To resize thickness, move all items on the front cover and center registration marks to left or right. Information When you need repair service, call your nearest EDIROL/Roland Service Center or authorized EDIROL/Roland distributor in your country as shown below. AUSTRALIA EDIROL Australia Pty. Ltd. HONG KONG BRAZIL HUNGARY Tom Lee Music Co., Ltd. Service Division Roland Brasil Ltda Intermusica Ltd.
To resize thickness, move all items on the front cover and center registration marks to left or right. CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
USING THE UNIT SAFELY The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger. Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.
009 • Do not excessively twist or bend the power cord, nor place heavy objects on it. Doing so can damage the cord, producing severed elements and short circuits. Damaged cords are fire and shock hazards! ................................................................................................ 010 • This unit, either alone or in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss.
IMPORTANT NOTES 291b 402 In addition to the items listed under “IMPORTANT SAFETY INSTRUCTIONS” and “USING THE UNIT SAFELY” on pages 2, 3 and 4, please read and observe the following: • Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation. Power Supply 301 • Do not use this unit on the same power circuit with any device that will generate line noise (such as an electric motor or variable lighting system).
Contents USING THE UNIT SAFELY....................................................... 3 IMPORTANT NOTES ................................................................ 5 Contents ................................................................................... 6 Introduction .............................................................................. 9 How to read this manual .................................................................................................... 9 Main features ...........
Contents Using the effects of the internal sound generator.............. 39 About the sound generator effects .................................................................................. 39 Editing the sound generator effects................................................................................. 40 Parameters that can be edited in GM2 mode................................................................. 41 Reverb (System Effect) ..............................................................
Contents Instrument list (XGlite mode) ........................................................................................ 103 Drum set list (GM2 / Native mode).............................................................................. 105 Classical set drum set (1) ..................................................................................... 106 Classical set drum set (2) .....................................................................................
Introduction Thank you, and congratulations on your choice of the Edirol SD-80 Studio Canvas. How to read this manual The documentation for the SD-80 consists of a Getting Started, a Owner’s Manual, and Additional Information (PDF) on the included CD-ROM. • The Getting Started takes you through the steps you need to follow in order to get ready to use the SD80 with your computer. Please read this first. • The Owner’s Manual explains how to use all the basic features of the SD-80.
Names of things and what they do ■ Front Panel fig.1-01 1 2 3 4 9 10 5 6 11 12 14 13 8 7 16 15 1 Display This shows various types of information (such as level meters or parameter values) related to the current state. 2 VALUE dial Turn this dial to change a parameter’s setting, or “value.” If you hold down [SHIFT] as you turn [VALUE], the parameter’s value will change by larger increments.
Names of things and what they do 9 Names of things Mode Indicators This indicates the sound generator mode in which the SD-80 is operating. The indicator of the current sound generator mode will light red. In the case of XGlite mode, all the mode indicators will be dark. 10 PAGE Buttons Use these buttons to switch between screens that consist of multiple pages ("Editing part parameters" (p. 31)).
Names of things and what they do ■ Rear Panel fig.1-02 18 17 19 20 21 22 23 17 AC IN Connector Connect the supplied AC cable here. Never use any AC cable other than the one provided, since doing so may cause malfunction. 18 Grounding Terminal In some cases, depending on the environment in which the unit is installed, the surface of the panel may sometimes feel rough and grainy. This is due to an infinitesimal electrical charge, which is absolutely harmless.
Basic operation Operations in the basic screen Basic operation The SD-80 contains a diverse array of sounds, ranging from instrumental sounds such as piano/organ/ guitar for an ensemble, to sound effects such as birdsong and telephone ringers. Each of these sounds is called an instrument. Here’s how to select instruments and listen to the variety of sounds that the SD-80 provides. ■ Listening to the internal demo songs The SD-80 contains demo songs.
Basic operation ■ Auditioning the sounds (Preview) On the SD-80, sounds are specified using two numbers: the instrument number and the variation number. By pressing [PREVIEW] you can audition the currently selected sound. fig.2-03a 2 1 1. Press [PREVIEW]. While you continue pressing [PREVIEW], the button will light and a phrase will play. When you release the button, the phrase will stop. If you press the [PREVIEW] key and release it immediately, the phrase will play back to the end.
Basic operation ■ Adjusting the brightness of the display (Contrast) Immediately after the power is turned on, or after the SD-80 has been used for an extended period, or depending on the conditions in which it is placed, the characters or icons in the display screen may become difficult to read. If this happens, you can adjust the contrast of the display. fig.2-02 5 1 Basic operation 3 1. Press [SYSTEM]. The button will light. 2. Press [PAGE ] or [PAGE ] until LCD Contrast is displayed. 3.
Using the internal sound generator The SD-80 contains a sound generator with 1,050 diverse and high-quality sounds. The internal sound generator has four modes to support different sound generator formats, and you can select the mode you want to use. For details on the sound generator modes, refer to "About the sound generator modes" (p. 16). Multi-effect, chorus, reverb, and equalizer (a total of four effects units) are also built-in, letting you apply effects to the internal sound generator.
Using the internal sound generator About GM2/Native modes ■ GM2/Native mode sound sets The sounds sets of GM2 mode and Native mode are organized by their character into four or six variations. fig.5-01 Classical SD-80 This is the basic sound set that blends well into an ensemble. This set is also used when GM2 data compatibility is important. Native Classical Contemporary Contemporary Solo Solo Enhanced Enhanced Contemporary This sound set emphasizes the realism of each individual instrument.
Using the internal sound generator About parts and sounds The SD-80 is able to produce 32 different sounds at once. A sound generator such as the SD-80 that is able to produce many different sounds simultaneously is called a “multitimbral sound module.” “Timbre” refers to the unique characteristics that result in the sound of one instrument being different from that of another.
Using the internal sound generator Specifying the function of the MIDI connectors The SD-80 has two modes in which MIDI data is transferred differently: USB mode and MIDI mode. The mode is switched automatically depending on the connector you use. ■ USB mode fig.7-2 * THRU function : ON Using the internal sound generator * MIDI messages received at the MIDI IN connectors will not be passed directly to the internal sound generator. They will be sent via USB to the computer (sequencer software).
Using the internal sound generator ■ MIDI mode fig.7-3 * * * 20 The MIDI messages received at the MIDI IN connectors will be passed directly to the internal sound generator. The SD-80 has two MIDI IN connectors, and each MIDI IN connector can receive data for 16 Parts. In MIDI mode, when you play using the MIDI connectors, group A corresponds to the MIDI IN 1 connector and group B corresponds to the MIDI IN 2 connector.
