User Manual
APPENDIX A: DRUM TRACK PARAMETERS
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BR (Bit Reduction) increasing the value of this parameter decreases the resolution of the sample, making
it more grainy. Use when you want the sound of your drum sample to punch dirty like the sound eects of
classic coin-op fighting games. (0–127)
SMP (Sample Slot) turn this knob to browse the list of up to 127 samples loaded into the project. Turn the
knob clockwise to scroll down the list, counter-clockwise to scroll up. The first position, OFF, plays no
sample at all (OFF, 1–127).
STA (Start) sets the starting point for the playback of the sample. The extreme values of the range (0-
120) are the very beginning and the very end of the sample, respectively. This is a codependent parame-
ter and must be set together with END.
END (End) sets the end point for the playback of the sample. The extreme values of the range (0-120)
are the very beginning and the very end of the sample, respectively. If the value of END is lower than the
value of STA, the sample will be played back backward.
LOP (Loop) when OFF, the sample will be played back once every time it is trigged. When ON, the sam-
ple will loop continuously for the length of the trig (set with LEN on the TRIG page), confined by the AMP
page envelope parameter settings HLD and DEC. (1/0 - ON/OFF).
LEV (Level) sets the volume of the sample. (0–127)
A.3 FLTR
On the FILTER page you will find all parameters that control the analog multimode filter and its associated
envelope.
FILTER
ATK (Attack) sets the length of the attack phase of the filter envelope. (0–127)
DEC (Decay) sets the length of the decay of the filter envelope. (0–127)
SUS (Sustain Level) sets the sustain level of the filter envelope. (0–127)
REL (Release) sets the length of the release phase of the filter envelope. (0–127)
FRQ (Frequency) sets the cuto frequency of the multimode filter. (0–127)
RES (Resonance) sets the resonance behavior of the filter. Resonance introduces a peak in the spec-
trum at the cuto frequency. With the Bandstop filter type, there is a notch instead of a peak. The notch
will be at its widest at the lowest Resonance setting. (0–127)
TYP (Filter Type) selects the filter type. Seven types are available: 2-pole Lowpass, 1-pole Lowpass,
Bandpass, 1-pole Highpass, 2-pole Highpass, Bandstop, and Peak. Technically all of them are resonant
2-pole filters, but the 1-pole types have a flatter spectrum like simple 1-pole filters and are convenient for
equalizer duties.
ENV (Envelope Depth) sets the depth of modulation within the filter envelope. The knob is bipolar, mean-
ing that both negative and positive modulation depth is available. Range (64–+63)
A.4 AMP
The AMP page controls parameters for the amplitude envelope, overdrive, eects sends, panning and
volume.