nirvana. This chorus has a very “earthy” tone to it and definitely takes your chorus tone to a different place.
Pedals – Delays Delays Delay is an effect that records a portion of the incoming signal, and then plays it back a short time later. The recording can repeat just once or several times. The available delay pedals are: • Delay (Modeled after Boss® DM-2 Analog Delay) The DM-2 is a classic and standard BBD analog delay that used 4,096 stages of delay. The frequency response and noise depended upon the delay time.
Pedals – Distortions Distortions Distortion and overdrive pedals were designed to give your guitar tone gain before it reaches your amp. Many heavily distorted pedals such as the DigiTech GrungeTM were designed to provide most or all of the gain and run through a cleaner amp. Overdrives are great for boosting the gain of your guitar sound and driving an already distorted amp, giving your total tone more gain and a heavier feel. Overdrives on their own and ran into clean amps provide a bluesy tone.
Pedals – Distortions • DOD 250 Overdrive/Preamp The DOD 250 is another classic overdrive. With no tone control to get in the way, the 250’s beauty is just it’s pure overdrive. ® • DOD Classic Fuzz A part of the original DOD FX family, the Classic Fuzz gained a following for its clearer voicing as compared to many fuzz pedals. • DOD Gonkulator Ring Modulator Engineered to meet the needs of many experimental guitarists, the Gonkulator was a silent hit.
Pedals – Distortions • Screamer (Modeled after Ibanez® TS-9 Tube ScreamerTM) One of the most famous pedals ever created, the TS-9 has stood the test of time and can be found on nearly every pedal board. • Supreme Overdrive (Modeled after Boss® SD-1 Overdrive) With a little more gain than the OD-1, the SD-1 will drive any amp into another realm. If you’re just looking for a good classic rock tone, this is it.
Pedals – EQ EQ The iPB-10 is equipped with a 3 band semi-parametric EQ which helps shape your tone with Low, Mid, and High controls. • 3 Band Semi-Parametric EQ This EQ provides Low, Mid, and high tone shaping with adjustable frequency and filter width. Use this EQ to fine tune your tone.
Pedals – Flangers Flangers A flanger uses the same principle as a chorus but uses a shorter delay time and adds regeneration (or repeats) to the modulating delay. This results in an exaggerated up and down sweeping motion to the effect. The available flanger pedals are: • AD Flanger (Modeled after A/DATM Flanger) A super quiet flanger with plenty of headroom.
Pedals – Noise Gates Noise Gates A noise gate is used to control the volume of an audio signal. In its most simple form, a noise gate allows a signal to pass through only when it is above a set threshold. When this happens, the gate is ‘open’. If the signal falls below the threshold no signal is allowed to pass (or the signal is substantially attenuated) and the gate is ‘closed’.
Pedals – Phasers Phasers A phaser splits the incoming signal, and then changes the phasing of the signal. This signal is then taken in and out of phase and mixed back in with the original signal. As the phasing changes, different frequencies get canceled resulting in a warm sort of twisting sound. The available phaser pedals are: • A Phase (Modeled after MXR® Phase 100) Another industry standard in phase pedals with it’s own unique tones. It has a simplistic 2 knob control panel (Intensity and Speed).
Pedals – Pitch Pitch The iPB-10 comes equipped with effects to manipulate your pitch and do incredible things with it like harmonize both intelligently and by using standard semitones, detune, and do cool effects by raising and/or lowering your original notes from 2 octaves down to 2 octaves up! The available pitch effect pedals are: • DigiTech Detune A Detuner makes a copy of your incoming signal, makes the copied signal slightly out of tune from the original, then mixes the two signals together.
Pedals – Tremolo/Panner Tremolo/Panner A tremolo effect modulates the volume of the signal at an even rate. The available tremolo pedals are: • Bias Tremolo (Modeled after Vox® Bias Tremolo) Another way to achieve a tremolo effect is to alter the bias of the poweramp tubes. This Vox® Bias Tremolo produces the volume and tone effects to create a tone heard on many famous British tunes. • DigiTech Panner This pedal pans the sound from side to side.
