User Manual
Table Of Contents
- 1. INTRODUCTION
- 2. THE DIGITONE KEYS
- 3. PANEL LAYOUT AND CONNECTORS
- 4. DIGITONE KEYS SOUND ARCHITECTURE
- 5. OVERVIEW OF THE DIGITONE KEYS DATA STRUCTURE
- 6. THE USER INTERFACE
- 7. QUICK START
- 8. DIGITONE KEYS CONTROLS
- 9. PATTERNS AND SOUNDS
- 10. THE SEQUENCER
- 11. SYNTH TRACK PARAMETERS
- 12. MIDI TRACK PARAMETERS
- 13. FX PARAMETERS
- 14. GLOBAL SETTINGS
- 15. STARTUP MENU
- 16. SETUP EXAMPLES
- 17. USEFUL KEY COMBINATIONS
- 18. TECHNICAL INFORMATION
- 19. CREDITS AND CONTACT INFORMATION
- APPENDIX A: THE DIGITONE KEYS FM SYNTHESIS
- APPENDIX B: MIDI IMPLEMENTATION
- APPENDIX C: LFO MODULATION DESTINATIONS
- INDEX
12. MIDI TRACK PARAMETERS
57
12.6 AMP PAGE (CC SELECT)
Here you select the eight CC commands whose values you set with the parameters on the FLTR PAGE (CC
VALUE) page. Press the corresponding knob or [ENTER/YES] to activate the parameter change.
Press [AMP] to access this parameter page.
12.6.1 SEL1-SEL8
CC 1–8 Select specifies the CC commands whose values you control controlled by the parameters on
the AMP PAGE 1 (CC VALUE) page. The selectable commands are the standard MIDI Control Change
Messages. (0–119)
12.7 LFO PAGE
The Low-Frequency Oscillator can be used to interact with the parameters found on the MIDI tracks’ SYN1,
and FLTR pages. Customize the low-frequency oscillator behavior, orientation, and depth on this page.
Press [LFO] to access this parameter page.
12.7.1 SPD
Speed sets the speed of the LFO. Try settings of 8, 16 or 32 to sync the LFO to straight beats. The knob
is bi-polar. The LFO cycle can be played backward by using negative values. (64.00–63.00)
12.7.2 MULT
Multiplier multiplies the SPD parameter by the set factor either by multiplying the current tempo (BPM
settings) or by multiplying a fixed tempo of 120 BPM.
12.7.3 FADE
Fade In/Out makes it possible to fade in or out the LFO modulation. The knob is bipolar. Positive values
give a fade out. Negative values give a fade in. 0 gives no fade in/fade out. (-64–63)
12.7.4 DEST
Destination selects the modulation destination for the LFO. Preview how the LFO modulation aects the
sound by highlighting a destination. Press [YES] to confirm the selection.
12.7.5 WAVE
Waveform sets the LFO waveform. There are seven waveforms: Triangle, Sine, Square, Sawtooth, Expo-
nential, Ramp, and Random.
12.7.6 SPH
Start Phase sets the point within the wave cycle where the LFO starts when it is trigged. 0 makes the
LFO start at the beginning of a complete wave cycle, 64 makes it start at the center. (0–127)
12.7.7 MODE
Trig Mode sets how the LFO acts when a note is trigged.










