Owner’s Manual
Important Safety Instructions SAVE THESE INSTRUCTIONS INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS WARNING CAUTION TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS PRODUCT TO RAIN OR MOISTURE. RISK OF ELECTRIC SHOCK DO NOT OPEN AVIS : RISQUE DE CHOC ELECTRIQUE - NE PAS OUVRIR. TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
The product is not completely disconnected from the power supply even when the power switch is turned off. If the product will not be used for a long time, unplug the AC power cord from the AC outlet. Failure to do so may cause fire in case of lightning. Failure to do so may over-heat the product, resulting in fire. This product may be equipped with a polarized line plug (one blade wider than the other). This is a safety feature.
Do not place open flame sources, such as lighted candles on the product. The mains plug shall remain readily operable. Use the apparatus only in moderate climates (not in tropical climates) The product should be serviced by qualified service personnel when: The power supply cord or the plug has been damaged. Objects have fallen, or liquid has been spilled into the product. The product has been exposed to rain. The product does not appear to operate normally or exhibits a marked change in performance.
WELCOME TO THE MP5 Thank you for purchasing the KAWAI MP5. The MP5 Stage Piano features 256 Internal Sounds of the highest quality. The MP5 can also be used as a MIDI master controller. On stage, at home, or in the studio, the MP5 has been designed to offer quick and easy access to many sophisticated features. BASIC FEATURES of the MP5 4 ASSIGNABLE ZONES The MP5 keyboard can be divided into 4 zones. Each zone can be set to INT, EXT or BOTH individually.
TABLE OF CONTENTS WELCOME TO THE MP5.....7 6.2.9 Prg # (Ext only).....35 6.2.10 TX Bank (Ext only).....35 6.2.11 Bank MSB/LSB (Ext only).....35 6.2.12 Keyboard On/Off (Ext only).....35 6.2.13 Key Range Hi/Lo .....36 6.2.14 Velocity Switch.....36 6.2.15 Velocity Switch Value.....36 6.2.16 Velocity Compression.....37 6.2.17 Velocity Offset.....37 6.2.18 Zone Transpose.....37 6.2.19 Transmitting Volume (Ext only).....38 6.2.20 Volume.....38 6.2.21 Transmitting Control Change.....38 6.2.22 Pan.....38 6.2.
8.2.11 Receive Channel.....49 8.2.12 LCD Contrast.....49 8.2.13 LED Brightness.....49 8.2.14 Out Mode.....49 8.2.15 Foot Switch Mode .....49 8.2.16 Wheel Mode .....50 8.2.17 Dump Mode .....50 8.3 System Dump.....50 8.3.1 Dump Current.....50 8.3.2 Dump All Sound.....51 8.3.3 Dump All Setup.....51 8.4 System Reset.....52 8.4.1 Reset One SOUND/SETUP.....52 8.4.2 Reset All.....52 9. OTHER.....53 9.1 MIDI IN.....53 9.2 SETUP Program Number Table.....53 9.3 SOUND Program Number List.....54 9.4 Notes about USB.
1. NAMES AND FUNCTIONS 1.1 FRONT PANEL [FADER SECTION] 1. VOLUME Fader The VOLUME fader controls the master volume level of the MP5. 2. ZONE SELECT buttons The ZONE SELECT buttons are used to select one of the four zones for editing. Only one zone can be selected at a time. The front panel setting represents the current zone status. 3. ON/OFF buttons The ON/OFF buttons are used to turn zones ON/OFF. When the button is lit, the zone is active.
[EFFECT BUTTONS] 11. SW button This button turns the assigned function ON or OFF. Many different functions can be assigned to this switch for your convenience. When in edit mode, pressing the SW button will exit from edit mode. 12. EFX button This button turns the EFX ON or OFF for the selected zone. 13. REVERB button This button turns the REVERB ON or OFF for the selected zone.
1.2 HEADPHONE JACK The headphone jack is located in front at the left end of the key slip. Use a headphone with a standard stereo 1/4 inch phone jack. 1.3 REAR PANEL 1. POWER SWITCH Turns the MP5 ON or OFF. 2. POWER RECEPTACLE Connect the power cable, which is included in the MP5 package, to this receptacle. 3. MIDI JACKS These jacks are used to connect the MP5 with external MIDI devices such as a MIDI sound module or a MIDI sequencer. 4.
