*# 1 Model: Thank you, and congratulations on your choice of the Hammond Drawbar Keyboard XK-1C. Please take the time to read this manual completely to take full advantage of the many features of your XK-1C; and please retain it for future reference.
IMPORTANT SAFETY INSTRUCTIONS Before using this unit, please read the following Safety instructions, and adhere to them. Keep this manual close by for easy reference. In this manual, the degrees of danger are classified and explained as follows: WARNING CAUTION This sign shows there is a risk of death or severe injury if this unit is not properly used as instructed. This sign shows there is a risk of injury or material damage if this unit is not properly used as instructed.
CAUTION The unit and the AC adaptor should be located so their location or position does not interfere with their proper ventilation. Always handle the AC adaptor by the plug when plugging into, or unplugging from an outlet or this unit. At regular intervals, you should unplug the AC adaptor and clean it by using a dry cloth to wipe all dust and other accumulations away from its prongs.
IMPORTANT - PLEASE READ Power Supply Do not use this unit on the same power circuit with any device that will generate line noise (such as an electric motor or variable lighting system). The AC adaptor will begin to generate heat after long hours of consecutive use. This is normal, and is not a cause for concern. Before connecting this unit to other devices, turn off the power to all units. This will help prevent malfunctions and/ or damage to speakers or other devices.
INTRODUCTION Introduction
Table Of Contents IMPORTANT SAFETY INSTRUCTIONS ................................................ 2 IMPORTANT - PLEASE READ ................................................................. 4 INTRODUCTION ........................5 MAIN FEATURES ....................................................................................... 9 NAMES AND FUNCTIONS ...................................................................10 TOP PANEL ..........................................................................
PARAMETER OPERATION EXAMPLE: ......................................................64 LOCKING THE DISPLAY ...............................................................................66 USING A MIDI SOUND MODULE.................................................... 105 ZONES ..................................................................................................... 106 DRAWBAR .................................................................................................
CUSTOM TONE-WHEELS LIST ......................................................... 133 MIDI IMPLEMENTATION CHART ..................................................... 134 MIDI CHANNELS AND MESSAGES................................................. 135 SPECIFICATIONS .................................................................................. 136 SERVICE ..................................................................................................
MAIN FEATURES 9 AUTHENTIC HAMMOND DRAWBAR ORGAN The XK-1C is first and foremost a genuine HAMMOND organ with Virtual Tone-Wheels to provide its traditional sound. Also available are the tones of vintage “combo” organs, and a variety of pipe organ ranks to provide church and classical organ voices. DIGITAL LESLIE/VIBRATO A digital and programmable LESLIE is available for the Drawbar voices, as well as the traditional “Chorus-Vibrato” as used on the legendary B-3.
NAMES AND FUNCTIONS TOP PANEL ❺ VOLUME AMOUNT ❶ ❸ ❼ ❻ 1 ❷ ❹ 4 ❽ 7 ❾ 5 8 when the light is OFF, it toggles SLOW/FAST(P. 49) UPPER LEFT ❶ MASTER VOLUME knob Controls the total volume. (P. 22) ❷ CONTROL button Brings the CONTROL window up in the display. Shortcut to user-programmed parameter, also. (P. 72) ❸ OVERDRIVE AMOUNT knob Adjusts the amount of the Overdrive effect. (P. 48) ❹ REVERB ON button Switches the Reverb ON/OFF. (P.
MENU / EXIT VALUE RECORD 1 4 7 2 3 5 8 ENTER 6 MANUAL CONTROL PANEL DISPLAY MENU/EXIT button Recalls the Menu mode in the display. Also used for returning to the Menu mode from other function modes. (P. 60) PLAY button Returns to the Play, or basic mode. (P. 59) VALUE knob Increases/Decreases Patch numbers while performing or adjusts values during editing. ENTER button Confirms the current entry or procedure. FAVORITES RECORD button Enables recording of user-definable items. (P.
NAMES AND FUNCTIONS - continued REAR PANEL USB FLASH DRIVE POWER MIDI TERMINALS DC IN jack MIDI OUT jack Connect the AC adaptor AD3-1250 to this jack. MIDI data is output from this jack. (P. 100) POWER switch MIDI IN jack SOUND OUTPUT TERMINALS PHONES jack Connect stereo headphones here. Connecting Headphones does NOT mute the Line or Leslie Outputs. LINE OUT L/MONO jack LINE OUT R jack These are the sound output jacks.
KEYBOARD MENU / EXIT VALUE VOLUME AMOUNT RECORD 1 4 7 2 5 8 ENTER 3 6 MANUAL Keyboard 61 waterfall keys, velocity sensitive. ACCESSORIES AC adaptor Supplies power to the instrument - USE ONLY AD3-1250, DO NOT SUBSTITUTE! AC cord set Attaches AC adapter to Wall outlet.
NAMES AND FUNCTIONS - continued *# 1 :- % Owner’s Manual
HOOK-UP
BASIC HOOK-UP Attach cables and accessories as illustrated. There is no on-board amplification or speaker system. An external amp/speaker is required. When the stereo headphones are connected to the PHONES jack, you can enjoy playing it or practising by yourself. Switch this keyboard, and any external equipment OFF before connecting amps or headphones.
CONNECTING THE LESLIE SPEAKER 17 An 8-pin type Leslie speaker can be directly connected to this keyboard. Switch keyboard OFF before connecting the Leslie speaker. E 8-pin Leslie Cable MIDI Cable (Optional) BASIC CONNECTION OF THE LESLIE SPEAKER Connect the Leslie Speaker #2101, or #2101mk2 and the Leslie 8-PIN jack on this keyboard with the exclusive 8-pin Leslie cable (optional LC-8-7M, not included). NOTE: The Leslie terminal on this unit is of 8-pin specifications.
EXPAND THE KEYBOARD This instrument can be upgraded to dual keyboards by connecting an external MIDI keyboard and pedalboard. DUAL KEYBOARD + PEDALBOARD USB FLASH DRIVE MIDI OUT OUT (MERGE) IN MIDI Keyboard MIDI Pedalboard 1. Connect as illustrated above. There is only one MIDI IN jack onboard this instrument, so a MIDI keyboard with a merge function or a MIDI Merge-box is necessary for realizing a dual keyboard configuration. NOTE: This illustration shows only the keyboard expansion See P.
DUAL KEYBOARD USB FLASH DRIVE MIDI OUT MIDI Keyboard 1. Connect as illustrated. NOTE: This illustration shows only the keyboard expansion. See P. 16 for the basic hook up of the power source, audio, etc. 2. Switch ON the power of this unit. Then recall the MIDI template “Two Manual”. (P. 108) Refer to the operation manual of the added MIDI keyboard as required.
EXPAND THE KEYBOARD - continued USING CU-1 LESLIE SWITCH MOUNTING THE CU-1 (optional) 1. Connect the CU-1 to the FOOT SWITCH jack. NOTE: This illustration shows only the keyboard expansion. See P.16 for the basic hook up of the power source, audio, etc. 2. Set the CONTROL - FOOT DEVICE” at “CU-1”. (P.
GETTING READY TO PLAY
SWITCH ON HOW TO POWER ON After making the necessary connections, follow the procedures below for powering on your XK-1C. Please be sure to adhere to the procedure, to prevent malfunction or damage. VOLUME AMOUNT PROCEDURES UPPER NUMBER BACK UP PEDAL LOWER 1. Before switching the power ON, set the [MASTER VOLUME] knob to minimum. 2. Switch ON the [POWER] (on the rear of this keyboard). The Title mode and then the Play mode are displayed (as illustrated).