Using the internal sound generator Specifying the function of the MIDI connectors If the MIDI OUT/THRU switch on the rear panel is set to [IN1 THRU], MIDI messages received at the MIDI IN 1 connector will be retransmitted without change from the MIDI OUT 2 connector. If the SD-80 is operating in USB mode and this switch is set to [IN1 THRU], MIDI messages received at the MIDI IN 1 connector will be "thru-ed" from the MIDI OUT 2 connector.
Using the internal sound generator Switching the sound generator mode Here’s how to switch the sound generator mode. The sound generator mode can be switched from the front panel, or by MIDI messages from an external device. Please be aware that the sound generator will be initialized when you switch the sound generator mode. fig.5-02 5 3 1. 1 2 4 Press [SYSTEM]. The button will light. fig.7-01a_67.2 2. Press [PAGE ] or [PAGE ] until you have Inst Init showing in the display. 3.
Using the internal sound generator Selecting a part Here’s how to select the part that you want to edit. fig.5-03 1 Press [INST]. The button will light. Using the internal sound generator 1. 2 fig.5-03a_67.2 2. Press [PART ] or [PART ] to select the part to be edited. The number of the part currently being edited is indicated at the bottom of the display.
Using the internal sound generator Selecting the type of part (INST/DRUM) * Here’s how to select the type (Part Mode) for each part. Inst Type can be executed only if the sound generator mode is GM2 mode or Native mode. fig.5-04 1,4 3 24 1. Press [INST]. The button will light. 2. Press [PAGE 3. Turn the [VALUE] dial to select the desired part mode (INST or DRUM). The part mode has now been selected. 4. Press [INST] once again to return to the basic screen.
Using the internal sound generator Selecting the sound set In GM2 mode you can choose one of four different sound sets. In Native mode you can choose one of six different sound sets. fig.5-05 1,4 1. Using the internal sound generator 3 2 Press [INST]. The button will light. fig.5-05a_67.2 2. Press [PAGE 3. Turn the [VALUE] dial to select the desired sound set. ] until the display indicates Inst Type.
Using the internal sound generator Selecting a sound If the part type is Inst, use the following procedure to select a sound. First make sure that the part type is Inst. For details on how to set the part type to Inst, refer to "Selecting the type of part (INST/DRUM)" (p. 24). On the SD-80, the sound of an Inst part is specified by two numbers: an Instrument number and a Variation number. There are 128 sounds whose variation number is 000, and these make up the basic sounds of the SD-80.
Using the internal sound generator Selecting a drum set * If the part type is Drum Set, use the following procedure to select a drum set. First make sure that the part type is Drum. For details on how to set the part type to Drum, refer to "Selecting the type of part (INST/ DRUM)" (p. 24). For details on the drum sets that are available, refer to "Instrument list (GM2 / Native mode)" (p. 95). Drum sets do not have variation sounds. fig.5-07 1 Using the internal sound generator 2 1. Press [INST].
Using the internal sound generator Muting/soloing a part * You can “mute” a specified part so that it will not sound. This is convenient when you want to play along to a backing provided by the SD-80 (“minus-one” playing). Conversely, you can “solo” a specified part so that the remaining parts will be muted. Here’s how to mute/solo a part. Solo takes priority between solo and mute settings.
Using the internal sound generator ■ Soloing a part When multiple parts are sounding, you can cause only the currently selected part to sound, allowing you to check the performance of that part. This is referred to as “soloing” the part. fig.5-09 1,4 2 Using the internal sound generator 3 1. Press [INST]. The button will light. 2. Press [PART ] or [PART ] to select the part that you want to solo. fig.5-09a 3. Hold down [SHIFT] and press [PART ] to solo the part you selected in step 2.
Using the internal sound generator About parameters This section explains the parameters (items that you can set). Parameters are settings that determine how a sound is produced, and the process of modifying the values of the parameters is called “editing.” If you are using the SD-80 in GM2 mode or Native mode, some of the Part parameter values can be edited from the panel of the SD-80 itself. In other modes, parameter values cannot be edited from the panel of the SD-80.
Using the internal sound generator Editing the parameters Parameters can be controlled from the SD-80's panel only in GM2 mode and Native mode. Of the parameters that can be controlled from the SD-80, only MFX settings that were edited in Native mode can be saved within the SD-80 as a user patch ("Saving a patch" (p. 50)). Chorus/reverb settings and part parameters will be lost when the SD-80 is powered-off.
Using the internal sound generator ■ Editing parameters that are common to all parts Here’s an example of how to edit parameters that are common to all parts. fig.5-12 5 3 1. 1 2 4 Simultaneously press [PART ] and [PART ]. A screen will appear in which you can edit parameters for all parts. fig.5-12a_67.2 2. Press [PAGE ] or [PAGE ] to select the parameter that you want to edit (e.g., Master Volume). 32 3. Turn the [VALUE] dial to adjust the value of the parameter you selected in step 2. 4.
Using the internal sound generator About parameters that can be edited from the SD-80’s panel The following parameters can be edited from the panel in GM2 mode or Native mode.
Using the internal sound generator Portamento SW [cc#65] ON/OFF, (PATCH: Native mode only) Turn this ON when you want to use portamento. Portamento Time [cc#5] 0–127, (PATCH: Native mode only) Adjusts the time over which the next pitch will be reached. Portamento is a function that changes the pitch smoothly from one note to the next. Portamento will be switched on/off when a Portamento message is received. Portamento Time specifies the speed of the pitch change.
Using the internal sound generator Envelope fig.p8-3j The sound of a musical instrument changes over time from the moment the note begins until it ends. Such change can be expressed by the graph shown below. The shape of this change is distinctive of that particular instrument, and is an important factor that allows us to recognize the type of instrument. This shape is called the “envelope.” Low pass filter characteristics Level Frequency Cutoff frequency fig.
Using the internal sound generator Vibrato fig.p7-1j Vibrato is an effect that cyclically modulates the pitch. By applying vibrato, you can make your performance more expressive. Delay Depth Note On Rate Vibrato Rate [cc#76] -64–0–+63 This adjusts the speed (frequency) at which the pitch is modulated. Positive (+) settings will speed up the modulation, and negative (-) settings will slow down the modulation. Vibrato Depth [cc#77] -64–0–+63 This adjusts the depth at which the pitch is modulated.
