HOYACatalog-Tokina09 09.5.27 1:04 PM Page 1 F I L T E R S www.hoyafilter.
HOYACatalog-Tokina09 09.5.27 1:04 PM Page 2 THE PRODUCTION PROCESS OF HOYA FILTERS Each Hoya filter is the result of research, know-how and complete precision facilities backed by full quality control. Before production starts, controls are first programmed into a computer. Then the finest materials are carefully mixed by an automatic V-blender for absolute uniformity. After being melted with highly sophisticated equipment, this material is then precision molded with automatic direct pressing equipment.
HOYACatalog-Tokina09 09.5.27 1:04 PM Page 3 F I LT E R S Premium Performance in Lens Protection and Image Enhancement HARDENED GLASS Hardened optical glass that has 4 times the breaking strength in ANSI standardized testing (ANSI Z80.3 : 2001) where a steel balls of varying size and weight were dropped from a height of 50 inches onto the glass. HIGH TRANSPARENCY POLARIZING FILM The polarizing film is the same as that used in the latest high definition LCD TV screens.
HOYACatalog-Tokina09 09.5.27 1:04 PM Page 4 UV Best Quality Filter in History HD GLASS • High Density Sharp Cut UV Glass • Chemically Enhanced Optical Glass is 4x Stronger HD COATING • 8-layer Anti-Reflective Multi-Coating • Water & Oil Repellent, Scratch & Stain Resistant HD FRAME • Wide-Angle Lens Compatible Ultra Thin Frame • Glass Mounted with High Pressure Press Technology A multi-purpose fine-weather filter Absorbs the ultraviolet rays which often makes outdoor photographs hazy and indistinct.
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HOYACatalog-Tokina09 09.5.27 1:04 PM Page 6 PROTECTOR Best Lens Protection in History HD GLASS • Ultra Clear High Transparency Optical Glass • Chemically Enhanced Optical Glass is 4x Stronger HD COATING • 8-layer Anti-Reflective Multi-Coating • Water & Oil Repellent, Scratch & Stain Resistant HD FRAME • Wide-Angle Lens Compatible Ultra Thin Frame • Glass Mounted with High Pressure Press Technology Protect your valued lenses This is the ultimate in clear filters.
HOYACatalog-Tokina09 09.5.27 1:04 PM PRO1 Digital Filter Series Page 7 for Digital D E S I G N E D E X C L U S I V E LY F O R D I G I TA L C A M E R A S K E Y F E AT U R E S Digital Multi-Coated Digital multi-coated filters greatly reduce the appearance of lens flare and ghosting caused by reflections. Black Almite Frame Filters feature a black matte aluminum satin finish almite frame which reduces reflections.
HOYACatalog-Tokina09 for Digital 09.5.27 1:04 PM Page 8 PRO1 Digital Filter Series CIRCULAR PL Color and contrast enhancement With CIRCULAR PL Filter Without Filter Light rays which are reflected by any surface can become polarised so polarising filters are used to select which light rays enter your camera lens. CIRCULAR PL filters allow you to remove unwanted reflections from non-metallic surfaces such as water, glass etc.
HOYACatalog-Tokina09 09.5.27 1:04 PM PRO1 Digital Filter Series Page 9 for Digital Reduce Glare and Reflections with the CIRCULAR PL Using the CIRCULAR PL filter, reflections and glare can be reduced significantly from non-metallic surfaces. A camera angle of 30 degrees from the reflecting surface (glass, water, etc.) is ideal for maximum effect.
HOYACatalog-Tokina09 for Digital 09.5.27 1:04 PM Page 10 PRO1 Digital Filter Series UV (0) A multi-purpose fine-weather filter With UV Filter With UV(0) Filter Without Filter Absorbs the ultraviolet rays which often makes outdoor photographs hazy and indistinct. A multi-purpose, fine-weather filter for color as well as black and white films. Also serves as a permanent lens protector.
HOYACatalog-Tokina09 09.5.27 1:04 PM PRO1 Digital Filter Series Page 11 for Digital PROTECTOR Protect your valued lenses With PROTECTOR Filter This is the ultimate in clear filters. It will not affect the color balance or performance of your lenses in the slightest. However, constant use will protect your valued lenses from expensive front element damage which could be caused by dirt, knocks or scratches. A cracked filter costs nothing in comparison to a cracked lens.
