User Manual
Table Of Contents
- Let’s start!
- Playing and singing
- The SongBook
- Customizing and editing the Sound sets
- Customizing, recording and editing the Styles
- Customizing, recording and editing the Songs
- Customizing and editing the Sounds
- Listening and customizing the Sounds
- Editing the Sounds
- Setting the Sound’s basic parameters
- Setting the oscillator’s basic parameters
- Programming the Damper pedal
- Equalizing the Sound
- Setting the Drum Kit’s basic parameters
- Equalizing the Drum Kit
- Mixing and retriggering the drum samples
- Modulating pitch
- Programming the pitch envelope (Pitch EG)
- Programming the filters
- Modulating the filters
- Programming the filter envelope (Filter EG)
- Programming amplitude and pan
- Modulating amplitude
- Programming the amplitude envelope (Amp EG)
- Programming the LFO
- Adding effects to the Sound
- Sound Edit utilities
- AMS (Alternate Modulation Sources)
- Writing the Sounds
- Managing the User Samples
- The Effects
- Effects for the MIDI Sounds
- Adapting reverb to the room size
- Effects list
- DMS (Dynamic Modulation Sources)
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Limiter, Master EQ
- Effects for the MIDI Sounds
- Global settings, Preferences
- MIDI Connections
- MIDI
- Introduction to MIDI
- Quick settings using MIDI Presets
- MIDI communication settings
- Synchronizing Tempo with other instruments
- Programming the MIDI channels
- Installing the KORG USB MIDI Driver
- Connecting HAVIAN 30 to a personal computer or tablet
- Control Change messages
- Controlling the Styles and Player via MIDI
- MIDI
- File management
- Managing files
- Overview on file management
- Loading musical resources and settings
- Saving musical resources and settings
- Copying files and folders
- Deleting files and folders
- Selecting more items at once
- Formatting storage devices
- Backing up and restoring musical resources
- Connecting the internal drive to a personal computer
- Storage device management
- Exporting playlists
- Care of storage devices
- Managing files
- Appendix
Sound routing, polyphony, key and velocity range |159
2 Use the Type parameter to choose the track type.
Type Meaning
Drum Drum/Percussion track. Set a Keyboard Sound to Drum mode, if
you don’t want it to be transposed (it will behave as a Drum Kit,
even if it is an ordinary Sound). Also, set it to Drum mode if you
wish to separately adjust the volume for each percussive family of
a Drum Kit.
Drum Kits are never transposed, whichever the type of track they
are assigned to.
This parameter will appear dimmed (non-editable), it the track has
already been set to Drum or Percussion mode in Style Record.
Poly Tracks of this kind are polyphonic, i.e. they can play more than one
note at the same time.
Mono Tracks of this kind are monophonic, i.e. each new note stops the
previous note.
Mono Right A Mono track, with priority assigned to the rightmost (highest) note.
Mono Left A Mono track, with priority assigned to the leftmost (lowest) note.
Key and Velocity Range
You can program a key and velocity zone for each of the Keyboard Sounds.
Key range is useful to create a set of Keyboard tracks playing in different zones
of the keyboard. For example, you may have French Horns and Woodwinds
playing in the center range of the keyboard, while only Woodwinds play on
the higher range.
Velocity range is useful to create a sound made of up to three dynamic lay-
ers, assigning each of the Upper tracks to a different velocity zone. As an
example, you may choose El.Piano 1 as the Upper 1 Sound, and El.Piano 2 as
the Upper 2 Sound. Then, set Upper 1 to Bottom=0, Top=80, and Upper 2 to
Bottom=81, Top=127. The El.Piano 1 will play when playing softer, the El.Piano
2 when playing louder.