PLAY WITH THE PATCHES There are 64 patches loaded in memory from the factory, allowing you to immediately start playing. You can also create 64 patches of your own. USER and PRESET Patches “FAVORITE” buttons 1 2 3 refer refer U1-1 U1-2 U1-3 U1-4 U1-5 There are two domains: “USER” and “PRESET” in this keyboard’s Patch memory. You can freely overwrite in the “USER” domain, but you can not do so in the “PRESET” domain as it contains the factory settings.
REGISTER FAVORITE PATCHES (FAVORITES) Patches are selected with the [VALUE] knob. On stage, it is convenient to have your favorite patches available immediately. Here’s how: REGISTER PATCHES TO FAVORITES MENU / EXIT VALUE 1 2 RECORD ENTER Press and hold 1 2 4 5 7 8 3 6 Press MANUAL 1. SELECT THE PATCH 2. SELECT THE BUTTON TO REGISTER Select the patch you want to register to a favorite button as shown on the previous page.
LOCKING PATCHES 1-8 As an alternative to the associated Favorites, You can lock patches 1 through 8, and press a favorite button while holding the [RECORD] button to record the patch - by following this procedure; 1 4 LOCATE THE MENU MODE GO TO THE FAVORITE PAGE MENU / EXIT MENU / EXIT VALUE RECORD 1 4 7 2 5 8 ENTER RECORD 3 1 6 4 MANUAL 7 Press the [MENU/EXIT] button. The MENU mode appears.
USE THE FOOT CONTROLLERS Your performance will be more expressive, if you play on the manual using the controllers. You will see on this page how to use the controllers generally used with the electronic musical instruments. (How to use the exclusive Hammond Organ controllers is shown on the next page.) EXPRESSION PEDAL The Expression Pedal controls the overall volume or loudness of the XK-1C.
TRY CREATING YOUR OWN SOUND In this section you’ll learn how to create your own sound. In this example, a Classic Jazz Organ. SELECT [MANUAL] 1 4 7 2 3 5 First, select the [MANUAL] button (LED lit). The [MANUAL] button makes all the current control panel settings active, allowing for real-time registration, and the creation of new patches. 6 8 MANUAL NOTE: To return to the previous Patch, press the [MANUAL] button again (LED off ).
TRY CREATING YOUR OWN SOUND - continued SELECT THE UPPER DRAWBARS VOLUME The DRAWBARS SELECT buttons are for selecting which part the Drawbars will control written below step. “On” AMOUNT NOTE: What is a “PART”? (p. 30) Select [UPPER]. This is the basic Organ Part, the one used most frequently. PULL OUT DRAWBARS MENU / EXIT V VOLUME AMOUNT RECORD 1 3 5 7 MANUAL E Pull out Drawbars to your taste.
ADD EFFECTS TO THE ORGAN SECTION VIBRATO & CHORUS Adding the Classic Hammond Vibrato & Chorus to the sound. [UPPER], [LOWER] buttons Switches the Vibrato & Chorus effect ON/OFF. When ON, the light illuminates. [V1/C2], [V2/C2] buttons These set the depth of the Vibrato effect. When both buttons are selected, the depth becomes maximum as V3/C3. [CHORUS] button This button changes the Vibrato to Chorus effect - Also changing the V1/V2/V3 to C1/C2/C3.
TRY CREATING YOUR OWN SOUND - continued WHAT IS A “PART”? Each “PART” is equivalent to a player in a band or an orchestra. The 3 Parts here are expressed in Organ terms: UPPER. LOWER, and PEDAL. These parts can be individually played with different sounds. The XK-1C has a single keyboard. Plural parts are available simultaneously, by splitting the keyboards or expanding them using a MIDI keyboard.
PEDAL SUSTAIN A popular effect for organ bass is “PEDAL SUSTAIN”, which adds a smooth decay reminiscent of a string bass. [PEDAL SUSTAIN] To engage the pedal sustain, press the [P. SUS] button and the light will go ON. When you release your foot from the pedalboard (or release the key on the keyboard - when using manual bass), the PEDAL part decays smoothly. NOTE: You can adjust the sustain time of the Pedal Sustain. (P.
TRY CREATING YOUR OWN SOUND - continued RECORD THE PATCH TO MEMORY All the previous settings can be recorded to any Patch within the range of U1-1 to U8-8. Example: RECORD TO U3-2 MENU / EXIT 1 VALUE RECORD 1 4 7 2 3 5 8 ENTER Press the [RECORD] button. A question “Which patch do you want to record?” appears in the display. 6 MANUAL MENU / EXIT 2 VALUE RECORD ENTER MENU / EXIT 3 VALUE RECORD Select the patch number, this time U3-2, to record, using the [VALUE] knob.
SETTING UP
SOUND ENGINE STRUCTURE Lower&Upper Virtual Tonewheel Set Pedal Virtual Tonewheel Set Pedalboard Lower Keyboard Upper Keyboard Percussion Pedal Drawbars Lower Drawbars Upper Drawbars Overdrive Vibrato & Chorus Exp.
To fully utilizing this unit, read the following detailed explanations about the various functions for creating music. ORGAN SECTION TONE-WHEELS The sound source or “engine” of the classic Hammond Organ are the electro-magnetic Tone-Wheel Generators. On this keyboard, the Tone Wheel engine is replicated digitally. While the power is on, each of the 96 virtual Tone-Wheels keeps oscillating as they did in the vintage Hammond Organs.
ORGAN SECTION ORGAN TYPE There are various “Organ” types: the Hammond Tone-Wheel organs used in everywhere rock, jazz, and Gospel, the transistor organ frequently heard in pop music of ‘60’s. Classical pipe organ used in classical music or church services. All organs have characteristic sounds. This keyboard will sound like the types of organ you choose. TONE-WHEELS (BType1, BType2, Mellow) These are various types of Hammond Organs’ characteristic tone wheels.
Column: SELECTING THE ORGAN TYPES Use the control panel for switching the organ types. Example: Switching the manual part to “Pipe” 1 VOLUME AMOUNT Press the [UPPER] and [LOWER] buttons together. The DRAWBAR function mode is displayed and the organ type (“BType1” etc.) of the manual keyboard presently selected blinks. MENU / EXIT VALUE ENTER RECORD 2 MENU / EXIT VALUE RECORD 3 Select “Pipe” with the [VALUE] knob. The pipe organ sounds when you play the keyboard.
HARMONIC DRAWBARS™ The 9 Drawbars on this keyboard are used to create the basic “Hammond” sounds. Each Drawbar is marked with the register numbers 1 - 8 along the flat part of the Drawbar. When the Drawbars are fully pushed in, no sound is heard; as the Drawbars are “pulled” the volume of that harmonic increases. When recalling a patch, the drawbars’ “positions” will change internally, but not physically. When a drawbar is moved, the setting will “snap” to that drawbar’s current position.
DRAWBARS FOR THE UPPER AND LOWER PARTS WHITE DRAWBARS 16' 51/3' 8' 4' 22/3' 2' 13/5' 11/3' 1' In each Drawbar set, the white Drawbar on the left side (8´) provides the fundamental sound. The remaining white Drawbars sound higher by the octave as you move to the right. BLACK DRAWBARS 16' 51/3' 8' 4' 22/3' 2' 13/5' 11/3' 1' The sounds of the black Drawbars play an important role in building rich tones. Their pitches are fifth and third to the fundamental.
