User Manual
Table Of Contents
- Let’s start!
- Playing and singing
- The SongBook
- Customizing and editing the Sound sets
- Customizing, recording and editing the Styles
- Customizing, recording and editing the Songs
- Customizing and editing the Sounds
- Listening and customizing the Sounds
- Editing the Sounds
- Setting the Sound’s basic parameters
- Setting the oscillator’s basic parameters
- Programming the Damper pedal
- Equalizing the Sound
- Setting the Drum Kit’s basic parameters
- Equalizing the Drum Kit
- Mixing and retriggering the drum samples
- Modulating pitch
- Programming the pitch envelope (Pitch EG)
- Programming the filters
- Modulating the filters
- Programming the filter envelope (Filter EG)
- Programming amplitude and pan
- Modulating amplitude
- Programming the amplitude envelope (Amp EG)
- Programming the LFO
- Adding effects to the Sound
- Sound Edit utilities
- AMS (Alternate Modulation Sources)
- Writing the Sounds
- Managing the User Samples
- The Effects
- Effects for the MIDI Sounds
- Adapting reverb to the room size
- Effects list
- DMS (Dynamic Modulation Sources)
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Limiter, Master EQ
- Effects for the MIDI Sounds
- Global settings, Preferences
- MIDI Connections
- MIDI
- Introduction to MIDI
- Quick settings using MIDI Presets
- MIDI communication settings
- Synchronizing Tempo with other instruments
- Programming the MIDI channels
- Installing the KORG USB MIDI Driver
- Connecting HAVIAN 30 to a personal computer or tablet
- Control Change messages
- Controlling the Styles and Player via MIDI
- MIDI
- File management
- Managing files
- Overview on file management
- Loading musical resources and settings
- Saving musical resources and settings
- Copying files and folders
- Deleting files and folders
- Selecting more items at once
- Formatting storage devices
- Backing up and restoring musical resources
- Connecting the internal drive to a personal computer
- Storage device management
- Exporting playlists
- Care of storage devices
- Managing files
- Appendix
Preparing to record |203
NTT Type/Table Description
Parallel/No Transpose The chord is not modied, and is moved to the new key un-
changed. The pattern plays exactly the recorded notes, and is
moved to the new key as it is. This is the standard setting of Intro
1 and Ending 1 in KORG’s original Styles (where a chord progres-
sion is usually recorded, and should remain unchanged in any
key).
Fixed/Chord This table moves as few notes as possible, making legato lines
and chord changes more natural. It is ideally suited to chord
tracks (strings, piano etc...). Contrary to the Parallel mode, the pro-
grammed chord is not transposed according to the Wrap Around
parameter, but always stays around its original position, looking
for common notes between the chords.
Fixed/No Transpose The programmed notes can only be transposed by the Master
Transpose. They are never transposed when chords are changed.
To conform to KORG specifications, it is advisable to set the NTT to “No
Transpose” on the Intro 1 and Ending 1.
Choosing Sounds for the Style tracks
You can assign Sound to each track of the Style. These Sounds will be used
if the Original Style Sounds parameter found in the Style Play > Volume
(Style View) page is left unchecked.
1 Go to the Style Record > Record 2/Cue page to choose Sounds for the Style
tracks.
Octave Transpose
Sound icon
2 Touch a Sound icon to select the corresponding track.
3 Touch it again, to open the Sound Select window and choose the Sound for
the corresponding Style track.
Transposing the Style Sounds
You can only set the Octave Transpose while in Style Play mode. If you
want to transpose a Style track, exit recording, then edit and save the Style
Settings.