User Manual
Table Of Contents
- Let’s start!
- Playing and singing
- The SongBook
- Customizing and editing the Sound sets
- Customizing, recording and editing the Styles
- Customizing, recording and editing the Songs
- Customizing and editing the Sounds
- Listening and customizing the Sounds
- Editing the Sounds
- Setting the Sound’s basic parameters
- Setting the oscillator’s basic parameters
- Programming the Damper pedal
- Equalizing the Sound
- Setting the Drum Kit’s basic parameters
- Equalizing the Drum Kit
- Mixing and retriggering the drum samples
- Modulating pitch
- Programming the pitch envelope (Pitch EG)
- Programming the filters
- Modulating the filters
- Programming the filter envelope (Filter EG)
- Programming amplitude and pan
- Modulating amplitude
- Programming the amplitude envelope (Amp EG)
- Programming the LFO
- Adding effects to the Sound
- Sound Edit utilities
- AMS (Alternate Modulation Sources)
- Writing the Sounds
- Managing the User Samples
- The Effects
- Effects for the MIDI Sounds
- Adapting reverb to the room size
- Effects list
- DMS (Dynamic Modulation Sources)
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Limiter, Master EQ
- Effects for the MIDI Sounds
- Global settings, Preferences
- MIDI Connections
- MIDI
- Introduction to MIDI
- Quick settings using MIDI Presets
- MIDI communication settings
- Synchronizing Tempo with other instruments
- Programming the MIDI channels
- Installing the KORG USB MIDI Driver
- Connecting HAVIAN 30 to a personal computer or tablet
- Control Change messages
- Controlling the Styles and Player via MIDI
- MIDI
- File management
- Managing files
- Overview on file management
- Loading musical resources and settings
- Saving musical resources and settings
- Copying files and folders
- Deleting files and folders
- Selecting more items at once
- Formatting storage devices
- Backing up and restoring musical resources
- Connecting the internal drive to a personal computer
- Storage device management
- Exporting playlists
- Care of storage devices
- Managing files
- Appendix
326| Editing the Sounds
Limiting the number of oscillators when polyphony is low
▪ Use the Low priority parameter to allow the highest-numbered oscillators to
be turned off when the instrument is short on voices. Keep in mind that, with
a dense polyphony, missing oscillators might not even be heard.
Low Priority Meaning
0 No oscillator will be turned off in any case.
1 The highest-numbered oscillator will be turned off, if needed.
2 The two highest-numbered oscillators can be turned off, one after
the other, if needed.
[n]…24 The n-numbered oscillators (up to 24) can be turned off, one after
the other, if needed.
Limiting transpose to a defined key range
Some parts of the Sound, in a keyboard range containing special effects, can
fall out of the Transpose Range.
▪ Use the Transpose Range (Top Key and Bottom Key) parameters to limit
transposition to a defined key range. Notes will only be transposed if falling
inside this range.
This is useful to avoid RX Sounds to be transposed (therefore reassigned do
different sounds) when transposing a Sound. Set these values so that all RX
Noises assigned to any oscillator will fall out of the Transpose Range. For
example, if you assigned an RX Noise to a G7 on OSC1, and an RX Noise to an
A7 on OSC2, set the Top Key value no higher than F#7 (just below the lowest
RX Noise).