9101441900 Professional Digital DJ Mixer OWNER’S MANUAL Ü ÿ Ÿ CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.
Important Safety Precautions IMPORTANT (for U.K. Customers) For U.S.A TO THE USER DO NOT cut off the mains plug from this equipment. If the plug fitted is not suitable for the power points in your home or the cable is too short to reach a power point, then obtain an appropriate safety approved extension lead or consult your dealer. If nonetheless the mains plug is cut off, remove the fuse and dispose of the plug immediately, to avoid a possible shock hazard by inadvertent connection to the mains supply.
IMPORTANT SAFETY INSTRUCTIONS CAUTION: … Read all of these Instructions. … Save these Instructions for later use. … Follow all Warnings and Instructions marked on the audio equipment. 1) Read Instructions — All the safety and operating instructions should be read before the product is operated. 2) Retain Instructions — The safety and operating instructions should be retained for future reference. 3) Heed Warnings — All warnings on the product and in the operating instructions should be adhered to.
Table of Contents 1 – Introduction Some notes and precautions ...................... 5 Environmental considerations ............................... 5 Connections to other equipment ........................... 5 Serial number, etc. ....................................... 5 2 – Getting acquainted with the X-9 Road map to front panel functions ............ 6 Program gain level, EQ and assignment section .. 6 Sampler section ....................................................... 7 Microphone control ........
1 – Introduction The X-9 is a sophisticated DJ mixer which allows the connection of many devices, and allows you to mix in a creative way, adding effects, taking samples, etc. and crossfading between sources. Following the standard design pattern for such a device, the X-9 combines easy operation with a wide range of functions. Smooth faders, easy-to-use controls and clear indicators displays allow you to concentrate on the music, not the operation of the unit.
2 – Getting acquainted with the X-9 Road map to front panel functions Program level, EQ and assignment section Effect, menu, etc. management Microphone control Sampler section Cue selection keys and monitoring controls Cross-fader and cross-fader controls External effect Program faders Master fader These different sections of the X-9 are described more fully in other parts of the manual, but this section gives you a quick orientation to help you find your way around the mixer.
2 Getting acquainted with the X-9 Sampler section The sampler section provides the controls for two built-in samplers. These are capable of accepting the input from a variety of sources (program, microphone or master mix), and recording eight seconds of sound (for each sampler). Samplers can be assigned to the cross-fader signals, and the cross-fader can be used to start them. See “Samplers” on page 26 for full details of how to operate these samplers.
2 Getting acquainted with the X-9 Master fader The master fader is used to control the overall level of the mixed signal output from the X-9. See “Signal flow” on page 15 for details of how this works in conjunction with the input, etc., signals in the X-9. Program faders These faders adjust the levels of the programs after they have been equalized and before they are sent to either the cross-fader or to the master fader.
2 Getting acquainted with the X-9 Cross-fader and fader controls These take care of the A and B outputs which are assigned to the cross-fader using the ASSIGN controls, and then passed to the master stereo output. It is possible to set the cross-fader curve, reversal, and allow source starting with the cross-fader. See “Cross-fading” on page 14 for details of how the cross-fader fits into the signal chain. See “Faders” on page 21 for details of cross-fader settings. Effect, menu, etc.
3 – Connections This section gives a brief description of the connections you should make before starting to use the X-9. WARNING Make and break all connections between the X-9 and other equipment with everything turned OFF. If you make or break connections with the power turned on, there is a very real risk of damaging the equipment, including the X-9. NOTE All XLR connectors on the X-9 are wired so that pin 1=ground, pin 2= hot and pin 3=cold.
3 Connections When connecting an amplification system to the X-9, or check the inputs of the amplifier. If they look like either of the connectors shown here, they are XLR connectors and are probably balanced. It is most important to make sure that you make the correct connections. Connecting the wrong output of the X-9 to the amplification system can result in overheating and possible damage to both the X-9 and to the amplification system.
3 Connections External effects unit Use the SEND and RETURN 1/4” jacks to connect any external effects unit. For full details of connection and use of an external unit, see “External effects” on page 13 Headphones (connecting and using) Connect a standard pair of stereo headphones to the stereo 1/4” jack on the top or at the front of the X-9. These two jacks output the same signals and are controlled by the same controls.
3 Connections External effects The X-9 can send signals to and accept return signals from an external effects unit. Such a unit can be connected using the SEND (to the effects unit) and RETURN (from the effects unit) jacks. If the effects unit is only capable of accepting a mono input, read the documentation supplied with the effects unit, and make the appropriate connection to the L effect SEND jack of the X-9.
4 – Learning more The X-9 has four sets of inputs, as well as the two built-in samplers and the microphone input, all of which can be mixed and used as sound sources. There are a number of different signals that can be fed into the X-9: up to four turntables, and four other analog devices, and two digital devices, not to mention the two internal samplers and the microphone. In order to understand the X-9, it is necessary to get a basic idea of where the signals go.
4 Learning more The two signals that are controlled by the cross-fader are known as A and B. You can set these to be any of the following using the ASSIGN A and ASSIGN B controls below and to the right and left of the program faders: Programs 1 through 4, a sampler (SAMP 1 for A, and SAMP 2 for B) or THRU. The THRU setting is equivalent to OFF.
4 Learning more Playing a song When you have made connections as described in “Connections” on page 10, you can start playing a song. With the program fader at its lowest level (0) and the master fader also at 0, load a CD in the player, or put a record on the turntable connected in the earlier step (“Record turntables” on page 10 and “CD decks, etc.” on page 10).
5 – Menus The X-9 uses a menu system to allow various functions to be enabled. 3 Press ENTER to confirm that you want to use this menu. You should read through the menu section (“Menu reference” on page 17) to find out exactly what is possible—the X-9 may possibly do more than you first thought, thanks to the menu system. 4 Turn the DATA knob to change the value for the menu. 5 Some menus have only one setting. For these menus, press ENTER to confirm the setting and leave the menu system.
5 Menus Function Menu display Meaning Available settings Notes Headphone EQ 01HP Sets headphone EQ to normal, high or low boost nOr* (no EQ) H High boost L Low boost HL High and low boost Can be performed on both left and right menu systems. Takes immediate effect before being confirmed. Program 1 fader start 02F1 Sets fader start for program 1 on or off OFF* Fader start disabled On Fader start enabled Can be performed on both left and right menu systems.
5 Menus Function Menu display Meaning Available settings Notes Program EQ Q values 11_E Sets the Q value for the EQ bands of the selected program (see “EQ Q setting” on page 28) After pressing ENTER to select the menu, use the dial to select the band (H=high, M*=mid, L=low) and press ENTER. A low value of Q nOr Normal value of Q B high value of Q Value changes as selection is made. Press ENTER to confirm. Use the left menu system for programs 1 and 3. Use the right menu system for programs 2 and 4.
5 Menus Function Menu display Meaning Available settings Notes Mic balance 18bM Balances the microphone signal (hard left) L9 to L1, nor (center) , r1 to r9 (hard right) Can be performed on both left and right menu systems. Program 1 balance 19b1 Balances the program 1 signal (hard left) L9 to L1, c0 (center) , r1 to r9 (hard right) Can be performed on both left and right menu systems.
6 – Faders The X-9 faders are not all that they appear at first sight! Their behavior can be changed so that their “curve” can fit your way of working, so that they can be pulled or pushed to increase the level, and they can also start and stop other devices connected to the X-9. See below for details. Program fader “curve” The fader “curve” decides how much the signal is cut then the fader is moved to the center position away from the “full on” position.
6 Faders Cross-fader curve You can change the way in which the signal is changed from the A to B signals as the cross-fader is moved, using the C.F CURVE control. When this control is fully counter-clockwise, it takes a relatively large movement of the cross-fader from one side towards the center before the opposite crossfader signal level is increased. When this control is fully clockwise, the opposite cross-fader signal is heard after only a small movement of the cross-fader towards the center.
7 – Effects Use the two built-in effects units to add effects to the microphone, the four program signals, the samplers (see “Samplers” on page 26), or the master outputs. NOTE For details of connecting and using an external effects unit, see “External effect” on page 8. EFFECT 2: Programs 2 and 4, the master output, and sampler 2.
7 Effects Some music may have rather complex rhythms, and it may be unable to determine the beat automatically. If the X-9 cannot determine the timing of the music automatically, you can use the TAP key to set the timing. The TAP key can also be used to set the tempo used for the effect when the EFFECT key is not lit. The different values obtainable here (1, 2, 4, 1/2, etc.) allow you to set up interesting rhythms matching the tempo of the music to the effect.