Using the internal sound generator ■ Part parameters (Native mode) In addition to the Part parameters described in the preceding pages, Native mode also allows you to adjust the following parameters. Rx Channel (Receive channel) 1–16, OFF This specifies the MIDI channel that is assigned to the part. If this is turned OFF for a part, all MIDI messages other than system exclusive messages will be ignored by that part, meaning that it will not sound.
Using the internal sound generator Part Output Assign MFX, 1, 2, 1L, 1R, 2L, 2R, PATCH This specifies where the output signal of the part will be sent. MFX: Output to MFX. 1: Output the unprocessed sound from OUTPUT 1, without using MFX. 2: Output the unprocessed sound from OUTPUT 2, without using MFX. 1L: Output the unprocessed sound from the L jack of OUTPUT 1. 1R: Output the unprocessed sound from the R jack of OUTPUT 1. 2L: Output the unprocessed sound from the L jack of OUTPUT 2.
Using the effects of the internal sound generator About the sound generator effects The SD-80 contains the following four effects processors, and each can be set independently. Chorus Chorus is an effect that adds depth and spaciousness to the sound. Reverb Reverb is an effect that adds the reverberation typically heard in a concert hall. Equalizer This is an effect that boosts or cuts the level of specific frequency bands of the sound, modifying its tonal character.
Using the effects of the internal sound generator Editing the sound generator effects You can edit the sound generator effects when the sound generator mode is either GM2 mode or Native mode. fig.6-01b 2 4 3 1. Switch the sound generator to GM2 mode or Native mode. For details on switching the sound generator mode, refer to "Switching the sound generator mode" (p. 22). 2. Press [EFFECT]. The sound generator Effect Edit screen will appear. 3.
Using the effects of the internal sound generator Parameters that can be edited in GM2 mode The sound generator effect parameters that can be edited using the SD-80’s controls will differ depending on the sound generator mode (GM2 or Native). In the SD-80’s GM2 mode, you can edit the reverb and chorus parameters. The following parameters can be edited. ■ Reverb (System Effect) This includes parameters that specify the type of reverb, how the reverb sound will be heard, and how it will be output.
Using the effects of the internal sound generator Mod Rate (Modulation Rate) 0–127 Specifies the speed (frequency) at which the chorus sound will be modulated. Higher settings produce faster modulation. Mod Depth (Modulation Depth) 0–127 Specifies the depth of modulation for the chorus sound. Higher settings will produce deeper modulation. Feedback 0–127 Specifies the level of the chorus sound that will be re-input to the chorus (i.e., the amount of feedback).
Using the effects of the internal sound generator Parameters that can be edited in Native mode The sound generator effect parameters that can be edited using the front panel of the SD-80 will differ depending on the sound generator mode (GM2 or Native mode). In the SD-80’s Native mode, you can edit the parameters of the two system effects and three MFX (multi-effects). The following parameters can be edited.
Using the effects of the internal sound generator HF Damp (Reverb/Delay HF Damp) Specifies the frequency above which the high-frequency component of the reverb sound will be cut. Lowering this value will cause a greater portion of the high-frequency range to be cut, producing a softertoned reverb sound. If no cutting is desired, set this to BYPASS.
Using the effects of the internal sound generator ■ Chorus (System Effect) On the SD-80, the chorus section can also be used as a delay. Here you can edit parameters that select either chorus or delay, and specify how the chorus/delay sound will be heard and output. Chorus Type Selection for the type of chorus (or delay). Value 0 (Off) 1 (Chorus) 2 (Delay) 3 (GM2) Explanation Chorus/delay will not be used. Chorus will be used. Delay will be used. This is the same as GM2 reverb.
Using the effects of the internal sound generator Phase 0–180 degrees Specifies the spaciousness of the chorus sound. Pre Delay (Chorus Pre Delay) 0.0–100 ms Specifies the amount of time that is to pass after the original sound has been heard before the chorus sound is heard. Increasing this value heightens the dispersal effect. Type (Filter Type) Specifies the type of filter. Value OFF LPF HPF Explanation The filter will not be used. The frequency band above the cutoff frequency setting will be cut.
Using the effects of the internal sound generator MFX A-C Chorus Send Level (Multi-effect A–C Chorus Send Level)0–127 Specifies the level at which the signal processed by the multi-effect will be sent to the Chorus effect. MFX A-C Reverb Send Level (Multi-effect A–C Reverb Send Level)0–127 Specifies the level at which the signal processed by the multi-effect will be sent to the Reverb effect.
Using the effects of the internal sound generator Specifying the output destination of the part PART OUTPUT ASSIGN MFX, 1, 2, 1L, 1R, 2L, 2R, PATCH Specify where the output signal of the part will be sent. MFX: Output to MFX. 1: Output the unprocessed sound from OUTPUT 1, without using MFX. 2: Output the unprocessed sound from OUTPUT 2, without using MFX. 1L: Output the unprocessed sound from the L jack of OUTPUT 1. 1R: Output the unprocessed sound from the R jack of OUTPUT 1.
System-related settings This chapter explains how to make settings that affect the entire system of the SD-80. Here’s the basic procedure for setting these parameters. fig.7-1 5 3 1 2 4 1. Press [SYSTEM]. The button will light. 2. Press [PAGE ] or [PAGE ] until the item you want to edit appears in the display. 3. Turn the [VALUE] dial to edit the value of the item. 4. * When you have selected the desired value, press [ENTER].
System-related settings Adjusting the contrast of the display Immediately after the power is turned on, or after the SD-80 has been used for an extended period, or depending on the location, the characters and icons in the display screen may be difficult to read. If this occurs, adjust the contrast of the display ("Adjusting the brightness of the display (Contrast)" (p. 15)). fig.7-1g LCD Contrast 1–4–5 This adjusts the contrast (darkness) of the SD-80’s display.
System-related settings Bulk Dump A01–A16, B01–B16, COMMON, ALL fig.7-1ab Specifies the internal sound generator parameters that you want to transmit when the bulk dump is executed. * * Bulk Dump can be carried out only when the sound generator mode is Native mode. Otherwise, "---" will be displayed, indicating that the feature is unavailable. A01--A16 and B01--B16 will transmit the part parameters and patch parameters of the selected part.
