Manual

Input Filter
The input filter section filters the incoming audio
before it reaches the pitch tracking section. By
removing frequencies outside of the range of in-
terest, the tracking can be made more reliable.
Highpass/Lowpass
The Highpass and Lowpass controls apply
highpass (low frequencies removed) and lowpass (high frequencies removed) filtering, re-
spectively, at the specified frequencies.
Filt Dry/Filt Wet
The ‘Filt Dry’ and ‘Filt Wet’ switches let you use the filtered signal elsewhere in the plug-in
which by default use the original, unfiltered, signal. Refer to the overview diagram for de-
tails.
Envelope
The Envelope section controls Ooming-
mak’s envelope (signal level) tracking.
Level meters
Two stereo level meters to the right of the
Envelope controls show the detected and
synthesised envelope levels.
The meters on the left show the detected level - the level of the incoming audio. Typically
you want to aim to set the input level (or use the gain control, below) so that the meters
just peak when you play your loudest sound.
The meters on the right show the synthesised level - the level that will be passed to the rest
of the plug-in (see the overview).
Gain
The Gain control lets you boost the level of the signal going into the envelope detection,
without actually changing the level of the audio elsewhere in the plug-in.
Attack/Release
These controls let you set the attack and release times of the envelope that is actually used
to control the rest of the plug-in. Higher attack settings will cause the envelope to rise