User Manual
Table Of Contents
- Let’s start!
- Playing and singing
- The SongBook
- Customizing and editing the Sound sets
- Customizing, recording and editing the Styles
- Customizing, recording and editing the Songs
- Customizing and editing the Sounds
- Listening and customizing the Sounds
- Editing the Sounds
- Setting the Sound’s basic parameters
- Setting the oscillator’s basic parameters
- Programming the Damper pedal
- Equalizing the Sound
- Setting the Drum Kit’s basic parameters
- Equalizing the Drum Kit
- Mixing and retriggering the drum samples
- Modulating pitch
- Programming the pitch envelope (Pitch EG)
- Programming the filters
- Modulating the filters
- Programming the filter envelope (Filter EG)
- Programming amplitude and pan
- Modulating amplitude
- Programming the amplitude envelope (Amp EG)
- Programming the LFO
- Adding effects to the Sound
- Sound Edit utilities
- AMS (Alternate Modulation Sources)
- Writing the Sounds
- Managing the User Samples
- The Effects
- Effects for the MIDI Sounds
- Adapting reverb to the room size
- Effects list
- DMS (Dynamic Modulation Sources)
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Limiter, Master EQ
- Effects for the MIDI Sounds
- Global settings, Preferences
- MIDI Connections
- MIDI
- Introduction to MIDI
- Quick settings using MIDI Presets
- MIDI communication settings
- Synchronizing Tempo with other instruments
- Programming the MIDI channels
- Installing the KORG USB MIDI Driver
- Connecting HAVIAN 30 to a personal computer or tablet
- Control Change messages
- Controlling the Styles and Player via MIDI
- MIDI
- File management
- Managing files
- Overview on file management
- Loading musical resources and settings
- Saving musical resources and settings
- Copying files and folders
- Deleting files and folders
- Selecting more items at once
- Formatting storage devices
- Backing up and restoring musical resources
- Connecting the internal drive to a personal computer
- Storage device management
- Exporting playlists
- Care of storage devices
- Managing files
- Appendix
214| Recording the Styles
2 Go the Style Record > Guitar Mode page.
Choosing a Key/Chord for Intro 1 and Ending 1
The pattern is recorded in the key indicated by the Key/Chord pair of param-
eters. However, this parameter is only used for playback by the Intro 1 and
Ending 1 Style Elements. All other Style Elements will be played back accord-
ing to the recognized chord.
This parameter pair works in a different way than the other tracks. While
with other tracks this is always the reference key used for NTT transposi-
tion, with Guitar tracks there is a difference, whether you are recording a
Chord Variation contained in an Intro 1 or Ending 1 Style Element, or any
other Chord Variation:
▪ With Intro 1 and Ending 1, this chord will be used as the reference key for the
chord progression.
▪ With all the other Chord Variations, this chord will be used only for listening
during recording. During playback in Style Play mode, the chord will follow
chord recognition.
With Intro 1 and Ending 1 (both Chord Variation 1 and 2) you can also prefer
to enter a chord progression, to be played on the lowest MIDI octave (from
C-1 to B-1). Chord types are inserted by using velocity values, as shown in the
following table: