RP360 RP360 XP GUITAR MULT I- E FFE C TS P ROCE SSOR S OWNER’S MANUAL
COMPLIANCE & SAFETY INSTRUCTIONS WARNING FOR YOUR PROTECTION READ THE FOLLOWING: KEEP THESE INSTRUCTIONS HEED ALL WARNINGS The symbols shown above are internationally accepted symbols that warn of potential hazards with electrical products. The lightning flash with arrowpoint in an equilateral triangle means that there are dangerous voltages present within the unit. The exclamation point in an equilateral triangle indicates that it is necessary for the user to refer to the owner’s manual.
COMPLIANCE & SAFETY INSTRUCTIONS DECLARATION OF CONFORMITY Manufacturer’s Name: Manufacturer’s Address: DigiTech 8760 S. Sandy Parkway Sandy, Utah 84070, USA declares that the product: Product name: Product option: RP360 and RP360XP all (requires Class II power adapter that conforms to the requirements of EN60065, EN60742, or equivalent.
WARRANTY We at DigiTech® are very proud of our products and back-up each one we sell with the following warranty: 1. Please register online at www.digitech.com within ten days of purchase to validate this warranty. This warranty is valid only in the United States. 2. DigiTech warrants this product, when purchased new from an authorized U.S. DigiTech dealer and used solely within the U.S., to be free from defects in materials and workmanship under normal use and service.
TABLE OF CONTENTS OVERVIEW �������������������������������������������������������������� 2 SYSTEM SETUP ���������������������������������������������������� 41 Introduction ��������������������������������������������������������������������������������2 Features ���������������������������������������������������������������������������������������3 Footswitch Modes �������������������������������������������������������������������41 Output To ��������������������������������������������������������
OVERVIEW Introduction The RP360 and RP360XP represent the next generation of guitar effects processors from DigiTech®. With 85 stompbox pedals, 54 amplifier models, and 26 cabinet models, the tonal-creation sky is the limit! Up to 10 effects can be used at a time and they can be placed in any order, giving you complete control over shaping your tones and effects.
Features • Includes 85 Stompbox Pedals, 54 Amplifiers, & 26 Cabinets • Run up to 10 Effects at a Time • 99 User & 99 Factory Presets • Flexible Amp & Effects Routing • 40-Second Phrase Looper • Lexicon® Reverbs • Mono or Stereo Outputs • Sound Check for Easy Auditioning & Editing of Effects • USB Audio Streaming • Free Downloadable Nexus Editor/Librarian Software for Mac & PC • Heavy Duty Metal Chassis & Footswitches • Power Supply Included RP360 / RP360 XP 3
THE USER INTERFACE & CONNECTORS Top Panel 1 5 6 7 2 3 4 1 Plexi-Drive 1 Plexi-Drive LOOPER READY LOOPER READY 8 9 1. LCD DISPLAY This LCD display provides the visual feedback necessary for operating the RP360/RP360XP processors. 2. SELECT KNOB This knob performs different functions when pressed or turned, depending upon which operating state you are in. In the Performance state, turning this knob navigates presets and pressing this knob accesses editing of effects and effect settings.
4. EXPRESSION PEDAL (RP360XP ONLY) The expression pedal provides real-time control of the Volume, Wah, or an assigned effect parameter. The expression pedal is equipped with a V-Switch that turns the wah on and off when you apply extra pressure to the toe. See Expression Pedal Control on page 34 for information on assigning effect parameters to the expression pedal. See Expression Pedal & LFO Assignable Parameters on page 110 for a list of assignable parameters. 5.
Rear Panel 1 2 3 4 5 6 7 1. INPUT Connect your guitar to this high impedance 1/4” instrument input. 2. AUX IN Using a stereo 1/8” cable, connect the headphone output of a portable music player to this 1/8” TRS connector to play along with all your favorite music. See Aux Input on page 32 for information on using this feature. 3. LEFT OUT/RIGHT OUT These 1/4” TRS outputs can be configured for mono or stereo operation.
5. CONTROL IN In the RP360 model, this connector accepts an external expression or volume pedal for real-time control of effect parameters, or a DigiTech FS3X Footswitch for additional footswitch control. In the RP360XP model, this connector accepts an FS3X Footswitch for additional footswitch control. See Expression Pedal Control on page 34 and Using An Optional FS3X Footswitch on page 37 for further details. 6.
CONNECTION DIAGRAMS Mono Amplifier Amp 1 Guitar Harman PS0913DC Power Supply Or Optional Volume/Expression Pedal (RP360 Only) Footswitch Follow these steps to use the RP with an amplifier: 1. Turn down the amplifier’s master volume control and power off the amp. 2. Make all the connections to the RP as shown in the diagram. 3. Turn the RP on by connecting the included power supply to the POWER input connector and connecting the other end to an available AC outlet. 4. Turn on your amplifier.
Stereo Amplifiers Amp 1 Amp 2 Guitar Harman PS0913DC Power Supply Or Optional Volume/Expression Pedal (RP360 Only) Footswitch Follow these steps to use the RP with a pair of amplifiers: 1. Turn down the amplifiers’ master volume controls and power off the amps. 2. Make all the connections to the RP as shown in the diagram. 3. Turn the RP on by connecting the included power supply to the POWER input connector and connecting the other end to an available AC outlet. 4. Turn on your amplifiers.
Direct To Mixer/PA Mixer Guitar Powered PA Speakers Harman PS0913DC Power Supply Or Optional Volume/Expression Pedal (RP360 Only) Footswitch Follow these steps to use the RP with a mixer: 1. Lower the master faders on the mixer. 2. Make all connections to the RP as shown in the diagram. Connect the RP to two mixer input channels. On these two mixer channels, turn down the input gains and faders and set one channel pan hard left and the other hard right. 3.
Computer Recording The RP360 and RP360XP use the standard drivers which come with Mac OS X and Windows operating systems. Therefore, there are no additional drivers to install. Simply plug in the RP and connect to your computer. The RPs will simultaneously stream 2 channels of audio up to the computer and 2 channels of audio down from the computer at a 44.1kHz sample rate with 16 or 24-bit resolution (bit resolution can usually be set in your DAW).
channels. On these two mixer channels, turn down the input gains and faders and set one channel pan hard left and the other hard right. 3. Turn the RP on by connecting the included power supply to the POWER input connector and connecting the other end to an available AC outlet. 4. Strum your guitar and adjust the mixer levels until the desired level is achieved. Use proper gain staging to optimize the signal to noise ratio and prevent clipping of the mixer inputs.
