User's Manual

Table Of Contents

Setup Focus Mode:(Track+F8)

Encoder Knob 1 = Channel strip format (Mono, Stereo, L/R, Surround)

Encoder Knob 2 = Spread parameter (Surround channels only)

Encoder Knob 3 = Channel strip input assignment

Encoder Knob 4 = Channel strip output assignment

Encoder Knob 5 = Automation mode

Encoder Knob 6 = Quick-edit group membership. ChooseGroup1 to 32 or Off

<<<<<<<<< Pan>>>>>>>>>

Pan Assignment Shortcuts:

Hold Pan to display the shortcut menu. Here you can select which parameter will appear on the

LCD display and can be edited by the Encoder Knobs in Pan Assignment Mode.

Encoder Knob 1 or F1 = Angle

Encoder Knob 2 or F2 = Diversity

Encoder Knob 3 or F3 = LFE Level

Encoder Knob 4 or F4 = Spread

Encoder Knob 5 or F5 = -

Encoder Knob 6 or F6 = ActivatesSurround Focus Mode

Encoder Knob 7 or F7 = Activates Angle/DiversityMixer Mode

Encoder Knob 8 or F8 = Activates X/Y Mixer Mode

Surround Focus Mode: (Pan - Pan)

Press Pan twice to enter Surround Focus Mode, and edit multiple surround parameters for the

selected channel. Each Encoder Knob is set to a different function. Stereo channels are always

assigned the parameter Pan.

Encoder Knob 1 = Angle

Encoder Knob 2 = Diversity

Encoder Knob 3 = LFE Level

Encoder Knob 4 = Spread

Encoder Knob 5 = Surround X

Encoder Knob 6 = Surround Y

Angle/Diversity Mixer Mode:(Pan +

)

Create dramatic polar-style surround panning for many tracks at once. This style of surround

control is best for creating deep immersive surround and automating smooth circular movements.

Turning anEncoder Knob changes the surround angle, and the Fadersedit surround diversity.

Angle and Diversity work together to set the virtual position of a sound. Angle is the position of the

sound source relative to the listener in 360 degrees. Diversity is like the distance of the source

from the listener, where lower values are farther away.

X/Y Mixer Mode:(Pan + F8)

Create dramatic grid-style surround for many tracks at once. This style of surround control is best

for placing sounds on a virtual stage, or for automating sound objects that will move on mostly

linear paths relative to the listener. Turning anEncoder Knob changes the surround X value, and

the Faders edit surround Y.