Operation Manual

131
Group Number Description
4 Wind 5 Flute Vibrato
Flute with vibrato playing method. e “attack” will heard by hard-strike.
4 Wind 6 Al. Sax Straight
Alto Saxophone. e following “Straight”, “Vibrato” means each method.
4 Wind 7 Al. Sax Vibrato
4 Wind 8 Tn. Sax Straight
Tenor Saxophone. e following “Straight”, “Vibrato” means each method.
4 Wind 9 Tn. Sax Vibrato
4 Wind 10 Ba. Sax Straight
Baritone Saxophone.
4 Wind 11 Tp + Tb Straight
Trumpet and trombone plays in octave unison. e following “Straight”, “Vi-
brato” means each method.
4 Wind 12 Tp + Tb Vibrato
4 Wind 13 Tp + Tb Muted
4 Wind 14 Flute Pcd
e Flute section. A melody with harmony is obtained if a single note is played on
the UPPER keyboard holding down the chord on the LOWER keyboard.
4 Wind 15 BigBand Sax Pcd
Only the Saxophone family formation. Alto sax as the top note, tenor sax, bari-
tone sax as the harmony sound if a single note is played on the UPPER keyboard
holding down the chord on the LOWER keyboard.
4 Wind 16 BigBand Pcd
e typical big brass band formation. Trumpet as the top note, alto sax, trombone
and tenor sax as the harmony sound if a single note is played on the UPPER key-
board holding down the chord on the LOWER keyboard.
4 Wind 17 BigBand FD Pcd
4 Wind 18 Quartet 1 Pcd
e instrumentation is same as “Big Band Pcd”, but the voicing of harmony is
different.
4 Wind 19 Quartet 2 Pcd
e instrumentation is same as “Big Band Pcd”, but the voicing of harmony is
different.
4 Wind 20 Jazz Brass Pcd
Only the brass instruments’ formation. Trumpet as the top note, trumpet, trom-
bone as the harmony sound if a single note is played on the UPPER keyboard
holding down the chord on the LOWER keyboard. “FD” means fall-down when
the played with fortissimo and released.
4 Wind 21 Jazz Brass FD Pcd
4 Wind 22 Mute Combo 1 Pcd
e brass combo with muted trumpets and straight trombone. Play single note on
the UPPER with playing chord on the LOWER.
4 Wind 23 Mute Combo 2 Pcd
e brass combo with muted trumpets and muted trombone. Play single note on
the UPPER with playing chord on the LOWER.
5 Other 0 Glockenspiel
Orchestra bells or glockenspiel, effective if mixed with the Drawbar sounds.
5 Other 1 Vibraphone
Hard hit vibraphone. Also effective if mixed with the Drawbar sounds.
5 Other 2 Solly Strings
Strings keyboard usually later 1970’s. e following “o” means in octave unison,
“Long” means longer release rate.
5 Other 3 Solly Strings o
5 Other 4 Solly Strings Long
5 Other 5 Solly Strings o Long
5 Other 6 Syn. Strings 1
Simulates the strings keyboard via multi-effects. e following “o” means in oc-
tave unison.
5 Other 7 Syn. Strings 1 o
5 Other 8 Syn. Strings 2
Strings sounds by synthesizer. ey simulates that Hammond SX/CX series.
5 Other 9 Syn. Strings 2 o
5 Other 10 Syn. Strings 3
Strings sound by synthesizer. It is used 3 sawtooth waveform.
5 Other 11 Sweep Pad
Synth pad with slowly filter sweep. In addition, “Slice” affects the deep tremolo
effect.
5 Other 12 Slice Pad
5 Other 13 H. Bell Pad
Synth pad with hand bells.
5 Other 14 Glock. Pad
Synth pad with glockenspiel.
5 Other 15 Square Lead
Synth lead made of square waveform.
5 Other 16 Square Mellow
Synth lead, mellower than “Square Lead”.
5 Other 17 Saw Lead
Synth lead made of sawtooth waveform. e following “Duo Pcd” adds Prochord
function, you can get the “twin-lead” effect by playing single note on the Upper
with playing chord on the Lower.
5 Other 18 Saw Duo Pcd
5 Other 19 P. O. Love
In octave unison of above “Saw Lead”. It is usually used not only single note but
also on chord like intro. of “e Power Of...”.
5 Other 20 Funny Lead
Simulates the “green button” of an Japanese electronic organ in later 1970’s. e
following “Duo Pcd” adds Prochord function, you can get the “twin-lead” effect
by playing single note on the Upper with playing chord on the Lower.
5 Other 21 Funny Duo Pcd
5 Other 22 Syn. Harp
Synth orchestral harp.
6 Library 0 VxJ Bright
A transistor organ in 1960’s, usually used together with “Vx” type in Organ sec-
tion. is model has tablet switches instead of Drawbars, and they only changes
the brightness of its tone. At “Bright” brightest, the tone becomes mellower along
“Brass”, “Mellow”, and “Flute”.
6 Library 1 VxJ Brass
6 Library 2 VxJ Mellow
6 Library 3 VxJ Flute
6 Library 4 VxJV Bright
“VxJ” with vibrato.
6 Library 5 VxJV Brass
6 Library 6 VxJV Mellow
6 Library 7 VxJV Flute
Example Select Group 2, Number 3 via NRPN .................Bx 63 06 62 50 06 02 26 00 63 07 62 50 06 03 26 00 (x = Control channel)