Elektron
FM VERDICT
9.1
With deep sequencing
and a powerful sound
engine, Digitakt is the
‘affordable’ Elektron
groovebox we’ve been
dreaming of
CHROMATIC Each of Digitakt’s
tracks can be played melodically
using Chromatic mode .
MUTE MODE As the name suggest,
mute mode allows quick muting of
Digitakt’s tracks.
RETRIGS The retrig menu allows
quick rolls and repeats to be added
to steps.
FILL The fi ll mode offers a
quick way to create variations
of existing patterns.
overdrive are particularly good at
adding extra body and grit to sounds,
and the sample manipulation and
looping tools mean Digitakt can take
things into esoteric territory well
beyond simple one-shot sampling.
The global delay and reverb sound
great too – each has its own edit
window with the usual size, edit and
width controls, making both solid
tools for adding that fi nishing touch
of atmosphere and space to patterns.
MIDI tracks, meanwhile, are used
to output trigger and CC info to
external instruments. The eight
tracks can each output four notes of
polyphony, which can be edited on a
per-step basis, making Digitakt a
fairly handy ‘hub’ for a sync’d
hardware rig. For the MIDI track, the
fi lter and amp windows can be
confi gured to output CC data, and
each track’s LFO can be routed
externally too.
As with previous Elektron
grooveboxes, the depth of the
sequencer is the real trump card of
Digitakt. While there’s too much to
go into it fully within the space of a
review, there are a few highlights
worth touching on.
For one thing, almost every
parameter can be automated via
Digitakt’s parameter lock capability.
This allows different values for
anything within the parameter
windows to be saved on a per-step
basis. This can either be done in
step-sequencing mode, by holding
down the corresponding step, or
recorded live. Digitakt also features a
Conditional Locks mode, which
allows changes to be dictated on a
probability basis, which is great for
injecting variety into patterns. A Fill
mode is a similarly useful tool for
mixing up patterns, allowing the
creation of temporary variations.
The sequencer allows for pattern
length to be set for each track, too,
making it easy to create complex
polyrhythms. There are also fl exible
global tempo, swing and time
signature options. For deeper tweaks
to the rhythmic feel of a pattern,
micro-timing adjustments can be
made on a per-step basis. Retrigs
can be applied to each step, creating
quick ‘rolls’ of samples locked to
adjustable beat divisions.
Beyond the immediate realm of
the sequencer and sounds, Digitakt
has a fl exible architecture for
creating longer-form creations. The
memory is divided into Projects,
each of which can contain up to 128
patterns and 127 samples. Each
pattern houses its own sounds, and
multiple patterns can be chained
together to create more complex
projects. While eight audio channels
isn’t a huge number – compared to
software driven beatmakers, at least
– sample assignment can be
automated for each step, along with
all sound engine parameters, making
it effectively possible to have
multiple sounds triggered by a single
audio track.
While this is all very fl exible and
capable, Digitakt isn’t necessarily
the most intuitive sampler to use.
This will likely not come as a
surprise to seasoned users of
Elektron gear – it tends to be the
case that their instruments boast
depth and functionality at the cost of
simplicity and accessibility. This isn’t
necessarily a criticism; it’s not that
Digitakt is badly designed – in fact,
once you get your head around it,
most design decisions seem
remarkably sensible – just expect to
spend a good few hours reading the
manual before you can get the most
out of it.
Broadly speaking though, there’s
a lot to like about Digitakt, and
despite a couple of minor gripes
– the reliance on a computer for
loading samples, the additional
Overbridge cost – Digitakt lives up to
the promise of offering Elektron’s
deep sequencing functionality at a
(comparatively) affordable price. It
might look like a humble sampler,
but with great sequencing and a
decent crop of connectivity, we can
see this becoming the centrepiece of
plenty of studio and live rigs. Not a
box to underestimate!
overdrive are particularly good at
adding extra body and grit to sounds,
and the sample manipulation and
looping tools mean Digitakt can take
things into esoteric territory well
beyond simple one-shot sampling.
The global delay and reverb sound
great too – each has its own edit
great too – each has its own edit
window with the usual size, edit and
width controls, making both solid
tools for adding that fi nishing touch
of atmosphere and space to patterns.
MIDI tracks, meanwhile, are used
Elektron Digitakt | Reviews
83
FMU320.rev_elektron.indd 83 6/14/17 6:09 PM