AVR 247 AUDIO/VIDEO RECEIVER OWNER’S MANUAL
SAFETY INFORMATION 1. Read Instructions. All the safety and operating instructions should be read before the product is operated. 2. Retain Instructions. The safety and operating instructions should be retained for future reference. 3. Heed Warnings. All warnings on the product and in the operating instructions should be adhered to. 4. Follow Instructions. All operating and use instructions should be followed. 5. Cleaning. Unplug this product from the wall outlet before cleaning.
SAFETY INFORMATION Important Safety Information Verify Line Voltage Before Use Your AVR 247 has been designed for use with 120-volt AC current. Connection to a line voltage other than that for which it is intended can create a safety and fire hazard and may damage the unit. If you have any questions about the voltage requirements for your specific model, or about the line voltage in your area, contact your selling dealer before plugging the unit into a wall outlet.
STAPLE INVOICE HERE 4
TABLE OF CONTENTS 2 6 8 10 13 16 17 17 17 17 18 18 19 19 19 19 20 20 21 23 23 23 23 23 27 27 28 28 29 29 30 31 31 32 33 34 37 37 37 37 37 38 38 38 39 39 39 40 41 42 42 44 SAFETY INFORMATION INTRODUCTION FRONT-PANEL CONTROLS REAR-PANEL CONNECTIONS REMOTE CONTROL FUNCTIONS INTRODUCTION TO HOME THEATER CONNECTIONS Speaker Connections Subwoofer Connecting Source Devices to the AVR Audio Connections Digital Audio Analog Audio Video Connections Digital Video Analog Video Antennas RS-232 Serial Port SPEAKER PLACE
INTRODUCTION Please register your AVR 247 on our Web site at www.harmankardon.com. Note: You’ll need the product’s serial number. At the same time, you can choose to be notified about our new products and/or special promotions. WWW.HARMANKARDON.
INTRODUCTION Audio Inputs Ease of Use • AM/FM/XM®* tuner • EzSet/EQ™ automated setup (microphone supplied) • CD • Graphic on-screen display with HDMI, component, composite and S-video • Tape • 6-/8-Channel direct • The Bridge /DMP for iPod** connectivity with audio/video playback • Two-line dot-matrix front-panel display • Color-coded connections TM Audio/Video Inputs (With S-Video) • Video 1 • Video 2 • Video 3 • Video 4 (on front panel) • DVD • Programmable 11-device main remote control • Sour
FRONT-PANEL CONTROLS Main Power Switch: This mechanical switch turns the power supply on or off. It is usually left pressed in (On position), and cannot be turned on using the remote control. Surround Mode: Press this button to select a surround sound (e.g., Standby/On Switch: This electrical switch turns the receiver on for playback, or leaves it in Standby mode for quick turn-on using this switch or the remote control.
Surround Mode Surround Select Tuning Tuner Band Message Display Preset Stations Digital Input Select Digital Audio Inputs (Optical 3 and Coaxial 3) Delay Headphone Jack/EzSet/EQ Microphone Input Source Tuning Select Mode Speaker/Channel Input Indicators Source Indicators Video 4 Analog Audio Inputs Video 4 Video Inputs Volume NOTE: To make it easier to follow the instructions throughout the manual that refer to this illustration, a copy of this page may be downloaded from the Product Support
REAR-PANEL CONNECTIONS AM and FM Antenna Terminals: Connect the included AM and FM antennas to their respective terminals for radio reception. XM Antenna Jack: Plug in an XM antenna module here. The XM antenna module is purchased separately, and should specify that it is for home use with an XM Ready® product. You will need to subscribe to the XM service, which is available separately, and activate the service for your antenna module. (XM service is not available in Alaska and Hawaii.
REAR-PANEL CONNECTIONS 6-/8-Channel Inputs: Connect the multichannel analog audio outputs of a DVD-Audio, SACD™, Blu-ray Disc™ or HD-DVD™ player (or any other external decoder) to these jacks to enjoy these proprietary formats. NOTE: When an HD-DVD or Blu-ray Disc player has an onboard digital decoder, it is not necessary to connect it to the 6-/8-Channel Analog Audio Inputs. Only a digital audio connection (HDMI, coaxial or optical) is needed.
