Operation Guide E 1
Thank you for purchasing the Korg KROSS music workstation. To ensure trouble-free enjoyment of your new instrument, please read this manual carefully and use the product as directed. About this manual The manuals and how to use them The KROSS comes with the following manuals. • Quick Start Guide (printed) The manuals listed below can be downloaded from the Korg website.
Table of Contents About this manual. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ii Playing and editing Programs . . . . . . . . . . . 23 Playing Programs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23 Introduction to the KROSS. . . . . . . . . . . . . . . .1 Front and rear panels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 Front panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 Rear panel .
Table of Contents Playing and editing Combinations . . . . . . . 41 Sequencer . . . . . . . . . . . . . . . . . . . . . . . . . . . 51 Playing combinations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41 Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51 Selecting Combinations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .41 Combination categories and numbers . . . . . . . . . . . . . . . . . . . . . . . . . . .
Table of Contents Drum Track function. . . . . . . . . . . . . . . . . . . 77 Using Drum Kits . . . . . . . . . . . . . . . . . . . . . . . 93 Performing with the Drum Track function. . . . . . . . . . . . 77 Drum Kit Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .93 Before you start editing… . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .93 Editing a Drum Kit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Table of Contents Appendices . . . . . . . . . . . . . . . . . . . . . . . . . . 109 Restoring the factory settings. . . . . . . . . . . . . . . . . . . . . 109 Loading the preloaded data. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .109 Initializing the user bank . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .109 Initializing the system . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .110 Updating the system. . . . . . . . . . .
Introduction to the KROSS Front and rear panels Front panel 2 18 3 4 1 5 9 6 7 8 19 19 2 10 18 13 14 15 16 4 17 KROSS–61 11 3 1 12 5 9 6 7 8 1. Keyboard The KROSS-61 has a 61-note keyboard (velocity sensitive, aftertouch not supported). The KROSS-88 has a 88-note natural weighted hammeraction (NH) keyboard (velocity sensitive, aftertouch not supported).
Introduction to the KROSS Modulation wheel Move this wheel away from yourself to control various program parameters or effect parameters. If the wheel is moved all the way toward yourself, the effect will be zero. The modulation wheel will stay in its position when you release it, and the effect will continue. The function that is controlled by the wheel is assigned by the program parameters or effect parameters.
Front and rear panels Front panel If you hold down the EXIT button and press this button, the audio input settings page will appear; there you can adjust the input gain and level, and specify how the sound will be routed to the effects. Note: This will be off (unlit) when you turn on the power. If you’re not using the input from the MIC IN or LINE IN jacks, leave this off (unlit). 9.
Introduction to the KROSS ENTER button Use this button to perform a function, select an option button, or to turn a check box on/off. When you select a parameter and press the ENTER button, you’ll be able to use the ▲▼ cursor buttons to edit the value. After you’ve edited the value, press the ENTER button to confirm the change. When you press the ENTER button on the MAIN page of Program or Combination mode, a sound select list will appear.
Front and rear panels Front panel status of each step. You can use buttons 1–16 to turn each step on/off. A: Step 1–16, B: Step 17–32, C: Step 33–48, D: Step 49–64 If the Favorites function is on (FAVORITES button lit), this button selects the Favorites bank. Use buttons 1–16 to select the following Favorites. Bank A 1–16, bank B 1–16, bank C 1–16, bank D 1–16 START/STOP ( ) button This button starts or stops recording and playback. 17. Tempo This adjusts the tempo for the entire KROSS.
Introduction to the KROSS Rear panel 7 6 5 4 3 5 1. Power supply Be sure to see the “Turning the power on/off” section on page 15 and follow the correct procedure described there. Note: The KROSS has an auto power-off function that automatically turns off the power when the keyboard or front panel buttons have not been used for a certain length of time. With the factory settings, this is set to 4 hours.
Front and rear panels Items in the display 7. Pedals Items in the display ASSIGNABLE PEDAL jack a: Current page f: Option buttons b: Tabs An optional EXP-2 (foot controller) or XVP-10 (expression pedal) can be connected to this jack. You can use a pedal to apply modulation to sounds or effects, or to adjust the overall volume. The function of the assignable pedal is specified by Global/ Media mode settings in the G-INPUT/CTRL> FOOT page.
Introduction to the KROSS h: Check box * Text edit By selecting a check box parameter and pressing the ENTER button or turning the value dial, you can select or clear the check box. When you select a parameter indicated by this icon and press the ENTER button, a text edit window will appear. You can enable or disable a parameter or function by selecting or clearing the check box. The parameter or function is enabled if the check box is selected, and disabled if it is cleared.
Basic Information About the KROSS’s modes Basic Information About the KROSS’s modes The KROSS has numerous functions that let you play and edit programs or combinations, record and play back sequence data, and manage media. These functions are grouped into “modes.” The KROSS has four modes. There is also an audio recorder function that lets you record an audio signal from an external mic or line input, or the audio of the program, combination, or sequencer playback.
Introduction to the KROSS Relational diagram of the KROSS’s modes Audio Recorder PROGRAM Favorites Insert / Master Effect OSC 1 Multisample 1 Drum Kit IFX 1 MFX 1 MFX 2 Multisample 2 IFX 5 Multisample 3 Arpeggiator Multisample 4 FILTER1 PITCH1 AMP1 OSC 2 Drum Track Multisample 1 DRUMS PROGRAM Multisample 2 Step Sequencer Multisample 3 STEP SEQ PROGRAM Multisample 4 PITCH2 AMP2 COMBINATION GLOBAL MODE DRUM KIT FILTER2 Insert / Master Effect Key Assign Drumsample 1 Drumsample 2 TIMBRE
Basic Information Basic operations Basic operations After you’ve turned on the KROSS, here’s how to perform basic operations, such as selecting modes and pages. Selecting modes In order to use a particular function on the KROSS, you must first select the appropriate mode. • Press one of the front panel mode buttons to enter the corresponding mode. COMBI button: PROG button: SEQ button: GLOBAL/MEDIA button: 4. Press the PAGE+ button or the PAGE– button to select a tab. As an example here, select KEY ZONE.
