Operation Manual

Setting Up

In each Drawbar set, the white Drawbar (8') on the left end correspond to the funda-

mental sound. Each succeeding Drawbar to right controls the next octave harmonic.

WHITE DRAWBARS

The sounds of the black Drawbars, too, play important roles in building rich tones.

Their pitches are fifth and third to the fundamental. They contain the elements of all

different harmonics of such as the sweet and soft horn, mellow strings and so on.

Drawbars for the Pedalboard

Drawbars for the Swell/Great Manuals

Relation between the Preset Keys and the

Drawbars

The two sets of Drawbars on the left-hand side are for the Swell

Manual and the two on the right-hand side are for the Great Manual.

To actuate them, use the Preset Key [A<] or [B] respectively. When

the other [C<] to [A] Preset Keys are selected, the Drawbar regis-

trations are recalled inside the organ, and the tone that plays will

not match the Drawbars physical settings.

NOTE: Even while the Preset Keys [C

<] to [A] are selected, you can

operate the Drawbars and the preset registration will tempo-

rarily change. (P. 52)

The two brown Drawbars on the far left give depth and richness to the sound. The left

16' is one octave lower than the 8', and 5

/3' is the third harmonic of the 16' fundamen-

tal.

Normally, the tones are built on the 8' fundamental, but, if you want to add depth to the

tone or to expand the playing range on the manual by one octave, the tones are built on

the 16' fundamental.

The Pedalboard plays the bass line and uses two Drawbars -16' and 8'.

The first Pedal Drawbar produces a tone at 16' pitch for a deep foundation bass, while

the second Pedal Drawbar produces a tone at 8' pitch, or one octave higher.

BLACK DRAWBARS

BROWN DRAWBARS