Practicing With Headphones Guitar Harman PS0913DC Power Supply Portable Music Player Headphones Or Computer Optional Volume/Expression Pedal (RP360 Only) Footswitch Follow these steps to use the RP with headphones: 1. Make all the connections to the RP as shown in the diagram. 2. Turn the RP on by connecting the included power supply to the POWER input connector and connecting the other end to an available AC outlet. 3.
OPERATING INSTRUCTIONS Basic Operation Overview Performance State Once the RP is powered up it is ready to use for performance. This is indicated by the current preset number and name being displayed in the LCD display. In this Performance state you can navigate presets and control the built-in Looper. 1 Plexi-Drive READY LOOPER READY There are three Footswitch Modes that can be used while in the Performance state: Preset Mode, Stomp Mode, and Bank Mode.
Managing Presets Navigating Presets 1 Plexi-Drive There are a total of 198 presets available in the READY LOOPER READY RP360/RP360XP. These presets are broken up 1 Plexi-Drive into two banks, User and Factory, each containing 99 presets. From the factory, the user and factory presets will contain the same presets. Therefore, factory preset 45 will be the same as user preset 45 and so on. User presets appear in the LCD display as 1-99 and factory presets appear as F1-F99.
4. When done navigating presets, press both FOOTSWITCHES 2 and 3 simultaneously again. The LCD display will change and you will now be back to Stomp Mode operation. To navigate presets (Footswitch Mode set to “BANK”): 1. Footswitch Mode must be set to “BANK”. For more information on Footswitch Modes, see Footswitch Modes on page 41. 2.
Storing/Copying/Naming Presets 11 PPlexi-Drive lexi-Drive The STORE button is used to store edits made LOOPER READY STORE TO: 1 : Plexi-Dri to a preset’s parameters. The STORE button’s BACK TO CANCEL LETTER DEL/INS LED will light whenever a preset’s parameters have been modified from their stored value. Any parameter edits must be stored to a preset before the processor is powered down or the preset is changed in order for edits to be retained.
To quick store a preset (store a preset to its current memory location with its current name): 1. Press the STORE button twice. The LCD display will briefly display “Storing...” then the preset will be stored to its current user preset memory location with its current preset name. WARNING! If you perform the above quick store procedure on a factory preset, the changes will be stored to the equivalent user preset memory location.
Working With Effects Effects can be modified, moved around, deleted, and added back into the effects chain. When the RP is configured for Stomp Mode, they can also be assigned to the three footswitches for effect on/off control. Up to 10 effects can reside in the effects chain at a time. This section of the manual describes how to work with the effects available in the RP360 and RP360XP processors. Editing Effect Parameters When creating a new sound, you must start with an existing preset.
Changing Effects Most of the effects in the RP360/RP360XP have multiple effects to choose from. For example, the Delay effect offers a Ping Pong Delay, Tape Delay, Analog Delay, etc.. 1 Plexi-Drive 1/2 CRY WAH W A H CMP LOOPER DST BYPASS ON/BYP READY GAT EQ MODEL 0 dB LEVEL To change an effect: 1. From the Performance state, press the SELECT knob to enter the Effect Edit menu. 2. Turn the SELECT knob to select the effect you would like to edit. 3. Turn the EDIT 2 knob to change the effect type.
Reordering Effects Each effect used in a preset may be moved into a different position in the effects chain. 1 Plexi-Drive SCREAMER W A H CMP LOOPER DST MODEL READY GAT EQ MOVE DELETE To move an effect in the effects chain: 1. From the Performance state, press the SELECT knob to enter the Effect Edit menu. 2. Turn the SELECT knob to select the effect you would like to move. 3. Press and hold the SELECT knob to access the Effect Options Edit menu. 4.
Adding Effects 1 Plexi-Drive 1/2 Add Effect Up to 10 effects can be used in each preset. If there is an available effect slot in a preset, the icon will be displayed near the end of the Effect Edit menu. This icon is used to add an effect to the effects chain. If all 10 slots are already occupied with effects, the icon will not be visible. V O L MOD LOOPER DLY E X READY P REVERB, CLICK TO CONFIRM EFFECT To add an effect to the effects chain: 1.
Deleting Effects You can delete unused effects from the effects chain. This is not absolutely necessary since you can turn any unused effects off, but removing unused effects can clean up the Effect Edit menu, making it more streamlined and easier to edit effects. 1 Plexi-Drive TAPE DELAY V O L MOD LOOPER DLY MODEL READY MOVE DELETE To delete an effect from the effects chain: 1. From the Performance state, press the SELECT knob to enter the Effect Edit menu. 2.
Assigning Effects To Footswitches (Stomp Mode Only) 1 Plexi-Drive Stompbox FSW When the RP360/RP360XP is configured for Stomp Mode operation, effects can be assigned to any of the three footswitches.You can then toggle individual effects in a preset on and off during performance. 1/1 E MOD DLY LOOPER REV XREADY P DIST ON ASSIGN A WAH ON ASSIGN B DLY ON ASSIGN C To assign an effect to one of the three footswitches: 1.
Preset Level & Master Level The RP360 and RP360XP have two different output level controls: Preset Level and Master Level. Preset Level The Preset Level parameter adjusts the output 1 Plexi-Drive LOOPER READY level for the currently loaded preset only. Therefore, changes to the Preset Level must be stored to the preset to be retained.
1 Plexi-Drive LOOPER READY Preset (Effects) Bypass The Preset Bypass feature bypasses all effects in the currently loaded preset and feeds only the dry (unprocessed) signal to the outputs. While a preset is bypassed, no other functions are available. The bypassed guitar signal will be passed up USB while bypass is active, but no audio will be heard from the computer via USB. Bypass is accessed in different ways depending on the selected Footswitch Mode.
Tuner 1 Plexi-Drive LOOPER READY E The built-in Tuner lets you quickly tune your guitar and is accessed in different ways depending on the selected Footswitch Mode. See Footswitch Modes on page 41 for more information on Footswitch Modes. A= 440 HZ TUNER REF 1 Plexi-Drive LOOPER READY Parameters PARAMETER NAME DESCRIPTION TUNER REF Selects the pitch which the tuner uses for referencing the note A above middle C. Reference settings range from A=G♭, A=G, A=A♭, and A=427Hz-453Hz.
1 Plexi-Drive LOOPER READY Looper 1 Plexi-Drive The RP360 and RP360XP feature a 40-second phrase Looper. The Looper can be used for looping your guitar parts. Use the Looper to write or practice lead guitar parts over a looped phrase, or use it for creating on-the-fly loop layers to enhance your live performance. The following instructions describe how to use the Looper. RECORDING NOTE: The Looper and Drum Machine cannot be used at the same time.
