User Manual

21
7. HEADPHONE Jack
Plug headphones into the 1/4” Stereo Headphone
jack. Each channel of the Headphone jack can
deliver 0.1W into 16 ohms. The Headphone jack
contains the loop audio from all 6 main tracks,
the Mixdown track, the DRY OUT channels,
audio from the AUX IN jack and the CLIX LEVEL
metronome beat. NOTE: the volume of the
audio at this jack is set by the HEADPHONE LVL
knob. The volume set by the HEADPHONE LVL
knob is dependent on the setting of the MASTER
LVL knob, which acts as a master volume
control for all outputs.
8. MONITOR OUT Jack
This output produces a mono version of the
signal present at the Headphone jack. The left
and right channels of the headphones are
mixed together into mono and then sent to this
jack. The MONITOR OUT jack contains the loop
audio from all 6 main tracks, the Mixdown
track, the DRY OUT channels, audio from the
AUX IN jack and the CLIX metronome.
 The overall volume of the audio at the
MONITOR OUT jack is set by both the
HEADPHONES LVL and MASTER LVL knobs. If
either knob is fully turned down, no audio
will come out of the MONITOR OUT jack.
 The output impedance at the MONITOR OUT
jack is 400Ω.
9. L and R OUTPUT Jacks
The L (Left) and R (Right) OUTPUT jacks are
the main outputs from the 95000. Connect
these outputs to your amplifier, mixer, audio
interface, tape recorder or any suitable device.
The L and R OUTPUT jacks contain the loop audio
from all 6 main tracks, the Mixdown track, DRY
OUTPUT L and R channels, and the audio signal
input at AUX IN. The L and R OUTPUT jacks do
not output the CLIX metronome nor are they
affected by the setting of the Headphone volume
knob. Note that the MASTER LVL knob is a master
volume control for ALL outputs, including the L
and R OUTPUT jacks. The output impedance at
the L and R OUTPUT jacks is 400Ω.
10. AUX IN Jack
This 3.5mm stereo input is mixed with the stereo
output of the 95000 in the analog domain and is
output through the L and R OUTPUT jacks, the
Headphone jack, and the MONITOR OUT jack.
Connect a phone, mixer, drum machine—or any
other device with a line output—and mix the signal
directly with the loops of the 95000. The 95000
does NOT record audio from the AUX IN Jack. Since
the input impedance presented at the AUX IN Jack
is 9.5kΩ, it is best suited for devices with line level
outputs. Set the output volume on your AUX IN
device to mix it properly with the 95000 output.
11. +48V Phantom Power Button
When this button is pressed in, phantom power
is applied to both XLR MIC input connectors.
Phantom power is disabled with this button set
to the “out” position.
 CAUTION! Please ensure your microphone
can withstand phantom power (up to
+48VDC) before engaging this switch.
Certain ribbon microphones, in particular,
are known to be susceptible to damage
when used with phantom power.
12. L and R INPUT Combo Jacks
The L (Left) and R (Right) Inputs are combo
jacks which accept either XLR or 1/4"
connectors.
The XLR input is balanced and is primarily
intended for microphones, although signals up
to +4dBu in amplitude may be connected
before clipping. The input impedance on the
XLR input is 2.5kΩ.
The 1/4" input is a high impedance, unbalanced
input intended for both instruments and line
level signals. This input can accept signal
amplitudes up to +9.8dBu. The input impedance
presented at each 1/4" input is 2MΩ.
In Mono mode, either input can be used to
record onto any of the 6 tracks. In Stereo
mode, the Left Input records to the odd
numbered tracks (either 1, 3 or 5) and the
Right Input records to the even numbered
tracks (2, 4 or 6).