Electro-Harmonix Nano Big Muff Pi

TOTAL GUITAR FEBRUARY 2017
S
ome of the greatest
distorted guitar riff s and
licks ever were created
using the unmistakable
sound of fuzz. Marty Robbins’
guitarist Grady Martin is the
man credited with accidentally
discovering fuzz back in 1961,
when a dodgy preamp gave his
guitar the classic distorted tone.
Fast-forward a few years and
pedals that replicated the eff ect,
such as the Maestro Fuzz-Tone,
Electro-Harmonix Big Muff and
the Dallas-Arbiter Fuzz Face
were catching on with Keith
Richards, Carlos Santana and
David Gilmour and many others.
Fuzz has come a long way since
those early days, so here we’re
looking at four modern pedals
and the fuzzed-out craziness
you can wring that from each of
them. Ranging from smooth,
brass-like sustained notes to
shrill, teeth-grinding velcro fuzz
tones, it’s all here. Let’s dive in.
FUZZ PEDAL ROUND-UP
102
F
rom Kirk Hammett’s KHDK stable,
the Scuzz Box off ers two very diff erent
modes (Fuzz and Scuzz). Fuzz is much
like any germanium fuzz (think Hendrix-era
Fuzz Face), giving great dynamic tones that
clean up nicely with your guitar’s volume,
while the tone and deep knobs act more as
high- and low-cuts respectively. Where it
really comes into its own however, is on the
Scuzz setting. This gives you a gated velcro
fuzz tone with hint of octave/bit-crushed
eff ects, but never becomes thin and grating in
the top-end like some more extreme fuzzes
can. There’s also a buff er switch that’s really
handy for reducing interference when used in
conjunction with other pedals or long cables.
T
he Big Muff is the world’s best-known
fuzz pedal, and similar to its far bigger
relative, the Nano incarnation has three
controls: volume, tone and sustain. The Nano
does a great job of emulating the classic Big
Muff riff s, with that familiar scooped mid
sound, particularly when the tone is set past
12 o’clock although this can make it
struggle to cut through live. That said, this
Nano has a quieter noise oor than its big
brother, making it useful for stacking with
other dirt pedals a Tube Screamer or similar
will boost those mids back up. Compared with
the original, this holds up very well indeed.
KHDK Scuzz Box
HAMMETT-APPROVED DIRTBOX
Electro-Harmonix
Nano Big Muff Pi
THE BIG ONE’S LITTLE BROTHER
£169
£62
TH
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FEATURES
SOUND QUALITY
VALUE FOR MONEY
BUILD QUALITY
USABILITY
OVERALL RATING
SUMMARY
FEATURES
SOUND QUALITY
VALUE FOR MONEY
BUILD QUALITY
USABILITY
OVERALL RATING
SUMMARY
BEST BUY
AWARD
Words: Dan Wild-Beesley
TGR289.gear_pedals.indd 102 12/20/16 12:50 PM

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