User Manual
Table Of Contents
- Let’s start!
- Playing and singing
- The SongBook
- Customizing and editing the Sound sets
- Customizing, recording and editing the Styles
- Customizing, recording and editing the Songs
- Customizing and editing the Sounds
- Listening and customizing the Sounds
- Editing the Sounds
- Setting the Sound’s basic parameters
- Setting the oscillator’s basic parameters
- Programming the Damper pedal
- Equalizing the Sound
- Setting the Drum Kit’s basic parameters
- Equalizing the Drum Kit
- Mixing and retriggering the drum samples
- Modulating pitch
- Programming the pitch envelope (Pitch EG)
- Programming the filters
- Modulating the filters
- Programming the filter envelope (Filter EG)
- Programming amplitude and pan
- Modulating amplitude
- Programming the amplitude envelope (Amp EG)
- Programming the LFO
- Adding effects to the Sound
- Sound Edit utilities
- AMS (Alternate Modulation Sources)
- Writing the Sounds
- Managing the User Samples
- The Effects
- Effects for the MIDI Sounds
- Adapting reverb to the room size
- Effects list
- DMS (Dynamic Modulation Sources)
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Limiter, Master EQ
- Effects for the MIDI Sounds
- Global settings, Preferences
- MIDI Connections
- MIDI
- Introduction to MIDI
- Quick settings using MIDI Presets
- MIDI communication settings
- Synchronizing Tempo with other instruments
- Programming the MIDI channels
- Installing the KORG USB MIDI Driver
- Connecting HAVIAN 30 to a personal computer or tablet
- Control Change messages
- Controlling the Styles and Player via MIDI
- MIDI
- File management
- Managing files
- Overview on file management
- Loading musical resources and settings
- Saving musical resources and settings
- Copying files and folders
- Deleting files and folders
- Selecting more items at once
- Formatting storage devices
- Backing up and restoring musical resources
- Connecting the internal drive to a personal computer
- Storage device management
- Exporting playlists
- Care of storage devices
- Managing files
- Appendix
Quick Recording a Backing Sequence Song |289
Second-take recording (Overdubbing)
You may want to record an additional ‘grouped’ track, or replace a previously
recorded track. A good idea may be to record all chords and Style Element
changes during the first take, then record Keyboard tracks during the sec-
ond take.
1 Press the RECORD button to enter Record mode again. When the Song
Record Mode Select dialog box appears, select Backing Sequence (Quick
Record) again.
2 If you are recording just one of the “grouped” tracks, set to Play the track to
be preserved. For example, if you only want to record the Keyboard tracks
again, set the Kbd track to Rec, and the Ch/Acc track to Play.
3 Press the START/STOP button to start recording the selected track. With
the above example, chords will play as recorded; you can record what you
play on the keyboard.
4 Repeat the recording procedure, and press the START/STOP button to stop
recording and return to the main page of the Sequencer mode.
5 While in the main page of the Sequencer mode, press the PLAY/STOP (
)
button to listen to the recorded Song.
6 Save the Song to a storage device, to avoid losing it when the instrument
enters standby.
Saving the Song
▪ When finished recording the new Song, go to the main page of the Sequencer
mode and choose the Save Song command from the page menu to save the
Song.
More details are later in this section.