Introduction to the KROSS ENTER button and ▲▼ cursor buttons When you select a parameter and press the ENTER button, a ▲▼ symbol will appear beside the value ( → ), and you can use the ▲▼ cursor buttons to increment or decrement the value in steps of one. When you’ve specified the value, press the ENTER button once again to confirm it. This method is convenient when you want to make small changes. Note: If you decide not to change the value, press the EXIT button.
Basic Information Basic operations Selecting and executing functions Writing/saving After editing, you should write or save your changes as necessary. For example if you’ve edited a program, your changes will be lost if you select another program or turn off the power. The same applies to a combination. The functions provide commands that are specific to each page, such as Write (save) or Copy. The available functions will depend on the selected page.
Introduction to the KROSS 14
Setup Turning the power on/off The KROSS can be powered either by an AC adapter or by using batteries. Connecting the AC adapter 1. Make sure that the power is turned off. Make sure that nothing is shown on the display, and that the LEDs are unlit. 2. Connect the DC plug of the included AC adapter to the power supply jack (DC9V) on the KROSS’s rear panel. You must only use the included AC adapter. Using any other AC adapter might cause malfunctions. 3. Connect the AC adapter to an AC outlet.
Setup 2. Press the PAGE+ (or PAGE–) button to access the GLOBAL> PREF (Preferences) page. Turning the power off 3. Use the cursor ▼▲ buttons to select the Auto PowerOff parameter. When you turn off the power, unsaved data will be lost. Be sure to save any important data such as edited sounds or global settings. (see page 13) If the KROSS’s auto power-off function is enabled, its power will automatically turn off if there has been no user input for a certain length of time.
Turning the power on/off Using batteries 2. Install batteries. Using batteries Batteries that can be used Use six AA nickel-metal hydride batteries or alkaline batteries. Zinc-carbon batteries cannot be used. When inserting the batteries, be sure to observe the correct polarity (“+” and “–”). Place the “–” end of each battery against the tip of the spring, and press it into place. KROSS-61 Note: Batteries are not included. You’ll need to obtain them separately.
Setup Connections Connections must be made with the power turned off. Please be aware that careless usage may damage your speaker system or cause other malfunctions. MIDI OUT, IN ASSIGNABLE DAMPER, SWITCH, PEDAL USB B LINE IN, MIC IN AUDIO OUTPUT R, L/MONO SD card slot DC plug SD card to an AC outlet Insert an SD card MIDI cable USB cable MIDI IN INPUT MIDI OUT Audio player, etc. Mic AC adapter (Included) Connect input devices DS-1H PS-1, PS-3 EXP-2, XVP-10 Monitor Amplifier, etc.
Connections Audio connections Note: To adjust the mic volume, adjust settings in the AUDIO IN -QUICK SETTING- dialog box. Please see “Adjusting the audio input,” below. Adjusting the audio input 1. Hold down the EXIT button and press the AUDIO IN button. The AUDIO IN -QUICK SETTING- dialog box will appear. the preamp or effect unit is too high, and you cannot set an appropriate input level, adjust the output level of the preamp or effect unit.
Setup details on how to save, please see “Writing a Program or Combination” on page 103. Only in the case of input gain (Gain), the global setting (G-SET) and the individual setting are shared. Use the global setting (G-SET) to save the setting. Although you can edit this in the AUDIO IN page or the QUICK SETTING dialog box of each mode, you can’t save it as an individual setting (PROG, COMBI, SEQ). Global setting (G-SET) Individual setting (PROG, COMBI, SEQ) 2. Set the polarity of the switch.
Connections Using an SD card 2. Access the G-INPUT/CTRL> FOOT page. Connecting a foot pedal If you connect an optional EXP-2 foot controller or XVP-10 expression/volume pedal to the ASSIGNABLE PEDAL jack, you can use it to apply modulation to sounds or effects, or to adjust the overall volume. Proceed as follows. Press the GLOBAL/MEDIA button to enter mode. Press the MENU button to access the function list. Use the ▼ (PAGE+) and ▲ (PAGE–) buttons to select GINPUT/CTRL, and press the OK (MENU) button.
Setup SD card slot Connecting MIDI devices By connecting the KROSS’s MIDI connectors to an external MIDI device you can transfer sound settings and performance data such as note messages between your external MIDI device and the KROSS. SD card Make sure that the card is oriented correctly when you insert it. Forcing it in the wrong direction may damage the slot or the card, and the data may be lost.
Playing and editing Programs About the KROSS’s Programs Programs are the basic sounds of the KROSS; you can play and edit them in Program mode. You can play them by themselves, layer them together in Combinations, or play a different Program on each of the 16 MIDI tracks, either from the internal sequencer or from external computer-based sequencers. This section of the manual takes a quick look at playing Programs, including tours of the front-panel controllers and basic editing techniques.
Playing and editing Programs Category Index number (bank number) Type of sounds SYNTH LEAD 000 (C016)...048 (C064) 049 (G063)...069 (g3-082) Lead synth SYNTH PAD 000 (C065)...039 (C104) 040 (G089)...053 (g2-103) Pad/motion synth GUITAR 000 (C105)...035 (D012) 036 (G016)...071 (g3-029) Acoustic/electric guitar BASS 000 (D013)...043 (D056) 044 (G033)...060 (g4-039) Electric/acoustic/synth bass DRUM/SFX 000 (D057)...070 (D127) 071 (G048)...
Quick Layer/Split function Quick Layer Quick Layer/Split function Quick Layer is a function that makes it easy to set up a layer, letting you play two sounds that are layered together. You can also adjust the volume balance. Quick Split is a function that lets you make split settings so that you can play different sounds on the left and right regions of the keyboard. You can select each of the two programs, and adjust their volume and octave. Note: The sound you create will be saved as a combination.
Playing and editing Programs Quick Split A typical example of a split is when you play a piano or electric piano with your right hand (in the upper region) and a bass sound with your left hand (in the lower region). As an example, here’s how to create this sound. 1. In Program mode, select a piano program. Please see steps 1–2 of the “Quick Layer” section on page 25. Note: The procedure will be smoother if you first select the sound that you want to play in the upper region of the keyboard. 2.
Easy program editing Using the Tone Adjust and EG Adjust functions Easy program editing EG Intensity Using the Tone Adjust and EG Adjust functions The fastest way to create the sound you need is to find a preload program that’s close to what you want, and then modify its settings to your taste. This adjusts the filter EG intensity (the depth of how the EG affects the filter).
Playing and editing Programs Saving your edits Internally, one controller modifies several parameters. Saving the program does not save the values of these controllers; it saves the edited state of the various parameters. When the program has been written, the previously edited values will become the “new” reference values, meaning that the saved sound will be reproduced when these controllers are at +00.
Detailed Editing with Programs Before you start editing Detailed Editing with Programs OSC (oscillator) 1/2 The OSC (oscillator) generates the waveform that is the basis of the sound. On the KROSS, the oscillator consists of multiple sampled sounds, such as a multisample or a drum kit (drumsamples). You can create original sounds by editing a preloaded program or by editing an initialized program. For details, please see “Saving your edits” on page 28. The KROSS provides two oscillators; OSC1 and OSC2.
Playing and editing Programs An overview of the edit pages In order to do detailed editing, you’ll need to access the edit pages in the display. The preceding section “Easy program editing” on page 27 explained how to use the PROG> TONE page to do simple editing. For more detailed editing, you’ll use the P-BASIC and following edit pages.
Detailed Editing with Programs Basic oscillator settings Basic oscillator settings Working with Multisamples Here is where you can specify the type of program, select the basic waveform (multisample or drum kit), and specify whether it will play polyphonically or monophonically (poly/mono). What is a multisample? Program type setting (single, double, drum kit) For each oscillator, you can assign up to four multisamples and switch between them by velocity.
Playing and editing Programs 2. Select Stereo as the Multisample Bank for multisample1 and multisample2. 7. Set the multisample 1 “Xfade” to 20, and its “Curve” to Linear. There are two main types of Multisample Banks: Mono, and Stereo. Note that stereo Multisamples will require twice as many voices as mono Multisamples. Level The state of this split is shown visually in the screen. 3. Select the multisample. Multisamples are organized by category such as piano, guitar, bell, etc.
Detailed Editing with Programs Creating time-varying changes (LFO and EG) Creating time-varying changes (LFO and EG) Using LFOs You can use the cyclic change produced by the LFO (Low Frequency Oscillator) to modulate numerous aspects of the sound. Each Program has two LFOs: LFO1 and LFO2. There is also a single Common LFO, shared by both Oscillators. While LFO1 and LFO2 are separate for each voice, the Common LFO is shared by all voices in the Program.
Playing and editing Programs Diverse modulation settings (AMS and AMS mixer) Finally, you can cascade the two AMS Mixers together, by using AMS Mixer 1 as an input to AMS Mixer 2. For details, please see “12: P–AMS MIXER” on page 45 of the Parameter Guide. Using AMS Tips for using AMS AMS (Alternate Modulation Source) lets you modulate program parameters using controllers, EG, or LFO as the modulation source.
Detailed Editing with Programs Controlling Pitch Portamento Controlling Pitch Portamento makes the pitch change smoothly when you play the next note before releasing the previous note. Pitch Bend Pitch bend smoothly changes the pitch upward or downward, similar to how a guitarist can “bend” strings. On the KROSS, you can use the pitch bend wheel to control this in real time.
Playing and editing Programs Filter Types Using Filters The filters allow you to diminish or emphasize specified frequency areas of the sound. The tone of the sound will depend significantly on the filter settings. The basic filter settings, including the routing, type, cutoff frequency, and resonance, are set on the P-FILTER> BASIC page. Filter Type Filter Routing Resonance This selects the parts of the sound that will be affected by the filter, as described below.
Detailed Editing with Programs Using Filters Resonance LFO modulation Resonance emphasizes the frequencies around the cutoff frequency, as shown in the diagram below. You can modulate the filter via LFO1, LFO2, and the Common LFO. Among other applications, LFO modulation of the filter can produce the classic “auto-wah” effect. When this is set to 0, there is no emphasis, and frequencies beyond the cutoff will simply diminish smoothly.
Playing and editing Programs Using the Amp section The Amp section includes controls for volume, pan, and the driver circuit. You can control the volume using the Amp EG, LFO 1/2, Key Track, and velocity, along with other AMS sources. Each Oscillator has its own Amp section: Amp1 for OSC1, and Amp2 for OSC2. Amp modulation The basic volume level is set by the Amp Level parameter.
Detailed Editing with Programs Making controller assignments Piano Arpeggiator settings According to the note data that’s received from the keyboard or from the MIDI IN connector, the arpeggiator will automatically generate a wide range of phrases or patterns including arpeggios, guitar or keyboard backing riffs, bass phrases, or drum patterns. Organ Strings For more about the arpeggiator, please see page 67.
Playing and editing Programs 40
Playing and editing Combinations About the KROSS’s combinations Combinations let you split and layer up to 16 Programs at once. 2. Turn the CATEGORY dial to select the category of combination that you want to play. The sound select list will appear. A Combination is made up of 16 Timbres (Note that you don’t have to use all 16 Timbres). Each Timbre is assigned a Program, along with parameters for key range and velocity zones, mixer settings, MIDI channel and controller filtering, and so on.
Playing and editing Combinations Combination categories and numbers Using controllers to modify the sound The sounds of the KROSS are organized by type into categories; within each category, an index number is assigned to each sound. All combinations are also assigned a bank and combination number that are used to recall that combination via MIDI.
Editing a combination Summary of the edit pages Editing a combination Page Tabs Main content 1 You can edit any of the Combinations that were shipped with the KROSS. You can create your own combinations by editing a preloaded combination, or by starting from an initialized combination.
Playing and editing Combinations 4. Turn the CATEGORY dial to select a category. A suggested approach for editing First select the program that each timbre will use, and set each timbre’s MIDI channel to Gch (global MIDI channel) and its Status to INT so that it can be played from the keyboard. Next, create any desired keyboard or velocity switch, layers, or crossfades between the different Timbres. After this, adjust the volumes of the Timbres, and set up any other Timbre parameters as desired.
