User Manual

ManualsBrandsElektron ManualsKeyboard SynthesizersDigitone Keys - 8 VOICE POLYPHONIC SYNTHESIZER

Table Of Contents

1. INTRODUCTION
- 1.1 CONVENTIONS IN THIS MANUAL
2. THE DIGITONE KEYS
3. PANEL LAYOUT AND CONNECTORS
- 3.1 FRONT PANEL
- 3.2 REAR CONNECTORS
- 3.3 SETTING UP AND STARTING THE DIGITONE KEYS
4. DIGITONE KEYS SOUND ARCHITECTURE
- 4.1 AUDIO VOICES
- 4.2 EFFECTS
5. OVERVIEW OF THE DIGITONE KEYS DATA STRUCTURE
- 5.1 +DRIVE
- 5.2 DATA STRUCTURE
- 5.3 ABOUT THE TRACKS
6. THE USER INTERFACE
- 6.1 SCREEN NAVIGATION
- 6.2 PARAMETER EDITING
- 6.3 QUICK SCROLLING
- 6.4 COPY, CLEAR, AND PASTE
- 6.5 THE NAMING SCREEN
  - 6.5.1 NAMING POP-UP MENU
- 6.6 HOLD
- 6.7 OVERBRIDGE
7. QUICK START
- 7.1 PLAYING THE FACTORY PRESET PATTERNS
- 7.2 CHANGING SOUNDS
- 7.3 USING MUTE MODE
- 7.4 TEMPO
- 7.5 EDITING PARAMETERS
8. DIGITONE KEYS CONTROLS
- 8.1 TRIG KEYS
- 8.2 ROTARY ENCODERS
- 8.3 PITCH AND MOD WHEELS
- 8.4 KEY BEHAVIOR
- 8.5 MIDI NOTES
- 8.6 MODES
9. PATTERNS AND SOUNDS
- 9.1 THE +DRIVE SOUND LIBRARY AND THE SOUND POOL
  - 9.1.1 ADDING SOUNDS TO THE SOUND POOL
- 9.2 PLAYING A SOUND
  - 9.2.1 PLAYING A SOUND WITH AN EXTERNAL MIDI UNIT
- 9.3 EDITING A SOUND
- 9.4 SAVING A SOUND
  - 9.4.1 SAVING A SOUND TO THE +DRIVE
  - 9.4.2 SAVING A SOUND TO THE SOUND POOL
- 9.5 SOUND SETUP MENU
- 9.6 ARPEGGIATOR MENU
10. THE SEQUENCER
- 10.1 BASIC PATTERN OPERATIONS
- 10.2 CREATING AND EDITING A PATTERN
- 10.3 TRIG PARAMETERS
- 10.4 TRACK NOTE MENU
- 10.5 VOICE MENU
- 10.6 MICRO TIMING MENU
- 10.7 PATTERN MENU
- 10.8 METRONOME MENU
- 10.9 SCALE MENU
  - 10.9.1 LENGTH PER PATTERN MODE
  - 10.9.2 LENGTH PER TRACK MODE
- 10.10 SEQUENCER FEATURES
- 10.11 CHAINS
  - 10.11.1 CREATING A CHAIN
11. SYNTH TRACK PARAMETERS
- 11.1 EDITING THE SYNTH TRACK PARAMETERS
- 11.2 TRIG PARAMETERS PAGE
- 11.3 SYN1 PAGE 1
- 11.4 SYN 2 PAGE 1
- 11.5 SYN2 PAGE 2
- 11.6 FLTR PAGE 1
- 11.7 FLTR PAGE 2
- 11.8 AMP PAGE 1
- 11.9 AMP PAGE 2
- 11.10 LFO PAGE 1
- 11.11 LFO PAGE 2
12. MIDI TRACK PARAMETERS
- 12.1 EDITING THE MIDI TRACK PARAMETERS
- 12.2 TRIG PARAMETERS PAGE
- 12.3 SYN1 PAGE (MIDI SOURCE)
- 12.4 SYN2 PAGE (MIDI SOURCE)
- 12.5 FLTR PAGE (CC VALUE)
- 12.6 AMP PAGE (CC SELECT)
- 12.7 LFO PAGE
13. FX PARAMETERS
- 13.1 EDITING THE FX PARAMETERS
- 13.2 CHORUS
- 13.3 DELAY
- 13.4 REVERB
- 13.5 MASTER
14. GLOBAL SETTINGS
- 14.1 PROJECT
- 14.2 SOUNDS
- 14.3 MIDI CONFIG
- 14.4 SYSEX DUMP
  - 14.4.1 SYSEX SEND
  - 14.4.2 SYSEX RECEIVE
- 14.5 AUDIO ROUTING (GLOBAL)
  - 14.5.1 ROUTE TO MAIN
  - 14.5.2 SEND TO FX
- 14.6 SYSTEM
- 14.7 CONTROL INPUT A
- 14.8 CONTROL INPUT B
- 14.9 MULTI MAP EDIT
  - 14.9.1 MULTI MAP MENU
15. STARTUP MENU
- 15.1 TEST MODE
- 15.2 EMPTY RESET
- 15.3 FACTORY RESET
- 15.4 OS UPGRADE
- 15.5 EXIT
16. SETUP EXAMPLES
- 16.1 DIGITONE KEYS WITH A MONOPHONIC BASS MACHINE
- 16.2 DIGITONE KEYS TOGETHER WITH THE DIGITAKT
- 16.3 CONTROLLING A SYNTHESIZER USING THE MIDI TRACKS
17. USEFUL KEY COMBINATIONS
18. TECHNICAL INFORMATION
19. CREDITS AND CONTACT INFORMATION
APPENDIX A: THE DIGITONE KEYS FM SYNTHESIS
- A.1 OVERVIEW
- A.2 THE OPERATORS
- A.3 ALGORITHMS
- A.4 FM RATIOS
- A.5 THE OPERATOR ENVELOPES
- A.6 HARMONICS
- A.7 SYN1 PAGE 1 PARAMETERS OVERVIEW
APPENDIX B: MIDI IMPLEMENTATION
- B.1 TRACK PARAMETERS
- B.2 TRIG PARAMETERS
- B.3 FM PARAMETERS
- B.4 FILTER PARAMETERS
- B.5 AMP PARAMETERS
- B.6 LFO PARAMETERS
- B.7 MIDI TRACK PARAMETERS
- B.8 FX PARAMETERS
- B.9 MISC PARAMETERS
APPENDIX C: LFO MODULATION DESTINATIONS
INDEX

