Datasheet

Global CollaborationsA Commitment to
Quality and the
Environment
Advanced Performance for Video, Too
True Black Display EIZO and Magnum Ambassador Program5-Year Warranty
Pixel Defect Warranty up to 12 Months
Brightness and Color Warranty
Mercury-Free LED Backlight
Zero Watts When Turned Off
ICC Contributing Member
1080/24p Playback
3D LUT for Accurate Color Display
4K x 2K Downscaling
LED Buttons and On-Screen Button Guide
Preset Color Modes
Safe Area Marker
Range Extension
When viewing the screen from an angle in a dimly lit room, dark tones typically
appear washed out due to the display characteristics of LCD backlights. The CG
and CX series maintain a high contrast ratio even from an angle which allows
the dark tones to retain their depth. Also, you can prioritize a high brightness
and contrast ratio over screen brightness uniformity by pressing a button on the
front of the monitor.
In 2013, EIZO and
Magnum Photos announced
a global collaboration with
the establishment of an
ambassador program. 15
photographers and digital
directors at Magnum’s
offices in the USA and
Europe have integrated
EIZO’s ColorEdge
monitors into their color management workflow. These
ambassadors are using the monitors for the production
of contemporary photos, the restoration of historical
Magnum imagery, and to provide objective feedback
about their experiences to EIZO.
During the development of the ColorEdge CG277,
Magnum photographer Carl De Keyzer tested the monitor
and commented, “The calibration system is astonishing
– for the first time I can calibrate my screen without
professional help. The colors are entirely in line with what
comes out of my large printers, so no guessing anymore,
just true WYSIWYG.”
EIZO and Magnum are also cooperating on creating
individual profiles of the ambassadors with insights into
their careers, bodies of work, and experiences with EIZO
monitors. To see these profiles, please visit:
http://www.eizo.com/global/magnumphotos/
ColorEdge monitors are backed by a manufacturer’s
5-year warranty that covers all components including the
LCD panel. EIZO can do this because it manufacturers its
products at its own factories. This allows EIZO to keep
close control over production quality and ensure that its
monitors are built to last for 5 years.
For CG and CX series and the CS230, the RGB full pixel
failure is zero for up to 12 months after date of purchase
based on ISO 9241-307 (pixel failure class I).
The brightness and color of the CG277 and CG247 are
warranted for up to 10,000 hours from the date of purchase.
Monitors must be used within the recommended
brightness of 120 cd/m
2
or less and the color temperature
between 5000 – 6500 K.
All models come with an energy-saving LED backlight
that contains no mercury for minimal environmental
impact when eventually disposed of.
When a ColorEdge monitor is turned off via the power
button on its front bezel it consumes no electricity.
EIZO is a contributing member of
the International Color Consortium
(ICC). The purpose of the ICC is to
promote the use and adoption of
open, vendor-neutral, cross-platform
color management systems.
Film is usually shot at 24 frames/second and looks unnatural when played back
on a typical monitor that displays 60 frames/second. The CG series supports a
video signal display rate of 24 frames/second so you can edit the film as it was
meant to be viewed.
A 3D LUT is included with the CG series which adjusts colors individually on an RGB
cubic table. With the bundled ColorNavigator software’s emulation function, the 3D
LUT applies a film look to the image so creators can check how it will be seen by their
audience. The 3D LUT also improves the monitor's additive color mixture (combination
of RGB), which is a key factor in its ability to display neutral gray tones.
The ColorEdge CG277 accepts 4K x 2K resolutions of 4096 x 2160 and 3840
x 2160 at up to 30 frames/second via the DisplayPort input then downscales
them to its native resolution of 2560 x 1440. This added functionality makes
the ColorEdge CG277 a practical choice for editing when working with the
increasingly popular 4K x 2K resolutions used in digital television and digital
cinematography.
For dimly lit work environments like post production studios, the CG series
comes with backlit control buttons and an on-screen button guide to indicate
what each button is for.
A button on CG series monitors provides quick access to several broadcast-
standard color modes reset color modes: Rec. 709, EBU, SMPTE-C, and DCI.
A safe area marker included with the CG series designates the area of the screen
that will be displayed when the monitor is connected to a particular device. This
allows you to check that subtitles and other text will be visible. This color of the
marker is changeable to ensure it remains easily visible with any imagery.
All ColorEdge models give studio professionals the advantage of using the monitor's
entire 10-bit grayscale range to see more detail when doing fine editing work in
very dark and very light tones. Setting the screen to show the entire 10-bit grayscale
range reveals either 6% or 14% more gray tones from 0 (true black) to 1023 (true
white) compared to common broadcast signal display range capabilities.
CG and CX Monitors Conventional Monitor
Carl De Keyzer with the ColorEdge CG277
40%
Less
2120
Predictable
Color
Predictable
Color
Stable Image
Display
Stable Image
Display
Comfort and
Convenience
Comfort and
Convenience
Post
Production
Commitment
to Quality
Post
Production
Commitment
to Quality