User Manual

13. FX PARAMETERS
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13.2.2 X
Ping-pong sets the delay signal to alternate across the stereo field. There are two settings:
• OFF lets you manually set the position of the delay signal in the stereo field. Use the WID parameter
to change the stereo field position.
• ON makes the delay signal alternate between left and right pan positions. The WID parameter
controls the amount of panning.
13.2.3 WID
Stereo Width sets the delay signal pan width across the stereo field. The knob is bipolar. (64.00–63.00)
13.2.4 FDBK
Feedback Gain sets the amount of delay output signal to feed back into the input of the delay. With high-
er parameter settings, infinite and/or swelling delays are possible. Please be aware that high feedback
can lead to a very loud signal. (0–198)
13.2.5 HPF
Feedback HPF sets the cuto frequency of the delay highpass filter. (0.00–127.00)
13.2.6 LPF
Feedback LPF sets the cuto frequency of the delay lowpass filter. (0.00–127.00)
13.2.7 REV
Reverb Send sets the amount of Delay output signal to be sent to the Reverb. (0.00–127.00)
13.2.8 VOL
Mix Volume adjusts the volume of the Delay output signal. (0.00–127.00)
13.3 REVERB
The Reverb send eect controls the persistence, and ambient characteristics, of the sound reverberations.
It can simulate many dierent sonic locations, from huge spaces to small rooms.
Press [FUNC] + [AMP] to access this parameter page.
13.3.1 PRE
Pre-delay sets the pre-delay time of the Reverb. (0.00–127.00)
13.3.2 DEC
Decay Time sets the length of the decay phase of the reverberated signal, essentially setting the size of
the acoustic space. (1–127, INF)
13.3.3 FREQ
FB Shelving Freq sets the shelving filter frequency. Together with the GAIN parameter, it can be used to
dampen the reverberated signal above a chosen frequency, making the reverberation sound more promi-
nent or more mued. (0.00–127.00)
13.3.4 GAIN
FB Shelving Gain aects the damping of the reverberated signal above the shelving frequency set by the
FRQ parameter. At max value the treble is included in the reverberations; lowering the value gradually
dampens it. (0.00–127.00)
13.3.5 HPF
Input HPF sets the cuto frequency of the reverb high-pass filter. (0.00–127.00)