Owner's Manual
IMPORTANT SAFETY INSTRUCTIONS WARNING FOR YOUR PROTECTION READ THE FOLLOWING: KEEP THESE INSTRUCTIONS HEED ALL WARNINGS FOLLOW ALL INSTRUCTIONS The apparatus shall not be exposed to dripping or splashing liquid and no object filled with liquid, such as vases, shall be placed on the apparatus CLEAN ONLY WITH A DRY CLOTH. FOR INDOOR USE ONLY. DO NOT BLOCK ANY OF THE VENTILATION OPENINGS. INSTALL IN ACCORDANCE WITH THE MANUFACTURER’S INSTRUCTIONS.
DECLARATION OF CONFORMITY Manufacturer’s Name: DigiTech Manufacturer’s Address: 8760 S. Sandy Parkway Sandy, Utah 84070, USA declares that the product: Product name: Vocalist Live FX Product option: all (requires Class II power adapter that conforms to the requirements of EN60065, EN60742, or equivalent.
Warranty & Registration We at DigiTech® are very proud of our products and back-up each one we sell with the following warranty: 1. Please register online at www.digitech.com within ten days of purchase to validate this warranty. This warranty is valid only in the United States. 2. DigiTech warrants this product, when purchased new from an authorized U.S. DigiTech dealer and used solely within the U.S., to be free from defects in materials and workmanship under normal use and service.
Table of Contents Top Panel ������������������������������������������������������3 Rear Panel ����������������������������������������������������6 De-Esser �����������������������������������������������������40 Noise Gate ������������������������������������������������41 Low Cut Filter ������������������������������������������42 Pitch FX ������������������������������������������������������43 Distortion/Filter ���������������������������������������46 Harmony ����������������������������������������
Overview Introduction Thank you for choosing the Vocalist® Live FX by DigiTech®. The Live FX is a feature-packed live vocal effects processor which incorporates the latest musIQ® technology, studio-grade channel strip and vocal effects processing, Live Adapt, harmony generation, pitch correction, dbx® Advanced Feedback Suppression, and a built-in phrase looper. This combination of features provides you with professional, studio quality vocal effects when performing on-stage.
Features • Studio-Grade Mic Preamp,Vocal Processing, & Effects • +48V Phantom Power • dbx® Compression & Advanced Feedback Suppression • Lexicon® Ambience & Reverb • Latest musIQ® Technology & Built-In Analysis Mic • Live Adapt for Real-Time Adaptive Control of Noise Gating, Pitch Effect Key, Harmony Key, & Effect Tempo • Sound Check Feature for Auditioning & Quick Setup of Effects • 70 Second Mono Phrase Looper (35 Seconds w/Undo) • 99 User & 99 Factory Presets • 24-bit/44.
User Interface & Connectors Top Panel 1 2 3 4 16 5 15 6 14 13 7 8 9 12 10 11 1. Gold Channel Button Pressing this button turns the Gold Channel effects on and off. The Gold Channel effects provide channel strip style processing and are used to provide the sonic foundation for your vocal sound. Pressing and holding this button will enter the Gold Channel Edit menu, where the Gold Channel effects can be modified using the DATA encoder [5] and Edit knobs [9]. 2.
Note: Whenever the Aux In jack is connected to an audio source, it will be used for Live Adapt features instead of the internal microphone. See "Live Adapt" on page 15 4. Signal LED This LED lights when the mic input signal is detected. This LED will light green when a signal is present, yellow when approaching the A/D limiting point, and red when limiting occurs.
. UP Footswitch This footswitch selects the next preset up. Pressing and holding this footswitch for 2 seconds will bypass all Vocal effects (Gold Channel effects will not be affected). This "Vocal Effects Bypass" feature allows you to bypass all Vocal effects quickly, such as when talking to the audience between songs. 12. DOWN Footswitch This footswitch selects the next preset down.
Rear Panel 1 2 Aux In 8 Mic In USB Left Out Right Out Input Gain Manufactured under U.S. patent number: 8,168,877 B1 3 9VDC 800mA 4 7 Line Out 5 Footswitch 6 1. Aux In Jack Connect a portable music player or the outputs of a mixer to this stereo 1/8” jack. Audio from an external device plugged into this jack can be used either for musIQ analysis or merely mixed in with the vocal signal at the output stage. 2. Input Gain Knob This knob controls the input gain of the Mic In jack. 3.
Connection Diagrams Cable Diagrams Stereo Connection to Live FX Aux In 1/8” Stereo Cable Ground Left + Ground Right + Left Channel Left Channel (+) Left + Ground Ground Right Channel Right Channel (+) Right + Use a cable like this when connecting a stereo 1/4" feed to the Live FX's Aux In jack. NOTE: You can also use the above cable when connecting a mono signal to the Aux In jack–such as when connecting an aux send or direct output from the mixing console.
Mono Application Line Input Computer w/Vocalist Live Librarian Software (optional) Harman Power Supply Portable Music Player (optional) Microphone Headphones (optional) DigiTech FS3X Footswitch or Volume/Expression Pedal (optional) NOTE: This application requires that the Live FX be configured for mono operation. See "Stereo" on page 29 for further information. Whenever the Aux In jack is connected to an audio source, it will be used for Live Adapt features instead of the internal microphone.
Stereo Application Line Inputs Computer w/Vocalist Live Librarian Software (optional) Harman Power Supply Portable Music Player (optional) Microphone Headphones (optional) DigiTech FS3X Footswitch or Volume/Expression Pedal (optional) NOTE: This application requires that the Live FX be configured for stereo operation, which is the default configuration. See "Stereo" on page 29 for further information.
Using Aux In Jack w/Live Adapt Line Input Monitor Outputs Computer w/Vocalist Live Librarian Software (optional) Harman Power Supply Microphone Headphones (optional) DigiTech FS3X Footswitch or Volume/Expression Pedal (optional) NOTE: Whenever the Aux In jack is connected to an audio source, it will be used for Live Adapt features instead of the internal microphone.
Operating The Live FX This section of the manual describes how to navigate and use the various features of the Live FX. Gold Channel Effects The "Gold Channel" effect processing section is the first effect module in the signal chain and provides channel strip style processing. The Gold Channel effects comprise the following 8 effects: Warmth, Compressor, Pitch Correction, Ambience, EQ, De-Esser, Gate, and Low Cut.
Vocal Effects The "Vocal" effects processing section comes after the Gold Channel effects processing section and comprises the following 7 effect modules: Pitch FX, Distortion/Filter, Harmony, Double, Modulation, Delay, and Reverb. Unlike the Gold Channel effects,Vocal effect settings are independently stored to each preset. To bypass/enable a Vocal effect module: 1. Press the corresponding effect button (e.g., , , etc.).
Anti-Feedback (dbx® AFS) The Anti-Feedback feature actively monitors the room using the built-in microphone and kills feedback before it becomes a problem. In live situations where feedback is possible, enable dbx® AFS by simply pressing the button–the button will turn green, indicating AFS is active. The Anti-Feedback button has three color coded states to let you know it’s working, they are: • Green LED Indicates the AFS feature is enabled.
Sound Check If you've ever tried adjusting vocal effect parameters while singing then you know that it can be difficult to properly judge the parameter changes due to the fact that you can hear your own voice inside your head. The Sound Check feature resolves this issue by allowing you to record a vocal loop (pre-effects) that you can then playback through the Gold Channel and Vocal effects.
Live Adapt The Live FX’s Live Adapt feature uses the built-in microphone or Aux In jack to listen to the music and automatically adjust noise gate threshold (built-in microphone only), pitch effect key, harmony key, and delay and modulation tempo. These options can be enabled and disabled independently in the Live Adapt menu and then turned on and off globally with the Live Adapt button. Following is a description of each of the options available in the Live Adapt menu.
music. The Pitch FX KEY setting will still provide the baseline information for the effect, but will be modified to better match the notes being detected by Live Adapt. If you don’t know the key of the song, you can choose “Chromatic” for the Pitch FX KEY, and let the Live Adapt feature choose the most likely notes to output.
TEMPO setting of 120 BPM would be allowed to vary between about 102 BPM and about 138 BPM. To enable/disable each Live Adapt option: 1. Press and hold the button for 2 seconds. The button will begin flashing and the display will show the available Live Adapt options. 2. Use the corresponding knobs to edit each option. 3. Press the button again to exit. To globally enable/disable the Live Adapt feature: 1. Press the button.
Looper The Live FX's built-in mono phrase looper allows you to record a vocal loop, record infinite overdubs on the loop, and undo/redo overdubs during live performance. The looper is placed last in the signal chain. This allows all enabled effects to be recorded with the loop and allows overdubs to be recording with different effects applied. The maximum allowable loop recording length is dependent upon whether the looper Undo function is enabled or disabled.
4. You can now record overdubs. To add an overdub, ensure the loop is playing. If it is not, press the footswitch to initiate loop playback. Now press the footswitch to start overdub recording. “OVERDUB” will appear in the display. 5. To stop overdub recording, press the footswitch again. The loop will continue playing, along with the newly recorded overdub.You now have the option to undo the overdub or add another overdub, as described below. A.
Presets The Live FX has 99 user presets and 99 factory presets. The type of preset loaded can be identified by the letter preceding the preset number in the LCD display. For example, "U01" would signify "User" preset 1 and "F04" would signify "Factory" preset 4. From the factory, the user and factory presets are identical. The difference is that factory presets cannot be overwritten and user presets are meant to be overwritten.
2. If you do not wish to rename the preset, go to step 5. If you do wish to rename the preset, turn the knob to change the selected character. The preset name can contain up to 16 characters. 3. Turn the encoder clockwise to select the next character for editing. 4. Repeat steps 2 and 3 for all remaining characters until you have entered the desired preset name. 5. Press the button again. The display will read “STORE TO:”.
Preset A/B Parts Each preset has two parts, referred to as “A” and “B”.Vocal effects can be independently enabled or disabled in each part. This feature can be helpful for applying dynamic effects within a song without having to navigate presets, such as enabling delays or distortion effects on certain words or vocal phrases. These parts are toggled using the A/B footswitch. The A/B footswitch can be configured for toggle, momentary, or auto operation.
Set Lists The Live FX allows you to organize presets into groups called “Set Lists". A Set List contains a group of up to twenty presets placed in any order, so you can easily step through them one at a time during a performance. There are five available Set Lists: Favorites, Set List A, Set List B, Set List C, and Set List D. Pressing the button repeatedly will cycle through these Set Lists. To create or edit a Set List: 1.
Hint: The Live FX provides an alternative way of quickly adding presets to the Favorites Set List. 1. From Preset mode, select the preset which you want to add to the Favorites Set List. 2. Hold down the button until the Favorites Set List is displayed in the LCD display.You will notice that the selected preset was automatically added to the next available empty slot in the Favorites Set List. 3.
FS3X Footswitch Control The footswitch functions in the Live FX are reassigned when the Looper is enabled. This prevents changing presets and A/B status when controlling the Looper functions. An optional DigiTech FS3X Footswitch can be used for full-time looper control, freeing up the Live FX footswitches to be used for full-time preset navigation. This provides streamlined control and quick access to the looper functions.
Volume/Expression Pedal Control The Live FX can accommodate a variety of expression pedals or a volume pedal plugged into the Footswitch input jack for continuous control of various Vocal effect parameters. The Live FX must be configured for volume/expression pedal operation before an external controller can be used.
System Setup The System Edit menu is used to configure the Live FX for your application and is accessed by pressing the button. Pressing the encoder navigates the various pages within the System Edit menu and turning the corresponding knobs will edit the on-screen system parameters. This section of the manual describes the available options in this menu and how to access and edit them. Most of these parameters are global and do not require that you store them to a preset.
A/B Footswitch Configuration Each preset has two parts, referred to as “A” and “B”.Vocal effects can be independently enabled or disabled in each part. This feature can be helpful for applying dynamic effects within a song without having to navigate presets, such as enabling delays or distortion effects on certain words or vocal phrases. These parts are toggled using the A/B footswitch. The A/B menu item allows you to configure how the A/B footswitch will operate.
Stereo When the STEREO parameter is turned on, the Live FX’s outputs will be configured for stereo operation (this is the default setting). When the Stereo parameter is turned off, the Live FX is configured for mono operation. When configured for mono operation, all outputs will carry the same mono-summed signal. The XLR outputs and 1/4” stereo output will all be affected when changing this setting. To edit the STEREO setting: 1. Press the button. 2.
Loop Undo This system parameter is used to turn the Loop Undo function on and off. When turned on, overdubs recorded using the Live FX’s built-in phrase looper can be undone on-the-fly by simply pressing and holding the footswitch for 2 seconds. To edit the LOOP UNDO setting: 1. Press the button. 2. Press the encoder once to navigate to page 2 within the System Edit menu. 3. Turn the knob to select the desired setting. 4.
EP (Expression Pedal) Type The Live FX Footswitch jack accommodates either the DigiTech FS3X Footswitch for controlling the built-in phrase looper or an expression/volume controller for controlling various Vocal effect parameters. The EP TYPE parameter is a global system parameter and does not require you to store any change made to it. The selectable options are: • FS3X Select this option when connecting an optional DigiTech FS3X Footswitch for full-time phrase looper control.
