User Manual
Table Of Contents
- Important safety instructions
- Further notices
- Table of Contents
- Introduction
- Welcome!
- Overview
- Front Panel
- Music stand holes
- Speakers
- Joystick lever
- Volume controls
- Mode selection
- Special Mode Buttons
- Accompaniment, Memory, Manual Bass
- Pads
- Selection
- Style Elements
- Style Controls
- Display and Brightness Controls
- Special Function Controls
- STS Section
- Player Controls
- Lyrics, Score
- Data Entry and Navigation
- Tempo Section
- Split
- Ensemble
- Performance Select Section
- Transpose Section
- Power On/Off
- Rear Panel
- Front Panel
- Glossary of Terms
- Interface basics
- Easy Mode
- Quick Guide
- Turning the instrument on
- Connecting and calibrating the Damper pedal
- Playing the Demo
- Playing Sounds
- Selecting and saving Performances
- Selecting and saving the “My Setting” Performance
- Selecting and playing Styles
- Selecting and playing a Style
- Tempo
- Intro, Variation, Fill, Break, Ending
- Single Touch Settings (STS)
- The Pads
- Adjusting the balance between the Style and the keyboard
- Adjusting the volume of the separate tracks
- Turning the Style tracks on/off
- Adding harmony notes to your right-hand melody with the ENSEMBLE function
- Song Play
- The SongBook
- Recording a new Song (Standard MIDI File)
- Searching files and musical resources
- Reference
- Selecting elements
- Style Play
- Start-up settings
- Styles and Pads
- Master Volume and Balance
- Factory, Favorite and User Styles
- Main page
- STS Name panel
- Volume panel
- Pad panel
- Split panel
- Sub-Scale panel
- Edit menu
- Edit page structure
- Mixer/Tuning: Volume/Pan
- Mixer/Tuning: FX Send
- Mixer/Tuning: EQ Gain
- Mixer/Tuning: EQ Control
- Mixer/Tuning: Tuning
- Mixer/Tuning: Sub Scale
- Effects: A/B FX Configuration
- Effects: Master 1, 2
- Track Controls: Mode
- Track Controls: Drum Edit
- Track Controls: Easy Edit
- Keyboard/Ensemble: Key/Velocity Range
- Keyboard/Ensemble: Ensemble
- Keyboard/Ensemble: Keyboard Control
- Pads: Pad
- Style Controls: Drum Map
- Style Controls: Keyboard Range On/Off / Wrap Around
- Page menu
- Write Performance dialog box
- Write Single Touch Setting dialog box
- Write Current Style Settings dialog box
- The Favorite banks
- Song Play
- MIDI Clock
- Tempo Lock
- Master Volume, Balance
- Track parameters
- Standard MIDI Files and Sounds
- Keyboard, Pad and Player tracks
- Main page (Normal view)
- STS Name panel
- Volume panel
- Pad panel
- Split panel
- Sub-Scale panel
- Jukebox panel
- Edit menu
- Edit page structure
- Mixer/Tuning: Volume/Pan
- Mixer/Tuning: FX Send
- Mixer/Tuning: EQ Gain
- Mixer/Tuning: EQ Control
- Mixer/Tuning: Tuning
- Effects: A/B FX Configuration
- Effects: Master 1, 2
- Track Controls: Mode
- Track Controls: Drum Edit
- Track Controls: Easy Edit
- Keyboard/Ensemble: Key/Velocity Range
- Keyboard/Ensemble: Ensemble
- Keyboard/Ensemble: Keyboard Control
- Pads: Pad
- Jukebox Editor
- Page menu
- Sequencer
- Standard MIDI Files and MP3
- Sequencer Play - Main page
- Entering Record mode
- Record mode: Multitrack Sequencer page
- Record mode: Step Record page
- Record mode: Backing Sequence (Quick Record) page
- Record mode: Step Backing Sequence page
- Edit menu
- Edit page structure
- Mixer/Tuning: Volume/Pan
- Mixer/Tuning: FX Send
- Mixer/Tuning: EQ Gain
- Mixer/Tuning: EQ Control
- Mixer/Tuning: Tuning
- Mixer/Tuning: Sub Scale
- Effects: A/B FX Configuration
- Effects: Master 1, 2
- Track Controls: Mode
- Track Controls: Drum Edit
- Track Controls: Easy Edit
- Event Edit: Event Edit
- Event Edit: Filter
- Song Edit: Quantize
- Song Edit: Transpose
- Song Edit: Velocity
- Song Edit: Cut/Insert Measures
- Song Edit: Delete
- Song Edit: Copy
- Song Edit: Move
- Song Edit: RX Convert
- Page menu
- Song Select window
- Save Song window
- Global
- Overview on the Global mode
- Main page
- Edit menu
- Edit page structure
- General Controls: Basic
- General Controls: Interface
- General Controls: Lock
- General Controls: Date & Power
- Mode Preferences: Style
- Mode Preferences: Song & Sequencer
- Mode Preferences: Media
- Controllers: Hand Controllers
- Controllers: Foot Controllers
- Tuning: Basic
- Tuning: Transpose Control
- Tuning: Scale
- MIDI: General Controls
- MIDI: MIDI In Controls
- MIDI: MIDI In Channels
- MIDI: MIDI Out Channels
- MIDI: Filters
- Audio & EQ: MP3 / Output
- Audio & EQ: Master EQ
- Touch Panel Calibration
- Page menu
- Write Quarter Tone SC Preset dialog box
- Write Midi Preset dialog box
- Write Master EQ Preset dialog box
- Media
- Storage devices and internal memory
- Supported device
- Selecting and deselecting files
- Searching files
- Preferences
- File types
- Media structure
- Main page
- Page structure
- Navigation tools
- Load
- Merging data
- Loading all the User data
- Loading all data of a specified type
- Loading a single bank
- Loading a single item
- Loading Global data from other Pa-Series instruments
- Loading Pa3X data
- Loading Pa900/Pa600 data
- Loading Pa2X, Pa800, Pa1X, Pa800, Pa588 data
- Loading Pa80/60/50/50SD data
- Loading i-Series data
- Save
- Copy
- Delete
- Format
- Utility
- USB
- Page menu
- Care of mass storage devices
- SongBook
- Lyrics, Score
- Style/Pad Record
- Recording Styles and Pads
- Style/Pad Import/Export
- Entering the Style/Pad Record mode
- Exit by saving or deleting changes
- Listening to the Style while in Edit mode
- List of recorded events
- Main page - Record 1
- Main page - Record 2/Cue
- Main page - Guitar Mode
- Style/Pad Record procedure
- Edit menu
- Edit page structure
- Event Edit: Event Edit
- Event Edit: Filter
- Style/Pad Edit: Quantize
- Style/Pad Edit: Transpose
- Style/Pad Edit: Velocity
- Style/Pad Edit: Cut
- Style/Pad Edit: Delete
- Style/Pad Edit: Delete All
- Style/Pad Edit: Copy from Style
- Style/Pad Edit: Copy from Pad
- Style Element Track Controls: Sound/ Expression
- Style Element Track Controls: Keyboard Range
- Style Element Track Controls: Noise/Guitar
- Pad Track Controls: Sound/Expression
- Style Element/Pad Chord Table: Chord Table
- Style Track Controls: Type/Trigger/Tension
- Import: Import Groove
- Import: Import SMF
- Export SMF
- Page menu
- Write Style/Pad dialog box
- Copy Key/Chord dialog box
- Copy Sounds dialog box
- Copy Expression dialog box
- Copy Key Range dialog box
- Copy Chord Table dialog box
- Overdub Step Recording window
- Sound Edit
- The MIDI channel
- How to select oscillators
- Sounds, Drum Kits
- Main page
- Edit menu
- Edit page structure
- Basic: Sound Basic
- Basic: OSC Basic
- Basic: Vel/Key Zone
- Basic: Damper Mode
- Basic: Damper Trigger
- Basic: EQ
- DrumKit: Sample Setup (Drum Kits)
- DrumKit: EQ (Drum Kits)
- DrumKit: Voice Mixer (Drum Kits)
- Pitch: Pitch Mod
- Pitch: Pitch EG
- Filter: Filter Type
- Filter: Filter Mod
- Filter: Filter LFO
- Filter: Filter EG
- Amp: Amp Level/Pan
- Amp: Amp Mod
- Amp: Amp EG
- LFO: LFO1
- LFO: LFO2
- Effects: “B” FX Config
- Effects: Master 1 / Reverb
- Effects: Master 2 / Chorus
- Page menu
- Write Sound dialog box
- Copy Oscillator dialog box
- Copy Drum Kit dialog box
- AMS (Alternate Modulation Source) list
- MIDI
- Appendix
- Factory data
- Effects
- Effect list
- Dynamic Modulation sources
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Assignable parameters
- Recognized chords
- MIDI Data
- Installing the Korg USB MIDI Driver
- Shortcuts
- Troubleshooting
- Technical specifications
- MIDI Implementation Chart
- Index

202
Style/Pad Record
Main page - Guitar Mode
Cue area
Cue mode for [Style element]
This parameter lets you decide how the current Style Element
will enter after it has been selected. This setting is only available
for the ‘Variation’ and ‘Fill’ Style Elements.
Immediate, first measure
The Style Element enters immediately, and begins
from the first measure. Only available on Fills.
Immediate, current measure
The Style Element enters immediately, and begins
from the current measure. Only available on Fills.
Next measure, first measure
The Style Element enters at the beginning of the
next measure, and begins from the first measure
of the new pattern. Available on both Fills and
Var iati ons.
Next measure, current measure
The Style Element enters at the beginning of the
next measure, and begins from the current mea-
sure. Only available on Variations.
Main page - Guitar Mode
While in the main page, and a Guitar track has been selected,
touch the “Guitar Mode” tab to see this page. This is where you
can access Guitar Mode programming:
Note: To access this page, a Guitar track must first be selected (see
“Track Type” on page 220). The Pad track must be of Guitar type
(Pad Track Controls > Sound/Expression page, see “Track Type”
on page 219). Otherwise, the Guitar Mode tab will remain grey
(not selectable).
Note: When programming a Guitar track from an external
sequencer, you must be sure the Guitar tracks is associated to the
right channel. Go to the Global > MIDI > MIDI IN Channels page,
and assign the corresponding Style track (usually Acc1 ~ Acc5) to
the same channel of the Guitar track on the external sequencer.
Then, go to the Style Record > Style Track Controls > Type/Ten-
sion/Trigger page, and set the track as a track of type “Gtr” (see
“Track Type” on page 220).
Guitar Mode allows for easy creation of realistic rhythm guitar
parts, without the artificial, unmusical playing typical of MIDI
programming of guitar parts. Just record a few measures, and
you will end up with realistic rhythm guitar tracks, where each
chord is played according to its real position on the guitar, and
not generated by simply transposing a written pattern.
Recording overview
Recording a Guitar track is unlike recording the other tracks,
where you play exactly all the notes of a melody line or all the
chords of an accompaniment part. With Guitar tracks you can:
a) play the keys corresponding to the strumming modes,
b) play an arpeggio using the six keys corresponding to the six
guitar strings (and the special keys corresponding to the root
and fifth notes),
c) play RX Noises to add realism to the pattern,
d) add regular patterns, for short melodic passages without wast-
ing an Acc track,
e) use the finest MIDI programming to select Chord Shapes, and
recreate any nuance of a guitar performance.
The following sections describe the various control keys avail-
able for this guitar simulation.
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