User`s manual
Appendix A: MACHINE REFERENCE A-13 
Track effects window
Here you control the track effect parameters for all 
t
racks.
Routing window
Here you control the routing page parameters for all 
t
racks.
CONTROL 8 PARAMETERS “CTR-8P”
This Control machine is used for grouping together 
the parameters you manipulate the most into a single 
window. The parameters can belong to different 
tracks. This can be convenient in a live situation, 
allowing less pressing of buttons to reach the desired 
parameters. One CTR-8P machine can contain 8 of 
these track and parameter short cuts. The CTR-8P can 
also function as a sort of “trigless trig” since it can 
manipulate parameters without trigging the corre-
sponding drum sound.
Synthesis window
This page shows an overview of all the grouped 
parameters, which tracks they belong to and what val-
ues they have.
P1 - First shown is the track that P1 is assigned to. Under 
the displayed track, the controlled parameter is visible. 
Under this, the current value of the parameter is repre-
sented. Manipulating P1 will therefore manipulate the cho-
sen parameter on the selected track.
P2-P8 - The same function as P1
Track effects window
In this window, together with the ROUTING menu, you 
a
ssign the parameters and tracks that are going to be 
visible in the overview in the SYNTHESIS menu. You 
set up 4 of these track and parameter short cuts in the 
TRACK EFFECTS window.
P1 TRK - Chooses the track that will be affected by the P1 
parameter on the SYNTHESIS page.
P1 PAR - Chooses which parameter that will be affected 
by the P1 parameter on the SYNTHESIS page.
P2-P4 TRK - The same function as P1 TRK
P2-P4 PAR - The same function as P1 PAR
Routing window
A continuation of the content in the EFFECTS menu. 
The next 4 routings are made here.
CONTROL RHYTHM ECHO DELAY “CTR-RE”
Use this control machine to control the parameters of 
t
he RHYTHM ECHO delay. The effects and routing 
pages look the same for all the master effect control 
machines, therefore they will be described only for the 
RHYTHM ECHO delay.
Synthesis window
This page shows the same parameters as found in the 
STEREO MASTER EFFECTS menu under the ECHO 
tab.
TIME - Controls the actual delay time. It is relative to the 
current tempo, and it is measured in 128th notes. For 
instance, for a two beat delay (8 16th notes) TIME should 
be set to 64. 
MOD - Controls the delay time modulation depth. 
MFRQ  - Controls the delay time modulation frequency.
FB  - Controls the delay feedback amount. The feedback is 
taken after the filter but before the out gain control. FB set 
to central position with filter totally open gives unity feed-
back.
FILTF - The filter base frequency parameter. For a 
description of the functionality of the filter, see “THE 
RHYTHM ECHO DELAY” on page 29. 
FILTW - The filter width parameter. Please refer to the text 
found under the heading “THE RHYTHM ECHO DELAY” 
on page 29 for a description of the functionality of the filter.
MONO - the feedback panning control parameter. A low 
value gives ping pong style delay, a high value preserves 
the stereo information, and a central position brings the 
delay feedback into the central panning position.
LEV - The out gain level control of the RHYTHM ECHO 
delay.