System-related settings Preview settings By pressing [PREVIEW] you can audition the currently selected sound. This is called the preview function. Here you can make settings for the preview function ("Auditioning the sounds (Preview)" (p. 14)). Preview Mode PHRASE, SINGLE Switches the mode of the Preview function. Select PHRASE to use phrase preview, or SINGLE to select single-note preview. Preview Note C-1–C4–G9 Specifies the pitch (key) of the note that will be sounded for single-note preview.
Controlling the SD-80 via MIDI * The functionality of the SD-80’s internal sound generator, mixer, and audio effects can be controlled by MIDI messages received from the USB connector or MIDI IN connector. This chapter provides various examples that show how MIDI messages can be used to operate the SD-80. For details on operation via MIDI, refer to “MIDI Implementation” (MIDIImp_E.pdf) on the included CD-ROM.
Controlling the SD-80 via MIDI * • A greater number of the Part parameters can be edited from the SD-80. • When creating song data, you can select sounds from the Classical/Contemporary/Solo/Enhanced sound sets simply by specifying the Bank MSB/LSB and Program Number. • You can use system exclusive messages to control the Patch parameters that create the sound; e.g., pitch, TVF (filter), LFO, and envelope. For details on the parameters, refer to “Each Multi-Effects Parameters” (MFX_E.
Controlling the SD-80 via MIDI ■ Switching the sound set GM2 mode and Native mode each have four sound sets (variations). You can use MIDI messages to switch between these sound sets. Switching the sound set in GM2 mode In GM2 mode, you can switch the sound set by transmitting a system exclusive message. Switch the sound set of Part 1 to the Enhanced set Transmit the following system exclusive data: fig.
Controlling the SD-80 via MIDI ■ Switching the type of part Switching the Part Mode in GM2 mode In GM2, transmit a Bank Select message to switch the Part Mode. MIDI bank number: **: CC#00 (MSB) = ** The part mode will be switched according to the value that you insert here (decimal). 121 (79H) = Inst part 120 (78H) = Drum part Switching the Part Mode in Native mode In Native mode, transmit a Bank Select message to switch the Part mode.
Controlling the SD-80 via MIDI Correspondence between actual parts and part numbers in GS mode Actual part Part1 Part2 Part3 Part4 Part5 Part6 Part7 Part8 Part number 1 2 3 4 5 6 7 8 Actual part Part9 Part10 Part11 Part12 Part13 Part14 Part15 Part16 Part number 9 0 A B C D E F 00H = OFF (Normal part) 01H = Set1 (Drum1) 02H = Set2 (Drum2) (p) specifies the part you want to switch, and (nn) selects the sound set.
Controlling the SD-80 via MIDI ■ Switching sounds You can switch the sound (instrument) for each of the SD-80’s parts by transmitting MIDI messages from sequencer software running on your computer. Sounds are specified by their Variation number and Instrument number, but the way in which these numbers are displayed may differ depending on your software. On the SD-80, variation numbers start from 0, and instrument numbers start from 1.
Controlling the SD-80 via MIDI Switching sounds in GM2 mode * Transmit bank select LSB (CC#32) and program change (PC#). Bank select MSB (CC#00) is used to switch the part mode. Inst part and Drum part correspond to the following numbers. Inst part 121(79H) Drum part 120 (78H) Specifying part 11 as a GM2 Inst part (009: Celesta 2) MIDI CH= 11 ... specify MIDI channel 11 CC#00 121 ... set as a GM2 Inst part CC#32 0 ... specify variation number 000 PC# 9 ...
Controlling the SD-80 via MIDI If you want to select the sound for variation number 8, instrument number 3 (Piano3 w), transmit the following data to the SD-80 (given in decimal form). 1. Value of control change 0: 008 (upper byte of bank number = variation number: 8) 2. Value of control change 32: 0 3.
Controlling the SD-80 via MIDI ■ Switching the drum set In the same way as for instruments, you can switch drum sets by transmitting MIDI messages from sequencer software running on your computer. The drum set will switch when the program change is received. Transmit the program change message on the same channel as the MIDI receive channel of the drum part. On the SD-80, the drum set number corresponds to the program number.
Controlling the SD-80 via MIDI Switching drum sets in Native mode * Transmit bank select LSB (CC#32) and program change (PC#). Bank select MSB (CC#0) is used to switch the Part Mode. Inst part and Drum part correspond to the following numbers.
Controlling the SD-80 via MIDI ■ Editing MIDI effect parameters Editing the reverb (in GM2 mode) To edit the reverb via MIDI messages, transmit the following system exclusive data (global parameter control).
Controlling the SD-80 via MIDI Changing the MFX type (Native mode) fig.8-04_99 To change the effect type of the enhanced sounds selected for parts 1–3, transmit the following system exclusive message.
Controlling the SD-80 via MIDI Data: 00 (output assign = MFX) Checksum (ss): For details on the calculation method, refer to “How to calculate the checksum” in “MIDI Implementation” (MIDIImp_E.pdf) on the included CD-ROM. fig.8-07_99 2. Transmit “Part Output MFX Select” to specify the MFX (MFX A–MFX C) to which the output of the part will be sent.
Controlling the SD-80 via MIDI fig.8-07_99 3. Transmit “Part Output MFX Select” to specify the MFX (MFX A–MFX C) to which the part output will be sent.
Controlling the SD-80 via MIDI Editing the MFX effect parameters * You can edit effect parameters such as equalizer gain and frequency, delay time, and feedback level. The MFX effect parameters will sometimes be included in the sound parameters (PART), and sometimes be outside the sound (COMMON). The address will differ depending on which of these is being referenced, as specified by “MFX source.” When MFX source = PART When MFX source = PART (i.e.
Controlling the SD-80 via MIDI Editing the MFX of part 3 If MFX type=18:Mod Delay is applied to the sound of part 3 and you want to change its DLY Right setting (parameter number 02) to 80 (=50H), transmit the following system exclusive data. 1. F0 41 10 00 48 12 11 40 06 15 08 00 05 00 07 F7 When MFX source = COMMON When MFX source = COMMON, transmit the following system exclusive data.
Controlling the SD-80 via MIDI ■ Writing/loading SD-80 settings The SD-80 is able to transmit the settings of its sound generator as MIDI data. Two types of data can be transmitted: Bulk data, which transmits a group of parameters; and Individual data, which transmits a single parameter. All data is transmitted in the form of system exclusive data. Bulk Dump is used when you want to save SD-80 settings on your sequencer software or an external MIDI sequencer.
