User Manual

APPENDIX B: FX TRACK PARAMETERS
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GAI (Shelving Gain) aects the damping of the reverberated signal above the shelving frequency set
by the FRQ parameter. At max value, the treble is included in the reverberations; lowering the value and
gradually dampens it. (0–127)
HPF (HP Filter) sets the cuto frequency of the reverb high-pass filter. (0–127)
LPF (LP Filter) sets the cuto frequency of the reverb low-pass filter. (0–127)
VOL (Mix Volume) sets the volume of the Reverb output signal. The output is routed either before or after
the Distortion and Compressor eects, depending on the setting of the REV parameter on the DISTOR-
TION page. (0–127)
B.3 DISTORTION
The distortion master eect pronounces the peaks of the signal and distorts them. Additionally, the sound
may be oset in its entirety on this page and subjected to non-symmetrical distortion. This page also con-
trols the overdrive of the Delay eect, as well as the routing of the Delay and Reverb eect returns.
DIST
AMT (Distortion Amount) sets the amount of distortion applied to the signal. (0–127)
SYM (Distortion Symmetry) osets the whole signal (in the y-direction, if visualized as a wave cycle on
a 2D graph) either up (positive values) or down (negative values) before applying distortion. This makes
asymmetric distortion of the signal possible, fringing only the crests or the troughs of the wave. (64–
+63)
DOV (Delay Overdrive) sets the overdrive of the Delay eect, for a warm, dynamic distortion of the signal.
Set this in conjunction with the FDB parameter on the DELAY page to produce anything from a tinge of
shear to a very aggressive four-pound barrage of overtones. (0–127)
DEL (Delay Dist/Comp) sets the Delay eect to return before (PRE), or after (POST) the signal is subject
to distortion and compression. The default setting is before. (PRE, POST)
REV (Reverb Dist/Comp) sets the Reverb eect to return before (PRE), or after (POST) the signal is
subject to distortion and compression. The default setting is after. (PRE, POST)
B.4 COMPRESSOR
The Compressor master eect compresses the dynamic range of the signal by reducing the volume of loud
sounds relative to the quiet sounds. There are eight parameters with which the compressor is customized
on this page.
COMP
THR (Threshold) sets the threshold of the compressor. A lower threshold means a larger portion of the
signal will be subject to compression. There is a bar on the rightmost edge of the screen which will visu-
ally represent the amount of compression. (0–127)
ATK (Attack) sets the time of the compressor attack phase, i.e., how quickly the compressor responds to
loud peaks. The time of the attack phase is set in milliseconds. (0.03–30)