HOYACatalog-Tokina09 for Digital 09.5.27 1:04 PM Page 12 PRO1 Digital Filter Series ND4 • ND8 For wider apertures or longer exposures With ND4 Filter Without Filter With ND8 Filter Without Filter These ND filters reduce the amount of light entering the lens so wider apertures can be selected, which is perfect for portraiture to reduce depth of field. Subject appears crisp and clear while the background becomes a soft blur.
HOYACatalog-Tokina09 09.5.27 1:04 PM PRO1 Digital Filter Series Page 13 for Digital SOFTON-A Clear focus and soft gradation With SOFTON-A Filter Without Filter Creates a picture with a clear focus and a soft gradation. This effect is especially evident on an object with a point light source. A filter randomly arranging minute lens shaped like drops of water on the surface of a acrylic board scatters the light and results in a soft focus.
HOYACatalog-Tokina09 09.5.27 for Digital 1:04 PM Page 14 PRO1 Digital Filter Series STAR-4 Add a dramatic four-cross flare With STAR-4 Filter Without Filter The STAR-4 filter adds a dramatic four-cross flare to very bright areas, giving a soft-focus effect. ldeal for photographs of night scene illumination or other scenes with strong reflections.
HOYACatalog-Tokina09 09.5.27 1:04 PM PRO1 Digital Filter Series Page 15 for Digital CLOSE-UP No.3 A world of new creativity With CLOSE-UP No.3 Filter Without Filter The CLOSE-UP No.3 lens turns a normal lens into a macro by reducing the lens, minimum focusing distance. Depth-of-field is shallow so use as small an aperture as possible. CLOSE-UP NO.3 offers a world of new creativity.
HOYACatalog-Tokina09 09.5.27 1:04 PM Page 16 INDEX(Range table with size indication) See table opposite for sizes available.
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HOYACatalog-Tokina09 09.5.27 1:04 PM Page 18 HOYA offers a wide variety of superior quality filters for use in all imaging applications such as 35mm SLR cameras, Medium Format, Large Format,Video, Movie and Digital. It is important to select the best filters for your needs, as choosing inferior brands can deteriorate the performance of your high quality lenses. HOYA filters guarantee you the highest standards so you can create the best images.
HOYACatalog-Tokina09 09.5.27 1:04 PM Page 19 HMC (HOYA MULTI COATED) These popular filters are renowned for their ability to minimise reflection at the filter surfaces which reduces flare and ghosting. The result is an average light transmission of over 97%, giving sharp contrast and well balanced color. HOYA HMC filters are recommended for enhancing the performance of today's multicoated lenses.
HOYACatalog-Tokina09 for Film & Digital 09.5.27 1:04 PM Page 20 GENERAL FILTERS UV (0) A multi-purpose fine-weather filter With UV Filter Without Filter Absorbs the ultraviolet rays which often makes outdoor photographs hazy and indistinct. A multi-purpose, fine-weather filter for color as well as black and white films. Also serves as a permanent lens protector. NEUTRAL/CLEAR Ultimate in clear filters Mounted in an ULTRA slim 3mm ring, this is the ultimate in clear filters.
HOYACatalog-Tokina09 09.5.27 1:04 PM GENERAL FILTERS Page 21 for Film & Digital SKYLIGHT 1B For outdoor color photography With SKYLIGHT 1B Filter Without Filter Reduces excessive bluishness that frequently occurs in outdoor color photography, especially in open shade under a clear, blue sky. The absorption peak is in the range which corresponds to the film’s green spectrum. This means outstanding outdoor shots with superb color balance and clarity under all conditions.
HOYACatalog-Tokina09 for Film & Digital 09.5.27 1:04 PM Page 22 GENERAL FILTERS PL/PL-CIR Color and contrast enhancement With PL Filter Without Filter What is a polarizing filter? Light rays which are reflected by any surface can become polarised so polarising filters are used to select which light rays enter your camera lens. CIRCULAR PL filters allow you to remove unwanted reflections from non-metallic surfaces such as water, glass etc.