Controlling the SD-80 via MIDI Transmitting individual data Individual data can be transmitted in each editing screen. fig.8-3a 1. In each editing screen, select the parameter that you want to transmit, and specify its value. 2. Hold down [SHIFT] and press [ENTER]. The highlighted parameter value will be transmitted.
Troubleshooting If the SD-80 does not function as you expect, please check the following points first. If this does not resolve the problem, please contact a Roland Service Center (refer to the back cover). ■ Power won’t come on ● Is the power cord of the SD-80 correctly connected to the AC outlet and to the SD-80? Make the correct connections.
Troubleshooting ■ Notes do not sound Compared to other problems, there are a greater number and wider variety of reasons that notes do not sound. However in many cases, this problem is caused by incorrect connections between devices, or by incorrect driver or software settings.
Troubleshooting ■ Something is wrong with the sound ● You may have switched to another sound after editing sound parameters (such as the filter). Set all sound parameter values to 0. ("Editing the parameters" (p. 31)) ● It is possible that the parameter settings of the SD-80 have become corrupted. Please initialize the sound generator. ("Switching the sound generator mode (Inst Initialize)" (p. 50)) * The system parameter settings will be preserved even if the sound generator is initialized.
Troubleshooting ■ When you turn MFX on, all of the system effects you have previously set (such as reverb) are initialized. ● When you turn MFX on, it will no longer be possible to use control changes to set the send level of the system effect. This means that when you turn MFX on, it will be necessary to send the signal to the system effect via a different route than before.
Appendices Part parameter list ■ Part parameters (GM2 mode, Native mode) Parameter Value Inst Type Volume Panpot Chorus Send Reverb Send Vibrato Rate Vibrato Depth Vibrato Delay TVF Cutoff Freq TVF Resonance TVF&TVA Release TVF&TVA Attack TVF&TVA Decay Portament SW Portament Time Coarse Tuning Fine Tuning Mono/Poly Rx Channel PitchBendSens Modulation Depth Inst Type Volume Pan Chorus Send Level Reverb Send Level Vibrato Rate Vibrato Depth Vibrato Delay TVF Cutoff Frequency TVF Resonance TVF&TVA Release T
Appendices ■ Parameters common to all parts (Native mode) Parameter SYSTEM Control 1–4 MFX Sw Chorus Sw Reverb Sw Scale Tune Sw 76 Value System Control MFX Switch Chorus Switch Reverb Switch Scale Tune Switch OFF, CC01–31, 33–95, BEND, AFT OFF, ON OFF, ON OFF, ON OFF, ON
Appendices Effect parameter list ■ Effect parameter (GM2 mode) Reverb (System Effect) Parameter Value Reverb Type Reverb Type Small Room, Medium Room, Large Room, Medium Hall, Large Hall, Plate Reverb Time Reverb Time 0–127 Chorus (System Effect) Parameter Value Chorus Type Chorus Type Mod Rate Mod Depth Feedback Modulation Rate Modulation Depth Feedback Chorus1, Chorus2, Chorus3, Chorus4, FB Chorus, Flanger 0–127 0–127 0–127 Send to Reverb Send to Reverb 0–127 EQ Switch EQL Low Frequency
Appendices ■ Effect parameter (Native mode) Reverb (System Effect) Parameter Value Reverb Type Reverb Type Reverb Level Reverb Level 0(Off), 1(Reverb), 2(Room), 3(SRV Hall), 4(SRV Plate)(*1) 0–127 (*1) When Reverb Type is set to 1 (Reverb) Parameter Value Type Time HF Damp Reverb/Delay Type Reverb/Delay Time Reverb/Delay HF Damp *2 0–127 *3 Feedback Delay Feedback 0–127 *2: ROOM1, ROOM2, STAGE1, STAGE2, HALL1, HALL2, DELAY, PAN-DELAY *3: 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2
Appendices (*7)When the Chorus Type is 2 (DELAY) Parameter Center Left Right HF Damp Feedback Center Left Right Value Delay Center Delay Left Delay Right HF Damp Feedback Delay Center Level Delay Left Level Delay Right Level 200–1000 ms, note value 200–1000 ms, note value 200–1000 ms, note value *9 -98–+98% 0–127 0–127 0–127 *9: 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000 Hz, BYPASS MFX (Multi-effects) Parameter Value MFX A-C Type MFX A-C Dry Send Lev
Appendices MFX parameter list 1:Stereo EQ No. Parameter Setting Value 1 5 8 3 2 7 10 4 6 9 11 Low Freq Mid1 Freq Mid2 Freq High Freq Low Gain Mid1 Gain Mid2 Gain High Gain Middle1 Q Middle2 Q Output Level 200, 400 Hz 200 - 8000 Hz (*1) 200 - 8000 Hz (*1) 4000, 8000 Hz -15 - +15 dB -15 - +15 dB -15 - +15 dB -15 - +15 dB 0.5, 1.0, 2.0, 4.0, 8.0 0.5, 1.0, 2.0, 4.0, 8.0 0 - 127 Value Dec.
Appendices 10:Limiter 11 No. (*1) 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000 Hz 1 2 3 5 6 7 8 4 Parameter Setting Value LM Thresh LM Release LM Ratio LM Post Gain EQ Low Gain EQ High Gain Output Level Output Pan 0 - 127 0 - 127 1.5:1, 2:1, 4:1, 100:1 0, +6, +12, +18 dB -15 - +15 dB -15 - +15 dB 0 - 127 L64 - 63R Value Dec. 0 - 127 0 - 127 0-3 0-3 0 - 30 0 - 30 0 - 127 0 - 127 Initial 64 32 2 1 15 15 127 64 11:Hexa-Chorus No.
Appendices 18:Modulation Delay No. 2 3 5 4 1 6 7 8 9 10 11 12 Parameter Setting Value DLY Left DLY Right DLY HF Damp 0.0 - 500.0 ms 0.0 - 500.0 ms 200 - 8000 Hz, BYPASS (*1) -98 - +98% NORMAL, CROSS 0.05 - 10.00 Hz 0 - 127 0 - 180 degree -15 - +15 dB -15 - +15 dB D100:0W - D0:100W 0 - 127 DLY Feedback DLY Fbk Mode MOD Rate MOD Depth MOD Phase EQ Low Gain EQ High Gain Balance Output Level Value Dec.