CD Inputs Surround Back/ Multiroom Preamp Outputs Subwoofer Remote Output IR Output Preamp Outputs Multiroom IR Input Remote IR Input Video 2 A/V Inputs HDMI 2 Input Optical Digital Audio Inputs (1 & 2) Optical Digital Audio Output Switched AC Accessory Outlet Center Speaker Outputs Coaxial Digital Audio Output Surround Speaker Outputs 6-/8Channel Inputs Component Coaxial Digital Video Audio XM Inputs Inputs Antenna RS-232 (1, 2 & 3) (1 & 2) Jack Reset The Component HDMI HDMI1 Bridge/ Output
REMOTE CONTROL FUNCTIONS The AVR 247 remote is capable of controlling 11 devices, including the AVR itself and an iPod docked in the optional The Bridge accessory. During the installation process, you may program the codes for each of your source components into the remote. Each time you wish to use the codes for any component, first press the Selector button for that component. This changes the button functions to the appropriate codes for that product. 2.
IR Transmitter Lens Power On Program Indicator AVR Selector AM/FM XM Radio Test Tone Sleep Mute Power Off Input Selectors 6-/8-Channel Input Selector TV/Video Volume Controls DSP Surround On-Screen Display Channel Level Multiroom Speaker Setup Navigation Set Digital Input Delay Numeric Keys Tuning Mode Direct Station Entry Tuning Tone Mode Night Mode Track Skip Memory Clear Preset Stations Selectors Disc Skip Macros Surround Mode Selectors Dim Transport Controls NOTE: To make it easier to follow th
REMOTE CONTROL FUNCTIONS Sleep Button: Press this button to activate the sleep timer, which turns off the receiver after a programmed period of time of up to 90 minutes. Volume Controls: Press these buttons to raise or lower the volume, Memory: After you have tuned a particular radio station, press this button, then the numeric keys, to save that station as a radio preset. on-screen menu system. For XM Radio, the procedure for saving a preset is a little different.
INTRODUCTION TO HOME THEATER The AVR 247 may be the first multichannel surround sound receiver you have owned. Although it has more connections and features than 2-channel receivers, many of the principles are similar and the new concepts are easy to understand. This introductory section will help you to familiarize yourself with the basic concepts, which will make setup and operation smoother.
Composite S-Video CONNECTIONS There are different types of audio and video connections used to connect the receiver to the speakers and video display, and to connect the source devices to the receiver. To make it easier to keep them all straight, the Consumer Electronics Association (CEA®) has established a color-coding standard. Table 1 may be helpful to you as a reference while you set up your system. Table 1 – Connection Color Guide Bare wire cables are installed as follows (see Figure 2): 1.
CONNECTIONS Audio Connections There are two formats for audio connections: digital and analog. Digital audio signals are of higher quality, and are required for listening to sources encoded with digital surround modes, such as Dolby Digital and DTS. There are three types of digital audio connections: HDMI, coaxial and optical. Any one type of digital audio connection may be used for each source device, but never more than one for the same source.
CONNECTIONS Analog Audio Analog connections require two cables, one for the left channel (white) and one for the right channel (red). These two cables are often attached to each other for most of their length. See Figure 7. Most sources that have digital audio jacks also have analog audio jacks, although some older types of sources, such as tape decks, have only analog jacks. For sources that are capable of both digital and analog audio, you may wish to make both connections.
CONNECTIONS plug on an S-video cable contains four metal pins, plus a plastic guide pin. Be careful to line up the plug correctly when you insert it into the jack on the receiver, source or video display. See Figure 11. S-video cable Figure 11 – S-Video Component video separates the video signal into three components – one luminance (“Y”) and two sub-sampled color signals (“Pb” and “Pr”) – that are transmitted using three separate cables.
SPEAKER PLACEMENT Before you begin to connect cables, it is important to place your speakers in their correct locations in the room. Placement of Surround Speakers in a 5.1-Channel System Optimally, the speakers should be placed in a circle with the listening position at its center. The distance from the listening position to the video display forms the radius of the circle.
SPEAKER PLACEMENT Left Speaker Output. You will then need to follow the directions in the Advanced Features section for manual setup of the surround back speaker. Subwoofer Placement The subwoofer’s location is less critical, since low-frequency sounds are omnidirectional. Placing the subwoofer close to a wall or in a corner will reinforce the low frequencies, and may create a “boomy” sound.
