ENGLISH AVR 347 Audio/VideoReceiver OWNER’S MANUAL 347
Table of Contents 3 4 5 6 8 11 15 17 17 17 17 18 19 21 22 22 23 23 23 23 24 26 27 28 28 31 31 34 35 37 37 39 39 39 40 40 40 41 41 41 41 41 42 42 43 43 44 44 45 45 46 46 46 47 47 47 47 47 47 49 49 49 50 50 50 51 Introduction Safety Information Unpacking Front Panel Controls Rear Panel Connections Main Remote Control Functions Zone II Remote Control Function Installation and Connections Audio Equipment Connections HDMI Input Connections HDMI Output Connections Video Equipment Connections SCART A/V Connection
Thank you for choosing Harman Kardon! With the purchase of a Harman Kardon AVR 347 you are about to begin many years of listening enjoyment. Designed to provide all the excitement and detail of movie soundtracks and every nuance of musical selections, the AVR 347 is truly a multichannel receiver for the new millennium. In addition to the traditional 5.
Safety Information ■ Dolby* Digital, Dolby Digital EX and Dolby Pro Logic* II and IIx Decoding, and the full suite of DTS® modes, including DTS-ES® 6.
Installation Location ■ To assure proper operation and to avoid the potential for safety hazards, place the unit on a firm and level surface. When placing the unit on a shelf, be certain that the shelf and any mounting hardware can support the weight of the product. ■ Make certain that proper space is provided both above and below the unit for ventilation. If this product will be installed in a cabinet or other enclosed area, make certain that there is sufficient air movement within the cabinet.
Front Panel Controls 347 DIGITAL LOGIC 7 VID 1 DVD VID 2 CD 3 STEREO DSP VID 3 FMAM HEADPHONE 5 7 CH. STEREO VID 4 TAPE 6 8 CH PRO LOGIC SURR.
Selector Buttons: When you are establishing the AVR’s configuration settings, use these buttons to select from the choices available, as shown in the Main Information Display Ò. 8 Tone Mode: Pressing this button enables or disables the Balance, Bass and Treble tone controls. When the button is pressed so that the words TONE I N appear in the Main Information Display Ò, the settings of the Bass and Treble controls and of the Balance control will affect the output signals.
Rear Panel Connections 0 1 2 3 4 5 6 7 8 9 A B C D E AM Antenna FM Antenna Tape Inputs Tape Outputs Subwoofer Output DVD Audio Inputs CD Inputs Video 1 Audio Outputs DMP Connector 8-Channel Direct Inputs Digital Audio Outputs Video Monitor Outputs DVD Video Inputs Front Speaker Outputs Center Speaker Outputs NOTE: To assist in making the correct connections for multichannel input/output and speaker connections, all connection jacks and terminals have been color coded in conformance with the latest CEA st
8-Channel Direct Inputs: These jacks are used for connection to source devices such as DVD-Audio, Blu-ray, HD-DVD or SACD players with discrete analog outputs. Depending on the source device in use, all eight jacks may be used, though in many cases only connections to the front left/right, center, surround left/right and LFE (subwoofer input) jacks will be used for standard 5.1 audio signals.
Rear Panel Connections U Remote IR Output: This connection permits the IR sensor in the receiver to serve other remote controlled devices. Connect this jack to the “IR IN” jack on Harman Kardon or other compatible equipment. c A-BUS Connector: Connect this jack to an optional A-BUS-certified remote room keypad or amplifier to extend the multiroom capabilities of your AVR. See page 21 for more information on A-BUS.
0 1 2 3 4 5 6 7 8 9 A B C D E F G H I J K L M N O P Q ENGLISH Main Remote Control Functions Power Off Button IR Transmitter Window Program Indicator Power On Button Input Selectors AVR Selector AM/FM Tuner Select 6-Channel/8-Channel Direct Input Test Button Sleep Button Surround Mode Selector Night Mode Channel Select Button ⁄ / ¤ Buttons ‹ Button Set Button Digital Select Numeric Keys Tuner Mode Direct Button Tuning Up/Down OSD Button Dolby Mode Select Button DTS Digital Mode
Main Remote Control Functions IMPORTANT NOTE: The AVR 347’s remote may be programmed to control up to seven devices, including the AVR. Before using the remote, it is important to remember to press the Input Selector button 4 that corresponds to the unit you wish to operate. In addition, the AVR’s remote is shipped from the factory to operate the AVR and most Harman Kardon CD or DVD players and cassette decks.
E ‹ Button: This button is used to change the menu selection or setting during some of the setup procedures for the AVR. L OSD Button: Press this button to activate the On Screen Display (OSD) system used to set up or adjust the AVR’s parameters. F Set Button: This button is used to enter settings into the AVR’s memory. It is also used in the setup procedures for delay time, speaker configuration and channel output level adjustment.
Main Remote Control Functions Memory Button: Press this button to enter a radio station into the AVR ’s preset memory. Two underline indicators will flash at the right side of the Main Information Display Ò, you then have five seconds to enter a preset memory location using the Numeric Keys H. (See page 51 for more information). Delay/Prev Ch.: Press this button to begin the process for setting the delay times used by the AVR when processing surround sound.
A G B C D I K H J E F The Zone II remote may be used in either the same room where the AVR is located, or it may be used in a separate room with an optional infrared sensor that is connected to the AVR’s Multi IR input jack d or an A-BUS device. A Power Off: When used in the room where the AVR is located, press this button to place the unit in Standby. When it is used in a remote room with a sensor that is connected to the Multi IR jack d, this button turns the MultiRoom system off.
Zone II.2 Remote Control Functions I Digital Media Player (DMP) Selector: When Harman Kardon’s (optional) is connected to Digital Media Player (DMP) Connector 8 and a compatible Apple® iPod® is docked in , pressing this selector will select the iPod as the audio source input device for the AVR 347. In addition, if a video display is connected to one of the Video Monitor Outputs B, the iPod’s messages will appear on screen, and in the Upper and Lower Display Lines Ò.
After unpacking the unit, and placing it on a solid surface capable of supporting its weight, you will need to make the connections to your audio and video equipment. Audio Equipment Connections There are two formats for audio connections: digital and analog. Digital audio signals are of higher quality, and are required for listening to sources encoded with digital surround modes, such as Dolby Digital and DTS. There are three types of digital audio connections: HDMI, coaxial and optical.
Installation and Connections 3. Connect the digital output of any digital sources such as a CD or DVD changer or player, advanced video game, a digital satellite receiver, HDTV tuner or digital cable set-top box or the output of a compatible computer sound card to the Optical and Coaxial Digital Inputs NR*Ó. We recommend connecting the coaxial digital audio output of your DVD player to the Coax 1 Digital Audio Input N, since that digital input is assigned to the DVD source by default.
1. Connect a VCR’s audio and video Play/Out jacks to the Video 2 In jacks MT on the rear panel. The Audio and Video Record/In jacks on the VCR should be connected to the Video 1 Out jacks P 7 on the AVR. 2. Although any video device may be connected to these jacks, we recommend connecting your TV to the Audio 1 Audio/Video Input Jacks SQ so that you may take advantage of the fact that the remote control is preprogrammed with TV product codes for the Video 1 device.
Installation and Connections Note that only the video plugs (the "yellow" cinch plug in fig. 3 and the S-Video plug in fig. 6) must be connected to the TV Monitor Output B, and the volume on the TV must be reduced to minimum. Important Note for Adapter Cables: If the cinch connectors of the adapter you’ll use are labeled, connect the Audio and Video ”In” plugs with the corresponding Audio and Video ”In” jacks on the AVR (and with a VCR connect the ”Out” plugs to the ”Out” jacks on the VCR).
System and Power Connections The AVR 347 is designed for flexible use with multiroom systems, external control components and power amplifiers. Main Room Remote Control Extension If the receiver is placed behind a solid or smoked glass cabinet door, the obstruction may prevent the remote sensor from receiving commands. In this event, the remote sensor of any Harman Kardon or other compatible device, not covered by the door, or an optional remote sensor may be used.
Installation and Connections Speaker Selection No matter which type or brand of speakers is used, the same model or brand of speaker should be used for the front-left, center and front-right speakers. This creates a seamless front soundstage and eliminates the possibility of distracting sonic disturbances that occur when a sound moves across mismatched front-channel speakers.
Subwoofers produce largely nondirectional sound, so they may be placed almost anywhere in a room. Actual placement should be based on room size and shape and the type of subwoofer used. One method of finding the optimal location for a subwoofer is to begin by placing it in the front of the room, about 15cm from a wall, or near the front corner of the room.
System Configuration The factory default settings for the AVR 347 have all inputs configured for an analog audio input except for the DVD input, where the Coaxial Digital Input N is the default and the Video 2 input, where the Optical Digital Audio Input R is the default.
You may edit a title by inserting or deleting characters. To insert a new character between two existing characters, move the cursor to highlight the character to the right of the insertion pointing the bar at the top of the screen. Then highlight the INS indicator on screen and press the Set Button F. You may now select a character to insert in the new space. Delete a character by moving the cursor to highlight the unwanted character in the bar at the top of the screen.
System Configuration The first line controls whether or not the bass/ treble tone controls are in the signal path. The normal default is for them to be in-line, but if you wish to remove them from the circuit for “flat” response, first make certain that the Tone I n line is highlighted in blue, and press the Set Button F, followed by the ‹ / › Navigation Button E so that OUT is highlighted in blue text.
OFF: When OFF is highlighted, the Night mode will not function. MID: When MID is in the highlighted video, a mild compression will be applied. MAX: When MAX is in the highlighted video, a more severe compression algorithm will be applied. Figure 10 To change these parameters, press the ⁄/¤ Navigation Buttons D while the Surround menu is on the screen until the line on the menu with the parameter you wish to change is highlighted in blue.
System Configuration On the DSP (SURR) menu, the selection choices made with the ‹ / › Buttons E on the remote select one of the DSP surround modes that are designed for use with two-channel stereo programs to create a variety of sound field presentations. The choices available are 5.1 or 6.1 modes of Hall 1, Hall 2 and Theater. The Hall and Theater modes are designed for multichannel installations. See pages 37-38 for a complete explanation of the DSP surround modes.
Step 2: The EzSet/EQ microphone should be placed in either your usual listening position or, if there is a large seating area, the center of the room, at the listeners’ ear level. You may find it convenient to use a camera tripod for stable placement of the EzSet/EQ microphone at the correct height. The microphone includes a threaded insert on the bottom for tripod mounting.
System Configuration Figure 18 • Speaker Distance: This test will circulate the tones again as the name of each channel is shown to measure the distance from the microphone to each speaker. The results of these tests will be used to set the delay time settings for each active speaker position. During the Speaker Distance test a screen similar to the one shown in Figure 20 will appear. The speaker position will change as EzSet/EQ measures the distance for each speaker.
Figure 23 Unplug the microphone and store it in a safe place so that it is available to recalibrate your system if needed due to a change in speakers, preferred listening position, or a major change in the room’s furnishings (such as the addition of thick carpeting or plush furniture) that might require different settings. When you have successfully completed the EzSet/EQ process and made any needed adjustments to the input and surround mode configurations, your receiver is ready for use.
System Configuration NOTE: When the front speakers are set to the LARGE option and the surround mode is set to "Surround Off", or pure two-channel stereo, when an analog signal source is present it will be routed directly from the input to the volume control without being digitized or processed. If you have full-range front speakers and wish to remove all digital processing from the circuit path, select this configuration.
upper capability limit of your subwoofer, as shown in the sub’s Owner’s Manual. When the cursor is on the Subwoofer line, press the ‹/› Navigation Buttons E to choose the appropriate setting. To select that option press the ‹/ › Buttons E on the remote so that SUB (LFE) appears in the on-screen menu.
System Configuration As an example, in the Figure below, all speakers are set for “large,” and a subwoofer is set. Delay Settings Due the different distances between the listening position for the front channel speakers and the surround speakers, the amount of time it takes for sound to reach your ears from the front or surround speakers is different.
Note that the A/V Sync delay setting is unique to each video input source, so you may enter a different setting to compensate for the differences between any product attached to the Video 1, 2, 3 or 4 inputs. To change one of the individual speaker positions directly, press the Delay Select Button , followed by the ⁄/¤ Navigation Button D to select the desired position as that name appears in the on-screen display and the Lower Display Line M.
System Configuration hear the test tone twice from the back speaker, once with the SBL indication and once with the SBR indication. This is normal, and it allows you to adjust the output balance for the mixing circuit that creates a 6.1 output when 7.1 modes such as Logic 7/7.1 are used. 6. After checking for speaker placement, let the test noise circulate again, and listen to see which channels sound louder than the others.
ENGLISH Operation Surround Mode Chart MODE FEATURES DOLBY DIGITAL Available only with digital input sources encoded with Dolby Digital data. It provides up to five separate main audio channels and a special dedicated Low Frequency Effects channel. DOLBY DIGITAL EX Available when the receiver is configured for 6.1/7.1 channel operation, Dolby Digital EX is the latest version of Dolby Digital.
Operation Surround Mode Chart MODE FEATURES DTS Neo:6 Cinema DTS Neo:6 Music These two modes are available when any analog source is playing to create a six-channel surround presentation from conventional Matrix-encoded and traditional Stereo sources. Select the Cinema version of Neo:6 when a program with any type of analog Matrix surround encoding is present. Select the Music version of Neo:6 for optimal processing when a nonencoded, two-channel stereo program is being played.
Basic Operation Once you have completed the setup and configuration of the AVR, it is simple to operate and enjoy. The following instructions should be followed for you to maximize your enjoyment of your new receiver: Turning the AVR On or Off • When using the AVR for the first time, you must press the Main Power Switch 1 on the front panel to turn the unit on. This places the unit in a Standby mode, as indicated by the amber color of the Power Indicator 3.
Operation 6-Channel/8-Channel Direct Input • There are two input choices available for use with sources such as a DVD-Audio or SACD player that are connected to the 8-Channel Direct Inputs 9. Select the appropriate input according to the way your system and source equipment is configured: • The 6 C H DIRECT INPUT should be used when the Surround Back Left and Right inputs are NOT in use and the input source device has its own internal bass management system.
To select a surround mode using the remote control, press the button for the major surround mode group that includes the mode you wish to choose from: Dolby M, DTS Surround N, DTS Neo:6 , Logic 7 O, Stereo or DSP Surround A. The first press of the button will show the current mode from that group if it is already in use, or the first available mode if you are currently using another mode.
Operation When the digital source is playing, the AVR will automatically detect whether it is a multichannel Dolby Digital or DTS source or a conventional PCM signal, which is the standard output from CD players. Note that a digital input (e.g. coaxial) remains associated with any analog input (e.g. DVD) as soon as it is selected, thus the digital input need not be re-selected each time the appropriate input choice (e.g. DVD) is made.
ENGLISH Operation For incoming DTS signals, the following modes are available: Incoming Bitstream Available Surround Modes DTS 1/0/.0, 1/0/.1, 2/0/.0, 2/0/.1, 3/0/.0, 3/0/.1, 3/1/.0 or 3/1/.1 DTS, DTS Stereo DTS 2/2/.0, 2/2/.1, 3/2/.0 or 3/2/.
Operation In most cases this will be 4 8 KHZ, though in the case of specially mastered, high-resolution audio discs you will see a 9 6 KHZ indication. The PCM 4 8 KHZ indication will also appear when modes or inputs are changed for analog sources. In those cases the system is telling you the sampling frequency used internally at the output of the analog-to-digital converters that change the incoming signal from a VCR, tape deck, the tuner, or other ana-log source to digital.
connecting its analog audio outputs to the appropriate analog inputs (e.g. DVD) of the AVR. Additionally, the digital signals will be passed through to the Digital Audio Outputs A. Tape Recording In normal operation, the audio or video source selected for listening through the AVR is sent to the record outputs. This means that any program you are watching or listening to may be recorded simply by placing machines connected to the outputs for Tape Outputs 3 or Video 1 Outputs P 7 in the record mode.
Operation After a period of time the screen may disappear from view. The length of time is set using the Full-OSD Time Out setting in the System Settings menu (described in the Advanced Functions section). You may restore the Now Playing screen to view by pressing either of the ‹/› Buttons E , and you may then navigate the menus as explained above.
Multiroom The AVR is fully equipped to operate as the control center for a complete multiroom system that is capable of sending one source to a second zone in the house while separate source is listened to in the main room. In addition to providing for control over the selection of the remote source and its volume, the AVR offers a comprehensive range of options for powering the speakers in the second zone.
Multiroom Operation As long as an IR feed to the AVR has been established from the remote room, using any of the buttons on either remote will control the remote location volume F, change the tuner frequency K, change the tuner preset or mute the output G.
Video Adjustments The AVR 347 includes sophisticated DCDi by Faroudja video processing that delivers enhanced video quality, even for older analog video source components, as well as upgraded on-screen displays. When upscaling video materials from a lower resolution to a higher one (the AVR 347 upscales to a maximum of 720p), the processor is adding pixels to the original image.
Advanced Features If you wish to make adjustments to other items on the SYSTEM SETUP menu, press the ⁄/¤ Navigation Button D to place the blue cursor bar on the desired item and press the Set Button F to make an adjustment to another menu. If you have completed all adjustments, press the OSD Button L to exit the menu system. Turn On Volume Level As is the case with most audio/video receivers, when the AVR is turned on, it will always return to the volume setting in effect when the unit was turned off.
Tuner Operation Default Surround Mode Basic Tuner Operation In normal operation, when the AVR senses a Dolby Digital or DTS digital audio data stream, it will automatically switch the appropriate default surround mode, with the AVR responding to the data flags that are encoded on the DVD disc or in the digital video broadcast. In most cases, this is the correct mode, but you may have a particular preference for the mode you wish to hear when Dolby Digital or DTS is present.
Tuner Operation RDS Operation The AVR 347 is equipped with RDS (Radio Data System), which brings a wide range of information to FM radio. Now in use in many countries, RDS is a system for transmitting station call signs or network information, a description of station program type, text messages about the station or specifics of a musical selection, and the correct time.
The AVR 347 is equipped with a powerful remote control that will control not only the receiver’s functions, but also most popular brands of audio and video equipment, including CD players, TV sets, cable boxes, VCRs, satellite receivers and other home-theater equipment. Once the AVR’s remote is programmed with the codes for the products you own, it is possible to eliminate most other remotes and replace them with the convenience of a single universal remote control. 5.
Programming the Remote Example: One blink, followed by a one-second pause, followed by six blinks, followed by a onesecond pause, followed by four blinks indicates that the code has been set to 164.
Macro Programming Macros enable you to easily repeat frequently used combinations of commands with the press of a single button on the AVR’s remote control. Once programmed, a macro will send out up to 19 different remote codes in a pre-determined sequential order enabling you to automate the process of turning on your system, changing devices, or other common tasks.
Programming the Remote Notes on Using the AVR Remote With Other Devices. • Manufacturers may use different code sets for the same product category. For that reason, it is important that you check to see if the code set you have entered operates as many controls as possible. If it appears that only a few functions operate, check to see if another code set will work with more buttons.
ENGLISH Programming the Remote Resetting the Remote Memory As you add components to your home-theater system, occasionally you may wish to totally reprogram the remote control without the confusion of any commands, macros or ”PunchThrough“ programming that you may have done. To do this, it is possible to reset the remote to the original factory defaults and command codes by following these steps.
Function List No.
No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 Button Name Power On Power Off Mute AVR DVD CD Tape/ HDMI1/ HDMI2 VID 1 (VCR) VID 2 (CBL/SAT) VID 3 (TV) VID 4 AM/FM 6/8 Ch. Select Learn Sleep/CH+ Test Tone T/V Volume Up Surround/CH– OSD M-ROOM Volume Down Channel/Guide Speaker/Menu ⁄ fi Set fl ¤ Digital/Exit Delay/Prev. Ch.
Troubleshooting Guide SYMPTOM CAUSE SOLUTION Unit does not function when Main Power Switch 1 is pushed • No AC Power • Make certain AC power cord is plugged into a live outlet • Check to see if outlet is switch controlled Display lights, but no sound or picture • Intermittent input connections • Make certain that all input and speaker connections are secure • Press Mute button G • Turn up volume control • Mute is on • Volume control is down No sound from any speaker; light around Power switch 2 is
Audio Section Stereo Mode Continuous Average Power (FTC) 70 Watts per channel, 20Hz–20kHz, @ < 0.07% THD, both channels driven into 8 ohms 7 Channel Surround Modes Power Per Individual Channel Front L&R channels: 55 Watts per channel, @ < 0.07% THD, 20Hz–20kHz into 8 ohms Center channel: 55 Watts, @ < 0.07% THD, 20Hz–20kHz into 8 ohms Surround (L & R Side, Back) channels: 55 Watts per channel, @ < 0.
APPENDIX – SETTINGS WORKSHEET Appendix – Default settings, worksheets, remote product codes Table A1 – Source Input Setting Defaults Source DVD HDMI 1 HDMI 2 Video 1 Video 2 Video 3 Video 4 The Bridge/ CD DMP Tape Title Tuner 6-/8Channel INT.
Source Title Video Input Audio Input Auto Poll Surround Mode Tone Mode Bass Treble DVD HDMI 1 HDMI 2 Video 1 Video 2 Video 3 Video 4 The Bridge/DMP CD Tape The Bridge/DMP --- Tuner 6-/8-Channel Tuner --- 6-Channel --- Tuner 6-/8-Channel†† Table A5 – Speaker/Channel Settings Source DVD HDMI 1 HDMI 2 Video 1 Video 2 Video 3 Video 4 The Bridge/DMP Left/Right Speaker Size Center Speaker Size Surround Speaker Size Subwoofer Left/Right Speaker Crossover Center Speaker Crossover Surround Speaker Cro
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