Appendices 25:Gated Reverb No. Parameter Setting Value 1 RV Type 2 3 4 5 6 7 RV PreDelay RV GateTime EQ Low Gain EQ High Gain Balance Output Level NORMAL, REVERSE, SWEEP1, SWEEP2 0.0 - 100.0 ms 5 - 500 ms -15 - +15 dB -15 - +15 dB D100:0W - D0:100W 0 - 127 30:Distortion → Flanger Value Dec. 0-3 0 - 125 0 - 99 0 - 30 0 - 30 0 - 100 0 - 127 Initial 0 10 10 15 15 50 127 26:Overdrive → Chorus No.
Appendices 2500, 3150, 4000, 5000, 6300, 8000 Hz, BYPASS 10 35:Chorus → Delay No. 1 2 3 5 6 7 8 9 10 Parameter Setting Value CH PreDelay CH Rate CH Depth CH Balance DLY Time DLY Feedback DLY HF Damp 0.0 - 100.0 ms 0.05 - 10.00 Hz 0 - 127 D100:0W - D0:100W 0.0 - 500.0 ms -98 - +98% 200 - 8000 Hz, BYPASS (*1) D100:0W - D0:100W 0 - 127 DLY Balance Output Level Value Dec.
Appendices 42 Keysync Flanger No. Parameter Setting Value 3 4 5 6 9 1 2 7 8 10 11 12 13 14 15 16 FL PreDelay FL Rate FL Depth FL Feedback FL Phase Filter Type Filter Cutoff StepRate Switch Step Rate Keysync Switch Keysync Thres Keysync Phase EQ Low Gain EQ High Gain Balance Output Level 0.0 - 100 ms 0.05 - 10.00 Hz, note*2 0 - 127 -98 - +98% 0 - 180 degree OFF, LPF, HPF 200 - 8000 Hz (*1) OFF, ON 0.1 - 20.
Appendices 48:3D Delay No. 51:LoFi Noise Parameter Setting Value 3 1 2 8 DLY Time C DLY Time L DLY Time R DLY HF Damp 7 6 4 5 10 11 12 9 13 DLY Feedback DLY Level C DLY Level L DLY Level R EQ Low Gain EQ High Gain Balance Output Mode Output Level 0 - 1800 ms, note*2 0 - 1800 ms, note*2 0 - 1800 ms, note*2 200 - 8000 Hz, BYPASS (*1) -98 - +98% 0 - 127 0 - 127 0 - 127 -15 - +15 dB -15 - +15 dB D100:0E - D0:100W SPEAKER, PHONES 0 - 127 Value Dec. Initial No.
Appendices 55:Stereo Compressor No. 2 1 3 4 5 6 Parameter Setting Value COMP Attack COMP Sustain COMP PostGain EQ Low Gain EQ High Gain Output Level 0 - 127 0 - 127 0, +6, +12, +18 dB -15 - +15 dB -15 - +15 dB 0 - 127 24 Value Dec. 0 - 127 0 - 127 0-3 0 - 30 0 - 30 0 - 127 1 3 2 4 5 6 7 Parameter Setting Value LM Threshold LM Ratio LM Release LM PostGain EQ Low Gain EQ High Gain Output Level 0 - 127 1.5:1, 2:1, 4:1, 100:1 0 - 127 0, +6, +12, +18 dB -15 - +15 dB -15 - +15 dB 0 - 127 Value Dec.
Appendices 5 6 EQ High Gain Output Level -15 - +15 dB 0 - 127 0 - 30 0 - 127 Setting Value Value Dec. 15 127 9 11 12 13 Initial 67:Multi Tap Delay 2 63:Auto Pan No. 1 2 3 4 5 6 Parameter AutoPan ModWave TRI, SQR, SIN, SAW1, SAW2 0-4 AutoPan Rate 0.05 - 10.0 Hz, note*2 1 - 222 AutoPan Depth 0 - 127 0 - 127 EQ Low Gain -15 - +15 dB 0 - 30 EQ High Gain -15 - +15 dB 0 - 30 Output Level 0 - 127 0 - 127 0 40 96 15 15 127 64:Stereo Phaser 2 No.
Appendices 69:Shuffle Delay 2 No. Parameter Setting Value Value Dec.
Appendices 2500, 3150, 4000, 5000, 6300, 8000 Hz (*2) 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000, BYPASS 74:Rhodes Multi No. Parameter 1 2 3 4 5 6 10 7 8 9 11 12 14 15 16 13 19 17 18 20 21 22 EH Switch OFF, ON 0-1 EH Sens 0 - 127 0 - 127 EH Mix Level 0 - 127 0 - 127 PH Switch OFF, ON 0-1 PH Mode 4 STAGE, 8 STAGE 0-1 PH Manual 0 - 127 0 - 127 PH Mix Level 0 - 127 0 - 127 PH Rate 0.05 - 10.
Appendices 78:Guitar Amp Simulator No. 1 2 3 4 5 9 10 6 7 8 11 12 13 14 15 17 16 Parameter Setting Value AmpSim Switch Amp Type Amp Volume Amp Master Amp Gain Amp Presence OFF, ON (*1) 0 - 127 0 - 127 LOW, MID, HIGH 0 - 127 (Match Drive: -127 - 0) Amp Bright OFF, ON Amp Bass 0 - 127 Amp Middle 0 - 127 Amp Treble 0 - 127 Speaker Switch OFF, ON Speaker Type (*2) Mic Setting 1, 2, 3 Mic Level 0 - 127 Mic Direct 0 - 127 Output Level 0 - 127 Output Pan L64 - 63R Value Dec.
Appendices 83:Guitar Multi C No. 1 2 Parameter Setting Value OD/DS Switch OD/DS Type OFF, ON 0-1 OVERDRIVE, DISTORTION 0-1 0 - 127 0 - 127 0 - 127 0 - 127 0 - 127 0 - 127 OFF, ON 0-1 LPF, BPF 0-1 0.05 - 10.
Appendices 86:Bass Multi No.
Appendices 94
Appendices Instrument list (GM2 / Native mode) Piano PC LSB MSB 1 0 1 2 96 96 96 Classic Set Piano 1 Piano 1w Piano 1d Voices 1 1 1 MSB 97 97 97 Contemp Set Voices Ac.Piano Ac.Piano w Mild Piano 1 1 1 MSB 98 98 98 St.Piano 1 St.Piano 1w European Pf Solo Set Voices 2 2 4 MSB 99 99 99 Enhance Set Voices SD Piano SD Piano w Classic Pf 2 2 2 2 0 1 96 96 Piano 2 Piano 2w 1 1 97 97 Rock Piano Rock Piano w 1 1 98 98 St.Piano 2 St.Piano 2w 2 2 99 99 Enh.Piano 2 Enh.