Pedals – Envelope/Special Envelope/Special The DigiTech® Envelope Filter is a dynamic wah effect that alters your sound based upon how hard you play. The available envelope/special effect pedals are: • DigiTech Auto YahTM • DigiTech Ya YaTM • DigiTech Envelope Filter • DOD® FX25 Envelope Filter An Auto YaTM combines the characteristics of a wah and a flanger, creating an almost human vowel characteristic as if the guitar were saying “Yah.
Pedals – Reverbs Reverbs Using reverb in recorded program material gives the listener a sense that the material is being performed in an actual room or hall. It is this similarity to actual acoustic spaces that makes reverberation a useful tool in recorded music. The iPB-10 features genuine Lexicon® reverbs, whose rich, lush effects have been heard in countless songs, soundtracks, and live performances for decades.
Pedals – Vibrato/Rotary Vibrato/Rotary The DigiTech Vibrato effect modulates the pitch of the incoming signal at an even rate. The Rotary emulates a device that included a spinning horn and woofer. The rotation of these two speakers produced an interesting combination of the sound panning from side to side. This produced a slight pitch change due to the speed of the sound coming towards, and then going away from the listener.
Pedals – Wah Wah Wah is an effect controlled by an Expression Pedal making the guitar sound as if it’s saying “Wah.” The available wah pedals are: • DigiTech® Full Range Wah DigiTech’s Full Range Wah sweeps the entire spectrum of audible frequencies, giving you the most range of tone from the wah pedal. • Clyde Wah (Modeled after Vox® Clyde McCoyTM Wah) This wah pedal was the “original” and was designed to try to emulate the sound of a muted trumpet.
Preset List 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. Recto Cool Chorus Solo Delay Boogie Man Smooth Jazz Plexi-Drive Super Clyde Vox Delay Whammy Lead Acoustic PdlBrd1 Overdrive PdlBrd1 ODChorus PdlBrd1 ODPhsDly PdlBrd1 OD Delay PdlBrd1 OD Reverb PdlBrd2 Whammy PdlBrd2 EQ Boost PdlBrd2 Dirty Flanger PdlBrd2 Tape Delay PdlBrd2 Spring Big N Bad Metal Head Metal Clean Moshmellow LOG 26. 27. 28. 29. 30. 31. 32. 33. 34. 35.
Factory Hard Reset Performing the factory hard reset procedure will restore the iPB-10 tones to their factory state. After performing a factory hard reset, you can connect the iPad and launch the iPB-Nexus app to restore your previous settings. Warning! If you experience a problem with the iPB-10 hardware, you can try performing the factory hard reset procedure listed below. iPad Connected 1. 2. 3. 4. 5. Turn off the power to the iPB-10 processor by pressing the Power Switch on the back panel.
Specifications Analog Input Connections Guitar Input Impedance: Maximum Input Level: 1M Ohms +8 dBu Stompbox Loop Input Impedance: Maximum Input Level: Amp Loop Input Impedance: Maximum Input Level: 475K Ohms +8 dBu 16K Ohms +8 dBu Analog Output Connections Line Outputs Impedance: 1K Ohms unbalanced/2K Ohms balanced Maximum Output Level: +8 dBu USB Standard: 2.0 compliant Audio Streaming: 2 channels to computer, 2 channels from computer Sample Rate: 44.
Compliance Information DECLARATION OF CONFORMITY Manufacturer’s Name: Manufacturer’s Address: Supplementary Information: The product herewith complies with the requirements of the: Low Voltage Directive 2006/95/EC EMC Directive 2004/108/EC. RoHS Directive 2002/95/EC WEEE Directive 2002/96/EC EC Regulation 278/2009 DigiTech 8760 S.
8760 South Sandy Parkway Sandy, Utah 84070 PH (801) 566-8800 FAX (801) 566-7005 http://www.digitech.com DigiTech® is a registered trademark of Harman Copyright - Harman iPB-10 Owner’s Manual v0.5 iPad is a trademark of Apple Inc., registered in the U.S. and other countries.