HOYACatalog-Tokina09 09.5.27 1:04 PM GENERAL FILTERS Page 23 for Film & Digital How to select the correct Polarizing Filter Two kinds of polarizing filters are the PL (Linear Polarizing) and PL-CIR (Circular Polarizing) filters which have the same effect of reducing glare, however, there are differences in the way each works in combination with your specific camera so it is important to research and choose the correct version of filter for your camera.
HOYACatalog-Tokina09 09.5.27 for Film & Digital 1:05 PM Page 24 GENERAL FILTERS How to use a polarizing filter PL filters achieve their greatest effect of eliminating glare when used at a 30-40 degree angle to a reflective surface (like glass or water). At midday when the sun is directly overhead, or at a 90 degree angle, the filter will have the least effect. These effects are easily visible by rotating the filter and looking through the viewfinder of the camera.
HOYACatalog-Tokina09 09.5.27 1:05 PM GENERAL FILTERS Page 25 for Film & Digital UV-PL-CIR A revolutionary “hybrid” design With UV-PL-CIR Filter Without Filter A revolutionary ‘hybrid’ design which combines the effect of two different filters in one ring. This filter eliminates ultraviolet rays to remove haze from outdoor shots as well as polarizing the light to remove reflections, and increase color saturation, without affecting the overall color balance.
HOYACatalog-Tokina09 for Film & Digital 09.5.27 1:05 PM Page 26 COLORED FILTERS RED ENHANCER (INTENSIFIER) Enhance red, orange and brown With RED ENHANCER Filter Without Filter Also known as a “didymium” filter, this is used to enhance red, orange and brown subjects to give more color saturation and contrast, while having very little effect on other colors.
HOYACatalog-Tokina09 09.5.27 1:05 PM COLORED FILTERS Page 27 for Film & Digital GREEN ENHANCER (GREEN FIELD) Improve outdoor shots With GREEN ENHANCER Without Filter Intensifies and enhances colors in the Green region of the spectrum without adversely affecting other colors. It is particularly useful for improving outdoor shots which include nature, flowers, landscapes and water. Combination use with PRO 1 UV (0) or PL-Circular is recommended for increased contrast and sharpness.
HOYACatalog-Tokina09 for Film & Digital 09.5.27 1:05 PM Page 28 COLORED FILTERS PORTRAIT Make skin tones more vivid and clear Without Filter With PORTRAIT Filter Enhances pink and reduces both yellow and orange to make human skin tones more vivid and clear. Combination use with PRO 1 UV (0) is ideal when shooting under fine blue skies.
HOYACatalog-Tokina09 09.5.27 1:05 PM COLORED FILTERS Page 29 for Film Camera FL-W Correct greenish tones With FL-W Filter Without Filter Used to correct the greenish tone that appears when daylight type film is used under fluorescent lighting. FL-W is for use with warm white or white type fluorescent lamps. It is recommended that auxiliary light sources be used when long exposures become necessary due to insufficient light.
HOYACatalog-Tokina09 for Film Camera 09.5.27 1:05 PM Page 30 COLORED FILTERS 80A • 80B • 80C Light balancing filters With 80A Filter With 80B Filter With 80C Filter Without Filter These are color conversion filters for the use of daylight type color film with artificial light sources. 80A increases the color temperature from 3200ºK to 5500ºK for use with 3200ºK lamps. 80B increases the color temperature from 3400ºK to 5500ºK for use with photoflood lamps.
HOYACatalog-Tokina09 09.5.27 1:05 PM COLORED FILTERS Page 31 for Film Camera 82A • 82B • 82C Light balancing filters With 82A Filter With 82B Filter With 82C Filter Without Filter These are light balancing filters used to increase the color temperature slightly for a cooler (bluer) tone. Corrects the tendency toward reddish tones. As an example, select the 82B when using tungsten Type B film (3200ºK) with ordinary household 100W electric bulbs (2900ºK).
HOYACatalog-Tokina09 for Film Camera 09.5.27 1:05 PM Page 32 COLORED FILTERS 81A • 81B • 81C Decrease color temperatures With 81A Filter With 81B Filter With 81C Filter Without Filter These are light balancing filters used to decrease the color temperature slightly for a warmer (redder) tone. Corrects the tendency toward bluish tones. For example, the 81A should be selected when using tungsten type B color film (3200ºK) with photoflood lamps (3400ºK) These filters can be used together.