Aux In Configuration The AUX system parameter determines whether or not the audio signal from the Aux In jack will be sent to the outputs. The selectable options are: • Mute Selecting this option will mute the Aux In so that you will not hear it in the output signal. • Mix Selecting this option will mix the Aux In signal with the processed vocal signal at the Live FX’s output stage. To edit the AUX setting: 1. Press the button. 2.
EP Parameter, Min, & Max These system parameters select which vocal effect parameter you would like to control using an optional volume or expression pedal and set the min and max settings for the pedal's toe up and toe down positions. These parameters are not global parameters and do require you to store them to a preset in order to be retained. • EP Param This option selects which vocal effect parameter will be controlled via a connected volume or expression pedal.
Vocal Effect Parameters Available for Expression Pedal Control EP Param Minimum Selectable Value Maximum Selectable Value Harmony Humanize 0 99 Harmony Gender 0 99 Double Amount 0 99 Double Detune -50 50 Double Humanize 0 99 Double Correct 0 99 Mod Amount 0 99 Mod Shape 0 99 Mod Speed Slow 8x Delay Amount 0 99 Delay Repeats 0 99 Delay Speed 1x Slap 3 Tempo (BPM) 60 300 Reverb Amount 0 99 Reverb Tone -50 50 Reverb PreDelay 0 99 Reverb Tail 0 99 34 Owner'
Factory Reset This system parameter restores all system settings and user presets to their factory default state. Warning! Performing the Factory Reset procedure will delete stored presets. It is recommended that you backup presets using the Vocalist Live Librarian preset management software before performing this procedure. To initiate the Factory Reset procedure: 1. Press the button. 2. Press the encoder four times to navigate to page 5 within the System Edit menu. 3.
The Effects & Parameters The Live FX signal path is a serial chain of 8 effect modules, which correspond to the 8 buttons along the top of the Live FX’s user interface. The “Gold Channel” effect module is the first module in the signal chain and comprises a grouping of 8 channel strip style effects (Warmth, Compressor, Noise Gate, Low Cut, EQ, De-Esser, Ambience, and Pitch Correction). These Gold Channel effects provide the sonic foundation for your vocal sound and are used globally for all presets.
Press & Hold To Edit Warmth Warmth adds varying amounts of tube saturation to your vocals. Use Warmth when your vocals require some additional grit, warmth, and character. Available parameter: • WARMTH (0-99) This parameter adjusts the amount of tube saturation applied, with 0 being the minimum (no effect) and 99 being the maximum. To dial in the Warmth effect: 1.
Press & Hold To Edit Pitch Correction Pitch Correction is used to correct notes which are sung slightly out of pitch. For example, if you’re singing a C, and it’s a little flat (but not quite B), pitch correction alters the note so that a more precise C is heard through the sound system. Available parameter: • CORRECT (0-99) This parameter adjusts how much pitch correction will occur, with 0 being the minimum (no effect) and 99 being the maximum. To dial in Pitch Correction: 1.
Press & Hold To Edit EQ The 3-band EQ shapes the tone of your vocals. It provides low, midrange, and high band filters with sweepable midrange frequency control. Available parameters: • LOW (-12 dB-+12 dB) This parameter adjusts the gain of the low frequency shelving filter and can be used to fix a “muddy” vocal sound (using EQ cut) or make thin sounding vocals sound more full (using EQ boost). This is a low shelf filter with a fixed corner frequency at 400Hz.
Press & Hold To Edit De-Esser The De-Esser tames excessively harsh consonant sounds, referred to as “sibilance”. A de-esser is a frequency selective compressor which is triggered only by the offending sibilant frequencies (between about 5-10 kHz). If you’re experiencing sibilance issues and your vocals sound too dull when lowering the sibilant frequencies with EQ, try using the De-Esser instead.
Press & Hold To Edit Noise Gate The Noise Gate removes non-vocal signals from passing through the Live FX when you are not singing. This can help clean up the mix and help prevent feedback. Available parameter: • GATE (0-99) This parameter allows you to set the Noise Gate’s threshold, with 0 being the highest threshold and 99 being the lowest threshold.
