Owner's manual

-5.0
-8.0
-11
15
11
5.0
3.0
-15
8.0
1.0-1.0
dB
Attack
50
30
25
8k0
4k0
590
330
20
1k2
200150
Hz
Freq A
100
60
55
15k
7k0
1k3
600
50
2k5
420300
Hz
Freq S
DISCRETE CLASS -A
STEREO IMPULSE SHAPER
NVELOPE
dB
Sustain
-5.0
-8.0
-11
15
11
5.0
3.0
-15
8.0
1.0-1.0
Stereo
Link
Left
On
EQ
Mode
Full
Range
Auto
Gain
Right
On
EQ
Mode
Full
Range
-5.0
-8.0
-11
15
11
5.0
-3.0
-15
8.0
50
30
25
8k0
4k0
590
100
20
1k2
100
60
55
15k
7k0
1k3
200
50
2k5
1.0-1.0 200150 420300
dB Hz dB Hz
Attack Freq A Sustain Freq S
-5.0
-8.0
-11
15
11
5.0
-3.0
-15
8.0
1.0-1.0
-5.0
-8.0
-11
15
11
5.0
3.0
-15
8.0
1.0-1.0
dB
Attack
50
30
25
8k0
4k0
590
330
20
1k2
200150
Hz
Freq A
100
60
55
15k
7k0
1k3
600
50
2k5
420300
Hz
Freq S
DISCRETE CLASS -A
STEREO IMPULSE SHAPER
NVELOPE
dB
Sustain
-5.0
-8.0
-11
15
11
5.0
3.0
-15
8.0
1.0-1.0
Stereo
Link
Left
On
EQ
Mode
Full
Range
Auto
Gain
Right
On
EQ
Mode
Full
Range
-5.0
-8.0
-11
15
11
5.0
-3.0
-15
8.0
50
30
25
8k0
4k0
590
100
20
1k2
100
60
55
15k
7k0
1k3
200
50
2k5
1.0-1.0 200150
420
300
dB Hz dB
Hz
Attack Freq A Sustain
Freq S
-5.0
-8.0
-11
15
11
5.0
-3.0
-15
8.0
1.0-1.0
8
Full Range Mode
In Full Range mode, you can increase or reduce the attack and
sustain intensity of a signal quickly and eciently. Just turn the
two controllers to the right for more accent, or to the left for
more smoothing.
Like a compressor (and unlike in Dual Band mode), you can use the Freq
A controller to reduce the inuence of low frequencies on the attack pro-
cessing, so higher frequency = less bass inuence.
Should you notice clipping/distortion or big jumps in level caused by
the attack processing, please engage the Auto Gain switch for automatic
compensation.
Linked Full Range
Unlinked Full Range