HOYACatalog-Tokina09 09.5.27 1:05 PM COLORED FILTERS Page 33 for Film Camera 85 • 85B • 85C Color conversion filters With 85 Filter With 85B Filter With 85C Filter Without Filter These are color conversion filters for the use of tungsten type color films in daylight. 85 decreases the color temperature from 5500ºK to 3400ºK for the use of Type A color film. 85B decreases the color temperature from 5500ºK to 3200ºK for the use of Type B color film.
HOYACatalog-Tokina09 for Film & Digital 09.5.27 1:05 PM Page 34 COLORED FILTERS K2 (YELLOW) For clear contrast Without Filter With K2 Filter Especially useful for clear contrast between blue sky with clouds and foreground. Provides a natural tonal rendition. Often used for subjects at intermediate distances. G (ORANGE) For balancing contrast Without Filter With G Filter Increases contrast between reds and yellows. Particularly useful for distant outdoor shots taken with a telephoto lens.
HOYACatalog-Tokina09 09.5.27 1:05 PM COLORED FILTERS Page 35 for Film & Digital X0 (YELLOW GREEN) Great for outdoor portraits Without Filter With X0 Filter Used primarily for black and white photography. X0 is highly effective for outdoor portraits because red is rendered dark while green appears lighter. Great for correcting skin tones, bringing out facial expressions in close-ups and emphasizing the feeling of liveliness.
HOYACatalog-Tokina09 for Film & Digital 09.5.27 1:05 PM Page 36 SPECIAL EFFECTS FILTERS CENTER-SPOT Center focus for portraits With CENTER-SPOT Filter Without Filter A close-up lens with a hole in the center. The periphery of the picture is rendered a delicate, soft-focus effect while the central image is sharply focused.
HOYACatalog-Tokina09 09.5.27 1:05 PM SPECIAL EFFECTS FILTERS Page 37 for Film & Digital COLOR-SPOT Adds color effects for portraits With RED With GREEN With YELLOW With GRAY A colored glass filter with a hole in the center. Available in yellow, green, red and gray. The central image stands out clearly while the background appears the color of the filter.
HOYACatalog-Tokina09 09.5.27 for Film & Digital 1:05 PM Page 38 SPECIAL EFFECTS FILTERS MISTY-SPOT Gradual, Breeze, Windmill & Halo With Gradual With Breeze With Windmill With Halo Available in four types: Gradual, Breeze, Windmill and Halo. They have a sharp central image with a pleasant blurring of the outer field. With Gradual, blurring that appears to emanate from the center. Breeze has an unidirectional streaky blurring of the background.
HOYACatalog-Tokina09 09.5.27 1:05 PM SPECIAL EFFECTS FILTERS Page 39 for Film & Digital SPLIT-FIELD Half close-up special effect With SPLIT-FIELD One-half of a close-up lens with the other half open. One-half of the picture receives a close-up effect while the other half is normal. Both very close and far subjects can be in focus at the same time. Or one-half of the picture can be out of focus for special effects.
HOYACatalog-Tokina09 09.5.27 for Film & Digital 1:05 PM Page 40 SPECIAL EFFECTS FILTERS STAR-4 • STAR-6 • STAR-8 Add a dramatic cross flare With STAR-4 Filter With STAR-6 Filter Without Filter With STAR-8 Filter With STAR-8 Filter STAR-4 adds a dramatic four-cross flare to very bright areas, giving a soft-focus effect. Ideal for photographs of ladies wearing jewelry or other objects with strong reflections.
HOYACatalog-Tokina09 09.5.27 1:05 PM SPECIAL EFFECTS FILTERS Page 41 for Film & Digital VARIOCROSS Variable cross flare Two colorless glass plates with etched parallel lines on each surface and set in independent rotating frames. By rotating these frames, the effect can be varied to produce any desired expression for any highly reflective scene. RAINBOW-SPOT A rainbow of color effect Made of glass and provided with rotating frames.
HOYACatalog-Tokina09 for Film & Digital 09.5.27 1:06 PM Page 42 SPECIAL EFFECTS FILTERS ND(NEUTRAL DENSITY) X2 X4 X8 For wider apertures or longer exposures With ND X8 Filter With ND X4 Filter With ND X2 Filter Without Filter Neutral Density filters are often ignored by photographers, but they have several uses and offer the possibility to get otherwise unachievable results. ND filters appear grey and reduce the amount of light reaching the film. They have no affect on color balance.
