User Manual
Table Of Contents
- Important safety instructions
- Further notices
- Table of Contents
- Introduction
- Welcome!
- Overview
- Front Panel
- Music stand holes
- Speakers
- Joystick lever
- Volume controls
- Mode selection
- Special Mode Buttons
- Accompaniment, Memory, Manual Bass
- Pads
- Selection
- Style Elements
- Style Controls
- Display and Brightness Controls
- Special Function Controls
- STS Section
- Player Controls
- Lyrics, Score
- Data Entry and Navigation
- Tempo Section
- Split
- Ensemble
- Performance Select Section
- Transpose Section
- Power On/Off
- Rear Panel
- Front Panel
- Glossary of Terms
- Interface basics
- Easy Mode
- Quick Guide
- Turning the instrument on
- Connecting and calibrating the Damper pedal
- Playing the Demo
- Playing Sounds
- Selecting and saving Performances
- Selecting and saving the “My Setting” Performance
- Selecting and playing Styles
- Selecting and playing a Style
- Tempo
- Intro, Variation, Fill, Break, Ending
- Single Touch Settings (STS)
- The Pads
- Adjusting the balance between the Style and the keyboard
- Adjusting the volume of the separate tracks
- Turning the Style tracks on/off
- Adding harmony notes to your right-hand melody with the ENSEMBLE function
- Song Play
- The SongBook
- Recording a new Song (Standard MIDI File)
- Searching files and musical resources
- Reference
- Selecting elements
- Style Play
- Start-up settings
- Styles and Pads
- Master Volume and Balance
- Factory, Favorite and User Styles
- Main page
- STS Name panel
- Volume panel
- Pad panel
- Split panel
- Sub-Scale panel
- Edit menu
- Edit page structure
- Mixer/Tuning: Volume/Pan
- Mixer/Tuning: FX Send
- Mixer/Tuning: EQ Gain
- Mixer/Tuning: EQ Control
- Mixer/Tuning: Tuning
- Mixer/Tuning: Sub Scale
- Effects: A/B FX Configuration
- Effects: Master 1, 2
- Track Controls: Mode
- Track Controls: Drum Edit
- Track Controls: Easy Edit
- Keyboard/Ensemble: Key/Velocity Range
- Keyboard/Ensemble: Ensemble
- Keyboard/Ensemble: Keyboard Control
- Pads: Pad
- Style Controls: Drum Map
- Style Controls: Keyboard Range On/Off / Wrap Around
- Page menu
- Write Performance dialog box
- Write Single Touch Setting dialog box
- Write Current Style Settings dialog box
- The Favorite banks
- Song Play
- MIDI Clock
- Tempo Lock
- Master Volume, Balance
- Track parameters
- Standard MIDI Files and Sounds
- Keyboard, Pad and Player tracks
- Main page (Normal view)
- STS Name panel
- Volume panel
- Pad panel
- Split panel
- Sub-Scale panel
- Jukebox panel
- Edit menu
- Edit page structure
- Mixer/Tuning: Volume/Pan
- Mixer/Tuning: FX Send
- Mixer/Tuning: EQ Gain
- Mixer/Tuning: EQ Control
- Mixer/Tuning: Tuning
- Effects: A/B FX Configuration
- Effects: Master 1, 2
- Track Controls: Mode
- Track Controls: Drum Edit
- Track Controls: Easy Edit
- Keyboard/Ensemble: Key/Velocity Range
- Keyboard/Ensemble: Ensemble
- Keyboard/Ensemble: Keyboard Control
- Pads: Pad
- Jukebox Editor
- Page menu
- Sequencer
- Standard MIDI Files and MP3
- Sequencer Play - Main page
- Entering Record mode
- Record mode: Multitrack Sequencer page
- Record mode: Step Record page
- Record mode: Backing Sequence (Quick Record) page
- Record mode: Step Backing Sequence page
- Edit menu
- Edit page structure
- Mixer/Tuning: Volume/Pan
- Mixer/Tuning: FX Send
- Mixer/Tuning: EQ Gain
- Mixer/Tuning: EQ Control
- Mixer/Tuning: Tuning
- Mixer/Tuning: Sub Scale
- Effects: A/B FX Configuration
- Effects: Master 1, 2
- Track Controls: Mode
- Track Controls: Drum Edit
- Track Controls: Easy Edit
- Event Edit: Event Edit
- Event Edit: Filter
- Song Edit: Quantize
- Song Edit: Transpose
- Song Edit: Velocity
- Song Edit: Cut/Insert Measures
- Song Edit: Delete
- Song Edit: Copy
- Song Edit: Move
- Song Edit: RX Convert
- Page menu
- Song Select window
- Save Song window
- Global
- Overview on the Global mode
- Main page
- Edit menu
- Edit page structure
- General Controls: Basic
- General Controls: Interface
- General Controls: Lock
- General Controls: Date & Power
- Mode Preferences: Style
- Mode Preferences: Song & Sequencer
- Mode Preferences: Media
- Controllers: Hand Controllers
- Controllers: Foot Controllers
- Tuning: Basic
- Tuning: Transpose Control
- Tuning: Scale
- MIDI: General Controls
- MIDI: MIDI In Controls
- MIDI: MIDI In Channels
- MIDI: MIDI Out Channels
- MIDI: Filters
- Audio & EQ: MP3 / Output
- Audio & EQ: Master EQ
- Touch Panel Calibration
- Page menu
- Write Quarter Tone SC Preset dialog box
- Write Midi Preset dialog box
- Write Master EQ Preset dialog box
- Media
- Storage devices and internal memory
- Supported device
- Selecting and deselecting files
- Searching files
- Preferences
- File types
- Media structure
- Main page
- Page structure
- Navigation tools
- Load
- Merging data
- Loading all the User data
- Loading all data of a specified type
- Loading a single bank
- Loading a single item
- Loading Global data from other Pa-Series instruments
- Loading Pa3X data
- Loading Pa900/Pa600 data
- Loading Pa2X, Pa800, Pa1X, Pa800, Pa588 data
- Loading Pa80/60/50/50SD data
- Loading i-Series data
- Save
- Copy
- Delete
- Format
- Utility
- USB
- Page menu
- Care of mass storage devices
- SongBook
- Lyrics, Score
- Style/Pad Record
- Recording Styles and Pads
- Style/Pad Import/Export
- Entering the Style/Pad Record mode
- Exit by saving or deleting changes
- Listening to the Style while in Edit mode
- List of recorded events
- Main page - Record 1
- Main page - Record 2/Cue
- Main page - Guitar Mode
- Style/Pad Record procedure
- Edit menu
- Edit page structure
- Event Edit: Event Edit
- Event Edit: Filter
- Style/Pad Edit: Quantize
- Style/Pad Edit: Transpose
- Style/Pad Edit: Velocity
- Style/Pad Edit: Cut
- Style/Pad Edit: Delete
- Style/Pad Edit: Delete All
- Style/Pad Edit: Copy from Style
- Style/Pad Edit: Copy from Pad
- Style Element Track Controls: Sound/ Expression
- Style Element Track Controls: Keyboard Range
- Style Element Track Controls: Noise/Guitar
- Pad Track Controls: Sound/Expression
- Style Element/Pad Chord Table: Chord Table
- Style Track Controls: Type/Trigger/Tension
- Import: Import Groove
- Import: Import SMF
- Export SMF
- Page menu
- Write Style/Pad dialog box
- Copy Key/Chord dialog box
- Copy Sounds dialog box
- Copy Expression dialog box
- Copy Key Range dialog box
- Copy Chord Table dialog box
- Overdub Step Recording window
- Sound Edit
- The MIDI channel
- How to select oscillators
- Sounds, Drum Kits
- Main page
- Edit menu
- Edit page structure
- Basic: Sound Basic
- Basic: OSC Basic
- Basic: Vel/Key Zone
- Basic: Damper Mode
- Basic: Damper Trigger
- Basic: EQ
- DrumKit: Sample Setup (Drum Kits)
- DrumKit: EQ (Drum Kits)
- DrumKit: Voice Mixer (Drum Kits)
- Pitch: Pitch Mod
- Pitch: Pitch EG
- Filter: Filter Type
- Filter: Filter Mod
- Filter: Filter LFO
- Filter: Filter EG
- Amp: Amp Level/Pan
- Amp: Amp Mod
- Amp: Amp EG
- LFO: LFO1
- LFO: LFO2
- Effects: “B” FX Config
- Effects: Master 1 / Reverb
- Effects: Master 2 / Chorus
- Page menu
- Write Sound dialog box
- Copy Oscillator dialog box
- Copy Drum Kit dialog box
- AMS (Alternate Modulation Source) list
- MIDI
- Appendix
- Factory data
- Effects
- Effect list
- Dynamic Modulation sources
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Assignable parameters
- Recognized chords
- MIDI Data
- Installing the Korg USB MIDI Driver
- Shortcuts
- Troubleshooting
- Technical specifications
- MIDI Implementation Chart
- Index

244
Sound Edit
Filter: Filter Type
Filter: Filter Type
Here you can make settings for the filters that will be used by the
oscillators. You can select either a 24 dB/octave low pass filter
with resonance, or a series connection of a 12 dB/octave low pass
filter and a 12 dB/octave high pass filter.
Filter Type
This parameter selects the type of filter (Low Pass Resonant, Low
Pass & High Pass) for the selected oscillator.
Low Pass Resonance
When the Low Pass filter type is selected, only fil-
ter A will be activated.
Low Pass & High Pass
When the Low Pass & High Pass filter type is
selected, the filter B will be activated.
Trim
Use this parameter to adjust the level at which the audio signal
output from the selected oscillator is input to filter A.
Note: If this value is raised, the sound may distort if Resonance is
set to a high value or when you play a chord.
00…99 Trim level.
Filter A
Frequency (Cutoff Frequency A)
This parameter specifies the cutoff frequency of filter A.
00…99 Cutoff frequency value.
Resonance (Resonance A)
The resonance emphasizes the overtone components that lie in
the region of the cutoff frequency specified by “Frequency”, pro-
ducing a more distinctive sound. Increasing this value will pro-
duce a stronger effect.
00…99 Resonance value.
Res. Mod. by AMS (Resonance modulated by AMS)
Selects the source that will control the “Resonance” level. See
“AMS (Alternate Modulation Source) list” on page 256.
Intensity (AMS Intensity)
This parameter specifies the depth and direction of the effect
that “Res. Mod. by AMS (Resonance modulated by AMS)” will
have on the resonance level specified by “Resonance (Resonance
A)”.
For example if Velocity has been selected, changes in keyboard
velocity will affect the resonance.
With positive (+) values, the resonance will increase as you play
more strongly, and as you play more softly the resonance will
approach the level specified by the “Resonance” setting.
With negative (–) values, the resonance will decrease as you play
more strongly, and as you play more softly the resonance will
approach the level specified by the “Resonance” setting.
The resonance level is determined by adding the “Resonance”
and “Intensity (AMS Intensity)” values.
-99…+99 Parameter value.
Filter B
Frequency (Cutoff Frequency B)
This parameter specifies the cutoff frequency of filter B. This
parameter will be displayed when “Filter Type” is set to Low Pass
& High Pass.
00…99 Cutoff frequency value.
Frequency
Level
Low Pass
12dB/oct
24dB/oct
This is a filter that cuts the
high-frequency region above the cutoff
frequency.
This is the most common type of filter,
and is used to cut part of the overtone
components, making an originally bright
timbre sound more mellow (darker).
When the “Filter Type” is Low Pass
Resonance, the cutoff will have a
steeper slope.
The effect of resonance
Low Pass
Level
Low resonance value High resonance value
Level
Frequency
High Pass
This filter cuts the low-frequency range that
lies below the cutoff frequency. By cutting
the lower overtones, it lightens the tone.
12dB/oct
Pa300 User Manual v150 (English).book Page 244 Saturday, March 29, 2014 5:29 PM










