User manual

9
MULTI HARMONY 2:
Lower 3rd, Lower 5th, Upper 3rd and Upper Octave
The Voice Box creates the same three harmonies as in Multi Harmony 1
and adds the upper octave. The harmonies consist of the lower 3rd
harmony, the lower 5th harmony and the upper 3rd harmony. Added to
the mix is the upper octave.
VOICE MIX knob: Mixes between the lower 3rd harmony (in
knob’s LOW position) and the upper octave (in knob’s HIGH
position). The levels of the lower 5th harmony and upper 3rd
harmony do not change with the VOICE MIX knob. When set to
12 o’clock, there will be an equal mix of all harmonies and upper
octave.
GENDER BENDER knob: For the lower harmonies, GENDER
BENDER shifts the formant downward, making the harmonies
sound more male. For the upper harmony and octave, the
formant shifts upward, making the harmonies sound more
female. When turned fully counter-clockwise, there is no formant
shift.
MULTI HARMONY 3:
Lower Octave, Lower 5th, Upper 3rd and Upper 5th
The Voice Box creates three harmonies (one below, two above) plus an
octave down. The harmonies consist of the lower 5th harmony, the
upper 3rd harmony and the upper 5th harmony. Added to the mix is the
lower octave.
VOICE MIX knob: Mixes between the lower octave (in knob’s
LOW position) and the upper 5th harmony (in knob’s HIGH
position). The levels of the lower 5th harmony and upper 3rd
harmony do not change
with the VOICE MIX knob. When set to 12 o’clock, there will be
an equal mix of all harmonies and lower octave.
GENDER BENDER knob: For the lower harmony and octave,
GENDER BENDER shifts the formant downward, making the
harmonies sound more male. For the upper harmonies, the
formant shifts upward, making the harmonies sound more
female. When turned fully counter-clockwise, there is no formant
shift.
10
OCTAVES Mode
OCTAVES mode pitch shifts your vocal up and down exactly one octave.
Since the amount of pitch shift is preset to an octave, this mode does
not require an instrument to be played along with your vocal.
VOICE MIX knob: Mixes between the lower octave (in knob’s
LOW position) and the upper octave (in knob’s HIGH position).
When set to 12 o’clock, there will be an equal mix of the two
octaves.
GENDER BENDER knob: For the lower octave, turning
GENDER BENDER clockwise shifts the formant downward,
making the lower octave sound more male. For the upper
octave, turning GENDER BENDER clockwise shifts the formant
upward, making the upper octave sound more female. When
turned fully counter-clockwise, there is no formant shift.
UNISON + WHISTLE Mode
UNISON + WHISTLE mode is really like having two modes in one. Each
function is separate from the other. UNISON mode allows for formant
shift without changing the pitch of your vocal. For example, you want to
sound more womanly but without changing your pitch. WHISTLE mode
synthesizes a whistle tone exactly two octaves above the note you sing.
VOICE MIX knob: Mixes between the UNISON effect (in knob’s
LOW position) and the WHISTLE effect (in knob’s HIGH
position). When set to 12 o’clock, there will be an equal mix of
UNISON and WHISTLE.
GENDER BENDER knob: Adjusts formant shift for the UNISON
effect only. When GENDER BENDER is set to 12 o’clock, there is
no formant shift. As you turn the knob clockwise from 12 o’clock,
the formant shifts upward for a more female sounding vocal. As
you turn the knob counter-
clockwise from 12 o’clock, the formant shifts downward for a
more male sounding vocal.