Sound Check 1 Plexi-Drive3/4 SYSTEM SETTINGS The Sound Check feature places the built-in Looper at the beginning of the effects chain. This allows you to record a dry guitar loop that will be played through the effects. This eliminates the need to continually strum your guitar when auditioning effect edits and provides a much more efficient, convenient, and fun way to edit your presets. CONTROL IN LOOPER READY FS3X LOOPER EXP/VOL EXP/TRS PHRASE SAMPLER SOUND CHECK LOOPER To use Sound Check: 1.
Drum Machine 1 Plexi-DriveON Drums The built-in Drum Machine offers 60 drum and metronome patterns to choose from and is a great tool for improving your timing skills and practicing your riffs. The Drum Machine parameters can be accessed by pressing the DRUMS button. LOOPER READY BEATS1 PATTERN 100 TEMPO 40 LEVEL NOTE: The Looper and Drum Machine cannot be used at the same time. If you have recorded a loop using the Looper, you must first clear the loop before turning on the Drum Machine.
3. Turn the EDIT 1 (PATTERN) knob to change the drum pattern. 4. Turn the EDIT 2 (TEMPO) knob to change the tempo. 5. Turn the EDIT 3 (LEVEL) knob to adjust the Drum Machine’s level. 6. When done, press the DRUMS button to deactivate the Drum Machine. 7. Press the BACK button to return to the Performance state. NOTE: The Drum Machine’s parameters are global and are not stored to presets.
Aux Input The AUX IN connector is used to connect a portable music player or other line-level music playback device to the RP and jam along with your favorite music. The signal from your playback device will not pass through any effects and will be output through the RP’s LEFT OUT, RIGHT OUT, and HEADPHONE connectors. To use the AUX IN connector: 1. Connect the headphone output of your music playback device to the AUX IN connector on the rear panel of the RP using an 1/8” stereo cable as shown below. 2.
Tap Tempo Tap Tempo lets you adjust the delay time during performance by tapping a footswitch in time with the music. NOTE: You must configure the RP for Stomp Mode operation, have a Delay effect in the loaded preset, and have the Delay effect assigned to a footswitch to use the Tap Tempo feature. To use Tap Tempo: 1. Configure the RP for STOMP MODE operation in the System Settings menu. See Footswitch Modes on page 41 for information on configuring the RP for Stomp Mode operation. 2.
Expression Pedal Control 1 Plexi-Drive Expression Pedal V O L 1/1 E X READY P MOD LOOPER DLY The RP360XP comes with a built-in expression PEDAL 0 99 pedal which can be assigned to control the WAH MIN MAX ™ ™ RP360XP’s Volume, Wah, Whammy ,YaYa , or nearly any of the RP360XP’s effect parameters, in real time with your foot. The RP360 can also be controlled in a similar manner using an external expression or volume pedal connected to the CONTROL IN connector on the rear panel.
19 for information on turning effects on and off.You can also enable the Sound Check feature and record a loop which can be used to make auditioning the parameter changes even easier. See Sound Check on page 29 for more information on using Sound Check. 4. From the Performance state, press the SELECT knob to enter the Effect Edit menu. 5. Turn the SELECT knob until you select the E X P (Expression Pedal) icon. The currently assigned parameter will be displayed above the EDIT 1 knob. 6.
Assigning The LFO 1 Plexi-Drive 1/2 LFO V O L E X READY P MOD LOOPER DLY Similar to linking an effect parameter to an GAIN 0 99 expression pedal for control, you can also AMP MIN MAX link an effect parameter to an LFO (Low Frequency Oscillator) for control. This can be used for creating effects which modulate at a predetermined rate.You can select the parameter to control, the waveform type, adjust the speed, and adjust the control range limits using the MIN and MAX parameters.
Using An Optional FS3X Footswitch An optional DigiTech FS3X Footswitch can be connected to the RP’s CONTROL IN connector to add three additional footswitches for RP control. There are two parameters in the System Settings menu that will determine how these FS3X footswitches will function, they are: the CONTROL IN parameter and the FOOTSWITCH MODE parameter. These parameters are accessed by pressing the SYSTEM button. See Control In on page 49 for further information on changing the CONTROL IN option.
FS3X Operation (CONTROL IN Set To “FS3X”, FOOTSWITCH MODE Set To “STOMP”) When the “FS3X” CONTROL IN option is selected and the “STOMP” FOOTSWITCH MODE option is selected, the FS3X Footswitch can be used for full-time control of preset navigation and the Looper. The below diagram shows the available functions. Arm Loop Recording Press once to arm the Looper for recording. Record Loop Once armed, start playing or press again to start loop recording.
FS3X Operation (CONTROL IN Set To “FS3X”, FOOTSWITCH MODE Set To “BANK”) When the “FS3X” CONTROL IN option is selected and the “BANK” FOOTSWITCH MODE option is selected, the FS3X Footswitch can be used for full-time control of preset bank navigation and the Looper. The below diagram shows the available functions. Arm Loop Recording Press once to arm the Looper for recording. Record Loop Once armed, start playing or press again to start loop recording.
FS3X Operation (CONTROL IN Set To “LOOPER”, FOOTSWITCH MODE Not Applicable) When the “LOOPER” CONTROL IN option is selected, the FS3X Footswitch can be used for full-time control of just the Looper, and the Looper’s functions will be spread out across all three footswitches on the FS3X. When this option is selected, the FS3X will perform the same functions regardless of the selected Footwsitch Mode. The below diagram shows the available functions.
SYSTEM SETUP The System Settings menu is used for configuring global RP settings and is accessed by pressing the SYSTEM button. Once in the System Settings menu, pressing the SYSTEM button or SELECT knob repeatedly navigates the various pages within the menu (current page selection is indicated in the upper right-hand corner of the LCD display). The on-screen parameters can be adjusted using the three EDIT knobs located below the LCD display.
• Stomp Mode 1 Plexi-Drive This mode is used to turn individual effects on and off with the footswitches and mimics using stompboxes. Using this mode, you MOD FX DELAY REVERB can assign any effect in a preset’s effects chain to one of the three footswitches. This effect assignment is displayed in the LCD display in the Performance state, where each 1/3rd section of the LCD display corresponds to a footswitch (i.e., left section=Footswitch 1, middle section=Footswitch 2, and right section=Footswitch 3).
• Bank Mode 1 Plexi-Drive This mode navigates presets in banks of 3. This mode works well if you BANK: 1 prefer to switch between presets during a song and want to create 1 2 3 groups of presets to be used for each song. There are 66 total preset banks in Bank Mode (33 user preset banks and 33 factory preset banks, each containing 3 presets). Banks are selected by turning the SELECT knob, or by using an optional FS3X for hands-free control.
Output To This system parameter has two options: AMP and MIXER. This parameter optimizes the outputs for connection to an amp or a mixer and is only available when a connection has been made to the LEFT OUT or RIGHT OUT connector. • 1 Plexi-Drive1/4 SYSTEM SETTINGS FOOTSWITCH OUTPUT MODE TOREADY LOOPER PRESET STOMP BANK AMP MIXER OUTPUT MODE MONO STEREO AMP Select this option when connecting to a guitar amplifier.
Output Mode This system parameter has two options: MONO and STEREO. This parameter determines whether the outputs are configured for mono or stereo operation and is only available when a connection has been made to the LEFT OUT or RIGHT OUT connector. Changing this parameter will affect all outputs. • 1 Plexi-Drive1/4 SYSTEM SETTINGS FOOTSWITCH OUTPUT MODE TOREADY LOOPER PRESET STOMP BANK AMP MIXER OUTPUT MODE MONO STEREO MONO Select this option when connecting to a single amplifier or mixer channel.
USB Record Level This system parameter provides a digital level control for increasing or decreasing the level sent from the RP’s USB port to your computer recording application. The selectable range is -12 dB to 24 dB. This parameter is only available when a USB connection has been made to the RP. 1 Plexi-Drive2/4 SYSTEM SETTINGS USB USB LCD RECORD LVL LOOPER PLAY MIX READY CONTRAST 0 dB USB:RP 8 To edit the USB RECORD LEVEL parameter: 1. Connect the RP to your computer using a standard USB cable.
USB Play Mix 1 Plexi-Drive2/4 SYSTEM SETTINGS USB USB LCD This system parameter controls the output mix of RECORD LVL LOOPER PLAY MIX READY CONTRAST the RP processed signal and USB playback signal 0 dB USB:RP 8 (from your computer). When this parameter is set to the center of its controllable range, it will read "USB:RP" – this represents equal mix levels between the RP signal and USB playback signal.
LCD Contrast This system parameter varies the contrast of the LCD display. 1 Plexi-Drive2/4 SYSTEM SETTINGS USB USB LCD RECORD LVL LOOPER PLAY MIX READY CONTRAST 0 dB USB:RP 8 To edit the LCD CONTRAST: 1. Press the SYSTEM button. 2. Press either the SELECT knob or SYSTEM button repeatedly until the LCD display reads 2/4 in the upper right-hand corner of the LCD display. 3. Turn the EDIT 3 (LCD CONTRAST) knob to select the desired option. 4.
Control In 1 Plexi-Drive3/4 SYSTEM SETTINGS PHRASE This system option configures the CONTROL IN SAMPLER FS3X EXP/TRS SOUND CHECK connector for the desired operation. In the RP360 LOOPER LOOPER EXP/VOL model, the CONTROL IN connector accepts an external expression or volume pedal for real-time control of effect parameters or a DigiTech FS3X Footswitch for additional footswitch control. In the RP360XP model, the CONTROL IN connector accepts an FS3X Footswitch for additional footswitch control.
To edit the CONTROL IN option: 1. Press the SYSTEM button. 2. Press either the SELECT knob or SYSTEM button repeatedly until the LCD display reads 3/4 in the upper right-hand corner of the LCD display. 3. Turn the EDIT 1 (CONTROL IN) knob to select the desired option. 4. Press the BACK button or any FOOTSWITCH to exit the System Settings menu and return to the Performance state.
Phrase Sampler 1 Plexi-Drive3/4 SYSTEM SETTINGS This system parameter determines how the builtin phrase sampler will be used and provides two options: SOUND CHECK and LOOPER. • CONTROL IN LOOPER READY FS3X LOOPER EXP/VOL EXP/TRS PHRASE SAMPLER SOUND CHECK LOOPER SOUND CHECK Selecting this option places the phrase sampler at the beginning of the effects chain for Sound Check use. See Sound Check on page 29 for information on using the Sound Check feature.
Calibrate Pedal Selecting this system option initiates the expression pedal calibration procedure. This procedure can be used to calibrate the built-in expression pedal in the RP360XP, or an external expression controller connected to the RP360, in the event that it is not working correctly. 1 Plexi-Drive4/4 SYSTEM SETTINGS CALIBRATE FACTORY FIRMWARE PEDAL RESTORE LOOPER READY VERSION START START v 1.1.0.0 To calibrate the RP360XP’s expression pedal: 1. Press the SYSTEM button. 2.
Factory Restore 1 Plexi-Drive4/4 SYSTEM SETTINGS This system option is used to restore all RP presets and system settings back to their factory default state. CALIBRATE FACTORY FIRMWARE PEDAL RESTORE LOOPER READY VERSION START START v 1.1.0.0 WARNING! Performing the factory restore procedure will restore all user presets back to their factory default state. Any changes you have made and stored to user presets will be lost! Once performed, this procedure is irreversible.
Firmware Version Displays the firmware version currently installed in the RP. 1 Plexi-Drive4/4 SYSTEM SETTINGS CALIBRATE FACTORY FIRMWARE PEDAL RESTORE LOOPER READY VERSION START START v 1.1.0.0 To check the currently installed firmware version: 1. Press the SYSTEM button. 2. Press either the SELECT knob or SYSTEM button repeatedly until the LCD display reads 4/4 in the upper right-hand corner of the LCD display. 3.
THE EFFECTS & PARAMETERS Generally, a standard guitar rig would consist of some stompboxes, a guitar amplifier, and a speaker cabinet. The RP guitar processors can be thought of as several selectable virtual stompboxes, amplifiers, and speaker cabinets all in a single programmable package. With stompboxes, the order in which they are connected affects the overall sound.
Amp Modeling Amp modeling is a technology which applies the tone of a selected amplifier to your guitar signal. The RP includes an assortment of popular vintage and modern amp models as well as two acoustic guitar simulators. Note that when you select an amp model, the default cabinet model is automatically selected and displayed in the bottom right-hand corner of the LCD display. Once an amp model has been selected, you can turn the EDIT 3 (CABINET) knob to change the cabinet model.
AMP MODELS • 62 Bass Man (Based on a ‘62 Fender® for Brownface Bassman) From the era of the first tolex covered Fender amps, this particular amp was used on the classic Hendrix song “Voodoo Child”. • 65 Fraternal (Based on a ‘65 Fender Blackface Twin Reverb®) The benchmark for twin speaker combos. This great amp is one of the most recognizable clean tones on recordings from the last 4 decades.
AMP MODELS • 900 JCM (Based on a ‘93 Marshall® JCM900) Incorporating a diode clipping stage, this amp gives you more gain than you can shake a stick at. • 2000 JCM (Based on a ‘01 Marshall JCM2000 (Solo Channel)) The TSL100 is a superb tone with tons of sustain for grinding riffs or singing solos. • British 15 (Based on a ‘62 Vox® AC15) The first great Vox amp. A single 12” version of its more famous 30 Watt big brother, this amp has much of the same character to offer.