Appendices Guitar PC LSB MSB Classic Set 25 0 1 2 3 96 96 96 96 Nylon Gt Ukulele Nylon o Nylon Gt.2 Voices 1 1 2 1 MSB 97 97 97 97 Contemp Set Voices Nylon Gt 2 Ukulele 2 Nylon 2 o Hard Gut Gt 1 1 2 1 MSB 98 98 98 98 Nylon Gt 3 Ukulele 3 Nylon 3 o Hard Gut Gt2 Solo Set Voices 1 1 2 2 MSB 99 99 99 99 Enhance Set Voices Enh.Nylon Gt Enh.Ukulele Enh.Nylon o Enh.Gut Gt 1 1 2 2 26 0 1 2 3 96 96 96 96 Steel-str.Gt 12-Str.Gt Mandolin Steel+Body 1 2 2 2 97 97 97 97 OV Steel Gt 12-Str.
Appendices Ensemble PC LSB MSB 49 0 1 2 96 96 96 Classic Set Strings Orchestra 60’Strings Voices 50 0 96 Slow Strings 1 97 SlowStrings2 2 98 St.Slow Str 2 99 St.Slow Str2 4 51 0 1 96 96 Syn.Strings1 Syn.Strings3 2 3 97 97 BriteSyn.Str Oct.SynStr 1 2 4 98 98 StackSyn.Str Oct.SynStr 2 3 7 99 99 JP Strings PhaseSyn.Str 2 4 52 0 96 Syn.
Appendices Synth lead PC LSB MSB 81 0 1 2 96 96 96 Classic Set Square Wave Square Sine Wave Voices 2 1 1 MSB 97 97 97 Contemp Set Voices MG Square Fat Square 2600 Sine 2 3 1 98 98 98 OB Square Fat Square2 2600 Sine 2 3 3 2 99 99 99 OBSquareLead 3 Phase Square 3 Sine Lead 2 82 0 1 2 3 4 96 96 96 96 96 Saw Wave Saw Doctor Solo Natural Lead SequencedSaw 1 1 1 2 2 97 97 97 97 97 JP Saw Wave MG Saw Fat Saw Solo P5 Saw Lead MG Sequence 2 2 2 2 2 98 98 98 98 98 Oct.
Appendices Percussive PC LSB MSB Classic Set 113 0 96 Tinkle Bell Voices 1 MSB 97 Contemp Set Voices → MSB 98 → Solo Set Voices MSB 99 Enhance Set Voices → 114 0 96 Agogo 1 97 → 98 → 99 → 115 0 96 Steel Drums 1 97 → 98 → 99 → 116 0 1 96 96 Woodblock Castanet 1 1 97 97 → → 98 98 → → 99 99 → → 117 0 1 96 96 Taiko Concert BD 3 1 97 97 → → 98 98 → → 99 99 → → 118 0 1 96 96 Melo.Tom 1 Melo.
Appendices Instrument list (Special sound) * The asterisk (*) indicates that the same sound is used for the Enhanced sound set in GM2/Native mode. PC 1 2 3 4 5 6 7 8 LSB 0 0 0 0 0 0 0 0 MSB 80 80 80 80 80 80 80 80 Special 1 Set Voice D.L.A.Pad 8 BrushingSaw 8 Xtremities 4 Atmostrings 2 Noo Tongs 2 Mistery 1 EastrnEurope 3 Harpsi&Str 8 LSB 0 0 0 0 0 0 0 0 MSB 81 81 81 81 81 81 81 81 Special 2 Set Voice Blown Bass 2 Enh.Violin 1* Solo Violin 1 Enh.Cello 1* Overture Str 4 St.Trem Str2 4* St.
Appendices Instrument list (GS mode) Piano Guitar PC 001 CC00 000 008 016 GS Set Piano 1 Piano 1w Piano 1d Voices 1 1 1 002 000 008 Piano 2 Piano 2w 1 1 003 000 008 Piano 3 Piano 3w 1 1 PC 025 SynStrings2 2 Choir Aahs Choir Aahs2 1 1 000 008 Clean Gt. Chorus Gt. 1 2 054 000 Voice Oohs 1 055 000 SynVox 1 029 000 008 016 Muted Gt. Funk Gt. Funk Gt.2 1 1 1 056 000 Orchest.Hit 2 030 000 OverdriveGt 1 Brass 031 000 008 Dist.Gt.
Appendices Synth lead PC 081 082 CC00 000 001 008 GS Map Square Wave Square Sine Wave Percussive Voices 2 1 1 000 001 008 Saw Wave Saw Doctor Solo 2 1 2 083 000 SynCalliope 2 084 000 ChifferLead 2 085 000 Charang 2 086 000 Solo Vox 2 087 000 5th Saw 2 088 000 Bass & Lead 2 Synth pad, etc.
Appendices Instrument list (XGlite mode) * The instrument names listed here are the proper names for the XGlite sound module mode. Due to the limited number of letters that can be used for the display, the names shown in the display may be slightly different from the instrument names listed here.
Appendices Brass PC 057 CC32 000 032 XG Set Trumpet Warm Trumpet 058 000 018 Trombone Trombone 2 1 059 000 Tuba 1 060 000 Muted Trumpet 1 061 000 006 032 037 French Horn French Horn Solo French Horn 2 Horn Orchestra 1 1 2 2 000 035 Brass Section 1 Trumpet & Trombone Section 2 000 020 Synth Brass 1 Resonant Synth Brass 062 063 064 000 018 041 Synth Brass 2 Soft Brass Choir Brass Elements 1 2 2 2 1 2 2 Reed PC 065 CC32 000 XG Set Soprano Sax Elements 1 066 000 040 Alto Sax
Appendices Drum set list (GM2 / Native mode) PC MSB Classical Set MSB Contemporary Set MSB 001 104 Standard Set 105 StandardSet2 106 009 104 Room Set 105 Room Set 2 017 104 Power Set 105 Power Set 2 025 104 Electro Set 105 026 104 Analog Set 033 104 Jazz Set 041 104 049 104 057 104 Solo Set MSB Enhanced Set St.Standard 107 Amb.Standard 106 St.Room 107 Amb.Room 106 St.