HARMONIC DRAWBARS™ - continued DRAWBAR REGISTRATION PATTERNS The Drawbar Registration is matched by digits. It is easy to remember the typical combinations of the 9 Drawbars by their forms. The Drawbar Registrations are grouped into the following 4 patterns: Flute family (2 step pattern) 16' 51/3' 8' 4' 22/3' Diapason family (check mark pattern) 2' 13/5' 11/3' 1' Accompaniment Flute 8´ I .............. 00 8460 000 Accompaniment Flute 8´ II .............
MODERN DRAWBAR REGISTRATIONS The Drawbar registrations introduced on the previous page are typically for classical music. They were created at the dawn of the Hammond Organ, when it was intended to sound like a pipe or church organ. Later on, as the Hammond Organ spread throughout Jazz, Pop, Rock and (especially) Gospel music, Some timeless registrations become common.
HARMONIC DRAWBARS™ - continued DRAWBARS (Vx) 16´ 4´ 8´ 2´ III II IV at Middle “C” The original British Vx type organ was equipped with Drawbars, but the function was different from that of the Hammond Organ. The vintage arrangement has been re-created here. Each of the 4 bars on the left functions similarly to the Hammond Organ. II, III and IV on the right are “Mixture” drawbars that sound plural pitches.
DRAWBARS (Farf) Strings 8´ Strings 4´ Trumpet 8´ Piccolo 4´ Strings 16´ Oboe 8´ Flute 4´ Bass 16´ Flute 8´ Strings 16´ 8´ Oboe 8´ at Middle “C” Filters Bass 16´ 16´ The original Italian Farf type organ was tablet-equipped with different sounds at various footages. On this keyboard the operation is made with Drawbars instead of tablets. At the same footage, the tablets gives grow brighter in sound as you progress to the right. The names “Flute”, “Strings”, etc.
HARMONIC DRAWBARS™ - continued DRAWBARS (PIPE) UPPER: LOWER: PEDAL: Open Viole Bourdon Diapason Gedeckt Celeste 16´ 8´ 8´ II Principal Principal Melodia 16´ 8´ 8´ Sub Bass 16´ + Gedeckt 8´ Rohr Flute 8´ Octave 4´ Flauto Dolce 4´ Flute 2´ Prestant 4´ Flute 4´ Super Octave 2´ Mixture Hautbois 8´ III Mixture IV Trompette 8´ Principal Chorus + Mixture IV When using the PIPE organ type, the stops are registered through the Drawbars, and follow the classic organ layout left to right as follo
DRAWBAR SELECT ASSIGN DRAWBARS TO PARTS Upper Registration Physical Drawbars On UPPER PEDAL e abl En LOWER Lower Registration Disable Dis a bl e Pedal Registration Press This keyboard has 3 parts; UPPER, LOWER and PEDAL. The UPPER part is normally used, and, when you want to sound the LOWER, PEDAL, use the Split / Manual Bass Function or connect a MIDI keyboard and/or Pedalboard and assign each part.
PERCUSSION One of the most important features introduced with the Classic B-3 was “TouchResponse” Percussion, which added a distinctive and bright percussive highlight to the top of the Drawbar tone. [ON] button Switches the percussion “ON” and “OFF”. To engage, press the [ON] button. (light on). [THIRD] button Switch the harmonic of the percussion. When this button is OFF, the 2nd harmonic speaks at the same pitch as the 4´ Drawbar (Analogous to the “Second” setting on a B-3).
VIBRATO & CHORUS The Hammond Vibrato & Chorus is another hallmark of the Classic Hammond sound. Vibrato alters the pitch slightly, as a violinist, singer, or guitarist might do. Chorus combines a slightly detuned signal with the original for a lush tone. [UPPER] button Pressing [UPPER] button “ON” (LED lit) will turn the Vibrato & Chorus effect on for the UPPER Drawbars. [LOWER] button Pressing [UPPER] button “ON” (LED lit) will turn the Vibrato & Chorus effect on for the LOWER Drawbars.
OVERDRIVE Overdrive simulates the effect of pushing an amplifier beyond its normal limits to achieve a more aggressive sound. By changing the drive amount, various sounds are obtained from an unclipped warmth to a hard distortion. UME AMOUNT [OVERDRIVE AMOUNT] knob Adjusts the amount of the Overdrive effect. Rotating the knob at the end of counter-clockwise, the effect is “Off”. Rotating the knob clockwise increases the depth of the effect.
LESLIE The rotating sound of the LESLIE Speaker is the natural partner of the Hammond Organ. A Digital version is built-in to the XK-1C; and the controls will also function with a connected external Leslie speaker. [FAST] button Toggles the mode of the rotor by two steps. Every press switches the status. When the light is ON, the mode is FAST, and when it is OFF, it is not.
REVERB, MULTI-EFFECTS The XK-1C has on-board Digital Reverb and Multi-Effects to enhance the performance. REVERB VOLUME AMOUNT [REVERB ON] button To engage the Reverb, press this button and the light will go ON. NOTE: You can fine-tune the depth, time etc. of the Reverb. (P.95) MULTI-EFFECTS The XK-1C has various multi-effects such as Tremolo, Wah-Wah and so on. See the “OD/EFF” paragraph (P. 86) for detail.
MANUAL BASS, PEDAL SUSTAIN 51 The PEDAL part may be played on the low part of the keyboard using the MANUAL BASS function. A popular option for playing the Pedals or Manual Bass is Pedal Sustain, which allows the Pedal voice to smoothly decay upon release, much in the manner of a string bass. [M. BASS] button To engage the Manual Bass function, press the [M. BASS] button (light ON). If you have the keyboard SPLIT, the Manual Bass will sound in tandem with the chosen LOWER registration.
KEYBOARD SPLIT, OCTAVE SHIFT, TRANSPOSE The XK-1C normal range is the UPPER Keyboard. A split is optional to place the LOWER keyboard voices on the left side of the single keyboard. The keyboard can be shifted up or down one octave to facilitate easier play. [SPLIT] button Press to split the keyboard, (light ON). NOTE: You can set the split point. (P. 106) To raise or lower the octave of the keyboard, see the “ZONES” paragraph (P. 106). To transpose the keyboard, see the “TUNE” paragraph (P. 71).
PATCH The settings (including registrations) you have prepared can be recorded to User Patches. USER AND PRESET Patches “FAVORITE” buttons 1 2 3 refer refer refer U1-1 U1-2 U1-3 U1-4 U1-5 First Second Third Fourth Fifth U8-6 U8-7 U8-8 P1-1 P1-2 P1-3 November December “User” ends Preset begins Monday Tuesday “VALUE” knob in PLAY mode sequential select There are 64 USER and 64 PRESET Patches as illustrated. The “User” Patch are overwrite capable. The “Preset” Patches are not.
PATCH - continued NAME THE PRESENT SETTING GO TO THE MENU MODE 1 GO TO PATCH FUNCTION MODE 4 MENU / EXIT MENU / EXIT VALUE RECORD VALUE ENTER RECORD ENTER Press the [MENU/EXIT] button. Menu mode will be displayed. Press [ENTER] and go to PATCH function mode. GO TO PAGE A 2 MENU / EXIT INPUT NAME 5 VALUE MENU / EXIT VALUE RECORD 1 4 7 2 5 8 ENTER RECORD 3 6 1 MANUAL 4 7 If Page A is not displayed, go to Page A by pressing [T] button.
RECORD TO THE PATCH Example: RECORD TO “U3-2” 1 GIVE THE NAME Enter the name of your Patch. (P. 54) 2 PRESS THE [RECORD] BUTTON MENU / EXIT VALUE RECORD ENTER Press the [RECORD] button. The Record mode is displayed. 3 SELECT THE PATCH NUMBER MENU / EXIT VALUE Select the patch number you wish to record with the [VALUE] knob (This time select U3-2). RECORD 4 ENTER PRESS [ENTER] MENU / EXIT VALUE RECORD ENTER Press the [ENTER] button.