AMP MODELS • Tri Rectified (Based on a ‘04 Mesa/Boogie® Triple Rectifier®) Another gem from the guys in Petaluma, this bigger brother of the dual rectifier packs an additional 50 Watts of power. • Caliber 22 (Based on a ’86 Mesa/Boogie .22 Caliber) A monster little combo with the classic Boogie Mark tone. • Heritage (Based on a ‘99 Carvin® Legacy VL-100) Steve Vai’s signature amp that he has been using since 1999.
AMP MODELS • PV 5150 (Based on a ’99 Peavey® 5150® II) Designed in conjunction with Eddie Van Halen by Peavey®, this amp offers gain for days. • RG100 (Based on a ’88 Randall® RG-100) A vintage solid state amp that ushered in a new metal generation. This was the amp Dimebag used in the earlier Pantera days. • Jazz 120 (Based on a ’84 Roland® JC-120) This solid state combo was synonymous with the sparkling clean sounds of the '80s.
AMP MODELS • Blues A perfect combination of clarity and grit. The Blues amp cuts through but doesn’t get too muddy as the gain is turned up. • Fuzz The DigiTech Fuzz tone is based off of the fuzz tone of the late '60s English bands, with our own twist. Thus making the DigiTech Fuzz ideal for everything from '90s grunge to todays mix of music. • Spank A bright and punchy clean sound that can be driven for a bit of edge. At home with funk or any tone that needs some spanking.
AMP MODELS • Black Bass (Based on a ’65 Blackface preamp w/Bassman® poweramp) What happens when you combine the cleaner input stage of a Blackface and connect it to the gritty poweramp of a Bassman? You get an experimental amp that works perfect for blues, rock-a-billy, country, and rock.You’ll want to drive this hard. • Stoner Rock The Stoner Rock produces tones made famous by So-Cal and dessert bands.
AMP MODELS • Direct Passes the direct signal (amp modeling is not applied to the signal). When this option is selected, cabinet models are still available for selection. Select this option when you want to use cabinet modeling without amp modeling.
Cabinet Modeling Cabinet modeling is a technology which applies the tone of a selected speaker cabinet to your guitar signal. The RP includes an assortment of popular vintage and modern cabinet models. Note that when you select an amp model, the default cabinet model is automatically selected and displayed in the bottom right-hand corner of the LCD display.You can, however, change the cabinet model after selecting an amp model to achieve different tones.
CABINET MODELS • 2x12: Jazz (Based on a 2x12 ‘84 Roland® JC-120) Awesome for spankin’ clean tones with emphasized top end. • 2x15: JBL (Based on a 2x15 ’68 Sunn® 200S w/JBL®-Lansings) Powerful bottom end from a landmark speaker designer. Classic tones from the late ‘60s. • 4x10: Bass Man (Based on a 4x10 ‘59 Fender® Tweed Bassman®) Powerful, throaty, and just plain cool. This cabinet mixed with its matching amp gives you tones as cool as they come.
CABINET MODELS • 2x12: Bright A particularly bright but full sounding combo cabinet. Great for clean. • 4x12: Metal The Metal cabinet provides a deeper but tight low-end response. Great with any amp that needs a little focus. • 4x12: Rock Take a standard 4x12 and add just a little more 600Hz to cut through the mix, the Rock cabinet not only sounds good for rock but excels at hard rock and gives distorted combos new life.
Compression CMP A compressor is used to increase sustain and beef up your tone. It does this by raising lower level signals and restricting louder ones. The following provides a description of the compressor models available in the RP and their associated parameters.
COMPRESSOR MODELS • Red Compressor (Based on an MXR® Dyna CompTM) The MXR Dyna Comp will compress the high-input signals and boost the low-input signals while adding its unique voicing that has become popular with many players for leads, clean chicken picking, and simple boosts. Parameters 68 NAME OPTIONS OR RANGE DESCRIPTION ON/BYP ON, BYPASS OUTPUT 0 - 99 SENSITIVITY 0 - 99 Turns the effect on and off. Adjusts the output level of the effect. Adjusts the amount of compression.
Delay DLY Delay is an effect that records a portion of the incoming signal, and then plays it back a short time later. The recording can repeat just once or several times, depending upon the selected delay model and settings. The RPs have a Tap Tempo feature which updates the delay time during a performance by tapping your foot on a footswitch at the rate of the desired tempo. See Tap Tempo on page 33 for information on using the Tap Tempo feature.
DELAY MODELS • DM Delay (Based on a Boss® DM-2 Analog Delay) The DM-2 is a classic and standard BBD analog delay that used 4,096 stages of delay. The frequency response and noise depended upon the delay time. The signal increasingly deteriorates with each repeat, so as the repeats are turned up, the signal becomes less and less recognizable and actually becomes more of an effect than a delay. Parameters • NAME OPTIONS OR RANGE DESCRIPTION ON/BYP REPEATS ON, BYPASS 0.024 - 0.
DELAY MODELS • Modulated Delay A modulated delay is a digital delay with chorus added to the delays to produce a wider sounding stereo delay. Parameters NAME OPTIONS OR RANGE DESCRIPTION ON/BYP TIME ON, BYPASS 0.010 - 5.000 SEC REPEATS 0 - 99, HOLD Turns the effect on and off. Sets the delay time. Sets how many delay repeats will occur. The lowest value equals one repeat. Higher values equal more repeats and the highest value equals repeat hold (infinite repeats).
DELAY MODELS • Tape Delay The tape delay effect produces a warm tone by limiting the frequency response and adding the distortion that exists in a tape delay. Parameters • NAME OPTIONS OR RANGE DESCRIPTION ON/BYP TIME ON, BYPASS 0.010 - 5.000 SEC REPEATS 0 - 99, HOLD LEVEL 0 - 99 WOW 0 - 99 FLUTTER 0 - 99 Turns the effect on and off. Sets the delay time. Sets how many delay repeats will occur. The lowest value equals one repeat.
DELAY MODELS • Lo Fi Delay The Lo Fi delay is an analog delay with a severely limited frequency response, producing an even grungier delay effect. Parameters NAME OPTIONS OR RANGE DESCRIPTION ON/BYP TIME ON, BYPASS 0 - 5.000 SEC REPEATS 0 - 99, HOLD LEVEL 0 - 99 3 QUARTER, EIGHT, DOT EIGHT, QUARTER, HALF Turns the effect on and off. Sets the delay time. Sets how many delay repeats will occur. The lowest value equals one repeat.