Appendices ■ Classical set drum set (1) * <-: Same as the percussion sound of “Standard Set” (PC 1) BANK MSB=104, LSB=0 fig.drum24-87 25 27 28 29 30 31 32 33 34 35 C2 36 37 38 39 40 41 42 43 44 45 46 47 C3 48 49 50 51 52 53 54 55 56 57 58 59 C4 60 61 62 63 64 65 66 67 68 69 70 71 C5 72 73 74 75 76 77 78 79 80 81 82 83 C6 84 85 86 87 88 106 PC 1 Standard Set High Q Slap Scratch Push Scratch Pull Sticks Square Click Metron Click Metron Bell Kick Drum 2 Kick Drum 1 Side Stick Aco.
Appendices ■ Classical set drum set (2) * BANK MSB=104, LSB=0 fig.
Appendices ■ Contemporary set drum set (1) * <-: Same as the percussion sound of “StandardSet2” (PC 1) BANK MSB=105, LSB=0 fig.drum24-87 25 27 28 29 30 31 32 33 34 35 C2 36 37 38 39 40 41 42 43 44 45 46 47 C3 48 49 50 51 52 53 54 55 56 57 58 59 C4 60 61 62 63 64 65 66 67 68 69 70 71 C5 72 73 74 75 76 77 78 79 80 81 82 83 C6 84 85 86 87 88 108 PC 1 Standard Set2 High Q Slap Scratch Push Scratch Pull Sticks Square Click Metron Click Metron Bell Kick Drum 2 Kick Drum 1 Side Stick Aco.
Appendices ■ Contemporary set drum set (1) * BANK MSB=105, LSB=0 fig.
Appendices ■ Solo set drum set (1) * <-: Same as the percussion sound of “St.Standard” (PC 1) BANK MSB=106, LSB=0 fig.drum24-87 25 27 28 29 30 31 32 33 34 35 C2 36 37 38 39 40 41 42 43 44 45 46 47 C3 48 49 50 51 52 53 54 55 56 57 58 59 C4 60 61 62 63 64 65 66 67 68 69 70 71 C5 72 73 74 75 76 77 78 79 80 81 82 83 C6 84 85 86 87 88 110 PC 1 St.
Appendices ■ Solo set drum set (2) * BANK MSB=106, LSB=0 fig.drum24-87 25 27 28 29 30 31 32 33 34 35 C2 36 37 38 39 40 41 42 43 44 45 46 47 C3 48 49 50 51 52 53 54 55 56 57 58 59 C4 60 61 62 63 64 65 66 67 68 69 70 71 C5 72 73 74 75 76 78 79 80 81 82 83 C6 84 85 86 87 88 PC 41 St.
Appendices ■ Enhanced set drum set (1) * <-: Same as the percussion sound of “Amb.Standard” (PC 1) BANK MSB=107, LSB=0 fig.drum24-87 25 27 28 29 30 31 32 33 34 35 C2 36 37 38 39 40 41 42 43 44 45 46 47 C3 48 49 50 51 52 53 54 55 56 57 58 59 C4 60 61 62 63 64 65 66 67 68 69 70 71 C5 72 73 74 75 76 77 78 79 80 81 82 83 C6 84 85 86 87 88 112 PC 1 Amb.
Appendices ■ Enhanced set drum set (2) * BANK MSB=107, LSB=0 fig.drum24-87 25 27 28 29 30 31 32 33 34 35 C2 36 37 38 39 40 41 42 43 44 45 46 47 C3 48 49 50 51 52 53 54 55 56 57 58 59 C4 60 61 62 63 64 65 66 67 68 69 70 71 C5 72 73 74 75 76 78 79 80 81 82 83 C6 84 85 86 87 88 PC 41 Amb.
Appendices Drum set list (GS mode) * The instrument names listed here are the proper names for the XGlite sound module mode. Due to the limited number of letters that can be used for the display, the names shown in the display may be slightly different from the instrument names listed here.
Appendices ■ GS mode drum set (1) fig.
Appendices ■ GS mode drum set (2) fig.drum35-108 35 C2 36 37 38 39 40 41 42 43 44 45 46 47 C3 48 49 50 51 52 53 54 55 56 57 58 59 C4 60 61 62 63 64 65 66 67 68 69 70 71 C5 72 73 74 75 76 77 78 79 80 81 82 83 C6 84 85 86 87 88 89 90 91 92 93 94 95 116 PC 57 SFX ------------High Q Slap Scratch Push Scratch Pull Sticks Square Click Metronome Click Metronome Bell Guitar Fret Noise Guitar cutting Guitar cutting String slap of double Fl.
Appendices Drum set list (XGlite mode) * The instrument names listed here are the proper names for the XGlite sound module mode. Due to the limited number of letters that can be used for the display, the names shown in the display may be slightly different from the instrument names listed here.
Appendices ■ XGlite mode drum set (1) * BANK MSB=127, LSB=0 fig.
Appendices fig.
Appendices fig.
Appendices ■ XGlite mode drum set (3) * BANK MSB=126, LSB=0 fig.
Appendices 122
STUDIO CANVAS Model: SD-80 (GM2/Native mode) Date : May 1, 2002 MIDI Implementation Chart Transmitted Function...
STUDIO CANVAS Model: SD-80 Date : May 1, 2002 MIDI Implementation Chart (GS mode) Transmitted Function...
Specifications ■ Model: Studio Canvas SD-80 (General MIDI2 / GS format / XGlite format) ●Number of parts 32 ●Power Supply AC 120 V, AC 230 V or AC 240 V ●Maximum Polyphony 128 voices ●Power Consumption 11W (AC 120 V) 12W (AC 230 V) 13W (AC 240 V) ●Internal Sounds Sound Maps: 6 (Classical, Contemporary, Solo, Enhanced, Special 1, Special 2) ●Preset Memory Internal Sounds: Drum Sound sets: 1050 30 ●User Memory Internal Sounds: Drum Sound sets: 128 16 ●Effects System Effects: Insertion Effects: Reverb
INDEX A AC IN Connector ............................................... 12 Adobe Acrobat Reader ........................................ 9 B Bulk Dump ................................................... 51, 69 C capital sound ...................................................... 26 checksum ............................................................. 73 Chorus ............................................... 16, 39, 41, 45 Classical ...............................................................
INDEX R Reverb ................................................ 16, 39, 41, 43 S SHIFT Button ...................................................... 11 Solo ....................................................................... 17 soloing ................................................................. 29 sound ................................................................... 26 sound generator mode .......................... 16, 22, 53 sound set .......................................................
INDEX 128
MEMO 129
MEMO 130
To resize thickness, move all items on the front cover and center registration marks to left or right. CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
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