User Manual

*#1 :-%
Owner’s Manual
72
CONTROL
 is mode is for setting the controller.
Please insure that the Expression Pedal and Foot Pedal are properly con-
nected before adjusting their settings.
To locate this mode:
 FOOT SWITCH
❶ FOOT SWITCH - DEVICE (G)
 is is for selecting the equipment connected to the FOOT SWITCH jack.
FOOT SW: Foot Switch connected.
CU-1: Optional Leslie Mode Switch (CU-1) connected.
❷ FOOT SWITCH - TIP MODE (G)
 is sets the Foot Switch function.
OFF: Does not function.
LESLIE S/F ALT, MOM, TRI:
Switches the Leslie E ect Slow/Fast/Stop.
At ALT, Fast / not (Slow or Stop - it set by [STOP] button) is toggled every time the foot
switch is pressed.
At TRI, it is switched to Stop when the foot switch is further held down for longer than a
second.
At MOM, it is switched to Fast only while the foot switch is held down. When released, it is
switches to not (Slow or Stop - it set by [STOP] button).
GLIDE:
The pitch bends while the foot switch is pressed down the interval is determined by a
parameter setting.
PATCH FWD, REV:
Advance the Patch Forward or Reverse it.
FAVORITE FWD, REV:
Advance the Favorite Forward or Reverse it.
SPRING:
This generates the sound of the spring reverb being shaken.
DELAY TIME:
Sets the delay time (P. 86, 95) of the E ects, at the interval of pressing the foot switch. The
delay sound goes out, while the foot switch is held down.
DAMPER:
Holds played notes while the foot switch is depressed as does the damper pedal on a
piano.
or, touch the [CONTROL] button.
See “Function mode” (P. 62) for operation details.
TIP AND RING
The typical stereo plug, there are 3 metal parts.
The end is called the “Tip”, the middle portion is
the “Ring”. The part on the cord side is called the
“Sleeve”.
This keyboard requires a foot switch that uses a
Stereo Jack. Two Mono-Jack foot switches may
be used, and can have discrete functions, if a Left/
Right stereo splitter is used.
Tip
Ring
Sleeve
SPRING REVERB
The Hammond Organ company actually invented
the spring reverb for its organs in the 1940’s. The
e ect was obtained with a length of spring and a
few pickups. If the spring was disturbed, it would
make a large crashing noise that was usually con-
sidered a nuisance, but sometimes was used as a
program sound e ect. The Reverb here is digital,
but the “crash” e ect is re-created here.
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