*# 1 :- % Owner’s Manual
USING THE CONTROL PANEL
WHAT YOU CAN DO ON THE CONTROL PANEL Your access to deep-editing the XK-1C. All of the parameters and all of the controls not covered by the top panel knobs and switches are here. MENU / EXIT VALUE RECORD 1 4 7 2 5 8 ENTER 3 6 MANUAL The available modes are, basically “PLAY”, “MENU” and “FUNCTION”. See how to read them and how to use the buttons on the next pages.
PLAY MODE The Play mode is basic for all operations. All information necessary for ordinary performance is displayed here. To locate this mode 1. “Play mode” is the default mode at power-up. 2. If the Play mode is not displayed, touch the [PLAY] button. HOW TO READ THE DISPLAY Drawbar Registration UPPER / PEDAL / LOWER Display of Registration (Bars) PLAY Patch The two PLAY modes, for displaying the Registration are toggled every time the [PLAY] button pressed.
MENU MODE The menu mode provides a directory of all the various functions. To locate this mode: Press the [MENU/EXIT] button. There are many pages functions available to edit. A menu page has up to four items. Search for the item you wish to edit using the direction buttons, then press the [ENTER] button and enter each Function mode. HOW TO READ THE DISPLAY Page Items BUTTON OPERATION IN THIS MODE Return to the Play mode. MENU / EXIT VALUE RECORD 1 4 7 2 5 8 3 Select the item, also.
MENU AND THE CONTENTS PAGE A 1. DRAWBAR Sets the parameters for the Drawbars of each part. (P. 68) 2. TUNE Set the tuning and transpose of the entire keyboard. (P. 71) 3. PATCH Patch naming, Parameter Load and Assignment of Favorites. (P. 70) 4. CONTROL For adjusting the controllers, such as the Expression Pedal and Foot Switch. (P. 72) PAGE B 1. CUST. TW For custom setting of the tone wheel sets of the Lower and Upper part. (P. 72) 2. PERCUSS For custom setting the percussion parameters.
FUNCTION MODE These modes are for selecting and controlling the function. All modes can be navigated the same way. HOW TO READ THE DISPLAY There is another page above (or below) this page. PARAMETER (ITEM) NAME Shows there is another page on the right (or the left) of this page. CURSOR In this example the flashing “cursor” indicates the value of the fast speed of the Leslie. PAGE NAME VALUE CURSOR (flashing VALUE) BUTTON OPERATION IN THIS MODE Return to the PLAY mode.
SHORT CUT TO FUNCTION MODE 63 Each button on the top panel has a built in shortcut-making programming and editing easier. Pressing and holding any of the buttons on the top panel automatically jumps the display to the related function menu item. EXAMPLE OF OPERATION: LOCATE THE PERCUSSION FUNCTION MODE If you wish to edit the percussion settings, press and hold either of the [ON], [THIRD], [FAST], or [SOFT] buttons, and the display will immediately jump to the percussion function mode.
PARAMETER OPERATION EXAMPLE: ADJUST THE [FAST] PERCUSSION DECAY TIME 1 4 LOCATE THE MENU MODE PRESS [ENTER] MENU / EXIT MENU / EXIT VALUE VALUE RECORD RECORD ENTER 1 Press the [MENU/EXIT] button. The MENU mode is displayed. 4 7 2 2 ENTER 3 5 6 8 MANUAL SELECT THE MENU PAGE MENU / EXIT VALUE RECORD ENTER Press the [ENTER] button. The display shows the first page of the Percussion function mode.
7 RETURN TO THE PLAY MODE MENU / EXIT VALUE RECORD ENTER Press the [PLAY] button. The display returns to the PLAY mode. 8 RECORD TO THE PATCH IF DESIRED The parameter “DECAY FAST” is a patch parameter, so, when you call a patch, it is changed to the newly set value. If you desire the change to be made permanent for the patch, record it as previously indicated.
LOCKING THE DISPLAY You can lock the display to avoid mistake while playing. MENU / EXIT VALUE RECORD 1 4 7 2 5 8 3 6 MANUAL ENTER To lock the display, switch [POWER] on with pressing [RECORD] and [MANUAL] until “Display LOCKED” is displayed. To unlock this, repeat the operation above until “Display UNLOCKED” is displayed. This function works listed below; [MENU/EXIT] button (P. 60) is disabled. [RECORD] button (P. 55) is disabled normally.
SETTING THE PARAMETERS
DRAWBAR Drawbar sound parameters for each keyboard are set in this mode. To locate this mode: See the “Function mode” (P. 62) for operational details. ❶ ❷ ❸ ❹ ❺ ❻ ❼ SETTING FOR MANUAL (LOWER & UPPER) DRAWBARS ❶ ORGAN TYPES Select the manual keyboard organ type.
LOWER ZONE - OCTAVE Set the octave shift for the LOWER part. The setting range is -2 to +2. LOWER ZONE - LOW LOWER ZONE - HIGH Set the sounding range of the LOWER part with these two parameters. See page 102 for details of #7 to 12. SETTING THE PEDAL PART Loudness Attack ORGAN TYPE Set the Organ type for the Pedal part. Normal: Muted: Synth1: Synth2: Decay = "C" The traditional tone wheel sound of the B-3/C-3. Analog oscillating sound as heard on the Classic X-5.
PATCH In this mode you a name your patch, set which parameters load, and how to link to the Favorite buttons. To locate this mode: See the “Function mode” (P. 62) for operational details. ~ omitted ~ ❸ ❹ ❺ ❻ ❼ ❽ ❾ ❷ ❶ PATCH NAME ❶ Patch NAME (P) Name the present patch using up to 15 letters. Move the cursor by the [W][X] buttons. Then select letters with the [VALUE] knob. PATCH LEVEL ❷ PATCH LEVEL (P) Adjusts the present patch volume.
TUNE 71 In this mode, the entire keyboard is tuned. To locate this mode: See “Function mode” (P. 62) for operation details. ❶ ❷ TRANSPOSE ❶ TRANSPOSE You can set Transpose in the range from -6 to +6 semi-tones. Transpose is mapped to the following points: i) Between the built-in keyboard and the on-board sound engines. ii) Between the MIDI IN and the on-board sound engines. iii) To the External Zone. iv) When the MIDI pedalboard XPK-100 is connected, transpose value will synchronize with it.
CONTROL This mode is for setting the controller. Please insure that the Expression Pedal and Foot Pedal are properly connected before adjusting their settings. To locate this mode: or, touch the [CONTROL] button. See “Function mode” (P. 62) for operation details. ❹ ❺ ❻ ❶ ❼ ❽ ❷ ❾ ❸ FOOT SWITCH ❶ FOOT SWITCH - DEVICE (G) This is for selecting the equipment connected to the FOOT SWITCH jack. FOOT SW: Foot Switch connected. CU-1: Optional Leslie Mode Switch (CU-1) connected.
MANUAL BASS: Triggers the Manual Bass note of Pedal part. BASS 1C - BASS 3C Triggers the specified note of Pedal part. ❸ FOOT SWITCH - RING MODE (G) This sets the Ring side function, when the foot switch connected to the foot switch jack is of the TRS (Tip, Ring, Sleeve) specifications. 3RD PARTY EXPRESSION PEDAL When using a Korg XVP-10 type of pedal, connect the EXPRESSION jack of the XVP-10 to the EXP. PEDAL jack of the this keyboard with a TRS (Tip, Ring, Sleeve) cable.