APPENDIX A: THE DIGITONE KEYS FM SYNTHESIS

You can also set if the envelopes should reset or not when they are retrigged. For more information, please

see “11.5.3 ARST” on page 48.

Reset on (ARST/BRST ON)

Trig Trig

Reset on

Reset o

Trig Trig

Reset o (ARST/BRST OFF)

Trig Trig

Reset on

Reset o

Trig Trig

The LEVEL parameters on the SYN2 page controls the amount of modulation from the A and B opera-

tors. For more information, please see “11.4.8 LEV B” on page 47. The LEVEL parameter for B is macro

mapped to both operator B1 and B2 and control their modulation amount as per this graph:

Level

Parameter value 6443 85

127

A.6 HARMONICS

The default output from an operator is a sine wave, but you can use the HARM parameter to add upper

partials to some of the operators’ sine waves to create more harmonically rich waveforms. The HARM pa-

rameter is bipolar. Negative parameter values change the harmonics of operator C, while positive parameter

values change the harmonics of operators A and B1.

Harm -

Harm +

When changing harmonics, intermediate values interpolates between the current and the next harmonic.

This interpolation works much like in wavetable synthesis, sweeping between the harmonics, smoothly

transitioning from one timbre to another. For more information, please see “11.3.5 HARM” on page 46.

The harmonic series for the operators looks like this: