User Manual
Table Of Contents
- Let’s start!
- Playing and singing
- The SongBook
- Customizing and editing the Sound sets
- Customizing, recording and editing the Styles
- Customizing, recording and editing the Songs
- Customizing and editing the Sounds
- Listening and customizing the Sounds
- Editing the Sounds
- Setting the Sound’s basic parameters
- Setting the oscillator’s basic parameters
- Programming the Damper pedal
- Equalizing the Sound
- Setting the Drum Kit’s basic parameters
- Equalizing the Drum Kit
- Mixing and retriggering the drum samples
- Modulating pitch
- Programming the pitch envelope (Pitch EG)
- Programming the filters
- Modulating the filters
- Programming the filter envelope (Filter EG)
- Programming amplitude and pan
- Modulating amplitude
- Programming the amplitude envelope (Amp EG)
- Programming the LFO
- Adding effects to the Sound
- Sound Edit utilities
- AMS (Alternate Modulation Sources)
- Writing the Sounds
- Managing the User Samples
- The Effects
- Effects for the MIDI Sounds
- Adapting reverb to the room size
- Effects list
- DMS (Dynamic Modulation Sources)
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Limiter, Master EQ
- Effects for the MIDI Sounds
- Global settings, Preferences
- MIDI Connections
- MIDI
- Introduction to MIDI
- Quick settings using MIDI Presets
- MIDI communication settings
- Synchronizing Tempo with other instruments
- Programming the MIDI channels
- Installing the KORG USB MIDI Driver
- Connecting HAVIAN 30 to a personal computer or tablet
- Control Change messages
- Controlling the Styles and Player via MIDI
- MIDI
- File management
- Managing files
- Overview on file management
- Loading musical resources and settings
- Saving musical resources and settings
- Copying files and folders
- Deleting files and folders
- Selecting more items at once
- Formatting storage devices
- Backing up and restoring musical resources
- Connecting the internal drive to a personal computer
- Storage device management
- Exporting playlists
- Care of storage devices
- Managing files
- Appendix
176| Customizing the Styles
Choosing how to play chords (Chord Recognition mode)
You can play chords in the simplest (even simplified), or the most sophisti-
cate way. It’s at you how chords have to be played to be recognized.
1 Go to the Global > Mode Preferences > Style page.
As an alternative, keep the SHIFT button pressed and press the ST YLE PL AY
button to open the Style page.
2 Choose how to play chords by using the Chord Recognition menu.
Chord Recognition How to play chords
One Finger This mode is only available when the SPLIT indicator is turned on.
If you turn it off, the mode will automatically switch to Fingered.
With this mode, you can compose a chord using a simplied
chord playing technique:
• Play a single note for a Major chord to be recognized.
• Play the root note, plus a white key on the left, for a 7th. For
example, play C3 + B2 for a C7.
• Play the root note, plus a black key on the left, for a Minor chord.
For example, play C3 + Bb2 for a C minor.
• Play the root note, plus a white and a black key on the left, for a
Minor 7th. For example, play C3 + B2 + Bb2 for a C min 7.
One Finger Plus This mode works like One Finger. However, if you play complete
chords, it will recognize them as if you were in Fingered (3 Notes).
This way, you can play chords that One Finger cannot recognize.
Fingered (1 Note) When the SPLIT indicator is turned on, play one or more notes to
compose a chord. A full Major chord will be recognized even if
only a single note is played.
When the SPLIT indicator is turned off, play at least three notes to
compose a chord.
Fingered (3 Notes) Always play three or more notes for a chord to be recognized.