CONTROL - continued ❹ ❺ ❻ ❶ ❼ ❽ ❷ ❾ ❸ DAMPER DAMPER - UPPER (G) DAMPER - LOWER (G) DAMPER - PEDAL (G) Assigns the DAMPER to the various divisions of the this keyboard. DISPLAY DISPLAY - SHORT CUT (G) Sets the short cut waiting time. The setting range is 0 to 2 seconds. At NO the short cut feature is disabled. DAMPER Or “Sustain” pedal-analogous to the RIGHT pedal on a piano. Sounds are held when this pedal is depressed.
Setting the Parameters
PERCUSS (Percussion) This mode is for setting the parameters of the percussion sounds. To locate this mode: or, keep pressing either of the [ON], [THIRD], [FAST], [SOFT] buttons for a moment. See “Function mode” (P. 62) for operation details. ❽ ❺ ❾ ❻ ❸ ❶ ❼ ❹ ❷ ❶ LEVEL SOFT ❽ DRAWBAR - 1´ CANCEL ❷ LEVEL - NORMAL Controls the percussion volume levels. The Normal level is set by the NORM setting, and SOFT is the level when the [SOFT] button is ON.
VIB&CHO (Vibrato & Chorus) In this mode, the settings specific to Vibrato and Chorus are adjusted. To locate this mode: or, keep pressing either of the [V1/C1], [V1/C2], [CHORUS], [ON UPPER], [ON LOWER] buttons for a few seconds. See “Function mode” (P. 62) for operation details. ❻ ❶ ❼ ❽ ❾ ❷ ❸ ❹ ❶ RATE Sets the Speed of the Vibrato and Chorus effect. The setting range is 6.10 - 7.25 Hz. ❷ VIBRATO - TREMOLO Sets Tremolo (amplitude modulation) of the Vibrato and Chorus effect.
LESLIE In this mode, the settings are made for the on-board Leslie Effect and the External Leslie Speaker. There are many parameters related to the Leslie effect, but they cannot set each parameter every Patch by Patch. The on-board Leslie parameters are grouped in macro-settings called “CABINETS”. You select the CABINET NUMBER in the Patches where this selection is saved as part of the Patch. To locate this mode: or, keep pressing either of the [BYPASS], [STOP], [FAST] buttons for a few seconds.
❺ COLORATION(L) Switches On/Off the coloration of the speaker enclosure. Mode: SLOW FAST SLOW FAST STOP ❻ SLOW SPEED - HORN (L) SLOW SPEED - BASS (L) Sets the speed of the rotor at slow mode. The setting range is 0, 24 to 318 rpm. At 0, no rotation. ❼ FAST SPEED - HORN (L) FAST SPEED - BASS (L) Sets the speed of the rotor at the fast mode. The setting range is 0, 375 to 453 rpm. At 0, no rotation.
LESLIE - continued EXTERNAL LESLIE SPEAKER LESLIE CHANNELS Sets the channel for the Leslie speaker connected to the LESLIE 8-PIN jack. 1ch: For connecting a 1 channel Leslie cabinet such as the 122XB, 3300/3300W (with no stationary speakers). The Drawbar and the percussion sounds are output only from the rotary channel always. The Pipe voices are from the LINE OUT jack. This is for connecting a 3 channel Leslie cabinet such as the 2101/mk2.
CUST. TW (Custom Tone-Wheels) In this mode, you select or edit the characteristics of each tone wheel set to be used on the manual keyboards. To locate this mode: See “Function mode” (P. 62) for operation details. ❹ ❺ ❻ ❼ ❽ ❸ ❷ ❶ ❶ TONEWHEEL SET Selects the virtual Tonewheel sets to edit: “BType1”, “BType2” and “Mellow”. Also, the temporary (= the present setting) automatically switches to the selected virtual Tonewheel set just selected now.
CUST. TW (Custom Tone-Wheels) - continued ❹ ❺ ❻ ❼ ❽ ❸ ❷ ❶ Soft Loud Coil ❺ LEVEL This is for setting the volume of a virtual wheel. The setting range is -20 to +2dB. If you increase the value, it gets louder. Tone-wheel Magnet Concept of the LEVEL ADJUSTMENT ❻ CUT OFF FREQUENCY - LPF This is for setting the FREQUENCY to cut the TREBLE of a virtual wheel. If you increase the value, a leakage noise is heard besides the original Tonewheel pitch.
Record the CUSTOM virtual TONEWHEELS setting The Tonewheel Parameters (= 3 - 8 of the previous paragraph) are for determining the Custom Number for recording. The Custom Number is selected and used, when you play. 1 Enter the Custom Name if desired. 2 MENU / EXIT VALUE RECORD 1 4 7 2 5 8 ENTER Touch the [RECORD] button in the setting mode of the Tonewheel Parameters. The mode for selecting the Custom Number to be recorded will be displayed.
PIPE In this mode, you edit the characteristics of each pipe. To locate this mode: See “Function mode” (P. 62) for operation details. ... omitted ... ❶ ❷ ❸ ❹ ❺ ❻ ❼ ❶ PIPE NUMBER Select the PIPE which you desire to edit by [S],[T] buttons. There are 20 pipes which according to Drawbars from “Bourdon 16´” to “Principal Chorus 4´ + Mixture IV” (P. 44). ❷ VOLUME (Pi) Adjusts the volume of the pipe. The setting range is 0 to 127.
❼ PAN - IMAGING (Pi) Sets the arrangement of the pipe. FIX: L-R: Sounds the FIXed direction which set by #6 for all notes. Sounds Left to Right which according to the keys. C C D E E F F G G A BB MISSING OR UNEVEN VOICE? The pipe stops are spread in a stereo array. If this keyboard connected in MONO, and the this keyboard system is set to “Stereo”, some notes and voices may be missing, or sound uneven. In that case, set the “Audio mode - Output” (P. 97 #1) at “MONO”.
OD / EFF (Overdrive / Effects) In this mode, Overdrive and the Multi-Effects are adjusted. To locate this mode: Or, turn the [OVERDRIVE AMOUNT] knob with pressing [MENU/EXIT] button. See “Function mode” (P. 62) for operation details. ❺ ❶ ❻ ❷ ❸ ❹ OVERDRIVE ❶ OVERDRIVE - SWITCH Turns the Overdrive “On / Off”. ❷ OVERDRIVE - DRIVE Adjusts the drive component of the Overdrive. The higher you raise the value, more distortion is obtained. It is linked with the [OVERDRIVE AMOUNT] knob on the top panel.
Tremolo Tremolo modulates the volume at a set cycle. Level ❻ ❼ ❽ Depth ❾ ❼ TREMOLO - WAVEFORM Sets which waveform is used to modulate the volume. Tri: Sqr: Saw: S&H: DSqr: Triangle wave. The volume changes smoothly. Square wave. The volume suddenly rises and falls. Sawtooth wave. Repeated decaying sound is obtained. Sample & hold. The volume changes randomly. Dull square wave like the old electric piano effect. ❽ TREMOLO - RATE Rate Adjusts the speed of the tremolo cycle.
OD / EFF (Overdrive / Effects) - continued Wah-Wah Wah-Wah imposes a “speech-like” dynamic to the sound. ❻ ❼ Wah-Wah - SOURCE ❼ ❽ ❾ Selects the source of the WAH control. EXP: LFO: Waveform, Rate Uses the Expression Pedal like a “Wah Wah pedal”. Auto-Wah using the built-in ‘LFO - Low Frequency Oscillator’. ❽ Wah-Wah - SENSITIVITY Sets the sensitivity to change the Wah effect of LFO or Expression Pedal. The setting range is 0 to 127. The dynamic response increases as the value rises.
