User Manual

Chorus/Flange
The ‘Bias’ control fundamentally reconfigures the effect from being
a vibrato to being a traditional modulated delay-line chorus/flange.
It does this continuously however so there is a huge range of possi-
bilities between the two extremes.
When bias is set to 1.0 (i.e. it’s in chorus/flange mode) using the
Depth LFO to modulate the depth often sounds good.
The ‘Feedback’ knob introduces feedback into the delay line. This is commonly used in
flange effects to create a more ‘resonant’ sound. Note that you can use this control regard-
less of the setting of bias - even when the plug-in is in pure ‘vibrato’ mode.
Negative values of feedback give phase-inverted feedback in the delay line. It just sounds
a bit different.
Mix
This section simply controls the level of the effected (‘wet’) and
uneffected (‘dry’) signals.
For a vibrato, you’ll probably want the dry level at zero. For a cho-
rus, it’s usual to mix the two signals.