INSTALLATION You are now ready to connect your various components to your receiver. Before beginning, make sure that all components, including the AVR 247, are turned completely off and their power cords are unplugged. Don’t plug any of the power cords back in until you have finished making all of your connections. Remember that your receiver generates heat while it is on. Select a location that leaves several inches of space on all sides of the receiver.
INSTALLATION For each video source, select one type of video connection. HDMI video is preferred, but both your source device and your video display must have this type of video capability. If either device does not, then use component video, S-video or composite video. Referring to Table 2, we recommend that you connect the DVD source to the Component Video 1 inputs, the Video 1 source to the Component Video 2 inputs, and the Video 2 source to the Component Video 3 inputs.
INSTALLATION We recommend connecting your various sources using the connections shown in Table 2 in order to simplify programming your receiver and remote control. However, you may connect any device to any source input. NOTE: The AVR 247 is equipped with a total of six digital audio inputs, not including the HDMI inputs: four on the rear panel (Coaxial 1 and 2, Optical 1 and 2) and two on the front panel (Coaxial 3 and Optical 3).
INSTALLATION HDMI 1 and 2 Figure 23 – Video 4 A/V and Digital Audio Inputs NOTE: The Video 4 Input Selector on the remote may only be programmed to operate a television or video display. IMPORTANT NOTE FOR MICROSOFT® XBOX® 360 USERS: The Microsoft Xbox 360 gaming system is capable of outputting high-definition 1080i and 1080p video signals using the analog component video outputs.
INSTALLATION Remember to connect the output jacks on your recorder to the Tape or digital audio input jacks on the AVR, and the input jacks on your recorder to the Tape or digital audio output jacks on the AVR. No video connections are needed. The Bridge TM With Harman Kardon’s optional The Bridge, you can enjoy audio, video or still images stored on your iPod (not included), use your AVR 247 remote control to operate the iPod, and even charge the iPod while it’s docked in The Bridge.
INSTALLATION out so that the word OFF appears on its top. Gently press the button to turn the switch off. This will prevent the possibility of damaging the AVR in case of a transient power surge. Step Seven – Insert Batteries in Remote The AVR 247 remote control uses three AAA batteries, which are included. To remove the battery cover located on the back of the remote, firmly press the ridged depression and slide the cover toward the top of the remote.
INSTALLATION 4. Enter a code from Step 1, above. a) If the device turns off, then press the Input Selector again to accept the code; it will flash. The remote will exit the Program mode. b) If the device does not turn off, try entering another code. If you run out of codes, you may search through all of the codes in the remote’s library for that product type by pressing the ⁄ or ¤ Button repeatedly until the device turns off.
INSTALLATION requirements of all applicable state and local building codes, as well as NEC (National Electrical Code) requirements. Check with your local authorities as needed to ensure that all wiring inside walls is installed in compliance with the proper standards. Failure to do so may present a potential safety hazard.
INITIAL SETUP Before you begin enjoying your new receiver, a few adjustments should be made to configure the AVR 247 to match your actual system. Make sure that you have connected a video display to one of the video monitor outputs on the receiver. When you turn on your display and the AVR, you should see a blue screen. A message may appear briefly at the bottom of the screen. This message is part of the on-screen display system, and is referred to as the “semi-OSD”.
INITIAL SETUP Configure the AVR 247 Using EzSet/EQ One of the most important and perhaps often overlooked aspects of setting up a home theater system is to calibrate the receiver to match the loudspeakers, which enables the AVR to perform at its best. Select the “Auto Configuration” setting, and the screen shown in Figure 48 will appear to direct you to plug the EzSet/EQ microphone into the Headphone Jack.
INITIAL SETUP (+ terminals connected to + terminals, and – terminals connected to – terminals). NOTE: EzSet/EQ can only detect the presence of a speaker, not its location within the room. If your speakers are not placed reasonably close to the positions shown in Figures 15 or 16 in the Speaker Placement Section, then EzSet/EQ may not be able to perform this test correctly.