Distortion DST Distortion and overdrive pedals were designed to give your guitar tone gain before it reaches your amp. Many heavily distorted pedals such as the DigiTech GrungeTM were designed to provide most or all of the gain and run through a cleaner amp. Overdrives are great for boosting the gain of your guitar sound and driving an already distorted amp, giving your total tone more gain and a heavier feel. Overdrives used with clean amps provide a bluesy tone.
DISTORTION MODELS • TS Modded (Based on a modified Ibanez® TS-9 Tube ScreamerTM) Take a TS-9, add more gain and modify the low end to produce a thicker, bluesier overdrive. Parameters • NAME OPTIONS OR RANGE DESCRIPTION ON/BYP ON, BYPASS DRIVE 0 - 99 TONE LEVEL 0 - 99 0 - 99 Turns the effect on and off. Adjusts the amount of saturation. Higher values equal more saturation. Adjusts the tone of the effect. Adjusts the output level of the effect.
DISTORTION MODELS • Who Do Drive (Based on a Voodoo Lab® Sparkle DriveTM) The Sparkle Drive mixes an 808 tone with a boosted clean tone to form a perfect device to drive amps. Parameters • NAME OPTIONS OR RANGE DESCRIPTION ON/BYP ON, BYPASS GAIN 0 - 99 TONE 0 - 99 CLEAN 0 - 99 VOLUME 0 - 99 Turns the effect on and off. Adjusts the amount of saturation. Higher values equal more saturation. Adjusts the tone of the effect.
DISTORTION MODELS • Redline Not your standard overdrive, the Redline takes overdrive to a place that never existed. The Redline’s circuit overdrives the guitar’s signal in a way that is not evenly clipped – like the way a tube amp distorts. Add extra gain and a thicker low end and the Redline was born. Parameters • NAME OPTIONS OR RANGE DESCRIPTION ON/BYP ON, BYPASS GAIN 0 - 99 LOW HIGH LEVEL 0 - 99 0 - 99 0 - 99 Turns the effect on and off. Adjusts the amount of saturation.
DISTORTION MODELS • Anxiety Disorder (Based on a Fulltone® OCD Overdrive) Straddling the border of overdrive and distortion, the OCD produces amazing harmonics and drives any amp into oblivion. The overdrive is thicker than most, yet clear, letting every string and note come through. Parameters • NAME OPTIONS OR RANGE DESCRIPTION ON/BYP ON, BYPASS DRIVE 0 - 99 TONE 0 - 99 HP/LP HP, LP VOLUME 0 - 99 Turns the effect on and off. Adjusts the amount of saturation.
DISTORTION MODELS • MX Distortion (Based on an MXR® Distortion +) A classic pedal due to its simplicity – just plug in and go. The Distortion + produces good, honest distortion, perfect for driving a distorted amp. Parameters • NAME OPTIONS OR RANGE DESCRIPTION ON/BYP ON, BYPASS DIST 0 - 99 OUTPUT 0 - 99 Turns the effect on and off. Adjusts the amount of saturation. Higher values equal more saturation. Adjusts the output level of the effect.
DISTORTION MODELS • Zone (Based on a Boss® MT-2 Metal Zone®) The Metal Zone will produce nearly any metal tone needed from tight, percussive, Bay area thrash to deep, detuned grind core. Parameters • NAME OPTIONS OR RANGE DESCRIPTION ON/BYP ON, BYPASS GAIN 0 - 99 LOW MID MID FREQ HIGH LEVEL 0 - 99 0 - 99 0 - 99 0 - 99 0 - 99 Turns the effect on and off. Adjusts the amount of saturation. Higher values equal more saturation. Adjusts the bass frequencies of the effect.
DISTORTION MODELS • Gonkulator Engineered to meet the needs of many experimental guitarists, the DOD Gonkulator pedal was a silent hit. The Gonkulator is a combination of a Grunge pedal and a ring modulator that produces distortion and mixes in a bell-like ringing. The first pedal with a “suck” knob. Parameters • NAME OPTIONS OR RANGE DESCRIPTION ON/BYP GUNK ON, BYPASS 0 - 99 SMEAR 0 - 99 SUCK HEAVE 0 - 99 0 - 99 Turns the effect on and off. Controls the distortion gain.
DISTORTION MODELS • DOD Classic Fuzz A part of the original DOD FX family, the Classic Fuzz gained a following for its clearer voicing as compared to many fuzz pedals. Parameters • NAME OPTIONS OR RANGE DESCRIPTION ON/BYP ON, BYPASS FUZZ 0 - 99 TONE VOLUME 0 - 99 0 - 99 Turns the effect on and off. Adjusts the amount of saturation. Higher values equal more saturation. Adjusts the tone of the effect. Adjusts the output level of the effect.
EQ EQ The 3-band semi-parametric EQ is used to further shape your tone and provides low, mid, and highband controls, each with adjustable frequency and bandwidth. Parameters NAME OPTIONS OR RANGE DESCRIPTION ON/BYP LOW LEVEL LOW FREQ ON, BYPASS -12 dB to +12 dB 60 Hz - 500 Hz WIDE, MEDIUM, NARROW -12 dB to +12 dB 300 Hz - 4 kHz WIDE, MEDIUM, NARROW -12 dB to +12 dB 2 kHz - 8 kHz WIDE, MEDIUM, NARROW Turns the effect on and off. Adjusts the level of the low frequencies (bass).
Expression Pedal E X P Selecting the Expression Pedal icon accesses settings to assign a parameter for expression pedal control and set the minimum (toe up) and maximum (toe down) control limit values. See Expression Pedal Control on page 34 for further information on configuring and using the Expression Pedal built into the RP360XP or an external expression/volume pedal connected to the RP360.
Modulation MOD The Modulation effect module selects effects such as chorus, flanger, phaser, vibrato/rotary, tremolo, panner (auto-panner), filters, and pitch shifting. The following sections provide a description of each of these effect types. Chorus Chorus adds a short delay to your signal. The delayed signal is modulated in and out of tune and then mixed back with the original signal to create a thicker, more interesting sound with minor movement.
MODULATION – CHORUS MODELS • Pearl Chorus A warm dual voice chorus with speed, depth, level, and waveform controls. Parameters NAME OPTIONS OR RANGE DESCRIPTION ON/BYP LEVEL SPEED DEPTH ON, BYPASS 0 - 99 0 - 99 0 - 99 TRIANGLE, SINE, SQUARE Turns the effect on and off. Adjusts the output level of the effect. Adjusts the speed of the modulation. Adjusts the intensity of the effect. Selects the shape of the LFO waveform which changes the timing characteristics of the LFO modulation.
