Operation Manual

F4/F9 Amount: This controls the signal entity to be sent to the multi-effect and, in particular, to the pre-selected algorithm, that can
be modified using the VALUE +/- buttons which, if pressed together at the same time, will set the value to zero.
F5/F10 Delay and Chorus:
These control the signal entity to be sent to the delay or the chorus, when an appropriate algorithm has been select-
ed. Compared to all seen up to here, the parameters within the horizontal lines are only called up using the function
push button F5/F10, as there is no function push button available for the last line.
PAGE 3
From this page the musician can make some adjustments that are required to limit the keyboard range and the velocity for a Voice. It is thus
possible to avail of a number of timbres in different parts of the Right section (split) and to call up the timbre based on the key dynamics (veloc-
ity switch).
F1/F6 Voice: This indicates the timbre used for the Voice selected. To change it refer to all explained for page 1.
F2/F7 Range: For each Voice it is possible to indicate the lower and higher limit of the keyboard within which the timbre will be
played, simply by playing the relative note on the keyboard when selecting the value or by using the VALUE +/- push
buttons which, if pressed together at the same time, will reset the value, setting it in Off. When this parameter is in
Off the Voice will play on the whole part of keyboard to the right of the split point. To be able to play the Voice also
on the part of keyboard to the left of the split point, the adequate keyboard range is to be set.
F3/F8 Velocity Switch: This is used to enable the velocity switch mode, namely the use of the timbre according to the key dynamics, that can
be modified using the VALUE +/- push buttons. The operating modes may be:
Normal: The timbre is always enabled whatever the velocity value set.
Low: The Voice is enabled only for velocity values ranging from 0 to the velocity value specified in F10
Threshold with the VALUE +/- push buttons.
High: The Voice will only play for velocity values that range from the velocity value specified in F10 Threshold
to value 127 (maximum dynamics).
Cross: This can be enabled only for the first two Voices and it enables a gradual switching from one Voice to
the other according to the dynamics, where the central point of this switching is set by the F10 Threshold value.
F4/F9 Sustain - Portamento -Expression: this is used to enable, or otherwise, the use of the Sustain, the Portamento and the Expression.
The three lines of parameters can only be accessed using the function push buttons F4/F9.
F5 Modes: This is used to choose the polyphony response to the keyboard mode, to create interesting combinations between the
timbres.
Off: This means that no alternative polyphony response is enabled.
Duet: The first Voice Program will have priority as the highest note, the second Voice will have priority as the lowest note.
For example, if the first Voice is a clarinet and the second Voice a trumpet, when the two notes are played the clarinet
will always play the highest note whereas the trumpet will always play the lowest note.
Trio: As for Duet but with the third Voice that will always play the lowest note.
Steel: This is used to assign the pitch bend only to the lowest note between two notes played at the same time, realistically
simulating the typical Hawaiian guitar or pedal steel guitar effect.
Morph: Using the Modulation Wheel it is possible to control the mix between the two timbres assigned to Voice 1 and 2. When
the Modulation Wheel is set at minimum only the first Voice will be heard; when it is at maximum only the second Voice
will be heard. In this way it is possible to obtain a morphing between the two Voices in real time and controlled by the
musician.
SD1 Owner’s Manual
30