User Manual
Table Of Contents
- Let’s start!
- Playing and singing
- The SongBook
- Customizing and editing the Sound sets
- Customizing, recording and editing the Styles
- Customizing, recording and editing the Songs
- Customizing and editing the Sounds
- Listening and customizing the Sounds
- Editing the Sounds
- Setting the Sound’s basic parameters
- Setting the oscillator’s basic parameters
- Programming the Damper pedal
- Equalizing the Sound
- Setting the Drum Kit’s basic parameters
- Equalizing the Drum Kit
- Mixing and retriggering the drum samples
- Modulating pitch
- Programming the pitch envelope (Pitch EG)
- Programming the filters
- Modulating the filters
- Programming the filter envelope (Filter EG)
- Programming amplitude and pan
- Modulating amplitude
- Programming the amplitude envelope (Amp EG)
- Programming the LFO
- Adding effects to the Sound
- Sound Edit utilities
- AMS (Alternate Modulation Sources)
- Writing the Sounds
- Managing the User Samples
- The Effects
- Effects for the MIDI Sounds
- Adapting reverb to the room size
- Effects list
- DMS (Dynamic Modulation Sources)
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Limiter, Master EQ
- Effects for the MIDI Sounds
- Global settings, Preferences
- MIDI Connections
- MIDI
- Introduction to MIDI
- Quick settings using MIDI Presets
- MIDI communication settings
- Synchronizing Tempo with other instruments
- Programming the MIDI channels
- Installing the KORG USB MIDI Driver
- Connecting HAVIAN 30 to a personal computer or tablet
- Control Change messages
- Controlling the Styles and Player via MIDI
- MIDI
- File management
- Managing files
- Overview on file management
- Loading musical resources and settings
- Saving musical resources and settings
- Copying files and folders
- Deleting files and folders
- Selecting more items at once
- Formatting storage devices
- Backing up and restoring musical resources
- Connecting the internal drive to a personal computer
- Storage device management
- Exporting playlists
- Care of storage devices
- Managing files
- Appendix
Using the Ensemble to add harmony |141
2 Use the Type parameter to choose an Ensemble type.
Ensemble type Meaning
Duet Adds a single note to the melody.
Close Adds a closed-position chord to the melody.
Open 1 Adds an open-position chord to the melody.
Open 2 As the above, but with a different chord shape.
Block Block harmonization – very typical of jazz music.
Power Ensemble Adds a fth and an octave to the melody, as heard in hard rock.
Third Up This option adds a third over the melody note (depending on the rec-
ognized chord).
Fourths LO Typical of jazz, this option adds two perfect fourths under the melody.
Fourths UP As the above, but with notes added over the melody.
Fifths This adds two fths below the original note.
Octave Adds an octave to the melody.
Dual This option adds to the melody line a second note, at a xed interval
set with the “Note” parameter. When selecting this option, a transposi-
tion value appears (-24...+24 semitones to the original note).
Brass Typical Brass section harmonization.
Reed Typical Reed section harmonization.
Trill When two notes are played on the keyboard, this option trills them. If
three or more notes are played, only the last two are trilled. You can
set the trill speed by using the Tempo parameter (see below).
Repeat The played note is repeated in sync with the Tempo parameter (see
below). When playing a chord, only the last note is repeated.
Echo As the Repeat option, but with the repeated notes fading away after
the time set with the Feedback parameter (see below).
AutoSplit1 If more than a single Upper track is in play, the Upper 1 track plays the
melody in mono, while the other Upper tracks play the chord notes.
If only the Upper 1 track is in play, it plays poly- phonically all the
chord notes.
AutoSplit2 Similar to AutoSplit1, but the Upper 1 track always plays the upper-
most note.