Ring Mod. The Ring Modulator creates complex, metallic-like sounds by taking the sum and difference of the fundamental tone and a second “ring” frequency. ❻ ❼ ❽ ❾ ❼ RING MODULATOR - SOURCE Selects what to use to modulate the ring frequency. Waveform, Rate EXP: Modulates the ring frequency with the Expression Pedal. LFO: Allows a cyclical modulation effect using the built-in LFO-Low Frequency Oscillator. NOTE: The ring frequency changes by the note, i. d. the UPPER Part performance.
OD / EFF (Overdrive / Effects) - continued Phaser This effect adds a twisting character to the sound by shifting phase. ❻ ❼ ❽ ❾ ❼ PHASER - RATE Adjusts the frequency speed. The setting range is 0 to 127. The cycle becomes faster as the value increases. Rate ❽ PHASER - DEPTH Adjusts the depth of modulation. The setting range is 0 to 127. The modulation becomes deeper as the value increases. Level Depth ❾ PHASER - RESONANCE Adjusts the resonance (feed-back) amount.
Flanger This effect adds the sweeping “Jet Airplane” characteristic, adjustable from a mild shimmer to a deep “swoosh”. ❻ ❼ ❽ ❾ ❼ FLANGER - RATE Adjusts the modulation speed. The setting range is 0 to 127. The cycle becomes faster as the value increases. Rate ❽ FLANGER - DEPTH Adjusts the depth of modulation. The setting range is 0 to 127. The modulation becomes deeper as the value increases. Level Depth ❾ FLANGER - RESONANCE Adjusts the amount of resonance (feed-back).
Chorus This “Chorus” is NOT the same as Hammond’s proprietary “Chorus-Vibrato”. This effect is the familiar Chorus as heard widely on electric pianos, guitars, etc. ❻ ❼ ❽ ❾ ❼ CHORUS - RATE Adjusts the speed of the cycle of the rising and falling effect pitch. The setting rate is 0 to 127. The cycle becomes faster as the value increases. Rate ❽ CHORUS - DEPTH Adjusts the depth of modulation. The setting range is 0 to 127. The modulation becomes deeper as the value increases.
Delay This is for adding echo effects. ❻ ❼ ❽ ❾ ❼ DELAY - TYPE Level Select the type of delay here. TYPE = MONO Original Signal MONO: A simply monophonic “echo”. RtoL, LtoR: The delay is alternated in the stereo field. At RtoL the delayed sound comes from the right, and at LtoR from the left. Your results may vary when used in a mono hookup, or through a Leslie Speaker. Effect Signal Mix Feedback ❽ DELAY - TIME Adjusts the delay time. The setting range is 10 to 1000 ms.
EQUALIZ (Equalizer) In this mode, you adjust the settings for the Equalizer. An Equalizer is used to adjust the tonal quality. The XK-1C’s built-in Equalizer consists of 3 bands and a recreation of the unique “tone” control that was part of the vintage B-3. The Bass and Treble bands are handled by “shelf ” equalizers, and the Mid band is handled by parametric control. To locate this mode: See “Function mode” (P. 62) for operation details.
REVERB In this mode, you set the Reverb effect. To locate this mode: or, keep pressing the [REVERB ON] button for a few seconds. See “Function mode” (P. 62) for operation details. ❻ ❸ ❶ ❹ ❺ ❷ ❶ DEPTH This sets the depth (volume) of the Reverb Effect. The setting range is 0 to 127. ❷ TYPE This sets the types of Reverb effect.
DEFAULT In this mode, you can go back totally or partially to the factory default settings. To locate this mode: ❺ ❶ ❻ ❼ ❷ ❸ To initialize each parameter, select the parameter you want to initialize with the [W][X] button and press the [ENTER] button. ❶ MANUAL This is for initializing the contents of the [MANUAL] button. Used to create a “clean slate” for new Patch settings. ❷ PATCH This is for initializing the User Patch contents (from Preset Patch with same patch number).
SYSTEM In this mode,the audio output mode and the System information of the XK-1C is displayed. To locate this mode: See “Function mode” (P. 62) for operation details. ❻ ❷ ❼ ❸ ❽ ❹ ❺ ❶ ❶ AUDIO MODE - OUTPUT Sets the audio mode of output jacks. STEREO Use when this keyboard is connected in stereo. You can get the maximum stereophonic sound effects. MONO Use when this keyboard is connected in mono. Though it makes no stereophonic sound effects, it avoids “drop out” by sounding opposite channel.
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MIDI
ABOUT MIDI WHAT IS “MIDI”? MIDI is an acronym of ‘Musical Instrument Digital Interface’. MIDI is the musical instrument industry standard for exchanging performance information between electronic musical instruments and a sequencer, effects, lighting, and sound reinforcement gear, etc. The MIDI standard allows instruments made by different manufacturers to effectively communicate with each other.
MIDI CHANNEL MIDI has 16 “Channels”. All channels transmitted through one MIDI cable. The channel must match between the sender and the receiver. If not, the machines can not “hear” what the other “says”. MAIN MIDI MESSAGE The MIDI information is grouped into a channel message per each of the 16 channels and a system message for all channels. There are more details in the MIDI IMPLEMENTATION CHART.
MIDI STRUCTURE This keyboard has “Keyboard Channels” to transmit playing information of the keyboards and “External Zone Channels” to control external MIDI equipment on the keyboards. Map of the MIDI structure on :- % Organ Section Octave Shift (part) Octave Shift (int. zone) Key Range Split Point Upper Lower Upper Kbd. to MIDI OUT Lower Kbd. Manual Bass Pedal Kbd. ExZone 1 ExZone 2 ExZone 3 Internal (Upper) Keyboard Octave Shift (ext.
Map of the MIDI structure on :- % Organ Section Octave Shift (part) Octave Shift (int. zone) Keyboard Extended Key Range Upper Upper Kbd. ExZone 1 Upper Keyboard to MIDI OUT Lower Lower Kbd. Manual Bass Pedal Kbd. ExZone 2 Lower Keyboard Octave Shift (ext.
USING AN EXTERNAL SEQUENCER This is to record/playback the performance by connecting an external sequencer or computer to this keyboard. Recording a organ performance to an Sequencer/DAW MIDI IN MIDI OUT MIDI Keyboard Optional 1. Connect as illustrated above. 2. Call the others than the “Use Ex.” (“Basic”, “Two Manual”, “Pedal KBD”, or “3KBD” depending on your hooked up) of MIDI template (P.
USING A MIDI SOUND MODULE 105 You can control an external MIDI sound module with the built-in keyboard and the expanded MIDI keyboard. MIDI OUT MIDI Keyboard Optional OUT (MERGE) IN MIDI Pedalboard MIDI IN MIDI Sound Module 1. Connect as illustrated. Connect the MIDI OUT of this keyboard to the MIDI IN of the MIDI sound module. 2. Call the MIDI template “Use Ex. xxx”. (P. 108) By this, the External Zone performance is sent from the MIDI OUT instead of Keyboard channels.
ZONES To control external MIDI equipment, ranges on the keyboard of this instrument are assigned. They are called “External Zones”. The range of the built-in sound engine on this keyboard (called “Internal Zone”) is set at the same time. You can use each separately on a single manual keyboard. Each MIDI keyboard connected to the MIDI IN jack can control the external MIDI equipment with the external zone. ❼ ❶ ❽ ❷ ❸ See “Function mode” (P. 62) for operation details.
NOTE - VOLUME Sets the volume (Control Change #7) of this zone. However, if CC# (20) is at “VOL”, this setting value is null. NOTE - PAN Sets the Pan of this zone (Control Change #10). NOTE - VELOCITY Sets the character of the velocity to send to this zone. The setting range is OF and 1 to 4. At OF, the velocity is fixed at 100. The “touch” (velocity response) of the keyboard progresses from 1 (heavier) through 4 (lighter).
MIDI In this mode, you make the basic MIDI settings and the memory dump operation. To locate this mode: See “Function mode” (P. 62) for operation details. ❷ ❸ ❹ ❺ ❻ ❼ ❽ ❾ ❶ MIDI TEMPLATE ❶ MIDI TEMPLATE This mode allows common MIDI setups to be recalled. By selecting the use with the [W][X] buttons and pressing the [ENTER] button, the typical settings are called. See “MIDI TEMPLATE” in the Appendix (P. 122) for details of each MIDI template.
is neglected, when the Device ID does not match, even if the messages for the same model. RECEIVE DUMP This switches reception of Memory Dump ON/OFF. On this keyboard the total onboard memory can be transmitted as a Memory Dump, as system exclusive messages. To prevent reception of Memory Dump, select OFF. TEMPORARY DUMP Sends the Memory Dump. When you press the [ENTER] button in this mode, the present settings (see tips) are sent as a whole from the MIDI OUT jack.
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SAVE THE SETUP
SAVE YOUR SETUP A USB Flash drive connector is built in on this instrument. You can save the setting of each Parameter as a file to it. USB FLASH DRIVE WHAT YOU CAN DO WITH THE USB FLASH DRIVE Saving / Restoring the set-ups of this keyboard. Saving / Restoring a patch. the capacity of 1 set-up file is 32K bytes. 1 USB flash drive can save up to 99 set-up files. 1 USB flash drive can save up to 99 patch files, too.
INITIALIZE THE USB FLASH DRIVE A “fresh” The USB flash drive must be “initialized”. The initializing procedure is as follows: When initializing is completed, all the contents of the USB flash drive are erased. USB FLASH DRIVE 1 MENU / EXIT 5 VALUE RECORD 1 4 Insert the USB flash drive to the USB FLASH DRIVE jack. Wait until the display “Confirming USB. Please wait...” disappears. 7 2 5 8 ENTER 3 6 MANUAL Press the [ENTER] button. The FORMAT (=initializing) mode is displayed.
SETUP PROCEDURES Save or Load the SET-UPS to/from the USB flash drive in the SETUP mode. To locate this mode: MENU/ EXIT ENTER HOW TO READ THE DISPLAY SETUP name This indicates there is another SETUP file above (or below). Type of File SU: SetUp This indicates there is another page on the right (or on the left). What your are going to operate SAVE THE SETUP 1 MENU / EXIT 4 VALUE Check that the USB flash drive is correctly inserted.
CHANGE THE SETUP NAME 1 MENU / EXIT 4 VALUE RECORD 1 4 Select the setup file you want to change the name of with the [S],[T] buttons or the [VALUE] knob. 2 VALUE 1 4 7 2 5 8 5 8 3 6 MANUAL Enter the new setup name. MENU / EXIT RECORD 7 2 ENTER ENTER [W],[X] buttons Move the cursor. The length is up to 16 letters. [VALUE] knob Select letters. Valid characters are: digits, symbols, large and small alphabets. 3 6 MENU / EXIT 5 VALUE MANUAL RECORD Press the [X] button.
LOAD THE SETUP DELETE THE SETUP If you do this operation, the settings in this keyboard are replaced with the newly loaded setups. You should save important data beforehand (p. 114). 1 Check the USB flash drive is correctly inserted. 1 2 Check the USB flash drive is correctly inserted. Locate the SETUP mode. 2 MENU / EXIT 3 VALUE RECORD Locate the SETUP mode.
PATCH PROCEDURES Save or Load the PATCHes to/from the USB flash drive in the PATCH mode, not SETUP mode on previous page. To locate this mode: MENU/ EXIT ENTER HOW TO READ THE DISPLAY PATCH file name This indicates there is another PATCH file above (or below). Type of File PA: patch This indicates there is another page on the right (or on the left). What you are going to operate SAVE THE PATCH FILE 1 5 MENU / EXIT VALUE Check that the USB flash drive is correctly inserted.
LOAD THE PATCH FILE DELETE THE PATCH FILE If you do this operation, a patch in this keyboard are replaced with the newly loaded patch. You should save important data beforehand (p. 117). 1 Check the USB flash drive is correctly inserted. 1 2 Check the USB flash drive is correctly inserted. To locate the PATCH mode, please refer to the illustration or top of page 117. 2 MENU / EXIT 3 VALUE Locate the PATCH mode with refer to upper figure on last page.
Troubleshooting
TROUBLESHOOTING Malfunction of the buttons, the keys, etc. Turn off the POWER switch once, then turn it on again. If this procedure is not successful, turn off the POWER switch. While pressing the [RECORD] button, turn the POWER switch on again. (Note that in this case, all parameters all parameters return to their factory-preset status.) No sound is produced when the keys are pressed. The MASTER VOLUME is at the minimum setting.> Adjust the volume with the MASTER VOLUME control.
APPENDIX
MIDI TEMPLATES MIDI TEMPLATES Template MIDI IN Local Control NRPN Program Change Drawbar Registration Transmit Channel Tx. Upper Tx. Lower Tx. Pedal Rx. Upper Rx. Lower Rx. Pedal External Zone Comments Basic Sequence On On On On 1 2 3 1 2 3 Off Use this template to record/ play the performance only on this unit with the external sequencer.
PRESET PATCH LIST Category # Category Gospel High Lights Original Vintage Factory B-3 Presets Rock / Pop A Pipe Rock / Pop B Jazz A Jazz B P1-1 P1-2 P1-3 P1-4 P1-5 P1-6 P1-7 P1-8 P2-1 P2-2 P2-3 P2-4 P2-5 P2-6 P2-7 P2-8 P3-1 P3-2 P3-3 P3-4 P3-5 P3-6 P3-7 P3-8 P4-1 P4-2 P4-3 P4-4 P4-5 P4-6 P4-7 P4-8 P5-1 P5-2 P5-3 P5-4 P5-5 P5-6 P5-7 P5-8 Name Vintage B-3 Purple Smoke SQUABBLE Open The Doors ChurchPipeOrgan Drawbars Dimed Vintage BV 31H RetroLounge B-3 Full Gospel new Model A & PR-40 Total Pra
MIDI INFORMATION MIDI Implementation Channel Voice Message Note Off Status 2nd Byte 3rd Byte 8nH kkH vvH, or 9nH kkH 00H n=MIDI Channel Number: 0H - FH (Ch. 1 - 16) kk=Note Number: 00H - 7FH (0 - 127) vv=Velocity(disregard): 00H - 7FH (0 - 127) Note On Status 2nd Byte 3rd Byte 9nH kkH vvH n=MIDI Channel Number: 0H - FH (Ch.
Drawbar Data List 1 Control Number Upper: Lower: Pedal: Level 0 1 2 3 4 5 6 7 8 50H(80) 51H(81) 52H(82) 8´ 4´ Upper / Lower 2 2⁄3´ 2´ 16´ 5 1⁄3´ 00H(0) 09H(9) 12H(18) 1BH(27) 24H(36) 01H(1) 02H(2) 03H(3) 04H(4) 05H(5) 06H(6) 07H(7) 0AH(10) 0BH(11) 0CH(12) 0DH(13) 0EH(14) 0FH(15) 10H(16) 13H(19) 14H(20) 15H(21) 16H(22) 17H(23) 18H(24) 19H(25) 08H(8) 11H(17) Pedal 16´ 8´ 2DH(45) 36H(54) 3FH(63) 48H(72) 00H(0) 09H(9) 2EH(46) 2FH(47) 30H(48) 31H(49) 32H(50) 33H(51) 34H(52) 49H(73) 4AH
MIDI INFORMATION - continued System Exclusive Message Mode Setting Exclusive Message Memory Dump 1. Each Packet F0 55 dd 10 20 11 [TYPE] [PNH] [PNL] [DATA] [CHD] F7 Full Parameters Reset (Rx. only) System Exclusive SUZUKI ID Device ID (refer to P. 108 #9) Model ID MSB Model ID LSB Command: Data Packet Data Type 02H = All Data Dump 07H = Combi. Temp.
Global Parameters Category Tune Expression Foot Switch Patch Load Favorites Display Master EQ Example Parameter NRPN LSB MSB (62) (63) SysEx Address SysEx MSB to LSB Length Transpose 01 00 00 01 00 01 Master Tune 01 02 00 01 02 02 Source 02 00 00 02 00 01 Min. Level 02 08 00 02 08 01 Min. Limit LF Min. Limit HF 02 02 09 0A 00 00 02 02 09 0A 01 01 FS Device 03 00 00 03 00 01 FS Tip Mode 03 01 00 03 01 01 FS Ring Mode Damper Org. Upper Damper Org.
MIDI INFORMATION - continued Patch Parameters Category Name Internal Zone External Zone Example Parameter NRPN SysEx Address SysEx LSB MSB MSB to LSB Length (62) (63) 15 Characters Manual Bass Manual Bass Mode Manual Bass Range Hi Great To Pedal G to P Range Hi Split Split Point Key Octave Upper 1 Key Octave Lower 1 Glide Length Glide Time Glide Amp Key Octave Upper 2 Key Octave Lower 2 MIDI Channel Switch Allocate -07 07 07 07 07 07 07 07 07 07 07 07 07 07 4n 4n 4n -00 01 02 03 04 05 06 07 08
Category Parameter Percussion On Third On Decay Fast Volume Soft Level On Soft Level On Normal Decay Fast Decay Slow Touch Velocity Key Track Drawbar 1´ Cancel Drawbar Level Lower & Upper Organ Type NRPN SysEx Address SysEx LSB MSB MSB to LSB Length (62) (63) 08 08 08 08 08 08 08 08 08 08 08 08 08 20 00 01 02 03 04 05 06 07 08 09 0A 0B 0C 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 08 08 08 08 08 08 08 08 08 08 08 08 08 20 00 01 02 03 04 05 06 07 08 09 0A 0B 0C 00 01 01 01 01 01 01 01 01 01 01
MIDI INFORMATION - continued Category Pedal Pedal Registration Organ Effect Parameter NRPN SysEx Address SysEx LSB MSB MSB to LSB Length (62) (63) Data Tonewheel Set 22 00 00 22 00 01 Attack 22 01 00 22 01 01 Sustain On Sustain Length Decay Length Velocity Key Mode Octerve Shift Key Range Lo Key Range Hi 16´ 8´ Leslie Bypass Leslie Fast Leslie Stop Leslie Cabinet Number Vibrato On Swell Vibrato On Great Vibrato Mode Vibrato Rate Vibrato V1 Depth Vibrato V2 Depth Vibrato V3 Depth Vib
Category Effects Example: Parameter NRPN SysEx Address SysEx LSB MSB MSB to LSB Length (62) (63) Overdrive On Overdrive Type 3p 3p 00 01 00 00 3p 3p 00 01 01 01 Overdrive Drive Level Overdrive Controlled Exp.
MIDI INFORMATION - continued Leslie Parameters Category Cabinet Parameter Name Slow Speed Horn Slow Speed Bass Fast Speed Horn Fast Speed Bass Rise Time Horn Rise Time Bass Fall Time Horn Fall Time Bass Brake Time Horn Brake Time Bass Level Horn Level Bass Mic. Angle Mic.
CUSTOM TONE-WHEELS LIST 133 BType1, BType2 Real B-3 Type based upon a B-3 in good condition. It contains moderate motor hum and leakage noise. 80's Clean Type based upon the popular clear sound 80’s B-3. The motor hum or leakage noise has been removed, the delicate “vibration” caused by the wow-flutter of the motor still remains. Noisy This is a custom replicating the entire sound output from the B-3, including the motor hum and leakage noise. Noisy 60 Type based upon very prominent leakage noise.
MIDI IMPLEMENTATION CHART Drawbar Keyboard Model: XK-1C Function Transmitted *1 1 - 16 3 X Mode ***** 12 - 120 Note ***** : True Voice Number O Note ON Velocity X Note OFF X Key’s After Touch X Ch’s X Pitch Bend O 0, 32 X 1 O 6, 38 O 7 O 10 O 11 O Control 12 - 20, 80 O 21 - 29, 81 Change O 33, 35, 82 O 48 O 49 O 64 X 92 O 98, 99 O Program 0 - 127 : True # Change O System Exclusive X : Song Position System X : Song Select Common : Tune X X System : Clock X : Commands Real Time X : All Sounds Off : Re
MIDI CHANNELS AND MESSAGES Note Pitch Bend Modulation Volume Pan Expression Hold 1 Drawbar Reg. Spring Shock, Glide Leslie Fast RPN NRPN All Notes Off All Sounds Off Reset All Ctrl. After Touch Bank Select Program Change (7) (10) (11) (64) (48, 49) (92) (100, 101) (98, 99) (123) (120) (121) (0, 32) External Zone (Tx. only) O X X O O O O X X X X X O X O X Change the voice for each zone.
SPECIFICATIONS Sound Generator 2 - VASE III as Digital Tone-wheels, Transistor Organ and Pipe Organ 61 polyphony (for manual, except Pipe Organ) 8 polyphony (for pedal, except Pipe Organ) 63 polyphony (maximum, on Pipe Organ) Keyboards C1 to C6 61-key Harmonic Drawbars Drawbars Controllers Volume Master Volume Switch Power On/Off Storage USB Flash Drive Display 20 - Characters, 2 - Lines Control Buttons and Value knob 9 Pitches, assignable for Upper, Pedal, Lower Voicing Manuals: 6 choices (B-T
Index Function Mode 62 Panic Function 107 Parameter 64 Part 30 Patch 23, 53, 70, 117 patch file 117 Patch Level 70 Patch Load 53, 70 Pedalboard. see: MIDI pedalboards Pedal Sustain 31 Percussion 28, 46, 76 Phaser 90 Pipe 36, 44, 84 Play Mode 59 POLY 69, 106 Power 22 Preset 23 P. SUS. see: Pedal Sustain G A Associate 70 Auto Pan 87 P Glide 73 H Harmonic Drawbars 38 B Back Up 22 Bulk Dump.
V Vibrato & Chorus 29, 47, 77 Vx 36, 42 W Wah-Wah 88 Z Zones 106 *# 1 :- % Owner’s Manual
SERVICE Hammond maintains a policy of continuously improving and upgrading its instruments and therefore reserves the right to change specifications without notice. Although every attempt has been made to insure the accuracy of the descriptive contents of this Manual, total accuracy cannot be guaranteed. Should the owner require further assistance, inquiries should first be made to your Authorized Hammond Dealer.
Printed in China HAMMOND SUZUKI, LTD., Hamamatsu, Japan 00457-40189 V1.
