User Manual
Table Of Contents
- Let’s start!
- Playing and singing
- The SongBook
- Customizing and editing the Sound sets
- Customizing, recording and editing the Styles
- Customizing, recording and editing the Songs
- Customizing and editing the Sounds
- Listening and customizing the Sounds
- Editing the Sounds
- Setting the Sound’s basic parameters
- Setting the oscillator’s basic parameters
- Programming the Damper pedal
- Equalizing the Sound
- Setting the Drum Kit’s basic parameters
- Equalizing the Drum Kit
- Mixing and retriggering the drum samples
- Modulating pitch
- Programming the pitch envelope (Pitch EG)
- Programming the filters
- Modulating the filters
- Programming the filter envelope (Filter EG)
- Programming amplitude and pan
- Modulating amplitude
- Programming the amplitude envelope (Amp EG)
- Programming the LFO
- Adding effects to the Sound
- Sound Edit utilities
- AMS (Alternate Modulation Sources)
- Writing the Sounds
- Managing the User Samples
- The Effects
- Effects for the MIDI Sounds
- Adapting reverb to the room size
- Effects list
- DMS (Dynamic Modulation Sources)
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Limiter, Master EQ
- Effects for the MIDI Sounds
- Global settings, Preferences
- MIDI Connections
- MIDI
- Introduction to MIDI
- Quick settings using MIDI Presets
- MIDI communication settings
- Synchronizing Tempo with other instruments
- Programming the MIDI channels
- Installing the KORG USB MIDI Driver
- Connecting HAVIAN 30 to a personal computer or tablet
- Control Change messages
- Controlling the Styles and Player via MIDI
- MIDI
- File management
- Managing files
- Overview on file management
- Loading musical resources and settings
- Saving musical resources and settings
- Copying files and folders
- Deleting files and folders
- Selecting more items at once
- Formatting storage devices
- Backing up and restoring musical resources
- Connecting the internal drive to a personal computer
- Storage device management
- Exporting playlists
- Care of storage devices
- Managing files
- Appendix
132| Customizing the Sound sets
‘Global’ and ‘local’ (or temporary) split point
You can choose a ‘global’ split point that does not change when choosing
a different Performance or STS. Or you can choose a ‘local’ split point that
is better suited to the individual Performance or STS, and can change
when selecting it. The ‘local’ split point is just temporary, and only be-
comes permanent when you write a Performance, an STS or a SongBook
Entry.
To change the type of split point, select or deselect the
Global parameter in the Split Point dialog.
Global Split Split type Meaning
On (Selected) Global Leave this box checked to use the global split point.
This is the general setting from which you can start
programming the local settings.
Off (Deselected) Local This box is automatically deselected when you start
programming a local split point in the Main page. The
local split point can be written into a Performance, STS
or SongBook Entry. Use it when you need a particular
split point for a particular Sound set.
Parts, tracks, channels
On the keyboard, Sounds are assigned to one of the keyboard parts (Upper,
Lower). Linked to a part there is a track. In Styles and MIDI Songs, Sounds
are directly assigned to tracks. Tracks are the equivalent of recorder tracks
(with the associated mixer channels). In fact, HAVIAN 30 does include a re-
corder and a digital mixer! Assigning single Sounds to tracks simplifies the
way you can mix and record them.
Parts
Upper
Lower
Tracks
Upper
Lower
Accomp.
Song
Channels
Upper
Lower
Accomp.
Song
1,2,3 1,2,3
1,2,3…16 1,2,3…16
Bs,Dr,Acc1…5 Bs,Dr,Acc1…5
1,2,3