HOYACatalog-Tokina09 09.5.27 1:06 PM SPECIAL EFFECTS FILTERS Page 43 for Film & Digital ND X400 Make moving subjects invisible With ND X400 Filter Without Filter Photographing solar eclipses and ultra-bright light sources can be extremely dangerous. This filter reduces light values by 9 stops to less than 1/500th of its original intensity and allows safe photography. It can also be used to achieve super slow shutter speeds in daylight to render moving subjects invisible.
HOYACatalog-Tokina09 for Film & Digital 09.5.27 1:06 PM Page 44 SPECIAL EFFECTS FILTERS BLACK MIST A subtle softening filter The Hoya Black Mist filter is a subtle softening filter that lowers contrast and gives an over-all soft look to portraits.
HOYACatalog-Tokina09 09.5.27 1:06 PM SPECIAL EFFECTS FILTERS Page 45 for Film & Digital WHITE MIST Pleasing effect for softening portraits The Hoya White Mist filter yields a very subtle, pleasing effect for softening portraits. The white sheen of the filter gives strong highlights a soft glow.
HOYACatalog-Tokina09 09.5.27 for Film & Digital 1:06 PM Page 46 SPECIAL EFFECTS FILTERS FOG FILTER Produce the effect of dense fog Without Filter With FOG Filter Lightly veils the entire picture in white. Available in a set of two: FOG (A) and FOG (B). FOG (B) has a stronger effect than FOG (A). Both can be used together to produce an effect similar to dense fog. The effect can be varied by changing the aperture of the lens, but stopping down too far will reduce the effect.
HOYACatalog-Tokina09 09.5.27 1:06 PM SPECIAL EFFECTS FILTERS Page 47 for Film & Digital SOFTENER A • B Scatters light for a soft-focus With SOFTENER A Filter With SOFTENER B Filter A filter with randomly arranged minute lenses shaped like drops of water on an acrylic surface which scatters the light and results in a soft focus. Creates a picture with a clear focus and a soft gradation. This effect is especially evident with an object with a point light source.
HOYACatalog-Tokina09 09.5.27 for Film & Digital 1:06 PM Page 48 SPECIAL EFFECTS FILTERS MULTIVISION Create exotic compositions With MULTIVISION 5F Without Filter Available in five types: (3PF), (3F), (5F), (6F) and (6PF). Made of optical glass precisely cut into a variety of facets, MULTIVISION helps create exotic, fantastic compositions of color patterns and combinations. Effect is strongest with a relatively dark background and at larger apertures.
HOYACatalog-Tokina09 09.5.27 1:06 PM SPECIAL EFFECTS FILTERS Page 49 for Film & Digital COLOR-MULTIVISION Produces colorful multi-images With 3F With 3F With 5F With 5F Available in two types: (3F) with three faces in blue, green and red; and (5F) with five faces evenly divided into green and orange. These filters produce the dynamic professional color multi-images often seen in TV or commercial photography. Results are striking with either still or movie cameras.
HOYACatalog-Tokina09 for Film & Digital 09.5.27 1:06 PM Page 50 SPECIAL EFFECTS FILTERS CLOSE-UP A world of new creativity With AC+5 With AC+4 With +1 With UV Filter+2 Without Filter Available in +1, +2, +3, +4 and +5 diopters for close-up photography. Depth-of-field is shallow so use as small an aperture as possible. CLOSE-UPs offer a world of new creativity.
HOYACatalog-Tokina09 09.5.27 1:06 PM SPECIAL EFFECTS FILTERS Page 51 for Film & Digital MACRO CLOSE-UP Discover the art of nature With MACRO CLOSE-UP Without Filter A lens of 2-element, 2-group construction and a +10 diopter rating. Resolution is outstanding and focusing is possible at 10cm for super close-ups of insects, flowers and other small objects. The magnification is about 1:2 with a 50mm standard lens (35mm camera), roughly equates to a 100mm telephoto lens.
HOYACatalog-Tokina09 for Film & Digital 09.5.27 1:06 PM Page 52 SPECIAL EFFECTS FILTERS HALF COLOR For dramatic color tones With PINK With GREEN With ORANGE With RED Made by sandwiching a gelatin filter between two optical glass plates. Similar to DUAL-COLOR except one-half is clear. Set in a rotating frame for added effectiveness.
