User Manual
Table Of Contents
- Important safety instructions
- Further notices
- Table of Contents
- Introduction
- Welcome!
- Overview
- Front Panel
- Music stand holes
- Speakers
- Joystick lever
- Volume controls
- Mode selection
- Special Mode Buttons
- Accompaniment, Memory, Manual Bass
- Pads
- Selection
- Style Elements
- Style Controls
- Display and Brightness Controls
- Special Function Controls
- STS Section
- Player Controls
- Lyrics, Score
- Data Entry and Navigation
- Tempo Section
- Split
- Ensemble
- Performance Select Section
- Transpose Section
- Power On/Off
- Rear Panel
- Front Panel
- Glossary of Terms
- Interface basics
- Easy Mode
- Quick Guide
- Turning the instrument on
- Connecting and calibrating the Damper pedal
- Playing the Demo
- Playing Sounds
- Selecting and saving Performances
- Selecting and saving the “My Setting” Performance
- Selecting and playing Styles
- Selecting and playing a Style
- Tempo
- Intro, Variation, Fill, Break, Ending
- Single Touch Settings (STS)
- The Pads
- Adjusting the balance between the Style and the keyboard
- Adjusting the volume of the separate tracks
- Turning the Style tracks on/off
- Adding harmony notes to your right-hand melody with the ENSEMBLE function
- Song Play
- The SongBook
- Recording a new Song (Standard MIDI File)
- Searching files and musical resources
- Reference
- Selecting elements
- Style Play
- Start-up settings
- Styles and Pads
- Master Volume and Balance
- Factory, Favorite and User Styles
- Main page
- STS Name panel
- Volume panel
- Pad panel
- Split panel
- Sub-Scale panel
- Edit menu
- Edit page structure
- Mixer/Tuning: Volume/Pan
- Mixer/Tuning: FX Send
- Mixer/Tuning: EQ Gain
- Mixer/Tuning: EQ Control
- Mixer/Tuning: Tuning
- Mixer/Tuning: Sub Scale
- Effects: A/B FX Configuration
- Effects: Master 1, 2
- Track Controls: Mode
- Track Controls: Drum Edit
- Track Controls: Easy Edit
- Keyboard/Ensemble: Key/Velocity Range
- Keyboard/Ensemble: Ensemble
- Keyboard/Ensemble: Keyboard Control
- Pads: Pad
- Style Controls: Drum Map
- Style Controls: Keyboard Range On/Off / Wrap Around
- Page menu
- Write Performance dialog box
- Write Single Touch Setting dialog box
- Write Current Style Settings dialog box
- The Favorite banks
- Song Play
- MIDI Clock
- Tempo Lock
- Master Volume, Balance
- Track parameters
- Standard MIDI Files and Sounds
- Keyboard, Pad and Player tracks
- Main page (Normal view)
- STS Name panel
- Volume panel
- Pad panel
- Split panel
- Sub-Scale panel
- Jukebox panel
- Edit menu
- Edit page structure
- Mixer/Tuning: Volume/Pan
- Mixer/Tuning: FX Send
- Mixer/Tuning: EQ Gain
- Mixer/Tuning: EQ Control
- Mixer/Tuning: Tuning
- Effects: A/B FX Configuration
- Effects: Master 1, 2
- Track Controls: Mode
- Track Controls: Drum Edit
- Track Controls: Easy Edit
- Keyboard/Ensemble: Key/Velocity Range
- Keyboard/Ensemble: Ensemble
- Keyboard/Ensemble: Keyboard Control
- Pads: Pad
- Jukebox Editor
- Page menu
- Sequencer
- Standard MIDI Files and MP3
- Sequencer Play - Main page
- Entering Record mode
- Record mode: Multitrack Sequencer page
- Record mode: Step Record page
- Record mode: Backing Sequence (Quick Record) page
- Record mode: Step Backing Sequence page
- Edit menu
- Edit page structure
- Mixer/Tuning: Volume/Pan
- Mixer/Tuning: FX Send
- Mixer/Tuning: EQ Gain
- Mixer/Tuning: EQ Control
- Mixer/Tuning: Tuning
- Mixer/Tuning: Sub Scale
- Effects: A/B FX Configuration
- Effects: Master 1, 2
- Track Controls: Mode
- Track Controls: Drum Edit
- Track Controls: Easy Edit
- Event Edit: Event Edit
- Event Edit: Filter
- Song Edit: Quantize
- Song Edit: Transpose
- Song Edit: Velocity
- Song Edit: Cut/Insert Measures
- Song Edit: Delete
- Song Edit: Copy
- Song Edit: Move
- Song Edit: RX Convert
- Page menu
- Song Select window
- Save Song window
- Global
- Overview on the Global mode
- Main page
- Edit menu
- Edit page structure
- General Controls: Basic
- General Controls: Interface
- General Controls: Lock
- General Controls: Date & Power
- Mode Preferences: Style
- Mode Preferences: Song & Sequencer
- Mode Preferences: Media
- Controllers: Hand Controllers
- Controllers: Foot Controllers
- Tuning: Basic
- Tuning: Transpose Control
- Tuning: Scale
- MIDI: General Controls
- MIDI: MIDI In Controls
- MIDI: MIDI In Channels
- MIDI: MIDI Out Channels
- MIDI: Filters
- Audio & EQ: MP3 / Output
- Audio & EQ: Master EQ
- Touch Panel Calibration
- Page menu
- Write Quarter Tone SC Preset dialog box
- Write Midi Preset dialog box
- Write Master EQ Preset dialog box
- Media
- Storage devices and internal memory
- Supported device
- Selecting and deselecting files
- Searching files
- Preferences
- File types
- Media structure
- Main page
- Page structure
- Navigation tools
- Load
- Merging data
- Loading all the User data
- Loading all data of a specified type
- Loading a single bank
- Loading a single item
- Loading Global data from other Pa-Series instruments
- Loading Pa3X data
- Loading Pa900/Pa600 data
- Loading Pa2X, Pa800, Pa1X, Pa800, Pa588 data
- Loading Pa80/60/50/50SD data
- Loading i-Series data
- Save
- Copy
- Delete
- Format
- Utility
- USB
- Page menu
- Care of mass storage devices
- SongBook
- Lyrics, Score
- Style/Pad Record
- Recording Styles and Pads
- Style/Pad Import/Export
- Entering the Style/Pad Record mode
- Exit by saving or deleting changes
- Listening to the Style while in Edit mode
- List of recorded events
- Main page - Record 1
- Main page - Record 2/Cue
- Main page - Guitar Mode
- Style/Pad Record procedure
- Edit menu
- Edit page structure
- Event Edit: Event Edit
- Event Edit: Filter
- Style/Pad Edit: Quantize
- Style/Pad Edit: Transpose
- Style/Pad Edit: Velocity
- Style/Pad Edit: Cut
- Style/Pad Edit: Delete
- Style/Pad Edit: Delete All
- Style/Pad Edit: Copy from Style
- Style/Pad Edit: Copy from Pad
- Style Element Track Controls: Sound/ Expression
- Style Element Track Controls: Keyboard Range
- Style Element Track Controls: Noise/Guitar
- Pad Track Controls: Sound/Expression
- Style Element/Pad Chord Table: Chord Table
- Style Track Controls: Type/Trigger/Tension
- Import: Import Groove
- Import: Import SMF
- Export SMF
- Page menu
- Write Style/Pad dialog box
- Copy Key/Chord dialog box
- Copy Sounds dialog box
- Copy Expression dialog box
- Copy Key Range dialog box
- Copy Chord Table dialog box
- Overdub Step Recording window
- Sound Edit
- The MIDI channel
- How to select oscillators
- Sounds, Drum Kits
- Main page
- Edit menu
- Edit page structure
- Basic: Sound Basic
- Basic: OSC Basic
- Basic: Vel/Key Zone
- Basic: Damper Mode
- Basic: Damper Trigger
- Basic: EQ
- DrumKit: Sample Setup (Drum Kits)
- DrumKit: EQ (Drum Kits)
- DrumKit: Voice Mixer (Drum Kits)
- Pitch: Pitch Mod
- Pitch: Pitch EG
- Filter: Filter Type
- Filter: Filter Mod
- Filter: Filter LFO
- Filter: Filter EG
- Amp: Amp Level/Pan
- Amp: Amp Mod
- Amp: Amp EG
- LFO: LFO1
- LFO: LFO2
- Effects: “B” FX Config
- Effects: Master 1 / Reverb
- Effects: Master 2 / Chorus
- Page menu
- Write Sound dialog box
- Copy Oscillator dialog box
- Copy Drum Kit dialog box
- AMS (Alternate Modulation Source) list
- MIDI
- Appendix
- Factory data
- Effects
- Effect list
- Dynamic Modulation sources
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Assignable parameters
- Recognized chords
- MIDI Data
- Installing the Korg USB MIDI Driver
- Shortcuts
- Troubleshooting
- Technical specifications
- MIDI Implementation Chart
- Index

18
Glossary of Terms
Sound
Before you begin, take a few moments to familiarize yourself
with the names and terms we will be using to talk about the vari-
ous elements of the Pa300.
In this section, you will find a brief description of various key
elements of the Pa300. A professional arranger (Pa) keyboard
uses different terminology than a traditional synthesizer or
workstation. By familiarizing yourself with the names and func-
tions in this section, you will get a better understanding of how
all the different parts of the Pa300 work together to create a real-
istic musical performance. This will also help you to get the most
out of the rest of the manual.
Sound
A Sound is the most basic unit of an Arranger Keyboard perfor-
mance. A Sound is basically a playable instrument timbre (piano,
bass, sax, guitar…) that can be edited, saved, recalled and
assigned to any track. In the Style Play, Song Play or Sequencer
mode, Sounds may be freely assigned to Sequencer tracks, Style
tracks, or Keyboard tracks.
Style
The Style is the heart of a professional arranger keyboard. At its
basic level, a Style will consist of up to eight parts, or “Tracks”.
Drums
The Drum track will provide a repeating rhythmic phrase,
played by the standard instruments of a Drum Kit.
Percussion
An additional rhythmic phrase played by various percussion
instruments (conga, shaker, cowbell, etc.) is provided by the Per-
cussion track.
Bass & Accompaniment
The Bass track and the (up to) five additional Accompaniment
tracks will each play musical phrases that are musically related to
and in sync with the Drum and Percussion tracks. However, the
notes being played by these tracks will change to follow the
chord progression that you play on the keyboard.
Again, any Sound you choose may be assigned to any track in a
Style.
Variation
For each Style, there are four Variations, to be used for the Verse,
Bridge and Chorus of a song. In general, each Variation is a
slightly different version of the others. As you progress from
Variation one to Variation four, the arrangements will become
more complex, and more parts (Tracks) may be added. This
allows your performance to have a more dynamic arrangement,
without losing the original “feel” of the Style.
Fill-in & Break
During a performance, a drummer may often perform a “fill” -
such as when transitioning from a verse to a chorus – adding
extra dynamics and keeping the beat from getting too repetitive.
The Pa300 offers four Fill-ins specifically programmed for each
Style, that may be automatically recalled when choosing the cor-
responding Variation (Auto Fill). A Fill-in may be drums alone
or drums with instrumentation. Then, there is even a silent
“break”.
Intro & Ending
Each Style also allows you to complete your performance with a
set of musical introductions and endings. A long and short ver-
sion of the Intro and Ending are usually provided, with the for-
mer more harmonically elaborated, and the latter with a fixed
chord. A “count-in” Style Intro is also provided, as well as the
quick Ending 3.
Pad
Pads are single sounds or single-track patterns, that can be trig-
gered by using the dedicated PAD buttons. They can be used to
play single sounds, as well as short, cycling sequences that play
in time with the Style or Standard MIDI File, and are transposed
according to the recognized chords.
Keyboard tracks
Up to four parts can be played on the keyboard in real-time.
Three of them (Upper) can be layered and played over the full
keyboard. They can also be used to created particular sound
configurations: each of these Keyboard tracks can be limited to a
particular range of keys or velocities, but in general up to three
can be assigned to play above the split point (Upper), and one
below (Lower). This allows the Upper Sounds to be layered
together. The split point can be set to any note on the keyboard.
In addition to performing along with a Style, these same Key-
board tracks will allow you to play along with the Player.
Glossary of Terms
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