MODULATION – CHORUS MODELS • Who Doo Chorus (Based on a Voodoo Lab® Analog Chorus) A strikingly vocal chorus pedal with distinct organic tone. It is capable of a wide range of sounds from a thick analog doubling, to an ultra-lush chorus, and even a Leslie rotating speaker. Parameters • NAME OPTIONS OR RANGE DESCRIPTION ON/BYP SPEED INTENSTY ON, BYPASS 0 - 99 0 - 99 Turns the effect on and off. Adjusts the speed of the modulation. Adjusts the intensity of the effect.
Flanger A flanger uses the same principles as the chorus effect, but uses a shorter delay time and adds regeneration (or repeats) to the modulating delay. This results in an exaggerated up and down sweeping motion to the effect. The following provides a description of the flanger models available in the RPs and their associated parameters. MODULATION – FLANGER MODELS • Flanger DigiTech’s own flanger with control of Speed, Depth, Regeneration, and Level.
MODULATION – FLANGER MODELS • Filter Flanger The DigiTech team expanded on the traditional flanger by adding a band pass filter in the feedback path of the effect. Because of this filter, the Filter Flanger’s feedback affects only a set amount of frequencies, thereby generating a different sounding flanger effect. Parameters • NAME OPTIONS OR RANGE DESCRIPTION ON/BYP SPEED DEPTH ON, BYPASS 0 - 99 0 - 99 REGEN 0 - 99 FREQ 0 - 99 Turns the effect on and off. Adjusts the speed of the modulation.
MODULATION – FLANGER MODELS • AD Flanger (Based on an A/DATM Flanger) A super quiet flanger with plenty of headroom. Made popular by its ability to get thick and juicy tones from using not only the standard knobs, found on most flangers, but also the Harmonic knob which offers the user a slightly different timbre going from even to odd harmonics.
Phaser A phaser splits the incoming signal, and then changes the phasing of the signal. This signal is then taken in and out of phase and mixed back in with the original signal. As the phasing changes, different frequencies get canceled resulting in a warm sort of twisting sound. The following provides a description of the phaser models available in the RPs and their associated parameters.
MODULATION – PHASER MODELS • MX Phaser (Based on an MXR® Phase 100) Another industry standard in phase pedals with its own unique tones. It has a simplistic 2 knob control panel (Intensity and Speed). Along with the Speed control that controls the speed of the sweep, the Intensity knob selects between four different intensities, defined as “preset waveform patterns”.
Vibrato/Rotary Vibrato is an effect that modulates the pitch of the incoming signal at an even rate, taking the whole signal slightly in and out of tune at a steady pace. A Rotary effect emulates a device that included a spinning horn and woofer. The rotation of these two speakers produced an interesting combination of the sound panning from side to side.
MODULATION – VIBRATO/ROTARY MODELS • Vibro-Pan The Vibro-Pan not only varies pitch, but also incorporates an automatic panner with a vibrato effect that creates a lush, chorus-like sound. This effect is great for stereo setups. Parameters NAME OPTIONS OR RANGE DESCRIPTION ON/BYP SPEED INTENSTY VIBPAN ON, BYPASS 0 - 99 0 - 99 0 - 99 TRIANGLE, SINE, SQUARE Turns the effect on and off. Adjusts the speed of the modulation. Adjusts the strength of the effect. Adjusts the stereo width of the auto-panning.
Tremolo/Panner The tremolo effect modulates the volume of the signal at an even rate.You may recognize this effect from vintage guitar combo amps which had built-in tremolo (sometimes incorrectly referred to as vibrato). A panner effect modulates the pan control, making the signal jump back and forth between the left and right speakers. The following provides a description of the tremolo/panner models available in the RPs and their associated parameters.
MODULATION – TREMOLO/PANNER MODELS • Bias Tremolo (Based on a Vox® Bias Tremolo) Another way to achieve a tremolo effect is to alter the bias of the poweramp tubes. The Bias Tremolo effect emulates this and produces the volume and tone effects heard on many famous British tunes. Parameters • NAME OPTIONS OR RANGE DESCRIPTION ON/BYP SPEED DEPTH ON, BYPASS 0 - 99 0 - 99 Turns the effect on and off. Adjusts the speed of the modulation. Adjusts the intensity of the effect’s modulation.
Envelope Filter The envelope filter effect is a dynamic wah effect that alters your sound based upon how hard you play. The following provides a description of the tremolo/panner models available in the RPs and their associated parameters. MODULATION – ENVELOPE FILTER MODELS • Envelope Filter An envelope filter is also called an “auto-wah” for its wah effect. The amount of wah is dependent upon the output volume of your guitar – the harder you play, the more wah you get.
MODULATION – ENVELOPE FILTER MODELS • Ya YaTM The Ya Ya is exclusive to DigiTech products. It combines the characteristics of a wah and a flanger, providing a unique talk-box type of effect that is controlled using an expression pedal. Parameters • NAME OPTIONS OR RANGE DESCRIPTION ON/BYP PEDAL INTENSITY ON, BYPASS 0 - 99 0 - 99 RANGE 0 - 49 Turns the effect on and off. Assign an expression pedal to this parameter for Ya Ya control. Adjusts the strength of the effect.
Pitch Shift Pitch shifting can be used to add a pitched signal or harmonies to a riff, or detune your guitar for lush chordal effects. The following provides a description of the pitch models available in the RPs and their associated parameters. MODULATION – PITCH SHIFT MODELS • WhammyTM The DigiTech Whammy effect provides a dynamic pitch shifting and harmony effect and is meant to be used in conjunction with an expression pedal.
MODULATION – PITCH SHIFT MODELS • Detune A detuner makes a copy of your incoming signal, makes the copied signal slightly out of tune from the original, then mixes the two signals together. The result is a lush, doubling type of effect as if two guitars were playing the same part together. Parameters 100 NAME OPTIONS OR RANGE DESCRIPTION ON/BYP LEVEL ON, BYPASS 0 - 99 SHIFT -24 to +24 Turns the effect on and off. Adjusts the output level of the effect.
MODULATION – PITCH SHIFT MODELS • Harmony Harmony pitch shifting makes a copy of the incoming signal and then changes the pitch of the copied note to a diatonically correct interval specified by the SHIFT parameter. The Harmony Pitch Shifter sharpens or flattens the shifted pitch in order to keep the specified interval within the selected key and scale, creating a true harmony.
MODULATION – PITCH SHIFT MODELS • Octave (Based on a Boss® OC-2 Octaver) Based on the Boss OC-2 Octaver, this pedal adds two signals to your original guitar signal. The first is one octave below your guitar, and the second is two octaves below your guitar. Each additional signal has its own volume control. Parameters 102 NAME OPTIONS OR RANGE DESCRIPTION ON/BYP OCTAVE 1 OCTAVE 2 DRY LEVL ON, BYPASS 0 - 99 0 - 99 0 - 99 Turns the effect on and off.
