User Manual

ManualsBrandsElektron ManualsDJ productsOctatrack MKII Anniversary Edition - 8 TRACK DYNAMIC SAMPLER

Table Of Contents

1. INTRODUCTION
- 1.1 CONVENTIONS IN THIS MANUAL
2. THE BACKGROUND OF THE OCTATRACK MKII
- 2.1 SUGGESTED APPLICATIONS OF THE OCTATRACK MKII
3. PANEL LAYOUT AND CONNECTORS
- 3.1 FRONT PANEL
- 3.2 REAR CONNECTORS
- 3.3 OCTATRACK MKII ACCESSORIES
  - 3.3.1 RACK MOUNT KIT
  - 3.3.2 CARRYING BAG AND PROTECTIVE LID
- 3.4 THE COMPACT FLASH CARD READER
  - 3.4.1 COMPACT FLASH CARD SPECIFICATIONS
- 3.5 CONNECTING THE UNIT
- 3.6 CARE INSTRUCTIONS
4. OVERVIEW OF THE OCTATRACK MKII STRUCTURE
- 4.1 SETS
- 4.2 AUDIO POOL
- 4.3 PROJECTS
- 4.4 FLEX AND STATIC SAMPLE SLOT LISTS
- 4.5 BANKS
- 4.6 PATTERNS
- 4.7 PARTS
- 4.8 SCENES
- 4.9 ARRANGEMENTS
- 4.10 TRACKS
- 4.11 MACHINES
- 4.12 HOW INFORMATION IS HANDLED
5. THE USER INTERFACE
- 5.1 MENUS AND WINDOWS
- 5.2 PARAMETER EDITING
  - 5.2.1 QUICK PARAMETER EDITING
  - 5.2.2 PARAMETER VALUE JUMP
- 5.3 QUICK SCROLLING
- 5.4 COPY, CLEAR AND PASTE
- 5.5 THE NAMING MENU
  - 5.5.1 POP-UP MENU NAMING
6. QUICK START
- 6.1 DEMO MODE
- 6.2 MOUNTING A SET AND LOADING A PROJECT
  - 6.2.1 MOUNTING A SET
  - 6.2.2 LOADING A PROJECT
- 6.3 LOADING SAMPLES
  - 6.3.1 ASSIGNING A MACHINE TO A TRACK
  - 6.3.2 ASSIGNING A SAMPLE TO A MACHINE
7. SETS
- 7.1 CREATING AND MOUNTING A SET
- 7.2 AUDIO POOL
  - 7.2.1 ADDING CONTENT TO THE AUDIO POOL
  - 7.2.2 AUDIO FILE COMPATIBILITY
8. PROJECTS
- 8.1 PROJECTS AND RAM MEMORY
- 8.2 LOADING AND CREATING A PROJECT
- 8.3 LOADING SAMPLES TO THE SAMPLE SLOTS
- 8.4 THE PROJECT MENU
  - 8.4.1 PROJECT
- 8.5 SYSTEM
- 8.6 CONTROL
- 8.7 MIDI
- 8.8 MIXER MENU
- 8.9 TEMPO MENU
9. TRACK RECORDERS AND PICKUP MACHINES
- 9.1 RECORDING EDIT AND SETUP MENUS
- 9.2 TRACK RECORDER SAMPLING METHODS
- 9.3 PICKUP MACHINE SAMPLING
10. BANKS, PARTS AND SCENES
- 10.1 BANKS
- 10.2 PARTS
- 10.3 SCENES
11. TRACKS
- 11.1 THE DIFFERENCE BETWEEN FLEX AND STATIC MACHINES
- 11.2 ASSIGNING MACHINES TO TRACKS
  - 11.2.1 ASSIGNING MACHINES IN THE QUICK ASSIGN MENU
  - 11.2.2 ASSIGNING MACHINES IN THE SRC SETUP MENU
- 11.3 ASSIGNING FLEX AND STATIC SAMPLES TO MACHINES
  - 11.3.1 ASSIGNING SAMPLES IN THE QUICK ASSIGN MENU
  - 11.3.2 ASSIGNING SAMPLES IN THE SRC SETUP MENU
- 11.4 TRACK PARAMETER PAGES
- 11.5 DIRECT TRACK MUTING
- 11.6 MAIN AND CUE OUTPUTS ROUTING
12. PATTERNS
- 12.1 TRIG INDICATIONS
- 12.2 BASIC PATTERN OPERATIONS
- 12.3 RECORDING MODES
  - 12.3.1 GRID RECORDING MODE
  - 12.3.2 LIVE RECORDING MODE
- 12.4 TRIG TYPES
- 12.5 PARAMETER LOCKS
- 12.6 SAMPLE LOCKS
- 12.7 TRIG MODES
- 12.8 MIDI NOTE MAPPING FOR AUDIO TRACKS
- 12.9 SEQUENCER COPY, PASTE AND CLEAR OPERATIONS
- 12.10 TRACK TRIG EDIT MENU
- 12.11 PATTERN SETTINGS MENU
  - 12.11.1 PATTERN
- 12.12 MICRO TIMING
- 12.13 CONDITIONAL LOCKS
- 12.14 FILL MODE
- 12.15 SCALE SETUP
  - 12.15.1 NORMAL
  - 12.15.2 PER TRACK
13. THE AUDIO EDITOR
- 13.1 ACCESSING THE AUDIO EDITOR
- 13.2 AUDIO EDITOR FUNCTIONALITY
14. THE ARRANGER
- 14.1 THE ARRANGER MENU
15. THE MIDI SEQUENCER
- 15.1 ACCESSING THE MIDI SEQUENCER
- 15.2 HOW MIDI IS ROUTED
- 15.3 MIDI MODE RECORDING AND PARAMETER LOCKING
- 15.4 MIDI TRACK PARAMETER PAGES
16. OCTATRACK MKII SETUP EXAMPLES
- 16.1 OCTATRACK MKII AS A PERFORMANCE HUB
  - 16.1.1 DIR METHOD
  - 16.1.2 THRU MACHINES METHOD
- 16.2 OCTATRACK MKII WITH EXTERNAL EFFECTS
- 16.3 OCTATRACK MKII PROCESSING LIVE INSTRUMENTS
- 16.4 OCTATRACK MKII AS A DJ MIXER AND SAMPLER
  - 16.4.1 DJ MIXING USING THE DIR METHOD
  - 16.4.2 DJ MIXING USING THE THRU METHOD
- 16.5 OCTATRACK MKII AS A MIDI CONTROL CENTER
  - 16.5.1 MIDI CONTROL USING CC DIRECT CONNECT AND THE AUTO CHANNEL
17. OCTATRACK MKII TUTORIALS
- 17.1 TRACK RECORDER SAMPLING
- 17.2 LOOP REMIXING
  - 17.2.1 LOOP REMIXING USING SLICES
  - 17.2.2 LOOP REMIXING USING THE CROSSFADER
- 17.3 PREPARING LOOPS AND SAMPLES
- 17.4 THE OCTATRACK MKII AS A DJ DECK
- 17.5 THE OCTATRACK MKII AS AN EFFECTS PROCESSOR
18. STARTUP MENU
- 18.1 TEST MODE
- 18.2 EMPTY RESET
- 18.3 MIDI UPGRADE
- 18.4 SEND UPGRADE
- 18.5 EXIT
19. SUMMARY OF KEY PRESS COMBINATIONS
20. TECHNICAL INFORMATION
21. CREDITS AND CONTACT INFORMATION
APPENDIX A: MACHINE REFERENCE
- A.1 THRU MACHINE
- A.2 FLEX MACHINE
- A.3 STATIC MACHINE
- A.4 NEIGHBOR MACHINE
- A.5 PICKUP MACHINE
APPENDIX B: EFFECTS REFERENCE
- B.1 NONE
- B.2 12/24DB MULTI MODE FILTER
- B.3 2-BAND PARAMETRIC EQ
- B.4 DJ STYLE KILL EQ
- B.5 2-10 STAGE PHASER
- B.6 FLANGER
- B.7 2-10 TAP CHORUS
- B.8 SPATIALIZER
- B.9 COMB FILTER
- B.10 DYNAMIX COMPRESSOR
- B.11 LO-FI COLLECTION
- B.12 ECHO FREEZE DELAY
- B.13 GATEBOX PLATE REVERB
- B.14 SPRING REVERB
- B.15 DARK REVERB
APPENDIX C: MIDI CONTROL REFERENCE
- C.1 STANDARD NOTE MAPPING
- C.2 CHROMATIC NOTE MAPPING
- C.3 SLOTS NOTE MAPPING
- C.4 SLICES NOTE MAPPING
- C.5 QUICK MUTE NOTE MAPPING
- C.6 DELAY CONTROL NOTE MAPPING
- C.7 CTRL CHANGE MAPPINGS
- C.8 MIDI MODE CTRL CHANGE MAPPINGS
INDEX