Press & Hold To Edit Low Cut Filter The Low Cut Filter prohibits excessively low frequencies (below the usual range of a vocal signal) from passing through the vocal microphone. These excessively low frequencies generally don’t add anything to the vocal’s sound and, when removed, can help with preventing the low end of the mix from becoming "muddy". The cutoff frequency of the Low Cut Filter is fixed at 75Hz. Available parameter: • LO CUT (On/Off) This parameter turns the Low Cut Filter on and off.
Press & Hold To Edit Pitch FX The Pitch FX module provides pitch shifting type effects, including Note Hammer, the popular over-the-top synthetic pitch correction effect heard in modern Pop and Hip-Hop recordings. The Pitch effect consists of three different components: TYPE, GENDER, and SHIFT. Each of these components work independently of each other. Changes to the Pitch FX module need to be stored to a preset for later recall.
Pitch Type Option Description Reso Resonator effect with no pitch correction. Resobo Robot and resonator with no pitch correction. Space Resonator and pitch sync modulation. Alien Pitch sync modulation and formant shift. Pixel Pixel effect. Growl Emulates growl at loud onsets. Mod 20 Pitch sync modulation = 2 pitch periods. Mod 25 Pitch sync modulation = 2.5 pitch periods. Mod 30 Pitch sync modulation = 3 pitch periods. Mod 35 Pitch sync modulation = 3.5 pitch periods.
• GENDER (-50-+50) This parameter is used to make the pitch shifted signal sound more male or female, with -50 representing male and 50 representing female. Note that this parameter is not affected by the FX LVL parameter. • SHIFT (-12-+12) This parameter determines the amount of transposition applied to the input signal, with negative numbers representing downward pitch transposition and positive numbers representing upward pitch transposition.
Press & Hold To Edit Distortion/Filter The Distortion/Filter module adds distortion to your vocals, creates lo-fi effects, or creates special effects, such as emulating a megaphone. Changes to the Distortion/ Filter module need to be stored to a preset for later recall. Available parameters: • TYPE This parameter allows you to select which type of distortion/filter effect you would like to use. The following table provides a description of each option.
Delay When this option is selected, the Distortion/Filter effect is applied to the delayed vocal only (the Delay effect must be enabled to hear this option). All When this option is selected, the Distortion/Filter effect will be applied to the lead vocal, delay, harmony, and doubled voices. • FILTER (0-99) This parameter adjusts the characteristics of the band-pass filter. The change in filter frequencies from 0 to 99 will depend on the currently selected distortion TYPE.
Press & Hold To Edit Harmony The Harmony module is used to create the effect of having backup singers singing harmonies. The Live FX adds up to two harmony voices to your lead vocal. Changes to the Harmony module need to be stored to a preset for later recall. Available parameters: • TYPE This parameter allows you to set the desired harmony voicing type. The following table provides a description of each option.
NOTE: The Harmony KEY parameter can not be edited when adaptive HARMONY is enabled in the Live Adapt menu (see "Live Adapt" on page 15). However, when Pitch FX is configured to receive its KEY setting from the Harmony KEY setting, you will still have access to changing the KEY parameter for the sake of Pitch FX, but doing so will not affect the Harmony KEY as it is set for adaptive operation.
Press & Hold To Edit Double Doubling is used to thicken your vocal sound and create the effect of additional singers singing in unison. Changes to the Double module need to be stored to a preset for later recall. Available parameters: • TYPE This parameter selects which type of doubler effect you would like to use. The following table provides a description of each option. Double Type Option Description 1 Voice Time Time and phase decoupling with 1 voice.
To dial in the Double effect: 1. Sing into the microphone (or use the Sound Check feature, see "Sound Check" on page 14) and ensure the AMOUNT parameter is set high enough to hear the effect. 2. Using the encoder, select the desired doubling voice TYPE. 3. If you would like to detune or uptune the doubled voice(s), adjust the DETUNE parameter for the desired effect. 4. Adjust the HUMANIZE parameter until the desired amount of distinction and realism is achieved. 5.
Press & Hold To Edit Modulation Modulation effects are great for adding motion and depth to your vocal sound and include effects like flanging (jet airplane phasing effect), chorusing (thickens vocals) and vibrato. Changes to the Modulation module need to be stored to a preset for later recall. Available parameters: • TYPE This parameter selects which type of modulation effect you would like to use. The following table provides a description of each option.
Modulation Speed Option Description Slow Sets the mod speed to 108 BPM (ignores the currently set tempo setting). Med Sets the mod speed to 240 BPM (ignores the currently set tempo setting). Fast Sets the mod speed to 360 BPM (ignores the currently set tempo setting). 1/8 x, 1/7 x, 1/6 x, 1/5 x, 1/4 x, 1/3 x, 1/2 x, 1 x, 2 x, 3 x, 4 x, 5 x, 6 x, 7 x, 8 x Each of these options sets the mod speed to the multiple denoted in the option name (e.g.
Press & Hold To Edit Delay Delay is an essential effect in vocal processing that creates an echo of your voice during performance. Changes to the Delay module need to be stored to a preset for later recall. Available parameters: • TYPE This parameter selects which type of delay effect you would like to use. The following table provides a description of each option. 54 Delay Type Option Description Digital Straight up digital delay at currently set tempo.
Delay Type Option Description Tape Multitap 1 Tape delays with a multi-tap eighth and quarter pattern. Tape Multitap 2 Tape delays with a multi-tap triplet pong pattern. Tape Multitap 3 Tape delays with a multi-tap dotted eighth + quarter note pattern. Bandpass Delay at the currently set tempo, but each time around the delay line is filtered with a bandpass filter so the repeats get more and more lo-fi.
• TEMPO (60-300) This parameter allows you to set the tempo for the Delay effect. This parameter is directly tied to the Modulation TEMPO parameter; editing one parameter will affect the other. If you enable the adaptive "TEMPO" feature in the Live Adapt menu, this parameter will adapt within a range around the currently set TEMPO setting. When adaptive TEMPO is enabled, the Adapt icon A will appear next to this parameter and the LCD display will show the adapted tempo as it changes.
Press & Hold To Edit Reverb Lexicon® reverb is the industry standard for both studio and live reverb effects. Reverb simulates singing in both small and large spaces, making your vocal breathe with more dimension. Changes to the Reverb module need to be stored to a preset for later recall. Available parameters: • TYPE This parameter allows you to select the desired reverb type. The following table provides a description of each option.
• AMOUNT (0-99) This parameter adjusts the Reverb effect's mix level, with 0 being the minimum (no effect applied) and 99 being the maximum amount of effect applied. • TONE (-50-+50) This parameter adjusts the tone of the Reverb effect, with -50 providing the darkest tone and 50 providing the brightest tone. • PREDELAY (0-99) This parameter adjusts the predelay of the Reverb effect, with 0 being the minimum (0ms) and 99 being the maximum (50-200ms depending on the selected reverb TYPE).
Preset Librarian Software You can backup Live FX presets and set lists using the free Vocalist Live Librarian preset management software application for PC and Mac. The Vocalist Librarian software can be downloaded from digitech.com. This software will connect to the Live FX through the mini USB connector and allows you to archive and retrieve presets and set lists to and from your computer. System Requirements Windows: Mac: • XP Home/Professional (32-bit) • 10.6.
Preset List 1. PAYPHONE 34. WIDE BORG 67. CHEAP SHADES 2. BAD ROMANCE 35. BAMA HOLDON 68. CRAZY IN LOVE 3. SEXY BACK 36. STRANGLUV 69. 1 MORE DRAFT 4. SOUL OF MAN 37. DIST DELAY 70. BIG PLATE 5. I C RITE THRU 2U 38. FLANGEVERB 71. PEPPER 6. SUPER BLK HOLE 39. CALIF LOVE 72. VASOLINE 7. DOUBLING 40. FIREFLIES 73. WE R YOUNG 8. WALRUS 41. HEY HO 74. FUZZY SHIFT 9. AMERICAN DOPE 42. ALL SHE WANTS 75. FAST LANE 10. DISTORTION 43. GOODLIFE 76. MONEY 11. BILLY JEAN 44.
Owner's Manual Auto Switching Via Aux In Jack A/D A/D AntiFeedback Live Adapt Sound Check Gold Channel Pitch FX (All) Dist/ Filter (Lead) Dist/ Filter Harmony Modulation Note: The Distortion/Filter effect can be configured in one of three places in the signal path: Lead, Delay, or All.
Specifications Mic Input Microphone Input: Female XLR Pin 2 Hot Input Impedance: 3kΩ balanced Phantom Power: +45 Volts Maximum gain: +60 dB E.I.N.
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8760 South Sandy Parkway Sandy, Utah 84070 PH: (801) 566-8800 FAX: (801) 566-7005 WEB: digitech.com SUPPORT:digitech.com/en-US/support Vocalist Live FX Owner's Manual 5036718-A ©2013 Harman, all rights reserved. DigiTech and Vocalist are registered trademarks of Harman.