HOYACatalog-Tokina09 09.5.27 1:06 PM SPECIAL EFFECTS FILTERS Page 53 for Film & Digital FANTASY COLOR SET Great for a special impact With MOONLIGHT BLUE With VIVID PINK With DEEP MAUVE Without Filter This set of three strongly colored filters in Moonlight Blue, Vivid Pink and Deep Mauve can be used to give a single color effect over the whole of a picture.
HOYACatalog-Tokina09 for Film & Digital 09.5.27 1:06 PM Page 54 SPECIAL EFFECTS FILTERS TRICOLOR For original color compositions With TRICOLOR-PARA With TRICOLOR-TRI Divided into three color sections (PARA: blue, yellow and pink, TRI: blue, green and red) for imaginative three-tone effects. Available in two types: Parallel and Triangle. The effect varies depending on the focal length of the lens used and the aperture.
HOYACatalog-Tokina09 09.5.27 1:07 PM SPECIAL EFFECTS FILTERS Page 55 for Film & Digital PL-COLOR For dramatic color creation ➔ ➔ ➔ ➔ Available in four types: B(blue), Y(yellow), O(orange) and R(red). A combination of gray and colored polarizing filters. Any color from gray to the full color of the filter can be obtained by rotating the filter frame. VARIO PL-COLOR Many color possibilities ➔ ➔ ➔ ➔ Available in five types: Y/B, Y/G, Y/R, R/B and R/G.
HOYACatalog-Tokina09 for Film & Digital 09.5.27 1:07 PM Page 56 SPECIAL EFFECTS FILTERS POL-CONVERSION Eliminates undesirable reflections With POL-CONVERSION Without Filter A linear polarizing sheet is sandwiched between one transparent optical glass and one color conversion filter (85B). Enables tungsten film to be used in daylight and also has the effect of a regular polarizing filter. Eliminates undesirable reflections from water, windows and non-metallic surfaces.
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HOYACatalog-Tokina09 A L L 09.5.27 1:07 PM Page 58 F I L T E R S A R E How another Large Manufacturer makes Filters Imagine a sandwich made with a thin gel or even colored glue between two pieces of regular glass, similar to the glass used in windowpanes. This is how some other brands of optical filters are made. These types of filters are cheap to produce, but inferior for several reasons: Not to scale Regular Glass Colored Gel Laminate Regular Glass 1.
HOYACatalog-Tokina09 N O T 09.5.27 1:07 PM C R E A T E D Page 59 E Q U A L ! Hoya Coating and Multi-Coating, the Quality Difference. Hoya manufactures a full line of filters in both standard and Hoya multi-coated. The difference between Hoya’s standard line and that of other manufacturers is that Hoya standard filters have a layer of anti-reflective coating bonded to each surface of the glass.
HOYACatalog-Tokina09 T H E 09.5.27 1:07 PM Page 60 D I F F E R E N C E Best of the Best In 1996 Hoya introduced Super Multi-coated filters to the photographic world. Consisting of a Skylight, 1B, UV (0), ND 2X, ND4X, and a low profile Circular Polarizer, this line of filters has a 5+1 layering system on each side of the glass: 5 layers of anti-reflective coating and a transparent easy-clean top coat. This reduces light reflections off the filter surface to an average of just 0.3%, meaning 99.
HOYACatalog-Tokina09 I S 09.5.27 1:07 PM C L E A R Page 61 ! The Value in a Hoya Multi-coated filter Wide aperture professional lenses are very expensive, and all photographers want to get the most speed, optical performance, and dollar performance from their investment. Look at it this way, a customer pays $800.00 for a 80-200mm f/2.8 lens. Then, to protect this investment the customer buys a cheap bare glass filter, which has a light reflection rate of 10%.
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HOYACatalog-Tokina09 09.5.27 1:07 PM Page 68 F I L T E R S Important Information: 1) When using color negative film with certain special-effect filters intended to give a false color to your pictures (Sepia, Fantasy Color, Dual Color, etc.), please ensure you inform your processing lab that these filters have been used. Otherwise, their equipment will automatically attempt to correct the colors and remove the desired effect. (NB: This will not be of concern when using color slide film).