Noise Gating GAT A noise gate is used to control the volume of an audio signal. In its most simple form, a noise gate allows a signal to pass through only when the signal is above a set threshold. When this happens, the gate is “open”. If the signal falls below the threshold, no signal is allowed to pass (or the signal is substantially attenuated) and the gate is “closed”. The following provides a description of the gate models available in the RP and their associated parameters.
Reverb REV Reverb can be used to thicken your tone, elongate your notes, and create lush sonic soundscapes. The RPs feature genuine Lexicon® reverbs, whose rich, warm reverbs have been heard in countless songs, soundtracks, and live performances for decades. The following provides a description of the reverb models available in the RPs and their associated parameters.
REVERB MODELS • Vintage Plate (Based on an EMT® 240 Reverb) The EMT 240 Reverb is the reference reverb to which all studio reverbs are compared. Plate reverbs work like spring reverbs, but pass the audio signal through a plate rather than a spring. They are known for being bright and blending well with the unprocessed sound. Use it when you want a bright reverb with plenty of reverb decay and character.
Volume V O L The Volume module adjusts the volume of the signal wherever the Volume icon is placed in the signal chain. The Volume module can be assigned to the RP360XP’s built-in expression pedal (or to an external expression pedal if using the RP360) to control the volume of your guitar with your foot. The Volume icon in the Effect Edit menu represents the location in the effects chain where the Volume module will be adjusted.
Wah W A H Wah is an effect which is controlled by an expression pedal and makes the guitar sound as if it’s saying “Wah.” The following section provides a description of the wah models available in the RP and their associated parameters. Note that all wah models have the same parameters as shown in the below table. Parameters NAME OPTIONS OR RANGE DESCRIPTION ON/BYP LEVEL PEDAL ON, BYPASS -6 dB - +12 dB 0 - 99 MIN 0 - 99 MAX 0 - 99 Turns the effect on and off. Adjusts the output level post Wah.
NEXUS EDITOR/LIBRARIAN SOFTWARE The free Nexus editor/librarian software, available for Mac and PC, lets you to connect to an RP360 or RP360XP and edit effects, reorder effects using drag-and-drop functionality, and backup and manage presets. System Requirements To download Nexus and get the latest information on system requirements, visit the downloads section at www.digitech.com/en-US/products/rp360 or www.digitech.com/en-US/products/rp360-xp.
PRESET LIST PRESET # PRESET NAME PRESET # PRESET NAME PRESET # PRESET NAME 1 Plexi-Drive 34 Satisfactory 67 70s Bass 2 Clear Sky 35 PlayYerBass 68 SkinnyFunk 3 Voxx Delay 36 Sad But True 69 MysteryWhey 4 Fuzz Royal 37 FuzzyBottom 70 UberBlakhole 5 Solo Dude 38 Front Phase 71 No One Nos 6 Brit Force 39 ThroatCoat 72 My Curse 7 Clean Funk 40 Chimey 73 Juturna 8 Rumble 41 TouchOPhase 74 Menos El Oso 9 Hazy 42 Funk 49 75 Carnavas 10 Fazed Out 43 Sla
EXPRESSION PEDAL & LFO ASSIGNABLE PARAMETERS Wah PARAMETER 1 PARAMETER 2 PARAMETER 3 On/Bypass On/Bypass On/Bypass Level Level Level Pedal Pedal Pedal PARAMETER 1 PARAMETER 2 PARAMETER 3 PARAMETER 4 PARAMETER 5 On/Bypass On/Bypass On/Bypass Level Level Output Sustain Sustain Sensitivity Tone Tone Attack Attack PARAMETER 1 PARAMETER 2 PARAMETER 3 PARAMETER 4 PARAMETER 5 Screamer On/Bypass Drive Tone Level Eight-Oh-Eight TS Modded Supreme Drive Over Drive Who Do Drive Driven Over DOD
Amp PARAMETER 1 PARAMETER 2 PARAMETER 3 PARAMETER 4 PARAMETER 5 Dread & Jumbo Acoustic On/Bypass Level Bass Mid Treble Direct On/Bypass Level All Other Amp Models On/Bypass Gain Amp Level Bass Mid MODEL PARAMETER 6 Treble EQ PARAMETER 1 PARAMETER 2 PARAMETER 3 PARAMETER 4 PARAMETER 5 PARAMETER 6 PARAMETER 7 On/Bypass Low Freq Low Level Mid Freq Mid Level High Freq High Level PARAMETER 1 PARAMETER 2 PARAMETER 3 PARAMETER 4 PARAMETER 5 Silencer Gate On/Bypass Thresh
FX MODEL PARAMETER 1 PARAMETER 2 PARAMETER 3 PARAMETER 4 PARAMETER 5 Vibrato On/Bypass Speed Intensity Rotator On/Bypass Speed Intensity Doppler X Over Vibro-Pan On/Bypass Speed Intensity Vibpan Waveform Uno-Vibe On/Bypass Volume Speed Intensity Chorus/ Vibrato Tremolo On/Bypass Speed Depth Waveform Scatter Tremolo On/Bypass Speed Depth Opto Tremolo On/Bypass Speed Intensity Bias Tremolo On/Bypass Speed Depth Panner On/Bypass Speed Depth Envelope Filter On/B
Reverb PARAMETER 1 PARAMETER 2 PARAMETER 3 PARAMETER 4 PARAMETER 5 Lexicon Ambience On/Bypass Level PreDelay Decay Liveliness Lexicon Studio On/Bypass Level PreDelay Decay Liveliness Lexicon Room On/Bypass Level PreDelay Decay Liveliness Lexicon Hall On/Bypass Level PreDelay Decay Liveliness Vintage Plate On/Bypass Level PreDelay Decay Liveliness MODEL RP360 / RP360 XP 113
SPECIFICATIONS General Specifications A/D/A Converter: Sampling Frequency: DSP Section: Simultaneous Effects: Preset Memory: Phrase Looper: Drum Machine: 24-bit high performance audio 44.
RP360 / RP360 XP 115
PHONE: (801) 566-8800 WEB: www.digitech.com SUPPORT: www.digitech.com/en-US/support DigiTech is a registered trademark of Harman © 2014 Harman All Rights Reserved RP360/RP360XP Owner's Manual PN: 5041674-B AutoYa, DigiTech, DOD, Death Metal, Johnson Amplification, Grunge, Lexicon, Multi Chorus, Whammy, and YaYa are trademarks of Harman International Industries, Inc.