INITIAL SETUP When EzSet/EQ has finished running all of these tests, a screen similar to the one in Figure 55 will appear. You may press the Set Button, and the Speaker Setup screen shown in Figure 47 will appear. Select “Manual Configuration” to view the settings resulting from EzSet/EQ. The manual Speaker Setup screens are explained in the Advanced Functions section.
INITIAL SETUP TITLE: You may change the display name for any source. Not only does this enable you to customize your system; it helps you to select the correct source device even when you have forgotten which physical connections were used. Move the cursor down to the TITLE line and press the Set Button. The screen shown in Figure 57 will appear.
INITIAL SETUP If you used a digital audio connection for another source, change this setting to assign the correct digital audio input to the source, even if you also connected the analog audio outputs of the source to the receiver. AUTO POLL: The Auto Poll feature is used when both an analog audio and digital audio connection have been made for one source device. If for some reason no digital signal is available, the AVR 247 will switch to the analog inputs for the source.
OPERATION Now that you have installed your system components and completed at least a basic configuration of your receiver, you are ready to begin enjoying your home theater system. Turning On the AVR 247 Gently press the Master Power Switch until the word OFF is no longer visible. The Power Indicator above the two power switches should light up in amber. This indicates that the AVR is in Standby mode and is ready to be turned on.
OPERATION To restore normal audio, either press the Mute Button again, or adjust the volume. Turning off the AVR will also end muting. Figure 63 – Mute Button Headphones Plug the 1/4" plug on a pair of headphones into the headphone jack on the front of the receiver for private listening. See Figure 65.
OPERATION The source name will appear in the upper line of the front-panel display. If you retitled the source, only the new title will appear. Otherwise, the audio input assigned to the source (analog or one of the digital audio inputs) will also appear. The surround mode will be displayed on the lower line. The same information will also appear on screen in the semi-OSD, unless you have set the semi-OSD to OFF in the System Setup menu, as described in the Advanced Functions section.
OPERATION If you need to use composite or S-video for your multichannel player, e.g., if your video display does not have component video inputs, then use the video inputs for another source. Since the AVR automatically selects the last-used video inputs for audio sources, first select the source you connected the video cables to, and then the 6-/8-Channel Inputs for the audio. Example 1: You would like to connect a DVD-Audio player to the AVR 247.
OPERATION 2. After you have programmed Preset stations (see below), either enter the Preset number (1 through 30) using the remote or use the Preset Stations Buttons (front panel or remote) to scroll through the list of presets. 3. In Auto tuning mode, with each press of the Tuning Buttons (front panel or remote), the AVR 247 will scan in the chosen direction until a station with acceptable signal strength is detected. Press the Tuning Button again to stop scanning. 4.
OPERATION channel number and preset location. Press the Tuning Mode Button repeatedly to display the category, current artist or song title. For traffic and weather channels, the current city’s name will appear instead of the channel name, and pressing the Tuning Mode Button repeatedly will display the local weather and temperature. Press the Set Button to search all channels. Press it again to search by category, using the ⁄ / ¤ Buttons to change the category.
OPERATION SETTINGS: This line accesses the Settings menu, shown in Figure 76. The items in this menu enable you to use the Shuffle and Repeat functions on the iPod. You may also set the Resume function, which resumes play of a selection from the point at which it was stopped, NOTES: • The Play and Pause functions are not available unless content has been selected for playback by navigating the menu system. • For the Search function, press and hold the indicated button.
OPERATION • The MP4 and H.264 video formats often used for videos to be played on the iPod are intended for optimal performance on the iPod’s small screen. Playback on larger displays may have different results. Selecting a Surround Mode Surround mode selection can be as simple or sophisticated as your individual system and tastes. Feel free to experiment with the many available surround modes on the AVR 247, and you may find a few that become your favorites for certain sources or program types.
ADVANCED FUNCTIONS Much of the AVR 247’s performance is handled automatically, with little intervention required on your part. However, the AVR 247 is a sophisticated component, and is capable of being customized to suit your particular system and your tastes. In this section we describe some of the more advanced adjustments available on the AVR 247. You may return to this section later, when you have become more familiar with your receiver.
ADVANCED FUNCTIONS “3” is used with DTS-ES bitstreams to represent the presence of the discrete surround back channel in addition to the side surround left and right channels. mode may be used with. Additional information about the Dolby and DTS modes is available on the companies’ Web sites: www.dolby.com and www.dtsonline.com. The third number is used for the LFE channel: When in doubt, check the jacket of your DVD for more information on which surround modes are available on the disc.
ADVANCED FUNCTIONS change the surround mode group. Use the ‹ / › Buttons to scroll through the options, and press the Set Button when the desired mode group appears. Navigate to the Mode line and follow the same procedure to select an individual mode. The Upsampling setting is only available for the Dolby modes. You may wait for the full-OSD screen to time out and disappear from view, or press the ‹ Button to return to the menu tabs and select another menu.
ADVANCED FUNCTIONS Table 8 – Surround Modes Surround Mode Description Incoming Bitstream or Signal Dolby Digital Provides up to five separate main audio channels and a dedicated low-frequency effects (LFE) channel. May be encoded for Night mode, which allows the user to apply a compression setting that maintains intelligibility of softer passages while reducing the loudness of dynamic passages to avoid disturbing others. • Dolby Digital 1/0/.0 or .1, 2/0/.0 or .1, 3/0/.0 or .1, 2/1/.0 or .1, 2/2/.
ADVANCED FUNCTIONS Surround Mode Description Incoming Bitstream or Signal Dolby Pro Logic IIx Music This mode is similar to Dolby Pro Logic II Music, including the availability • Dolby Digital 2/0/.0 or .1, 2/2/.0 or .1, of center width, dimension and panorama adjustments. Dolby Pro Logic IIx 3/2/.0 or .1, EX Music adds a surround back channel. In addition, it may be selected • DTS 2/2/.0 or .1, 3/2/.0 or .1 even when some types of DTS signals are present.
ADVANCED FUNCTIONS Surround Mode Description Incoming Bitstream or Signal DTS Neo:6 Cinema Depending on the number of speakers in your system, select 3-, 5- or 6-channel modes, enhanced for movie or video presentations. • DTS 2/2/.0 or .1, 3/2/.0 or .1 • DTS 96/24 • Analog (2-channel) • PCM (32kHz, 44.1kHz or 48kHz) DTS Neo:6 Music Available only in 5- and 6-channel modes, creates a surround presentation suitable for music recordings. • DTS 2/2/.0 or .1, 3/2/.0 or .
ADVANCED FUNCTIONS Manual Setup The AVR 247 is flexibly designed to be used with almost any loudspeakers available. The flexibility arises from the AVR 247’s capability to be configured to match the characteristics of your particular speakers, and to compensate for the acoustic characteristics of your room. EzSet/EQ automatically detects the capabilities of each speaker, and optimizes the AVR 247’s performance in your system. However, if for some reason you are unable to run EzSet/EQ, e.g.
ADVANCED FUNCTIONS Usually you would not connect the surround back speakers without also connecting the front and side surround speakers. However, the AVR 247 has the capability to reassign the surround back amplifier channels to the multiroom system, enabling you to use these channels to power a pair of speakers in another room independently of the speakers you use in your main listening area.
ADVANCED FUNCTIONS • If you set the front speakers to LARGE, you may select from three possible settings for the subwoofer. SUB L/R+LFE: This setting sends all low-frequency information to the subwoofer, including both information that would normally be played through the front left and right speakers and the special low-frequency effects (LFE) channel information.
ADVANCED FUNCTIONS displayed, and use the ⁄ / ¤ Buttons again to change the setting. Press the Set Button to return to the previous display, or wait a few seconds for the AVR to return to normal operation on its own. Step Four – Setting Channel Output Levels Manually Figure 86 – Delay Adjust Menu Screen This menu requires you to enter the distance from each speaker to the listening position, which you measured in Step Two – Measure Speaker Distances and noted in Table A3 in the appendix.
ADVANCED FUNCTIONS a few seconds, it will move to the center channel, then the front right channel, surround right, surround back right, surround back left, surround left and finally the subwoofer, displaying the channel name on the front of the receiver and in the semi-OSD display, as well as the current level setting (varies between –10dB and +10dB). Press the ⁄ / ¤ Buttons to adjust the level setting, and the tone will remain at that channel until several seconds after your last adjustment.
ADVANCED FUNCTIONS users of Microsoft Xbox 360 systems and some older set-top boxes, and the picture cannot be improved by making adjustments in the AVR 247’s Video Setup menu. If your digital cable television set-top box outputs 1080i or higher video via component video outputs and is not equipped with an HDMI output, contact your cable operator for a replacement.
ADVANCED FUNCTIONS b) Purchase an external amplifier. Connect the Surround Back/Multiroom Preamp Outputs to the amplifier’s inputs. You may place the amplifier either in the main listening room or the remote room. Placing the amplifier in the main listening room would require the use of long speaker wires to reach the remote room, while placing the amplifier in the remote room calls for the opposite – long interconnect cables and short speaker wires.
ADVANCED FUNCTIONS when turned on. This feature avoids discomfort for listeners in case the last user turned the volume very high. Press the OSD Button to remove the display from the screen so that you may adjust the volume to a desired level while a source is playing. Make a note of the number that appears in the display, and return to the System Setup menu. At the Default Volume Set line, select the desired volume setting, and activate the feature by setting Volume Default to ON.
ADVANCED FUNCTIONS You may reassign the transport control punch-through programming for the AVR, VID2 and VID3 devices to other devices, such as CD. If you wish to remove transport control punch-through altogether for the AVR, VID2 or VID3 device, follow the same procedure as for programming punch-through, but in Step 3 press either of the other two of these three special selector buttons.
TROUBLESHOOTING GUIDE SYMPTOM CAUSE SOLUTION Unit does not function when Main Power Switch is pushed • No AC Power • Make certain AC power cord is plugged into a live outlet • Check to see whether outlet is switch-controlled Display lights, but no sound or picture • Intermittent input connections • Make certain that all input and speaker connections are secure • Press Mute Button • Turn up volume control • Mute is on • Volume control is down No sound from any speaker; light around power switch is r
AVR 247 TECHNICAL SPECIFICATIONS Audio Section Stereo Mode Continuous Average Power (FTC) 65 Watts per channel, 20Hz–20kHz, @ <0.07% THD, both channels driven into 8 ohms Seven-Channel Surround Modes Power per Individual Channel Front L&R channels: 50 Watts per channel @ <0.07% THD, 20Hz–20kHz into 8 ohms Center channel: 50 Watts @ <0.07% THD, 20Hz–20kHz into 8 ohms Surround (L & R Side, L & R Back) channels: 50 Watts per channel @ <0.
APPENDIX Appendix – Default settings, worksheets, remote product codes Table A1 – Source Input Setting Defaults Source DVD HDMI 1 HDMI 2 Video 1 Video 2 Video 3 Video 4 The Bridge/ CD DMP Tape Title 6-/8XM Channel INT.
APPENDIX Table A4 – Source Input Settings Source DVD HDMI 1 HDMI 2 Video 1 Video 2 Video 3 Video 4 The Bridge/DMP CD Tape Tuner 6-/8-Channel XM Title Video Input Audio Input The Bridge/DMP Tuner 6-Channel Tuner Auto Poll Surround Mode Tone Mode Bass Treble Video Mode Table A5 – Speaker/Channel Settings Source DVD HDMI 1 HDMI 2 Video 1 Video 2 Video 3 Video 4 The Bridge/DMP CD Tape Tuner 6-/8-Channel†† XM Left/Right Speaker Size N/A Center Speaker Size N/A Surround Speaker Size N/A Subwoo
APPENDIX Table A6 – Remote Control Codes Source Input Product Type (circle one or fill in) Video 1 VCR, PVR Video 2 Cable, Satellite Video 3 TV Video 4 TV DVD DVD CD CD, CDR Tape Cassette HDMI 1 VCR, PVR, DVD, Cable, Satellite HDMI 2 VCR, PVR, DVD, Cable, Satellite Remote Control Code Table A7 – System Settings Feature Default Setting VFD Fade Timeout Off Volume Default Off Default Volume Set –25dB Semi-OSD Time Out 5 seconds Full-OSD Time Out 20 seconds Default Surround Mod
AVR247om.qxd 2/27/07 3:16 PM Page 65 APPENDIX 2 1 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 27 26 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 68 69 67 70 Refer to the numbered buttons in Figure 92 when using the Function List.
APPENDIX Table A8 – Remote Control Function List No.
APPENDIX Table A8 – continued No. Button Name AVR Function DVD CD/CD-R 43 Memory Memory Audio or Playlist Time 44 Tuning Up Tuning Up Next Chapter Track Direct 45 Direct Direct Tuner Entry Angle Random Play 46 Clear Clear Clear 47 Preset Up Preset Tune Up 48 Tuning Down Tuning Down Clear Slow Forward +10 Prev Chapter Track Increment 49 Tone Tone mode Program 50 D.
APPENDIX Refer to Tables A9 through A16 when programming the codes for your components into the remote.
APPENDIX Table A9 – continued TV Manufacturer/Brand Setup Code Number TV Manufacturer/Brand Setup Code Number LOGIK LUXMAN LXI MAGNAVOX MARANTZ MATSUI MEMOREX METZ MGA MINERVA MITSUBISHI MTC NATIONAL NEC NIKEI ONKING ONWA OPTONICA ORION PANASONIC PHILCO PHILIPS PIONEER PORTLAND PROSCAN PROTON QUASAR RADIO SHACK RCA REALISTIC RUNCO SAA SAMPO SAMSUNG SANYO SCOTT SEARS SHARP SIEMENS SIGNATURE SONY SOUNDESIGN SPECTRICON SSS SYLVANIA SYMPHONIC TANDY TATUNG TECHNICS TECHWOOD TEKNIKA TELERENT 069 128 077 030
APPENDIX Table A10 – Remote Control Product Codes – VCR VCR Manufacturer/Brand Setup Code Number AIWA AKAI AMPRO ASA AUDIO DYNAMICS BROKSONIC CANDLE CANON CAPEHART CITIZEN CRAIG DAEWOO DAYTRON DBX DYNATECH EMERSON FISHER FUNAI GE GO VIDEO GOLDSTAR/LG HARMAN KARDON HITACHI JC PENNEY JENSEN JVC KENWOOD LLOYD LXI MAGIN MAGNAVOX MARANTZ MEMOREX MGA MITSUBISHI MULTITECH NAD NATIONAL NEC NORDMENDE OPTIMUS ORION PANASONIC PHILCO PHILIPS PORTLAND PULSAR QUASAR RADIO SHACK RCA REALISTIC SALORA 70 040 048 076 134 0
APPENDIX Table A11 – Remote Control Product Codes – CD CD Manufacturer/Brand Setup Code Number ADCOM AIWA AKAI AUDIO TECHNICA AUDIOACCESS AUDIOFILE BSR CALIFORNIA AUDIO CAPETRONIC CARRERA CARVER CASIO CLARINETTE DENON EMERSON FISHER FRABA FUNAI GE GENEXXA GOLDSTAR/LG HAITAI HARMAN KARDON HITACHI INKEL JC PENNEY JENSEN JVC KENWOOD 063 072 050 053 125 211 044 109 070 087 136 117 166 187 052 055 117 126 164 108 016 099 001 093 216 098 153 176 030 178 108 077 164 039 058 194 080 152 166 013 199 069 053 037 0
APPENDIX Table A12 – Remote Control Product Codes – DVD Table A13 – Remote Control Product Codes – SAT DVD Manufacturer/Brand Setup Code Number SAT Manufacturer/Brand Setup Code Number APEX DIGITAL DENON GE GOLDSTAR/LG HARMAN KARDON JVC MAGNAVOX MARANTZ MITSUBISHI NAD ONKYO PANASONIC PHILIPS PIONEER PROCEED PROSCAN RCA SAMSUNG SHARP SONY THOMSON TOSHIBA YAMAHA ZENITH ALPHASTAR ALPHASTAR DBS ALPHASTAR DSR BIRDVIEW CHANNEL MASTER CHAPARRAL CITOH DRAKE DX ANTENNA ECHOSTAR 472 450 442 425 320 315 360 313
APPENDIX Table A14 – Remote Control Product Codes – TAPE Tape Manufacturer/Brand Setup Code Number HARMAN KARDON 001 Table A15 – Remote Control Product Codes – CBL CBL Manufacturer/Brand Setup Code Number ABC ALLEGRO AMERICAST ARCHER BELCOR CABLE STAR CITIZEN COLOUR VOICE DIGI EAGLE EASTERN ELECTRICORD EMERSON FOCUS G.I.
NOTES 74
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