7 Effects Recalling stored effect settings There are two procedures, depending on whether the EFFECT key is lit or not. If the EFFECT key is lit… 1 If the EFFECT key is not lit… 1 Press and hold the FUNCTION key for about two seconds. The RECALL indicator lights. Press and hold the FUNCTION key for about two seconds. The display shows MEMO (MEMO). MEMO 2 Turn the DATA knob counterclockwise so that the effect RECALL indicator is flashing. 3 Press the ENTER key.
8 – Samplers The two samplers can be used to record and play back samples of up to 8 seconds (each) in length. The sample data is lost when the power to the X-9 is turned off. Recording a sample 1 Select the source from which you will record the sampler. 3 Press the appropriate IN key to start the sample recording, and the OUT key to stop the sample recording (if you wait for eight seconds after pressing the IN key, recording of the sample stops automatically).
8 Samplers If you want to preview the playback, use the SAMPLER CUE key (see “Cross-fading” on page 14). Editing samples By editing samples, we mean here the adjustment of the start and end points of the sample. When the SAMPLER 1 or SAMPLER 2 selection control is turned to EDIT, the sample can be edited (if both are left in the EDIT position, only sampler 1 can be edited). Use the left DATA knob to adjust the start point of the sample (of course you can only adjust it forward from the original IN point).
9 – EQ Each program has three bands of sweepable EQ with adjustable Q available for changing the way that the signal sounds. Up to 100 settings can be stored, and recalled for later use. Even if the settings were stored for one program, they can be recalled and used again with another program. The controls for each program consist of three dual knobs. The inner knob controls the amount (GAIN) that the signal is cut or boosted for the appropriate band. Turn clockwise to boost, counterclockwise to cut.
9 EQ The left display and controls can be used for programs 1 and 3, and the right for programs 2 and 4. Note that the MONITOR setting has no meaning in this mode. Use the selector switches to select the program. When the EFFECT key is off, and no menu settings are being made, turn the DATA knob until the HI, MID or LOW indicator is lit. The display shows the frequency currently set for the program. Use the menu controls corresponding to the selector switch to view the settings for the equalization.
10 – Specifications, etc.
10 Specifications, etc. Audio specifications Program equalization HIGH (frequency range) gain MID (frequency range) gain LOW (frequency range) gain Microphone equalization HIGH (frequency range) gain LOW (frequency range) gain Frequency response 6 kHz to 20 kHz –40 dB to +12 dB 200 Hz to 6 kHz –40 dB to +12 dB 20 Hz to 200 Hz –40 dB to +12 dB 10 kHz –12 dB to +12 dB 100 Hz –12 dB to +12 dB 20 Hz to 20 kHz ±2.0 dB 20 Hz to 20 kHz ±2.0 dB 20 Hz to 20 kHz ±2.
10 Specifications, etc. 355 mm (14.4 in) Dimensional drawing 87 mm ( 3.4 in) 320 mm (12.
10 Specifications, etc. Mounting the X-9 in a rack When mounting the X-9 in a 19” rack, use only the supplied rack-mount ears and mounting screws, etc. As shown here, remove the five screws (1) on the left side of the unit. Locate and fit the left rack-mount angle (with the fan cutout) and fasten it to the X-9 using the five screws removed in the previous step. Fit the right rack-mount angle in the same way.
TASCAM X-9 Owner’s Manual L LINE IN 4 PHONO IN 4 LINE IN 3 PHONO IN 3 PHONO LINE L PHONO LINE R L MIC R PHONO LINE L R PHONO LINE R L PHONO LINE IN PHONO LINE IN PHONO LINE IN DAC PHONO LINE R PHONO LINE R DIGITAL IN 2 LINE IN 2 PHONO IN 2 L PHONO LINE IN DAC PHONO LINE L R PHONO LINE R L DIGITAL IN 1 LINE IN 1 PHONO IN 1 TRIM INPUT 1 INPUT 4 INPUT 1 INPUT 4 2-BAND EQ INPUT 4/INPUT 1 INPUT 2 INPUT 3 INPUT 2 INPUT 3 INPUT 3/INPUT 2 DIGITAL PHONO/LINE
X-9 TEAC CORPORATION Phone: (0422) 52-5082 3-7-3, Nakacho, Musashino-shi, Tokyo 180-8550, Japan TEAC AMERICA, INC. Phone: (323) 726-0303 7733 Telegraph Road, Montebello, California 90640 TEAC CANADA LTD. Phone: 905-890-8008 Facsimile: 905-890-9888 5939 Wallace Street, Mississauga, Ontario L4Z 1Z8, Canada TEAC MEXICO, S.A. De C.V Phone: 5-851-5500 Campesinos No.