4. OVERVIEW OF THE OCTATRACK MKII STRUCTURE

The Octatrack MKII is organized in a hierarchical way. The image below outlines the data structure of the

Octatrack MKII.

Set

Audio Pool

Project

Banks

Parts

Flex Sample Slots

Machine AssignmentEects Assignment

Static Sample Slots

Track ParametersScenes

Patterns

Arrangements

4.1 SETS

A set is the top level structure of the Octatrack MKII. It can contain a near unlimited amount of projects plus

one audio pool. The number of samples in the audio pool, as well as the number of projects, are limited only

by the size of the Compact Flash card. The samples in the audio pool are available to all projects of the set.

Sets are saved on the Compact Flash card. Since a set can contain many projects, some users might ﬁnd

that one set is all they need. For more information, please see “7. SETS” on page 26.

4.2 AUDIO POOL

Each set contains one audio pool which is stored on the Compact Flash card. The audio pool contains the

samples that can be loaded to the Flex and Static sample slot lists of the projects of a set. For more infor-

mation, please see “7.2.1 ADDING CONTENT TO THE AUDIO POOL” on page 27.

4.3 PROJECTS

For the Octatrack MKII to work as intended, a set needs to be mounted and a project needs to be loaded.

A project contains 16 banks, 8 arrangements, 8 track recorders and their recorder buers, 128 sample slots

dedicated to Flex machines, 128 slots dedicated to Static machines, various project speciﬁc settings and

the BPM setting for all the patterns of the project.

The samples used to ﬁll the Flex and Static sample slots are fetched from the audio pool of the set. The

samples used by a project can also be collected and saved in the project folder. The command COLLECT

SAMPLES are used for this and makes a project more or less self contained. For the sake of sample or-

ganization it is recommended to only store samples in the audio pool. For more information, please see “8.

PROJECTS” on page 28.