2. Basic Operations 2.1 Getting Ready Since the MP5 has no built-in speakers, you will need to connect a mixer, keyboard amplifier or headphones in order to listen. Turn the MP5 on, using the POWER SWITCH on the rear panel. It is recommended to turn the MP5 on before turning on any amplifiers in order to avoid switching noise. What you need to know before starting: Please read this part for a better understanding of the MP5 structure. The MP5’s SOUND and SETUP modes are largely the same.
2.2 Selecting a Sound The MP5 always starts up in SOUND mode when the power is turned ON. The SOUND button will be lit to indicate SOUND mode is active. Operation 1 Select the sound category by pressing a sound select button in the top row. There are 3 rows of sound select buttons, the top row is for selecting a sound category and the second and third rows are for selecting a variation. For example, to select "60’s EP2", first press the E.PIANO in the top row and the first sound in the E.
In Sound mode, the “1” in the display indicates that the zone 1 is currently selected. When the multitimbre is off, the default settings of the zones are as follows. It is recomended for simple MIDI transmit/receive use on stage etc. The default TXchannel is System Ch (see page45). Zone Zone Zone Zone 1 2 3 4 Internal On Internal Off External On External Off (Plays internal sound) (Muted) (Plays external device) (Muted) When the multitimbre is on, the default settings of the zones are as follows.
2.3 Layer Let’s try layering another sound. Turn the zone 2 on by pressing the ZONE ON/ OFF button for zone 2. The ZONE SELECT button for zone 2 is automatically selected and the display shows the sound name for zone 2. Select the sound for zone 2 with the SOUND SELECT buttons as shown in the previous section. Adjust the volume balance of zone 1 and 2 with the faders for each zone. 2.4 Split Now let’s split the keyboard and play different sounds in upper and lower sections.
2.5 Piano Only The Piano Only function lets you quickly return the MP5 sounds to the default settings. Press the PIANO button and the SOUND SELECT button 1 simultaneously. All the current settings (except for SYSTEM settings) will go back to original and only Concert Grand sound can be played on the whole keyboard. Note: You may use this function also as a kind of Panic or Reset button. Also it is a good starting point to create Setups from scratch. 2.6 Metronome A metronome is available on the MP5.
The display shows the current TRANSPOSE amount when the TRANSPOSE button is held down. A value of “0” indicates no transposition. 2.8 Using the MP5 as a MIDI controller The MP5 can control external devices via MIDI. MIDI Connection Connect the MIDI OUT on the MP5 to the MIDI IN on an external MIDI device with a MIDI cable. Selecting the MIDI Channel The MIDI Transmit Channel of the MP5 must be matched with the Receive Channel of any MIDI devices connected to the MP5.
UPPER 1 1 1 1 1 1 1 1 1 1 1 2 3 4 5 6 7 8 SECOND 1 1 1 1 2 3 4 5 6 7 8 1~8 1~8 1~8 1~8 1~8 1~8 1~8 THIRD A B C D A~D A~D A~D A~D A~D A~D A~D A~D A~D A~D A~D A~D A~D A~D PROG#:MSB-LSB 001:000-000 002:000-000 003:000-000 004:000-000 005:000-000 ~ 008:000-000 009:000-000 ~ 012:000-000 013:000-000 ~ 016:000-000 017:000-000 ~ 020:000-000 021:000-000 ~ 024:000-000 025:000-000 ~ 028:000-000 029:000-000 ~ 032:000-000 033:000-000 ~ 064:000-000 065:000-000 ~ 096:000-000 097:000-000 ~ 128:000-000 001:000-001 ~ 032:
3. SW Button The SW button is a programmable realtime switch which can be assigned to one of 8 different functions. Press and hold the SW button. The display shows the currently assigned function. Press the SW button again to exit without changing the function. Use the VALUE buttons to change the function. The display will automatically return to SOUND or SETUP mode after you change the function. This function can be stored using the STORE button.
When the SW button is OFF: The display briefly shows as follows and the rotary speed changes to slow. Note: When the Rotary effect is not in use, the display briefly shows as follows. 3.4 EQ Bypass On/Off You can temporarily bypass the EQ by turning the SW button on. When the SW button is lit the EQ Bypass is on. EQ Bypass On: The display briefly shows as follows and the sound bypasses the EQ. EQ Bypass Off: The display briefly shows as follows and the EQ comes back to active.
3.6 Foot Switch Lock You can lock the assignable foot switch to avoid unnecessary movement by accident. First, connect a foot switch to the FSW jack on the rear panel of the MP5. When the SW button is lit the Foot Switch Lock is on. Foot Switch Lock On: The display briefly shows as follows and the assignable foot switch is locked. Foot Switch Lock Off: The display briefly shows as follows and the assignable foot switch is unlocked.
3.8 External Sequencer Start/Stop You can start and stop the external sequencer connected to the MP5 with SW button. First, connect an external sequencer to the MIDI OUT jack on the rear panel of the MP5. Make sure that the sequencer is capable to receiving external MIDI clock and commands. Check the MIDI implementation chart of the sequencer if the Recognized column of the System Real Time Clock & Commands is marked “O (yes)”.
4. EFX/REVERB The internal sounds of the MP5 can be enhanced using the built in REVERB and EFX generators. There are 7 REVERB types and 22 different EFX types to choose from. MP5 contains 4 variations of EFX type per INT section, and different EFX can be added to the sound of each ZONE. 4.1 EFX The MP5 contains 22 high quality EFX types, designed to complement the internal sounds. Each internal sound has a preset effect assigned as the default.
Auto Wah: Pedal Wah: Enhancer: Overdrive: Auto Wah creates an automatic filter sweep at the attack of each note. Pedal Wah creates a filter sweep with the expression pedal connected to the MP5. Enhancer produces a crisper tone, so the sound is more easily discernible. Overdrive effect adds tube-amp style distortion. Note: You can select different types for each zone. 4.2 REVERB The MP5 contains 7 high quality REVERB types, designed to complement the internal sounds.
5. Control Knobs Select the function with the buttons on the left and use the knobs to change the values. You can also move the cursor with the MENU buttons and change the value with the VALUE buttons while the display is showing Control Knobs function. 5.1 EFFECT Make sure that the EFFECT button in the CONTROL KNOBS section is lit. If the EFFECT button is turned off, press it to turn it ON. The CONTROL KNOBS are now active and assigned to the EFX/REVERB parameters for the selected zone.
17. 18. 19. 20. 21. 22. ROTARY 1 ROTARY 2 AUTO WAH PEDAL WAH ENHANCER OVERDRIVE rate rate sense sense intensity drive slow/fast slow/fast 0 -100 (%) 0 -100 (%) 0 -100 (%) 0 -100 (%) wet balance drive wet balance wet balance send level wet balance REVERB parameter list 1. 2. 3. 4. 5. 6. 7. HALL 1 HALL 2 STAGE 1 STAGE 2 ROOM 1 ROOM 2 PLATE REVERB Time rev.time 0.3 - 5.0S rev.time 0.3 - 5.0S rev.time 0.3 - 3.0S rev.time 0.3 - 3.0S rev.time 0.3 - 3.0S rev.time 0.3 - 3.0S rev.time 0.3 - 3.
5.2 EQ (EQUALIZER) The MP5 contains a four-band graphic equalizer to shape the overall tone of the sound. The EQ affects all zones at the same time. However, each SETUP can have its own EQ setting that affects the internal sounds only. Be sure that the EQ button in the CONTROL KNOBS section is lit. If the EQ button is turned off, press it to turn it ON. The CONTROL KNOBS are now active and assigned to the EQ parameters. Use the CONTROL KNOBS to change the current settings.
CUTOFF: ATTACK: DECAY: RELEASE: Raising the CUTOFF level makes the sound brighter, lowering the level makes the sound duller. As the value increases, the attack time becomes longer, which means a slower attack is produced. This parameter controls the amount of time from the peak level to the sustain level of the sound. This parameter controls the amount of time needed for the sound to fade out after the key is released.
When the selected zone is set to EXT, the display shows the MIDI CC numbers. The default parameters assigned for each knob are as follows. A: #10 B: #70 C: #76 D: #77 Panpot (PAN) Sustain Level (STN) Vibrato Rate (VbR) Vibrato Depth (VbD) Note: If the selected zone is set to BOTH, changing the MIDI CC# parameters affects both internal and external sections.
6. MENU The MENU buttons allow access to the edit parameters in the MP5. This collection of settings together with other editable parameters can be stored as a SETUP. The MP5 provides 256 SETUPs, and all are user programmable. A SETUP consists of four zones. Each zone can be set as Internal, External or Both individually. Inside each of the four zones, a multitude of features and effects can be programmed and combined together into one exciting SETUP. A total of 256 SETUPs may be programmed in this way.
6.1 Editing Procedure and Parameters First, press the ZONE SELECT button for the zone to be edited. Next, press the MENU buttons until the parameter you want to edit appears in the DISPLAY. When a zone is set as Both, pressing the ZONE SELECT button again will switch the menu list from Internal to External or vice versa. Set the value of the parameter using the VALUE buttons. Since each parameter has a different value range, consult the following pages for the details.
6.2.4 String Resonance (Int Piano only) The volume of string resonance can be changed to the level you prefer. The value changes from 0 (off) to 10. In acoustic pianos, there are strings corresponding to each key. When a key is pressed, strings of other keys in the related harmonic series to the note played resonate. This effect is called "sound resonance", which makes the sound of an acoustic piano full and rich. * The display shows this parameter only when Piano sound is selected. 6.2.
6.2.8 TX Prg # (Ext only) This parameter determines if a Program Change Number will be transmitted (On) or not (Off) when a SETUP is recalled. If you want to switch sounds on external MIDI devices every time you call the Setup turn this parameter ON. 6.2.9 Prg # (Ext only) This parameter determines which Program Change Number will be transmitted when a SETUP is recalled. When the TX Prg # is set to Off, this page won’t be displayed.
6.2.13 Key Range Hi/Lo These two parameters define the playable key range on the keyboard for the selected zone. First, while K.Range Hi appears in the display, use the VALUE buttons to set the highest note that the selected zone can play. Next, while K.Range Lo appears in the display, use the VALUE buttons to set the lowest note that the selected zone can play. Note: Another convenient way to input the key range is to hold the ZONE SELECT button of the desired zone for more than 1 second and input the K.
Note: Each zone can have a separate Velocity Switch Value. By setting the Soft Zone Velocity Switch Value higher than that of the Loud Zone, a dynamic area where both sounds play can be created. It is also possible to switch Internal Zones with External Zones for even more possibilities. Note2: Velocity Switch = Loud /Velocity Switch Value = 1 In this settings, it is possible to press a key very softly and hear no sound. This is just the same as an acoustic piano. 6.2.
6.2.19 Transmitting Volume (Ext only) This parameter determines if an initial MIDI Volume message will be transmitted (On) to an external MIDI device or not (Off) when a SETUP is recalled. Note: In a zone set to External or Both, moving the faders will still transmit volume messages even if TX Volume is set to Off. 6.2.20 Volume This parameter sets the volume level for the selected zone. The value can be changed by using the FADER or VALUE buttons.
6.2.25 Foot Switch This parameter determines if a Foot Switch connected to the FOOT SWITCH jack is active (On) or not (Off) for the selected zone. The type of controller assigned to the footswitch is a common Setup parameter and is used for all zones of a Setup as a global parameter. 6.2.26 Expression Pedal This parameter determines if an Expression Pedal connected to the EXP jack is active (On) or not (Off) for the selected zone.
6.2.32 Solo Mode This parameter determines which note will be played when Solo is ON and more than one note is being played simultaneously. There are three choices for Solo note priority. Last: Hi: Low: The most recently played note within a group of notes will be heard when Solo is ON The highest note played within a group of notes will be heard when Solo is ON. The lowest note played within a group of notes will be heard when Solo is ON. When the Solo is “Off”, this page won’t be displayed. 6.
Werkmeis/Kirnberg: User: for the Mersenne pure temperament. It produces chords that are more beautiful than those with the equal temperament. These two temperaments are placed in between Meantone and Pythagorean. For music with few accidentals, this temperament produces the beautiful chords of the mean tone, but as accidentals increase, the temperament produces the characteristic melodies of the Pythagorean temperament.
6.3.7 Modulation Wheel Control Change Number This parameter assigns a Control Change Number to the Modulation Wheel on the right side of the front panel. See page72 for the list of Control Change numbers. Note: When the following Numbers are selected for the FootSW,EXP or Modulation Wheel Control Change Number, the functions affect the internal sounds, too. 1. Modulation Wheel (MOD) 7. Volume (VOL) 10. Pan (PAN) 11. Expression Controller (EXP) 64. Damper Pedal (HLD) 66. Sostenuto (SST) 67.
7. STORE You can save the changes of the settings made as either a SOUND or a SETUP. Up to 256 SOUNDs or 256 SETUPs can be stored. Moreover, the Common parameters can also be stored as the initial setting in SOUND mode. The following groups of parameters are stored.
7.2 Storing the COMMON settings While in SOUND mode, press the STORE button. The display will show the following screen: Press the VALUE DOWN button, the display will show the following screen: Press the VALUE UP button to confirm. The STORE procedure can be cancelled at any time by pressing any other button which is not used during the STORE procedure. 7.3 Storing the settings as a SETUP While in SOUND mode, press the STORE button.
8. SYSTEM Use this mode to set the System parameters of MP5. To enter the SYSTEM mode, press the SYSTEM button. 8.1 System Menu Use the MENU buttons to scroll through the System parameters.
8.2.2 Touch This parameter adjusts the touch response curve of the keyboard. Heavy+: This Curve has a steep rise as velocity increases, and a shallower curve at low velocities. (see 1) This curve requires the most striking force to produce a loud volume. Heavy: This curve requires a stronger striking force to produce a loud volume. (see 2) This curve is perfect for those with strong fingers. Normal: This curve recreates the touch response of an average acoustic piano.
8.2.3 System Tuning This parameter sets the global master tuning of the MP5. The value changes from 427.0 to 453.0 (Hz). 8.2.4 Volume Slider Action This selects how the volume sliders react, when you change the volume. Normal: Catch: The value changes immediately, when the volume slider is moved. The value won’t change until the volume slider catches the position of the previously saved Volume value. This setting is designed for live editing to prevent you from unexpected volume jumps. 8.2.
8.2.9 Multi-Timbral Mode Multi-Timbral Mode allows the MP5 to receive data on more than one MIDI channel simultaneously. In this mode, the MP5 can play different musical parts with different sounds for each part. On1/2: Off: This is a flexible 16 part multi-timbral setup. (On 1 and On 2) MP5’s normal program change numbers are assigned in On 1, and General MIDI program change numbers are assingned in On 2. (please see page54 for SOUND Program Number List.) This turns off the multi-timbral capability.
8.2.11 Receive Channel This parameter determines whether or not a particular MIDI channel will receive incoming MIDI data from an external source. This parameter can be used to filter out data on specific MIDI channels that are not intended for the MP5. On: The MP5 responds to MIDI data received on this channel. Off: The MP5 ignores MIDI data received on this channel. When the Multi-Timbral Mode is set to Off, this page won’t be displayed. 8.2.
8.2.16 Wheel Mode This parameter determines whether or not the modulation wheel can be used to edit parameters like a value dial. Normal: Edit: The wheel functions as a performance wheel and controls the CC controller that is assigned in the setup menu (Default). The wheel is used to edit parameters. The value won’t change until the wheel reaches the position of the previously set the value.
Note: Loading the data back to the MP5 will change the current settings. SETUP and SYSTEM data will not change. You can use this function to temporarily change the setting from your sequencer. If you want to save the setting, you must use the STORE procedure and save as Setup. 8.3.2 Dump All SOUND This function transmits all the Sounds of the MP5 as System Exclusive Messages via the MIDI OUT. Use this function to backup your Setups on an external MIDI sequencer. Press the SYSTEM button.
8.4 System Reset 8.4.1 Reset One SOUND/SETUP This function resets one SOUND or SETUP back to the original factory default settings. Press the SYSTEM button. Then press the MENU-DOWN button until “Reset XX-X” (X-X-X stands for the setup number) appears on the display. Now use the SOUND SELECT buttons to select the sound or setup you want to reset. Press the VALUE-UP button. The display will ask for confirmation. To cancel the Reset procedure at this point, press the VALUE-DOWN button.
9. OTHER 9.1 MIDI IN When the Multi-Timbral Mode is Off, the MP5 receives the MIDI information coming in the System Channel only. (see page45) For changing the internal sounds via MIDI, refer to the SOUND Program Number List on the next page. Note: If the MP5 receives the Program Number from 1 to 128 and Bank number LSB from 2 to 3 in the System Channel (see page45), the MP5 will switch to SETUP mode and the corresponding SETUP is recalled. (see the SETUP Program Number Table below.
9.3 SOUND Program Number List Multi Timbre ON1 Bank Bank Prog# MSB LSB Piano 1 2 3 4 5 6 7 8 A B C D A B C D A B C D A B C D A B C D A B C D A B C D A B C D E.Piano 1 A B C D 2 A B C D 3 A B C D 4 A B C D Multi Timbre ON2 Bank Bank Prog# MSB LSB Concert Grand Studio Grand Mellow Grand Jazz Grand Concert Grand2 Studio Grand 2 Mellow Grand 2 Jazz Grand 2 Modern Piano Rock Piano Old Age Piano Honky Tonk Mono Piano Mono Piano 2 Mono Piano 3 Mono Piano 4 Piano Vari. Piano Vari. 2 Piano Vari.
Multi Timbre ON1 Bank Bank Prog# MSB LSB 5 Multi Timbre ON2 Bank Bank Prog# MSB LSB A B C D A B C D A B C D A B C D Crystal EP New Age EP New Age EP2 New Age EP3 Clavinet Synth Clavinet Clavi & Marim Clavi Phaser Vibraphone Octave Vibes Celesta Bells Marimba Hard Marimba Xylophone Steel Drums 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 6 6 6 6 8 8 8 8 12 12 9 15 13 13 14 115 95 95 95 95 121 121 95 95 121 95 121 95 121 95 121 121 1
Organ 1 2 3 4 5 6 7 8 A B C D A B C D A B C D A B C D A B C D A B C D A B C D A B C D Strings/Vocal 1 A B C D 2 A B C D 3 A B C D 4 A B C D Multi Timbre ON1 Bank Bank Prog# MSB LSB Multi Timbre ON2 Bank Bank Prog# MSB LSB Church Organ Full Pipes Full Ensemble Church Organ 2 PrincipleChoir Small Ensemble Small Ens.
Multi Timbre ON1 Bank Bank Prog# MSB LSB 5 6 7 8 A B C D A B C D A B C D A B C D Brass/Wind 1 A B C D 2 A B C D 3 A B C D 4 A B C D 5 A B C D 6 A B C D 7 A B C D 8 A B C D Multi Timbre ON2 Bank Bank Prog# MSB LSB Passionate Vln Classic Violin Passionate Vc Classic Cello Choir Breathy Choir Choir Aahs Slow Choir Jazz Ensemble Female Scat Pop Ensemble Contemp Ens.
Multi Timbre ON1 Bank Bank Prog# MSB LSB Multi Timbre ON2 Bank Bank Prog# MSB LSB Pad & Synth 1 A B C D 2 A B C D 3 A B C D 4 A B C D 5 A B C D 6 A B C D 7 A B C D 8 A B C D New Age Pad New Age Pad 2 New Age Pad 3 New Age Pad 4 Atmosphere Brightness Brightness 2 Goblin Classic Synth Classic Synth2 Big Saw Saw Pad Pulse Lead Pulse Lead 2 Square Lead Lead Caliope Chiff Ensemble Lead Blow lead Bright WarmPad Warm Pad Sine Pad Bowed Pad Brass Pad Metallic Multi Sweep Soundtrack Analog Brass Analog Brass 2 An
5 6 7 8 A B C D A B C D A B C D A B C D Rhythm Guitar Overdrive Distortion Muted Electric Pedal Steel HawaiianGuitar Jazz Guitar Jazz Guitar 2 Banjo Mandolin Sitar Harp Standard Set Standard Set 2 Room Set Analog Set Multi Timbre ON1 Bank Bank Prog# MSB LSB Multi Timbre ON2 Bank Bank Prog# MSB LSB 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 28 30 31 29 27 27 27 27 106 26 105 47 1 33 9 26 59 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 121 121 121 121 121 9
9.4 Notes about USB The MP5 can be connected to a personal computer with a USB cable for exchanging MIDI data. You need a USB driver installed in your computer. [For Windows XP/Me users] A standard USB driver is already installed in your computer. You don’t need to install a new driver. [For Windows 2000/98SE users] You need to install the designated driver in your computer. Visit the KAWAI web site at http://www.kawai.co.jp/english/Download1.html and download the program.
Specifications Keyboard 88 keys with Advanced Hammer Action IV # of Zone 4 zones # of Internal Sound 256 sounds Polyphony Maximum 192 Effect 7 Reverbs 22 Effects 4-band Equalizer Internal Memory 256 SETUPs Display 16 x 2 LCD w/backlight Jack 1/4” Out (L/MONO, R) Headphones MIDI IN/OUT/THRU USB (to Host) Foot Controller Damper EXP (Assignable) Foot Switch (Assignable) AC Inlet Power Consumption 15W Dimensions (WxDxH) 1356 x 340 x 172 mm (53 3/8” x 13 3/8” x 6 7/8”) Weight 20.
MP5 MIDI Implementation Version 1.0 Contents 1. Recognized data 1.1 Channel Voice Message 1.2 Channel Mode Message 1.3 System Real time Message 2. Transmitted data 2.1 Channel Voice Message 2.2 Channel Mode Message 2.3 System Real time Message 3. Exclusive data 3.1 Universal Realtime Exclusive Message 3.2 Dump Message 3.3 Sound Data Format 3.4 Setup Data Format 4. Table 4.
1. Recognized Data 1.1 Channel Voice message Note off Status 8nH 9nH 2nd Byte kkH kkH n=MIDI channel number kk=Note Number vv=Velocity Note on Status 9nH 2nd Byte kkH n=MIDI channel number kk=Note Number vv=Velocity 3rd Byte vvH 00H :0H-fH(ch.1 ~ ch.16) :00H - 7fH(0 ~ 127) :00H - 7fH(0 ~ 127) 3rd Byte vvH :0H-fH(ch.1 ~ ch.
Damper Pedal Status BnH 2nd Byte 40H n=MIDI channel number vv=Control Value Sostenuto Pedal Status BnH 2nd Byte 42H n=MIDI channel number vv=Control Value Soft Pedal Status BnH 2nd Byte 43H n=MIDI channel number vv=Control Value Sound controllers #1-9 Status 2nd Byte BnH 46H BnH 47H BnH 48H BnH 49H BnH 4aH BnH 4bH BnH 4cH BnH 4dH BnH 4eH n=MIDI channel number vv=Control Value Effect Control Status BnH BnH BnH BnH 2nd Byte 5bH 5cH 5dH 5eH n=MIDI channel number vv = Control Value NRPN MSB/LSB Statu
01H 64H 01H 66H mmH mmH Decay time mm:00H - 7FH(-64 ~ 0 ~ +63) Release time mm:00H - 7FH(-64 ~ 0 ~ +63) Default = 40H Default = 40H * Ignoring the LSB of data Entry * It is not affected in case of modifying cutoff if tone does not use the DCF. RPN MSB/LSB Status BnH BnH 2nd Byte 65H 64H 3rd Byte mmH llH n=MIDI channel number :0H-fH(ch.1 ~ ch.
MONO Status BnH 2nd Byte 7eH n=MIDI channel number mm=mono number POLY Status 2nd Byte BnH 7fH n=MIDI channel number 3rd Byte mmH :0H-fH(ch.1 ~ ch.16) :01H(M=1) 3rd Byte 00H :0H-fH(ch.1 ~ ch.16) 1.3 System Realtime Message Status FEH Active sensing 2. Transmitted Data 2.1 Channel Voice Message Note off Status 9nH 2nd Byte kkH n=MIDI channel number kk=Note Number Note on Status 9nH 2nd Byte kkH n=MIDI channel number kk=Note Number vv=Velocity 3rd Byte 00H :0H-fH(ch.1 ~ ch.
Volume Status BnH 2nd Byte 07H n=MIDI channel number v=Volume Panpot Status BnH 2nd Byte 0aH n=MIDI channel number vv=Panpot Expression Status BnH 2nd Byte 0bH n=MIDI channel number vv=Expression Damper Pedal Status BnH 2nd Byte 40H n=MIDI channel number vv=Control Value Sostenuto Pedal Status BnH 2nd Byte 42H n=MIDI channel number vv=Control Value Soft Pedal Status BnH 2nd Byte 43H n=MIDI channel number vv=Control Value Sound controllers #1-9 Status 2nd Byte BnH 46H BnH 47H BnH 48H BnH 49H BnH
RPN MSB/LSB Status BnH BnH 2nd Byte 65H 64H 3rd Byte mmH llH n=MIDI channel number :0H-fH(ch.1~ch.
2.3 System Realtime Message Status F8H Clock FAH Start FCH Stop *Sending [SW] External Seq. Start/Stop 3. Exclusive Data 3.1 Universal Realtime Exclusive Message Master Volume Format:F0 7F 7F 04 01 ll mm F7 mm=MSB of Master Volume ll=LSB of Master Volume 3.2 Dump Message MP5 can receive this dump data, and also can transmit by the panel operation with System switch. Also,MP5 can receive MP8/4/9500/9000’s dump data.(Please see the manual of MP8/4/9500/9000 about the format.
3.3 Sound Data Format The structure of the one Sound patch No. 1 2 3 4 5-47 48 PARAMETER Sound Data ID Reverb Type Reverb Time -undifiend -undifined- [48bytes] VALUE 2 0~6 (see page26) 0-127 *see table3.4.2 3.4 Setup Data Format The structure of the one Setup patch [432bytes] (common DATA) + (Zone 1,2,3,4 Int DATA) + (Zone 1,2,3,4 Ext DATA) 3.4.1 Common DATA No.
3.4.2 Zone 1-4 Internal DATA No. 1 2 3 4 5 6 7-40 41 42 43 PARAMETER Tone Number MSB Tone Number LSB Voicing -reservedDamper Resonance String Resonance EFX Type EFX Rate Key-Off Effect VALUE 0-2 0-127 0-5 (0:Normal,1~2:Mellow1~2,3:Dynamic,4~5:Bright1~2) 0-10 (0:off, 1-10) 0-10 (0:off, 1-10) *see table3.4.4 0-21 (see page25) 0-127 0-10 (0:off, 1-10) 3.4.3 Zone 1-4 External DATA No.
4.
[STAGE PIANO] Model: KAWAI MP5 Function Basic Channel Mode Note Number: Velocity Afer Touch Touch Pitch Bend Control Change MIDI Implementation Chart Default Changed Default Messages Altered True Voice Note ON Note OFF Key’s Ch’s 0, 32 1 6, 38 7 10 11 64 66 67 70, 71 72, 73, 74, 75 76, 77, 78 91 92 93 94 98, 99 100, 101 0-119 Prog Change: True # System Exclusive : Song Position Common : Song Select : Tune System : Clock Real Time : Commands : All Sound Off : Reset All Controller Aux : Local ON/OFFX Mess
MP5 Owner’s Manual OW1007E-C0704 Version.2 Printed in Indonesia KMSZ-0016 815921 Copyright © 2007 KAWAI Musical Instruments Mfg. Co.,Ltd. All Rights Reserved.
