User Manual
Table Of Contents
- Let’s start!
- Playing and singing
- The SongBook
- Customizing and editing the Sound sets
- Customizing, recording and editing the Styles
- Customizing, recording and editing the Songs
- Customizing and editing the Sounds
- Listening and customizing the Sounds
- Editing the Sounds
- Setting the Sound’s basic parameters
- Setting the oscillator’s basic parameters
- Programming the Damper pedal
- Equalizing the Sound
- Setting the Drum Kit’s basic parameters
- Equalizing the Drum Kit
- Mixing and retriggering the drum samples
- Modulating pitch
- Programming the pitch envelope (Pitch EG)
- Programming the filters
- Modulating the filters
- Programming the filter envelope (Filter EG)
- Programming amplitude and pan
- Modulating amplitude
- Programming the amplitude envelope (Amp EG)
- Programming the LFO
- Adding effects to the Sound
- Sound Edit utilities
- AMS (Alternate Modulation Sources)
- Writing the Sounds
- Managing the User Samples
- The Effects
- Effects for the MIDI Sounds
- Adapting reverb to the room size
- Effects list
- DMS (Dynamic Modulation Sources)
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Limiter, Master EQ
- Effects for the MIDI Sounds
- Global settings, Preferences
- MIDI Connections
- MIDI
- Introduction to MIDI
- Quick settings using MIDI Presets
- MIDI communication settings
- Synchronizing Tempo with other instruments
- Programming the MIDI channels
- Installing the KORG USB MIDI Driver
- Connecting HAVIAN 30 to a personal computer or tablet
- Control Change messages
- Controlling the Styles and Player via MIDI
- MIDI
- File management
- Managing files
- Overview on file management
- Loading musical resources and settings
- Saving musical resources and settings
- Copying files and folders
- Deleting files and folders
- Selecting more items at once
- Formatting storage devices
- Backing up and restoring musical resources
- Connecting the internal drive to a personal computer
- Storage device management
- Exporting playlists
- Care of storage devices
- Managing files
- Appendix
Recording a Guitar track |213
Recording a Guitar track
Simulating a real guitar
Guitar Mode allows for easy creation of realistic rhythm guitar parts, without
the artificial, unmusical playing typical of MIDI programming of guitar parts.
Just record a few measures, and you will end up with realistic rhythm guitar
tracks, where each chord is played according to its real position on the gui-
tar, and not generated by simply transposing a written pattern.
Recording a Guitar track is unlike recording the other tracks, where you play
exactly all the notes of a melody line or all the chords of an accompaniment
part. With Guitar tracks you can either:
▪ Play the keys corresponding to the strumming modes.
▪ Play an arpeggio using the six keys corresponding to the six guitar strings
(and the special keys corresponding to the root and fifth notes).
▪ Play RX Noises to add realism to the pattern.
▪ Add regular patterns, for short melodic passages without wasting an Acc
track.
▪ Use the finest MIDI programing to select Chord Shapes, and recreate any
nuance of a guitar performance.
Preliminary settings
Accessing Guitar Mode
1 While in one of the Style Record > Record pages, select a track set to the
Guitar type.
To set a track to the Guitar type, go to the Style Record > Track Controls >
Type/Trigger/Tension page.
After having select a Guitar track, the Style Record > Guitar Mode page
become available.