Editing a combination Using the Tone Adjust and EG Adjust functions Using the Tone Adjust and EG Adjust functions The Tone Adjust function is an easy way to adjust the sound of each timbre. In the C-TONE ADJ> TONE ADJUST page you can adjust parameters such as the cutoff and resonance; in the C-TONE ADJ> EG ADJUST page you can adjust the attack time and release time.
Playing and editing Combinations 2. Next, if you set the Bottom Slope of timbre 1 to 12, and set the Top Slope of timbre 2 to 12, the sound will change gradually instead of changing suddenly. Creating Splits and Layers Splits and Layers Let’s create a Combination that combines both splits and layers, like the diagram below: Timbre 1 Piano Timbre 2 Brass Timbre 3 Strings C–1 B3 C4 G9 1. Access the COMBI> PROG page. 2.
Editing a combination Status settings Status settings The MIDI filters don’t turn the functions themselves on or off. Instead, the filter just controls whether or not that MIDI message will be transmitted and received. Adjust these settings in the COMBI> PROG page. This controls the status of MIDI and the internal tone generator for each Timbre. Normally, if you’re playing an internal Program, this should be set to INT.
Playing and editing Combinations Portamento If the Program uses portamento, but you’d like to disable this for the current Combination, set this parameter to Off. Conversely, if you want to force the portamento to be on, or just to change the portamento time, set this to a value of 001–127. The portamento will change to use the newly specified time. Normally, this should be set to PRG.
Favorites function What is the Favorites function? Directly registering a favorite sound Here’s how the sound that you’ve selected in Program mode or Combination mode can be directly registered as a favorite. This function lets you register your favorite combinations or programs using the 16 front panel buttons so that you can recall them instantly. You can register not only sounds but also audio recorder songs, and recall them along with your sounds for immediate playback. 1.
Favorites function As when selecting a program or combination, you can also press the ENTER button and choose from the list that appears. To switch between programs and combinations, use the PROG (PAGE–) and COMBI (PAGE+) buttons. 4. When you’ve found the sound that you want to register, press the ENTER button. The registration will be changed to the new sound.
Sequencer Overview About the KROSS’s Sequencer Sequencer mode structure The sequencer brings together the KROSS’s numerous functions such as its arpeggiator, Drum Track, Step sequencer, high-performance effects, and controllers, allowing you to take advantage of these in a wide range of situations. Sequencer mode is structured as follows. This sequencer is a 16-track MIDI sequencer that can store up to 128 songs and 210,000 MIDI events.
Sequencer Playing back Loop playback Looping all tracks simultaneously Playback methods In order to play back song data in the sequencer, you must first, load song data into the KROSS. Let’s start by loading and playing the demo song data. For details, please see “Listening to the demo songs” on page 20 of the Quick Start Guide. 1. Press the SEQ button to enter Sequencer mode. The SEQ> MAIN or SEQ> PROG page will appear. If this is not displayed, press the EXIT button three times. 2.
Playing back Playback methods 3. Turn on Track Play Loop. you record new tracks. Let’s try out the Mute and Solo functions. Use the cursor button ▲ to select the parameter, and press the ENTER button to add a check mark. 1. Press the SEQUENCER START/STOP ( button. If a check mark is shown, the specified region of measures will loop during playback or recording. 2. Access the SEQ> MIX page. Press the PAGE+ or PAGE+ button to select the page. 4. Turn on Play Intro. 3. Use the ▲ button to select Sound.
Sequencer Recording The sequencer of the KROSS can record your keyboard performance and use of controllers such as the modulation wheel and pitch bend wheel in real time. Usually you will use Single Track Recording to record one track at a time. Note: In addition to Single Track Recording, you can also use Multi-Track Recording. (see page 57) Preparations for recording Before you begin recording, make sure that the memory protect setting in Global mode is turned off.
Recording Preparations for recording 6. Set the tempo and time signature. • To set the tempo, you can turn the TEMPO knob or press the TAP button at the desired interval. Alternatively, you can select (Tempo) in the SEQ> MAIN page (or similar page), and use the VALUE controllers to set the tempo. Set Tempo Mode to Manual. 4. Press the OK (MENU) button to load the template song, or press the CANCEL (FUNCTION) button if you decide to cancel.
Sequencer 4. To execute the Auto Song Setup function, press the REC ( ) button or the OK (MENU) button. If you decide not to execute, press the CANCEL button. You will automatically move to Sequencer mode, and the settings of the combination will be copied to the song. The step sequencer’s RUN on/off setting and the Drum Track’s on/off setting when Trigger Mode is set to “Start Immediately” will not be copied. If you want to use these settings, press the appropriate buttons to turn them on.
Recording Performing with the arpeggiator drum track or step sequencer Overdub Select this method if you wish to record additional performance data by overdubbing it without erasing the previously-recorded data. Manual punch-in Select this method when you wish to use the SEQUENCER REC ( ) button or a foot switch to re-record selected portions of a previously-recorded track. Auto punch-in Select this method when you wish to automatically re-record selected portions of a previously-recorded track.
Sequencer You can select the drum program that you want, and specify how it will start. The step sequencer uses the drum program of track 16. You can use buttons 1–16 to intuitively create drum loop patterns and play them. For more about the step sequencer, please see page 81. Recording System Exclusive events Exclusive messages received from an external MIDI device or the parameter changes produced when you edit a track parameter or effect parameter can be recorded in real time on any track.
Song editing Song Song editing of Measure, and musical data following the inserted data will be moved backward. You can apply a variety of editing procedures to a song. The available types of editing procedures are listed below. Copy Measure: This command copies the measures of musical data specified as the “From” source to the beginning of the measure specified as the “To” location. When you execute the Copy Measure command, the existing track data at the copy destination will be rewritten.
Sequencer Saving your MIDI song In order to ensure that the data you create is reproduced faithfully, we recommend that you save your data by using the Save All command so that the programs will also be saved. However if you have not changed the program numbers or sounds used in your song, saving only the songrelated data (.SNG) will minimize the size of the data. When you turn off the power, the Sequencer mode settings and the recorded songs data will be lost. 1. Insert an SD card in the SD card slot.
Using Effects An overview of the KROSS’s effects You can choose from 134 different types of high-quality digital effects. The KROSS provides five insert effects, and two master effects, together with a mixer section that controls the routing of these effects. All of these are stereo in/out.
Using Effects input settings of the KROSS in G-SET (Use Global Settings), or use the individual parameters of each mode to specify the BUS or Send settings. (see “Effect settings for audio input” on page 65) Depending on the type of effects that you’re using on the external audio input, and on their settings, it is possible for feedback to occur. If this occurs, adjust the input/output levels and the effect settings. Take special care when using high-gain effects.
Routing and effect settings Effect settings for a program 7. In the P-FX ROUTING> IFX page, edit the parameters of the insert effect you selected. Insert effects 1. Access the P-FX ROUTING> IFX page. Effect On/Off Effect Edit the parameters in the P-IFX> IFX 1–5 pages. Chain Chain To Effect On/Off Effect Parameters 2. In the Effect area, select each insert effect that you want to use. You can press the ENTER button and choose from a list.
Using Effects 3. For MFX1 and MFX2, select a master effect for each. The procedure is the same as when selecting an insert effect. (see “Insert effects”) Note: Double-size effects can be selected only for MFX1. (see “Double-size effects”) 4. Press the On/Off button to turn the master effect on. The master effect will alternate on/off each time you press the button. If it is Off, the output of the master effect will be muted. 5. Use Return1 and Return2 to adjust the output level of the master effects.
Routing and effect settings Effect settings for audio input Insert effects 1. Access the C-FX ROUTING> IFX page. 2. Select an insert effect for each IFX1–5, and edit its settings. 3. Access the C-IFX page. Select the IFX1–5 pages, and edit the effect parameters in each page. You can adjust these settings in the same way as a program. (see page 63) You can use MIDI to control each effect’s dynamic modulation (Dmod) and the “Pan (CC#8),” “Send1,” and “Send2” following the insert effect.
Using Effects If you want the edited settings to be saved in the KROSS, be sure to execute the Write function. 7. If you want the Input settings of Global mode to be used in each mode, add a check mark to G-SET. If you want to use individual input settings in Program, Combination, and Song modes, clear this check mark. Dynamic modulation (Dmod) Dynamic modulation (Dmod) lets you use MIDI messages or the KROSS’s controllers for realtime control of specific effect parameters.
Arpeggiator function Using the arpeggiator while you play The arpeggiator is a function that automatically generates arpeggios (patterns of individual notes derived from a chord). Most arpeggiators produce an arpeggio when you play a chord on the keyboard. The chord you played on the keyboard is sounded as an arpeggio (broken chord) The KROSS’s arpeggiator is also polyphonic, and can produce a variety of chordal transformations or phrases based on the pitch or timing of the notes you play on the keyboard.
Arpeggiator function Arpeggiator control: [GATE], [VEL], [SWING] Preset: UP UP Operation settings Arpeggio Pattern Select Preset: DOWN Changing the length of the arpeggiated notes • Select [GATE] and adjust the value to change the length of the arpeggiated notes. DOWN Negative “–” values make the notes shorter, and positive “+” values lengthen them. If this is 00, the note length will be as specified by the program parameter Gate (PARP> SETUP page).
Using the arpeggiator while you play Using the arpeggiator in Combination mode Sounding an arpeggio in the order of the pitches in the chord you played • The Sort parameter lets you select whether the notes of the arpeggio will be sounded in the order of the pitches in the chord you played (regardless of the order in which you actually played the notes), or in the order that you played the notes.
Arpeggiator function Select the arpeggiator(s) that will run Use the Arpeggiator Run setting to enable the arpeggiator(s) that you want to use. The arpeggiator(s) that this is on will run when the ARP button is on. However, the arpeggiator will only play a timbre if the table next to the check boxes assigns arpeggiator A or B to a timbre: T 1–16. You change these settings in C-ARP> ASSIGN page Arpeggiator Assign. (see page 70) 3. Access the C-ARP> ASSIGN page.
Using the arpeggiator while you play Linking the arpeggiator to programs or combinations 9. If you wish to save the edited combination settings in internal memory, turn off memory protect in Global mode, and write the combination. (see pages 98, 103) Combination BASS: 016 Jazzy Guitar 10.
Arpeggiator function Creating a user arpeggio pattern About user arpeggio patterns The patterns that can be selected on the KROSS’s arpeggiator are called “arpeggio patterns.” There are two types of arpeggio patterns: preset arpeggio patterns and user arpeggio patterns. Preset arpeggio patterns: There are five patterns; UP, DOWN, ALT1, ALT2, and RANDOM. The functionality of these patterns is fixed, and cannot be edited.
Creating a user arpeggio pattern Editing a user arpeggio pattern An example of creating a pattern Saving pattern Once you’ve spent some time editing, you’ll want to save your work. 1. Access the ARP PATTERN> EDIT page. 2. Enter the tones shown in the following illustration. The contents of your editing in Global mode are preserved as long as the power is on, but will be lost when you turn off the power. If you want to keep your edits, you must execute the Write Arpeggio Patterns function.
Arpeggiator function 1. Access the ARP PATTERN> EDIT page. 2. In Step 01, set tone 01. 3. In “Step” 03, 04, 06, and 08, set tones 00–04. 4. Select “Step” 01, and set “Gate” to LGT (Legato). 5. Select “Step” 06, and set “Gate” to LGT (Legato). Tip: To simulate the timing nuances of a strummed guitar chord, select Flam. In Program mode, select an acoustic guitar program, and choose the user arpeggio pattern that you created here. In the P-ARP> SETUP page, set Gate to Step.
Regarding arpeggiator synchronization “Key Sync.” parameter Dual arpeggiator editing Here we will use a combination as an example in our explanation. Regarding arpeggiator synchronization The same procedure applies when editing an arpeggio pattern in Sequencer mode. If you have entered this mode from the Combination mode, the arpeggio pattern selected by the combination will be affected by your editing. 1. In Combination mode, select a combination that uses the arpeggio pattern that you wish to edit.
Arpeggiator function Synchronization with Song Start • If the arpeggiator is turned on (ARP button is on) and is running, it will reset to the beginning of its arpeggio pattern when a Song Start message is received. (This is unaffected by the Key Sync. setting.) • In Sequencer mode when Key Sync.
Drum Track function Performing with the Drum Track function If blinking: The Drum Track pattern will be ready to start. It will start when you play the keyboard or when a MIDI note-on message is received. (This will occur if the Trigger Mode parameter is set to Wait KBD Trigger.) The Drum Track function makes it easy to play the KROSS’s high-quality drum programs using a wide variety of Drum Track patterns. 3. Press the DRUM TRACK button once again to stop the Drum Track (the button will be unlit).
Drum Track function Using the Drum Track function in Combination mode Selecting a combination and turning the Drum Track function on/off 1. Press the COMBI button to enter Combination mode, and select the desired combination. (see “Selecting Combinations” on page 41) Drum Track function settings Drum Track function settings in Program mode Starting/stopping the drum track 1. Access the P-DRUM TRACK> PATTERN page. 2. Press the DRUM TRACK button to turn the Drum Track on/off.
Drum Track function settings Drum Track function settings in Combination mode MIDI transmission and reception for the drum track In Program mode, the Drum Track function transmits and receives on the following MIDI channels. Receive: If you’re controlling the triggering by playing the keyboard, the drum track will receive on the global MIDI channel.
Drum Track function Synchronizing the Drum Track function Slave operation The Trigger “Sync” parameter Set MIDI Clock (see page 99) to External MIDI or External USB. The trigger timing of a drum track will depend on the setting of its Trigger Sync parameter. On (checked): The trigger timing will be quantized to the nearest beat relative to the base tempo. Off (unchecked): If Trigger Mode is set to Start Immediately, triggering will occur at the moment you press the DRUM TRACK button.
Step sequencer Performing with the step sequencer The step sequencer is a function that lets you use the front panel buttons 1–16 to easily create drum loop patterns. By turning steps on/off you can create patterns in an intuitive way, and modify a pattern while it plays back. The step sequencer can be used in Program, Combination, or Sequencer mode; the loop patterns that you create can be saved together with the sound and song data.
Step sequencer Specific sounds such as kick, snare, and tom are already assigned to the 12 tones used by the step sequencer. Tone 1 Kick Tone 5 H.H Open Tone 9 Tone 2 Snare 1 Tone 6 Crash Tone 10 Tom H Perc 1 Tone 3 Snare 2 Tone 7 Ride Tone 11 Perc 2 Tone 4 H.H Close Tone 8 Tom L Tone 12 SFX Note: If you hold down the SETUP button, the currently selected tone number will light up. If you press this button, the ASSIGN INST TO TONE dialog box will appear.
Performing with the step sequencer Step sequencer settings in Combination mode To add a sense of swing to the steps Step sequencer settings in Combination mode 1. On the P-STEP SEQ> BASIC page, adjust the Step/Bt parameter. A swing effect will be added at the following locations. (see below) In Combination mode, timbre 16 is used by the step sequencer. It will be used if the COMBI> PROG page STEP parameter is selected.
Step sequencer Using the step sequencer with Favorites When using the Favorites function, the settings of each registered program or combination can make the step sequencer play. You’ll be able to turn steps on/off, but the settings cannot be saved. Nor can you enter the various STEP SEQ pages. You’ll need to use Program mode or Combination mode to edit the step sequencer settings. Playing and stopping the step sequencer 1. Select a favorite program or combination. (see page 49) 2.
Audio recorder An overview of the audio recorder Recording time and data size The maximum time for one song is three hours. The actual total time for a multi-track recording will depend on the free capacity of the SD card. A single pass of recording will store approximately 11 MB of data per minute. This means that 1 GB allows you to record approximately 90 minutes. When you perform multitrack recording, additional data will be stored on the SD card according to the length of the recording.
Audio recorder Basic operation Audio recorder operations such as record, play, and undo are performed using the front panel AUDIO RECORDER section SETUP button, button, and the four buttons below the audio recorder dialog box that appears when you press the SETUP button. = While stopped: Press the button to enter the recordpause state. = When shown: Press the button to start recording. = Recording: Press the button to switch to playback.
Recording and playing audio Preparations Recording and playing audio The audio recorder can record what you play on the keyboard of the KROSS, or it can play an external audio signal from LINE IN or MIC IN. Let’s begin by recording the sound of your playing a program. In a later section we’ll explain how to record an external audio signal. Preparations 5. Press the Rec Control AUDIO RECORDER (AUDIO RECORDER (MENU) button or the button to start recording.
Audio recorder Recording an external audio input Here’s how to record a vocal part by using a mic that’s connected to the MIC IN jack. Programs and combinations with input and effect settings that are specifically intended for use with a mic are provided in the Drum/SFX category of the KROSS. For the procedure, please see “Recording external audio input” on page 19 of the Quick Start Guide.
Convenient functions for playback and recording Returning to the state before or after recording (Undo/Redo) Convenient functions for playback and recording 3. Slightly earlier than the point where you want to start overdubbing, press the Rec Control (MENU) button to enter the record-standby condition. (AUDIO RECORDER button: blinking orange) 4. Sing the chorus part. Recording will start automatically in response to the input.
Audio recorder Importing or exporting WAVE files Importing A multitrack-recorded audio song can be exported as a WAVE file to the KORG/KROSS/DATA folder of the SD card. You can import a WAVE file into the audio recorder, and play it or overdub onto it. This lets you use your audio player to listen to an audio song produced on the KROSS, or to load the song into your DAW. The following files can be imported.
Convenient functions for playback and recording Adjusting the volume Select the Set Play Level function, and adjust the level as follows. Adjusting the volume 1. Set the Level as desired. You can use the following methods to adjust the volume of imported data or of an already-recorded audio song. Adjust the volume balance of the keyboard performance or external input (e.g., guitar or vocal) that you will be overdubbing next while the audio song plays back. For example, set this to –3 dB.
Audio recorder SD card-related messages In addition to the Song Name, the following messages related to the SD card may appear in the Song Name area of the audio recorder. “NO MEDIA” No SD card is inserted. “UNFORMATTED” The format of the SD card could not be recognized. “NO AUDIO SONG” There are no audio songs. Note: If the SD card is locked (write protected), a different error message “Write protected” will appear if you perform an operation that writes to the SD card, such as recording.
Using Drum Kits Drum Kit Overview Before you start editing… What’s a Drum Kit? Selecting a drum program A drum kit is a collection of drumsamples (drum set sounds such as bass drum, snare, or cymbals, as well as a wide variety of other percussion sounds), with each sample assigned to a note of the keyboard. Drum Kits are edited in Global Mode.
Using Drum Kits Editing a Drum Kit Velocity crossfade settings Basic Editing 1. In the DRUM KIT> DS 1 and DS 2 pages, turn Drumsample 1 and 2 on. For this key, let’s create a simple velocity crossfade between two stereo drumsamples. 1. Select the Program that you wish to use while editing the Drum Kit. 2. Access the DRUM KIT> DS 1 page. If it is off, select the button and press the ENTER button to turn it on. Press the GLOBAL/MEDIA button.
Editing a Drum Kit 9. In the DRUM KIT> DS 1 page, set the Drumsample 1 Bottom Vel. to 80. Now, Drumsample2 will sound when you play softly, at velocities of 79 or less–and Drumsample1 will sound when you play harder, with velocities of 80 or more. Sustaining the sound even after the key is released (Hold) Use the Hold function for instruments that should continue sustaining even after the key is released, such as a crash cymbal. The way this works will depend on the settings of the program and drum kit.
Using Drum Kits Controlling pan for each key To use separate pan settings for each key: 1. Access the P-AMP> BASIC page. 2. Make sure that the DKIT-SET check-box is checked. When DKIT-SET is on, the Program will use the pan settings for each key of the Drum Kit. 3. Access the DRUM KIT> VOICE page. 4. Use “Pan” to specify the panning for each key. Saving Drum Kits Once you’ve spent some time editing, you’ll want to save your work.
Overall settings for the KROSS, and saving/loading data How Global/Media mode is organized Global settings In Global/Media mode you can adjust the following settings. Basic settings for the KROSS • Master tune • Key transpose • Effect global button In the GLOBAL> BASIC, SYSTEM, and PREF pages you can adjust basic settings for the KROSS itself.
Overall settings for the KROSS, and saving/loading data • The GLOBAL> BASIC page Velocity Curve setting specifies how velocity will affect the volume and tone. Velocity Curve 4 is the default, and should work for most players. Curve 9 is designed specifically for playing piano sounds from the weighted NH keyboards in the 88-note models. (see “Velocity Curve” on page 156 of the Parameter Guide) • Specify the position where the velocity curve will be applied.
Global settings MIDI settings MIDI settings Pedal and other controller settings In the G-MIDI> BASIC, OUT, and FILTER pages you can adjust overall MIDI settings that apply to the entire KROSS. In the G-INPUT/CTRL> FOOT page you can assign foot controller functions and specify the polarity.
Overall settings for the KROSS, and saving/loading data Data used by the KROSS The KROSS accesses the following folders and files on the SD card. Folder and file structure (DOS files) KORG KROSS 1 DATA (Data folder) 2 NEWFILE.PCG (Programs, combinations, etc.) 3 NEWFILE.SNG (songs) 4 NEWFILE.MID (Standard MIDI Files) 5 EXTWAV01.WAV EXTWAV02.WAV (Export WAVE files) 6 7 IMPORT.WAV (Import WAVE files) AUDIO 1. DATA folder 6.
Data used by the KROSS Creating and selecting scales Files and data structures that the KROSS can recognize The KROSS can load and save the following data. Inside a file, .PCG data and .SNG data have the structure that’s shown in the following illustration. When saving sound data, you can select the types of data that will be saved in the .PCG file. When loading data, you can also select and load data individually. DOS files .PCG file All programs 1 program bank A...
Overall settings for the KROSS, and saving/loading data Saving data Saving data on the KROSS The bank and number indications show the numbers used for MIDI transmission and reception. Since the conditions for saving will differ depending on the bank as shown in the following table, this will provide a helpful guide. The KROSS can save .PCG, .SNG., or .MID files as follows. With the factory settings, the program banks have the following contents.
Saving data Writing to internal memory • User arpeggio pattern For details, please see “Dump:” on page 177 of the Parameter Guide. If you specified New, you can specify any category and save the sound in bank U 000–127. Writing to internal memory Writing a Program or Combination If you selected program bank U or combination bank U: Writing (saving) procedure If you specified New, you can specify any category and save the sound in bank U 000–127.
Overall settings for the KROSS, and saving/loading data About the Program and Combination edit buffer When you select a program in PROG> MAIN or a combination in COMBI> MAIN, the program or combination data is called into the KROSS’s edit buffer. When you then use the various Program or Combination pages to edit the parameters, your changes will affect the data in the edit buffer. If you wish to save this modified data into internal memory, you must perform the Write operation.
Saving data Editing names Text Editing names Target Cursor Characters You can modify the name of an edited program, combination, song, drum kit, or user arpeggio patterns etc. These renaming procedures can be performed in the following pages. Item Page Program PROG...P-MFX function: Write Program Combination COMBI...C-MFX function: Write Combination Song SEQ...
Overall settings for the KROSS, and saving/loading data Saving to SD card Cautions when saving For details on the data that can be saved on SD card, please see “Data used by the KROSS” on page 100. If an identically named file exists on the SD cared The musical data of a song that you create in Sequencer mode cannot be saved in the KROSS’s internal memory. You must save this data on a commercially available SD card, or save it using MIDI data dump.
Loading data Data that can be loaded Loading data 4. Choose the Load selected function. Press the FUNCTION button. Use the ▲(PAGE–) button to choose Load selected, and then press the OK (MENU) button. A dialog box will appear. Data that can be loaded Loading from SD card You can load the following data from SD card. • PCG files: Programs, combinations, drum kits, global settings (including favorites data), user arpeggio patterns • .SNG file: Song • .
Overall settings for the KROSS, and saving/loading data Loading songs for use in Sequencer mode (.SNG) Media utility As an example here, we will explain how to load a song. Tip: If you want to use edited programs, drum kits, or user arpeggio patterns in a song, load those programs (i.e., .PCG file) after (or before) you load the song. 1. Perform steps 1–3 under “Loading all Programs, Combinations, Drum Kits and Arpeggio patterns” on page 107. Select the .
Appendices Restoring the factory settings Loading the preloaded data The original preload data is backed up in the KROSS, so you can restore any or all of the Programs, Combinations, Drum Kits, User Arpeggio Patterns, and Global settings to their original factory settings. Note: The original demo songs can be re-loaded at any time. For details, please see “About the data loaded by All Preload PCG”. User banks and user patterns where preload data has not been loaded will remain unchanged.
Appendices Initializing the system If operation becomes unstable, initializing the system may stabilize it. Troubleshooting If you experience problems, please see the relevant item and take the appropriate measures. 1. Turn off the power of the KROSS. 2. Initialize the KROSS. While holding down the EXIT button and button 8, turn on the power of the KROSS. The KROSS will be initialized, and data will be written into internal memory.
Troubleshooting Audio output Can’t turn on the FAVORITES button Notes are sounded in duplicate □ Could the AUDIO RECORDER SETUP button be on? □ Is Local Control turned Off? No response when you press the STEP SEQ button • Clear the Local Control On checkbox (G-MIDI> BASIC). → p.99 □ Is FAVORITES turned on? The STEP SEQ button is temporarily used to operate the step sequencer when FAVORITES is on.
Appendices • Line and Mic cannot both be input simultaneously. In the AUDIO IN - QUICK SETTING dialog box, use the Select setting to choose either Line or Mic. → p.19 Sequencer □ Are the audio input parameters such as Level, Gain, Play/ Mute, and Bus set appropriately? A program selected for a track sounds different than when played in Program mode • In the AUDIO IN - QUICK SETTING dialog box, select Line or Mic and check the parameter settings. → p.
Troubleshooting Arpeggiator Arpeggiator Effects The Arpeggiator does not start Effects are not audible □ Is the ARP button turned on (lit)? → p.67 □ Have you selected effect program 000 (No Effect)? □ If the arpeggiator does not start for a combination or song, make sure that Run is checked, and that an arpeggiator is selected for Assign. → p.70 • Select an effect other than 000: No Effect for “IFX1–5,” or “MFX 1, 2.
Appendices □ Could Master Volume be assigned to Foot Pedal, and could that pedal be lowered? If you want to adjust the volume of the performance while you record, use Expression or Volume. → p.21 MIDI The KROSS does not respond to incoming MIDI data □ Are all MIDI cables or USB cables connected correctly? → p.22 □ Are the KROSS’s receive settings (such as the global MIDI channel and the timbre/track’s receive channel) set to match the channels of the transmitting device? → PG p.
Error messages Error and confirmation messages Error messages D Destination and source are identical Error and confirmation messages A Aborted Meaning: Execution of the function was cancelled. Are you sure ? Meaning: This message asks you to confirm execution. To execute press the OK button. To cancel, press the CANCEL button. Audio recorder data error Meaning: An error occurred while managing the audio song recording data. • No further recording is possible.
Appendices Error in writing to media Meaning: A verification error occurred while writing data to a media. To solve this problem: • It is possible that the media has been physically damaged. Try another media. Avoid using the media that produced the error. M Measure number over limit Meaning: The attempted edit procedure would cause the track length to exceed 999 measures. • Delete unnecessary measures.
Error messages Error and confirmation messages the previous take will be lowered only for the recorded region. To avoid this problem of lowered volume, use ADJ. LVL to adjust the audio song level. MIDI data receiving error Meaning: While receiving MIDI System Exclusive data, the format of the received data was invalid, for example, because the size of the data was incorrect. N Now writing into internal memory Meaning: Now writing to internal memory. Never turn off the power while this message is shown.
Appendices T There is no readable data Meaning: Either the file size is 0 or the file does not contain data that can be accessed by the load or open procedure. Alternatively, the data is damaged etc., and cannot be loaded or accessed. The song exists, and will be initialized Meaning: When executing the Sequencer mode Create New Song function, you attempted to create a new song for a song number that already exists.
Specifications Error and confirmation messages Specifications Operating temperature +10 – +40 °C KROSS-61 61 keys (velocity sensitive; aftertouch not supported) Normally C2–C7 (adjustable in the range [C1...C6]–[C3...C8]) KROSS-88 NH (Natural weighted hammer action) keyboard (no aftertouch) Normally A0–C8 (adjustable in the range [A-1...C7]–[A1...C9]) * The NH keyboard delivers a playing feel similar to that of an acoustic piano, with low notes being heavier and high notes being lighter.
Appendices Media File, Utility, Information Pitch bend wheel, Modulation wheel, SW1, 2 Step sequencer / Favorites Controllers User Interface Control Inputs Buttons 1–16 STEP SEQ button, SETUP and RUN buttons for control FAVORITES button, BANK button for control LED: A/B/C/D (also used by STEP SEQ and FAVORITES) Drum Track Buttons = DRUM TRACK Arpeggiator Buttons = ARP Effect On/Off Buttons = MASTER FX Audio recorder SETUP, PLAY/PAUSE ( Display 240 x 64 pixel LCD (backlit) Adjustable contrast
Specifications Operating requirements Operating requirements KORG USB-MIDI Driver Windows Operating system: Microsoft Windows XP Home/Professional SP3, Windows Vista SP2 (including 64-bit), Windows 7 SP1 (including 64-bit) Windows 8 (including 64-bit) Computer: USB port required (a USB host controller made by Intel is recommended) Macintosh Operating system: Mac OS X 10.5 or later.
[Music Workstation] Appendices Date : 2013. 02. 09 MIDI Implementation Chart Model: KROSS MIDI Implementation Chart Function Transmitted Basic Channel Default Changed Mode Memorized Messages Altered Note Number: 1 – 16 1 – 16 0 – 127 Note On Note Off Aftertouch Polyphonic (Key) Monophonic (Channel) 1 – 16 1 – 16 Remarks Memorized 3 True Voice Velocity Recognized Ver.: 1.
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