User Manual
Table Of Contents
- Let’s start!
- Playing and singing
- The SongBook
- Customizing and editing the Sound sets
- Customizing, recording and editing the Styles
- Customizing, recording and editing the Songs
- Customizing and editing the Sounds
- Listening and customizing the Sounds
- Editing the Sounds
- Setting the Sound’s basic parameters
- Setting the oscillator’s basic parameters
- Programming the Damper pedal
- Equalizing the Sound
- Setting the Drum Kit’s basic parameters
- Equalizing the Drum Kit
- Mixing and retriggering the drum samples
- Modulating pitch
- Programming the pitch envelope (Pitch EG)
- Programming the filters
- Modulating the filters
- Programming the filter envelope (Filter EG)
- Programming amplitude and pan
- Modulating amplitude
- Programming the amplitude envelope (Amp EG)
- Programming the LFO
- Adding effects to the Sound
- Sound Edit utilities
- AMS (Alternate Modulation Sources)
- Writing the Sounds
- Managing the User Samples
- The Effects
- Effects for the MIDI Sounds
- Adapting reverb to the room size
- Effects list
- DMS (Dynamic Modulation Sources)
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Limiter, Master EQ
- Effects for the MIDI Sounds
- Global settings, Preferences
- MIDI Connections
- MIDI
- Introduction to MIDI
- Quick settings using MIDI Presets
- MIDI communication settings
- Synchronizing Tempo with other instruments
- Programming the MIDI channels
- Installing the KORG USB MIDI Driver
- Connecting HAVIAN 30 to a personal computer or tablet
- Control Change messages
- Controlling the Styles and Player via MIDI
- MIDI
- File management
- Managing files
- Overview on file management
- Loading musical resources and settings
- Saving musical resources and settings
- Copying files and folders
- Deleting files and folders
- Selecting more items at once
- Formatting storage devices
- Backing up and restoring musical resources
- Connecting the internal drive to a personal computer
- Storage device management
- Exporting playlists
- Care of storage devices
- Managing files
- Appendix
188| Editing the Style Settings
Setting a key range and wrap-around
1 Go to the Style Play > Style Controls > KbdRng/Wrap page.
2 Use the Kbd Range On/Off checkbox to turn the Key Range on/off.
While in Style Record you can set a Key Range for each track of each Style
Element. You can save the general on/off status of the Key Range in the
Style Settings.
Kbd Range Meaning
On The Key Range is considered. When a track goes over the lower
or higher Key Range point, it is automatically transposed, to re-
main inside the programmed range.
Off No Key Range considered.
3 Use the Wrap Around knob to set a wrap-around point.
The wrap-around point is the highest key for the backing track. When the
detected chord’s pitch is too high, the Style pattern might be transposed to
a range that is too high, therefore sound unnatural. So, when the pattern
reaches the wrap-around point, it will jump to a lower octave.
It is advisable to set different wrap-around points for each track, to avoid
that all tracks ‘jump’ to a different octave at the same time. We suggest to
consider the actual range of the real instrument.
Wrap Around Meaning
1 … 12 Maximum transposition (in semitones) of the track, referred to the
original Key/Chord of the Style pattern.
▪ Write the Style Settings.










