User manual

42
A) On stage (continued)
3. Wireless microphone. For total freedom on
stage, use a conventional wireless microphone
(lapel / button or standard vocal). Alternatively,
any Bluetooth headset can be used as a wireless
microphone in combination with a BlueAir Blue-
tooth Audio Adapter (visit exploraudio.com for
details)
4. Multiple microphones (with or without on-
board pick-up). For capturing the live perform-
ance in a way that offers maximum flexibility
and tonal options in subsequent studio mixing.
B) Studio
1. Single, high quality instrument or large cap
-
sule condenser microphone. For close-micing
in particular, musicians can play without worry-
ing about moving during the performance (and
thereby changing the sound captured by the mi-
crophone). It also allows the musician to take a
break, put down their instrument and pick it up
again later, knowing the microphone position will
be exactly as it was before.
2. Multiple microphones. For limitless experi
-
mentation with tonal blends and stereo im-
agery. With a number of microphones positioned
around the instrument, the possibilities for
manipulating both the sound recorded and the
sound achieved by mixing the multiple sources is
endless. As with a single microphone, once the
perfect microphone positions have been found
and set, there should be no worries about losing
them again when the musician moves or takes a
break.